This book charts contemporary developments in counter-extremism within the UK education sector. Set against the background of the controversial Prevent strategy the book focuses on the expansion of counter‐extremism into education and draws on key legislation such as the Counter Terrorism and Security Act (2015) that imposed a statutory counter-extremism duty on public sector workers in the UK. The authors provide a wide-ranging critique that draws on theories of surveillance and power, an international review of counter‐extremism educational initiatives and a series of interviews with UK lecturers. Terrorism in the Classroom highlights the problems that occur when counter-extremism becomes an objective of education and a part of the curriculum, as well as the anxiety that is felt by educators who have been deputised into the role of counter-extremism practitioners. It will be of interest to students and scholars across a range of disciplines, including Criminology, International Relations, Politics and Education.
When businesses are required to send customer data to government, their systems and their employees become part of a wider security framework. Their commercial activities become shot through with insecurities and they are placed in a kind of double jeopardy: a failure to address these regulations can result in both national and commercial insecurity. The Private Security State? is the first full-length academic text to address the enrolment of the private sector in national security surveillance regimes. Through detailed empirical analysis, it questions how private organizations achieve compliance with demands for customer data. The book revolves around case studies of two public-private surveillance regimes: Anti-Money Laundering/Counter Terror Finance in retail financial services and the EBorders in the retail travel industry.
Keith Haring is synonymous with the downtown New York art scene of the 1980's. His artwork-with its simple, bold lines and dynamic figures in motion-filtered in to the world's consciousness and is still instantly recognizable, twenty years after his death. This Penguin Classics Deluxe Edition features ninety black-and-white images of classic artwork and never-before-published Polaroid images, and is a remarkable glimpse of a man who, in his quest to become an artist, instead became an icon. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Capturing the extraordinary within the ordinary moment, seventy-five black-and-white photographs, many never before published, span the artist's career and are accompanied by his own account of his life and artistic development in Beaumont, Texas. UP.
Art icon of the 1980s, Keith Haring first gained attention in the late 1970s for his drawings in the New York City subways. Over the next decade his subway graffiti, murals, sculptures and paintings gained worldwide recognition. Harings meteoritic artistic career spanned from 1980 to 1990, and in this brief period his boundless energy led him to produce an enormous quantity of legendary works. Here Harings work is re-examined from the perspective of his relations not just with Pop Art and the Neo-Pop movement, but also with Flemish painting and the historic avant-garde movements, reflecting the evolution of his creative poetics and the legacy he left.
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