The idea that we might be robots is no longer the stuff of science fiction; decades of research in evolutionary biology and cognitive science have led many esteemed scientists to the conclusion that, according to the precepts of universal Darwinism, humans are merely the hosts for two replicators (genes and memes) that have no interest in us except as conduits for replication. Richard Dawkins, for example, jolted us into realizing that we are just survival mechanisms for our own genes, sophisticated robots in service of huge colonies of replicators to whom concepts of rationality, intelligence, agency, and even the human soul are irrelevant. Accepting and now forcefully responding to this decentering and disturbing idea, Keith Stanovich here provides the tools for the "robot's rebellion," a program of cognitive reform necessary to advance human interests over the limited interest of the replicators and define our own autonomous goals as individual human beings. He shows how concepts of rational thinking from cognitive science interact with the logic of evolution to create opportunities for humans to structure their behavior to serve their own ends. These evaluative activities of the brain, he argues, fulfill the need that we have to ascribe significance to human life. We may well be robots, but we are the only robots who have discovered that fact. Only by recognizing ourselves as such, argues Stanovich, can we begin to construct a concept of self based on what is truly singular about humans: that they gain control of their lives in a way unique among life forms on Earth—through rational self-determination.
Treasury of the celebrated philosopher and wit's observations on education, humor, religion, politics, class, and many other subjects. Includes excerpts from writings on Austen, Dickens, Shaw, and other literary luminaries.
City Limits contributes to a growing body of work under the umbrella of 'cultural criminology'. It incorporates an impressive array of literature from beyond the boundaries of traditional criminology and makes a challenging and enlightening read.
This e-book presents the works of this famous and brilliant writer: - The Man Who Was Thursday: A Nightmare - The Innocence of Father Brown - Orthodoxy - The Wisdom of Father Brown - Heretics - What's Wrong with the World - All Things Considered - The Ballad of the White Horse - Tremendous Trifles - Orthodoxy - The Man Who Knew Too Much - A Short History of England - The Napoleon of Notting Hill - What I Saw in America - Manalive - The Ball and the Cross - Eugenics and Other Evils - The Victorian Age in Literature - The Defendant - George - The Club of Queer Trades - A Miscellany of Men - Magic - Twelve Types - The Innocence of Father Brown - Appreciations and Criticisms of the Works of Charles Dickens - Utopia of Usurers and Other Essays - The Crimes of England - The New Jerusalem - Poems - Alarms and Discursions - The Trees of Pride - Varied Types - The Barbarism of Berlin - Wine, Water, and Song - A Chesterton Calendar - Robert Browning - The Man Who Knew Too Much - Hilaire BellocC. Creighton Mandell and Edward Shanks - The Man Who was Thursday, A Nightmare - The Wild Knight and Other Poems - Greybeards at Play: Literature and Art for Old Gentlemen - Lord Kitchener - The Wisdom of Father Brown - The Appetite of Tyranny: Including Letters to an Old Garibaldian - The Ballad of St. Barbara, and Other Verses - etc.
Coal is a topic that has been, remains, and will continue to be of significant interest to those concerned with the causes, course and consequences of industrialization and de-industrialization. This six-volume, reset collection provides scholars with a wide variety of sources relating to the Victorian coal industry.
It is 1973, and the Los Angeles Presse-Syndicat’s thirtyish music-arts “stringer” Axel Haberley believes in the arts’ cross-fertilization. With a passion for Vincent Van Gogh, an editor willing to let him “file pieces” from abroad, and passable college French, Axel plans a cultural wanderjahr. The Van Gogh Quartet is a true story which reads like a novel. Travelling with his young love interest Daphne, and stumbling onto an unknown Van Gogh work, what “Axie” really finds is the subject on his own canvas: Himself. THE VAN GOGH QUARTET reveals a picaresque best—the treasure which is one’s own life’s meaning.
A commanding study of the motivational speech of military leaders across the centuries In this groundbreaking examination of the symbolic strategies used to prepare troops for imminent combat, Keith Yellin offers an interdisciplinary look into the rhetorical discourse that has played a prominent role in warfare, history, and popular culture from antiquity to the present day. Battle Exhortation focuses on one of the most time-honored forms of motivational communication, the encouraging speech of military commanders, to offer a pragmatic and scholarly evaluation of how persuasion contributes to combat leadership and military morale. In illustrating his subject's conventions, Yellin draws from the Bible, classical Greece and Rome, Spanish conquistadors, and American military forces. Yellin is also interested in how audiences are socialized to recognize and anticipate this type of communication that precedes difficult team efforts. To account for this dimension he probes examples as diverse as Shakespeare's Henry V, George C. Scott's portrayal of General George S. Patton, and team sports.
