Rejected but Still Prevailing will entirely change the way you view rejection. It will motivate you in ways you never thought possible. It will also provide some insight on where rejection starts and how to handle rejection from a girlfriend or boyfriend. Rejection will be shown from a biblical viewpoint also. You will laugh at different chapters seeing yourself in some of my experiences. You will learn and grow and be able to deal with rejection like never before. Your entire perception about dealing with rejection will be changed.
Enduring poems that distill hope from despair, love from sorrow, and courage from ambivalence. In this spare and elegant collection, distinguished poet Keith Taylor demonstrates his finest power of observation, watching the natural and human world go by. What Can the Matter Be? considers aging and death—of the self, of animals, of the earth—as well as place, and how rootedness in place allows a sturdy vantage point from which to see and reflect on the wider world. In poems and prose both grave and gleeful, Taylor controls the line and the lyric with experience and care. His curiosity and admiration for nature shine through in poems such as "Under Their Mortal Glory" and "The Gleaners," while "Responsibilities" and "That Room in Alberta" contrast the minutia of individually lived moments against the global, uncontrollable decay of nature and societies. And then there are moments of sheer delight, as in "Twenty-Three Nuns on Warren Road." Together, these nuanced and often surprising works urge empathy and call out in sorrow, love, and hope for the world.
A lyrical and accessible collection that explores both the landscape of Michigan and the inner life of one person who lives there. If the World Becomes So Bright is a powerful new collection from accomplished Michigan poet Keith Taylor. In an approachable, intimate, and contemplative voice, Taylor's poems offer quiet observation of the landscapes the poet encounters. His poems reflect a Romantic sensibility and a modern inventiveness as he travels from Michigan to Cape Hatteras to the Irish countryside and moves in reflection from uncritical observation to self-questioning to exultations of gratitude and peace. The world—however small and immediate—becomes bright in this collection, as Taylor's careful lines trace our connections with the mundane but important details of our lives, details found in the natural environment, with family members, and in our daily habits. If the World Becomes So Bright is filled with the fauna and flora of Michigan wilderness, even when that wilderness is no farther away than the backyard. Taylor explores picturesque settings like Isle Royale in the Upper Peninsula, the waters of Lake Michigan, and his home in Ann Arbor, as well as settings that are a world away, all with a reverent and careful eye. He also trains the same studied observation on his inner world as he wrestles with the meanings of everyday occurrences, like visiting a deserted churchyard, following the migrations of birds through his yard, and watching his daughter grow up. Taylor's voice throughout is insightful and curious, always thankful, and sometimes self-deprecating, sharing lessons while reflecting on all that is left to learn. Readers will recognize in If the World Becomes So Bright not only a real and familiar speaker but also universal themes of insecurity, deliberation, and discovery. General readers of poetry, as well as fans of Taylor's other work, will enjoy If the World Becomes So Bright.
Short poems that look closely at small moments in a personal history, in art, and in the natural world. "A Bird-while. In a natural chronometer, a Bird-while may be admitted as one of the metres, since the space most of the wild birds will allow you to make your observations on them when they alight near you in the woods, is a pretty equal and familiar measure" (Ralph Waldo Emerson's Journal, 1838). Without becoming didactic or pedantic about the spiritual metaphor hidden in the concept of the "bird-while," Keith Taylor's collection evokes certain Eastern meditative poets who often wrote in an aphoristic style of the spirit or the mind mirroring specific aspects of the natural world. The Bird-while is a collection of forty-nine poems that meditate on the nature—both human and non-human—that surrounds us daily. Taylor is in the company of naturalist poets such as Gary Snyder and Mary Oliver—poets who often drew from an Emersonian sensibility to create art that awakens the mind to its corresponding truths in the natural world. The book ranges from the longer poem to the eight line, unrhymed stanza similar to that of the T'ang poet Han-Shan. And without section breaks to reinforce the passing of time, the collection creates greater fluidity of movement from one poem to the next, as if there is no beginning or end, only an eternal moment that is suspended on the page. Tom Pohrt's original illustrations are scattered throughout the text, adding a stunning visual element to the already vivid language. The book moves from the author's travel accounts to the destruction of the natural world, even species extinction, to more hopeful poems of survival and the return of wildness. The natural rhythm is at times marred by the disturbances of the twenty-first century that come blaring into these meditations, as when a National Guard jet rumbles over the treeline upsetting a hummingbird, and yet, even the hummingbird is able to regain its balance and continue as before. At its core, Taylor's collection is a reminder of Emerson's idea that natural facts are symbols of spiritual facts. These well-crafted poems will be easily accessible to any literary audience, with a more particular attraction to readers of contemporary poetry sensitive to the marriage of an Eastern sensibility with contemporary American settings and scenes.
