In the most important theory of time since Heidegger, Deleuze challenges Kant's unity of apperception, as well as the phenomenological account of time. This book, using the principles of structuralism, exposes how Freud's unconscious mechanisms synthesize time. It also gives a vibrant and original account of Deleuze's theory of the pure Event using detailed examples from Hamlet and Oedipus, as well as Nietzsche's doctrine of the eternal return. This book is essential reading for students and scholars who wish to understand Deleuze's dissolved subject as well as our modern sense of fragmented time.
In the most important theory of time since Heidegger, Deleuze challenges Kant's unity of apperception, as well as the phenomenological account of time. This book, using the principles of structuralism, exposes how Freud's unconscious mechanisms synthesize time. It also gives a vibrant and original account of Deleuze's theory of the pure Event using detailed examples from Hamlet and Oedipus, as well as Nietzsche's doctrine of the eternal return. This book is essential reading for students and scholars who wish to understand Deleuze's dissolved subject as well as our modern sense of fragmented time.
“We're seeing people that we didn't know exist,” the director of FEMA acknowledged in the wake of Hurricane Katrina. Sacral Grooves, Limbo Gateways offers a corrective to some of America's institutionalized invisibilities by delving into the submerged networks of ritual performance, writing, intercultural history, and migration that have linked the coastal U.S. South with the Caribbean and the wider Atlantic world. This interdisciplinary study slips beneath the bar of rigid national and literary periods, embarking upon deeper—more rhythmic and embodied—signatures of time. It swings low through ecologies and symbolic orders of creolized space. And it reappraises pluralistic modes of knowledge, kinship, and authority that have sustained vital forms of agency (such as jazz) amid abysses of racialized trauma. Drawing from Haitian Vodou and New Orleanian Voudou and from Cuban and South Floridian Santería, as well as from Afro-Baptist (Caribbean, Geechee, and Bahamian) models of encounters with otherness, this book reemplaces deep-southern texts within the counterclockwise ring-stepping of a long Afro-Atlantic modernity. Turning to an orphan girl's West African initiation tale to follow a remarkably traveled body of feminine rites and writing (in works by Paule Marshall, Zora Neale Hurston, Lydia Cabrera, William Faulkner, James Weldon Johnson, and LeAnne Howe, among others), Cartwright argues that only in holistic form, emergent from gulfs of cross-cultural witness, can literary and humanistic authority find legitimacy. Without such grounding, he contends, our educational institutions blind and even poison students, bringing them to “swallow lye,” like the grandson of Phoenix Jackson in Eudora Welty's “A Worn Path.” Here, literary study may open pathways to alternative medicines—fetched by tenacious avatars like Phoenix (or an orphan Kumba or a shell-shaking Turtle)—to remedy the lies our partial histories have made us swallow.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.