First Published in 1982. In this book, Taylor has selected for special attention the work of Saint-Simon and his disciples (the SaintSimonians), Owen, Fourier, Cabet, and Weitling - those thinkers who made the most important contributions to the development of early socialist theory. The author discusses the designation of 'utopian' which entered into the conventional vocabulary of the history of ideas, and is now used almost without question. This title argues that these thinkers were certainly utopian in the sense that they sought to describe the structure of an ideal future society.
This entertaining and humourous book is laid out in twelve country chapters - each chapter detailing recipes and suggesting menus, from that country, thus effectively giving you a choice of twelve ethnic restaurants to imitate. The countries are: Great Britain, France, Italy, Spain, Morocco, Greece, Turkey, Goa, India, Thailand, China and North America. Within each chapter are detailed recipes using that country's local ingredients, allowing the choice to construct a one, two or three course ethnic meal - Firstly a soup and starter, then a choice between fish or shellfish in a seafood section. For the main course choice recipes are provided using the following as their dominant ingredient: Beef, Lamb, and Pork (where permitted) Chicken, Game, Offal and a Veggie option. Finally a pudding recipe is offered. Penned by a retired grumpy Old Man as a guide for fellow harassed males allowing them to transport and manufacture their favorite cuisine to their own dining room - instead of traveling miles to find an ethnic restaurant in which to spend a fortune on grub they can easily cook themselves - saving a good few quid and allowing them to do their impression of the late and much lamented Keith Floyd, without worrying about the boys in blue on the way home, also putting them on their bride's team, providing they clean up after themselves in HER kitchen...
He Awoke In A Place That Couldn't Be An acrobat, trick rider, and midget, his world was the circus. This new world of Barcui was a nightmare to him. Bare survival tried him to his limits. Yet he found one amazing compensation. On Barcui, his size was normal. He discovered that among the first men he met . . . the men who carried the deadly . . . LANCES OF NENGESDUL PRAISE FOR KEITH TAYLOR'S BARD SERIES: "For lovers of magic, history, and/or swashbuckling adventure, BARD is an exciting novel!" —Science Fiction Review
Veteran environmental tutor and retired countryside ranger Keith Taylor seeks out spiritual and visual riches as he undertakes a year travelling to locations that have always intrigued him or may offer a fresh relationship with the outdoors, both through his own seasonally aware eyes and those of equally restless colleagues. Here, in The Seasonal Eye, he takes the reader through extreme parts of Britain, from the foot of an oak in Savernake Forest, Wiltshire, to the caves of a Nottingham border ice age sanctuary, our coastlines and nature reserves now managed by our county naturalists trusts and the varied terrains of the Cairngorms. This inquisitive man invites us to join him in his quests to discover how the compulsion to merge supposition with reality provides a clearer understanding of the precarious yet adaptive environmental issues that surround us all.
A master of war and a mistress of magic—battling for rule of ancient Ireland! AN ISLAND AT WAR True, they are a strange couple... Cena, noble Queen of the Danans, and Sixarms, savage chieftain of the Freths. Yet a match between them would unite the two tribes and end the fighting that bloodies the island that will someday be known as Ireland. Yet there are plenty among their peoples who oppose the union—and one who would stoop to treachery to prevent it—treachery and magic. PRAISE FOR KEITH TAYLOR'S BARD SERIES: "For lovers of magic, history, and/or swashbuckling adventure, BARD is an exciting novel!" —Science Fiction Review
The champion of ancient Ireland—on a quest for blood and magic! A WARRIOR'S QUEST The swordplay of Oghmal, brother to the Queen of the Danans, is celebrated throughout the isle of Tirtangir. Yet nowhere can he find a weapon worthy of his warrior's prowess. Legend has it that a blade fashioned from a fallen star will be indestructible...and will defeat all sorceries and spells. For such a star-stone, Oghmal must leave the shores of ancient Ireland and journey in search of an enchanted island—one which appears only at sunset, shining beneath the sea, or floating in the sky at sunrise. There the secret lies...and peril beyond imagining. PRAISE FOR KEITH TAYLOR'S BARD SERIES: "For lovers of magic, history, and/or swashbuckling adventure, BARD is an exciting novel!" —Science Fiction Review
A POET AND A PIRATE, THEY WERE THE DEADLIEST TEAM ON THE NORTHERN SEAS HE IS FELIMID MAC FAL, once a bard of Ireland. Now he uses his wits and his magic in the service of his lover, the most notorious pirate on the seas of ancient Britain. SHE IS GUDRUN BLACKHAIR, the lusty, legendary pirate chieftain who commands the sorcerous ship "Ormungandr" and numbers the shape-shifting Children of Lir among her crew. Together they've sailed through adventure after adventure, and never known defeat. But Gudrun's many enemies are gathering, and Odin himself will lead them into battle against her. How can a poet and a pirate hope to defeat a god?
Rodriguez recalls his inspirational journey from his childhood as a poor immigrant to the highest levels of the department of education under four presidents.
The life patterns of the bird species that we see every day are all linked in various ways to the world of survival, much like our own. Between these pages, naturalist and retired countryside ranger Keith Taylor takes the reader through the network of survival tactics of the bird species that may be encountered daily, depending on where the reader lives. Included are autobiographical portraits, recollections of the pioneering days of BBC wildlife radio programmes, and wildlife photography adventures and the techniques involved. In Closing in on Our Everyday Birds, the author aims at involving readers in that fascinating place - their local patch, which beckons just beyond the doorstep.
FELIMID MAC FAL IS BACK . . . WITH THE BEAUTIFUL PIRATE GUDRUN BLACKHAIR AT HIS SIDE! I am called Felimid mac Fal. I am a bard of the old blood, a lesser degree of Druid. Where I come from, bards have been known to sing armies to defeat or victory and kings off their thrones or on to them. Descended from the faery folk, the Tuatha de Danann, my line's been poets and harpers in Erin since the world was new, and magic's in our heart-marrow. She is called Gudrun Blackhair . . . as well as names a good deal less polite. She is the most dangerous pirate on the open seas, master of the enchanted ship Ormungandr, and the woman of my heart. If you wish to know more than that, ask the ballad, singers and gossip mongers at any tavern. Half of what you hear will be fact, half will be lies, and even I can no longer separate the two. Yet this story perhaps the strangest of them all, of shapeshifters and sorceresses and the sea-dwelling Children of Lir, is naught but the gods' own truth. . . . on my honor as a bard.
THE ANCIENT MAGIC OF IRELAND LET LOOSE IN THE STRINGS OF A HARP…. The wilderness of oak, ash, and thorn that men call the Forest of Andred existed long before the Saxons entered Britain, or Caesar's legions pressed against Kentish resistance, and even before the first iron-using Celts set foot on the island. Here lives the clan of mandrake—the strange, gnarled vegetable folk. Here trods the unicorn, with blue vapor curling softly from nostrils soft as a woman's breast and dainty, precise hooves lethal as maces. Here are the sacred groves long abandoned, where Druids once fed the trees with human blood. Through this forest of sorcery and a society governed by the sword travels Felimid mac Fal, Bard of Erin, descendant of Druids and the Tuatha de Danann—the ancient faery race of Ireland, armed only with his harp and the fierce magical power of his poetry....
This book provides both an introduction to utopianism and a general perspective on radical political thought. Vigorously disputing the widespread conviction that utopianism is a fantasy with no relevance to modern political life and thought, the authors argue that it is a concept whose special virtue lies in its capacity to transcend the limitations of present circumstances, to inspire alternative thinking and to open up new directions for political action. This book develops an approach which relates social causes to political theory and practice. The first part discusses utopianism as a form of political theory with unique characteristics and the ability to transcend the present. The second part considers utopianism as an expression of fundamental social impulses and as an ingredient of modern political movements. The third part offers a defence of utopianism as both theory and practice, and argues for its use to counteract the pragmatism and narrow empiricism which often passes for political «realism» in modern societies. This reissue of a popular and well-received landmark text contains a new preface.
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