Postmodernity has been dubbed the great transformation in society and culture, yet in this book Keith Tester casts a cautious eye on such grandiose claims. Drawing on a range of themes and stories from European sociology and literature, Tester shows how many of the great statements about postmodernityare misleading. Tester argues that "postmodernity" is not so much the harbinger of new world expression as it is a parasite of modernity, feeding off its predecessor's unresolved paradoxes and possibilities. This book provides a wealth of sources which are usually denigrated or ignored in the debates on postmodernity. As such, it sheds light on old claims, yet never fails to acknowledge the profound insights of sociologists and other authors.The Life and Times of Postmodernityis an elaboration of the themes which Tester raised in his earlier books,The Two SovereignsandCivil Society, both published by Routledge.
Three related themes are examined in this fascinating study: the social dynamics of race relations in Union Army camps, the relationship that evolved between Southern and Northern black soldiers, and the role off-duty activities played in helping the soldiers meet the demands of military service and the challenges of freedom. By vividly portraying the soldiers' camp life and by carefully analyzing their collective memory, the author sets the camp experience in the broader context of social and political change.
Given the complexity and expense of making and distributing a film, the process of filmmaking is by its very nature a political process. Moreover, given the power and persuasiveness of the cinema as a medium, film can be a powerful political tool. It should thus come as no surprise that film has had a long and extensive engagement with a variety of political topics, ranging from the actual mechanics of governance to electoral politics, to any number of specific political issues. Through a film-by-film examination of the movies explicitly concerned with American politics and American political issues, From Box Office to Ballot Box provides valuable new insights into our culture's perceptions of various political environments and serves as a witness to the cinema's own complex contribution to the media's coverage of, and relationship to, American politics at large. From Box Office to Ballot Box takes as its subject films exploring the electoral process, the process of governing, and the involvement of the media in both. Separate chapters also deal with films related to specific political issues or phenomena that are particularly relevant to the above three categories, including labor and class, the Cold War, the Vietnam War, and the other recent conflicts in which the media has played such a large role. Specific films discussed include: Citizen Kane, All the King's Men, The Manchurian Candidate, All the Presidents' Men, The Front, M*A*S*H*, JFK, Nixon, Wag the Dog, Three Kings, Black Hawk Down, The Quiet American, The Contender, and many more.
Mr. Gilbert Chesterton is quite on his own ground in writing essays about about Heretics. Such subjects as Kipling, Shaw, Whistler, H. G. Wells, the new paganism, and the importance of orthodoxy possess brilliancy enough in themselves to satisfy even this arch-priest of brilliancy in style.
An Englishman's way of speaking absolutely classifies him, The moment he talks he makes some other Englishman despise him." - Henry George Bernard Shaw famously refused to permit any play of his "to be degraded into an operetta or set to any music except its own." Allowing his beloved Pygmalion to be supplanted by a comic opera was therefore unthinkable; yet Lerner and Loewe transformed it into My Fair Lady (1956), a musical that was to delight audiences and critics alike. By famously reversing Shaw’s original ending, the show even dared to establish a cunningly romantic ending. Keith Garebian delves into the libretto for a fresh take, and explores biographies of the show’s principal artists to discover how their roles intersected with real life. Rex Harrison was an alpha male onstage and off, Julie Andrews struggled with her ‘chaste diva’ image, and the direction of the sexually ambiguous Moss Hartcontributed to the musical’s sexual coding.
He was born in the year dynamite was invented (1866) and died a year after the first explosion of the atomic bomb (1946). Herbert George (H. G.) Wells was a man whose life dominated the century and whose ideas both predicted and shaped the future. One of the most influential men of his time, a leading science-fiction writer, novelist, philosopher, reformer and fighter for civilization, Wells exercised his imagination and expounded his revolutionary ideas in over one hundred books in the course of his long life. As a young man Wells struggled against repeated failure as a draper’s assistant, science student and teacher before finding his vocation as a writer. He wrote the pioneering—and immediately popular—novel The Time Machine. In this and other classic science fiction such as The Invisible Man and The War of the Worlds, Wells combined serious and often remarkably accurate speculation about the future with high adventure. But Wells was not content just to write fiction. He was also an advocate for change in social customs and a man deeply concerned with the future of humanity. A firm believer that the twentieth century would be the turning point for civilization, Wells anticipated many of the changes in his writings on space travel, politics, marriage and the technologies of war. This is a dramatic account of Well’s life and his fight for causes and concerns that are still relevant today.
Alberto Manguel has edited for Bayeux Arts this fascinating collection of G.K. Chesterton's essays. Alberto Manguel is the author of "A Short History of Reading" and co-author of "The Dictionary of Imaginary Places". He has edited several collections, among them "Black Water"; "The Anthology of Fantastic Literature" and "The Gates of Paradise: the Anthology of Erotic Short Fiction". He has also authored, for Bayeux Arts, "Kipling: A Brief Biography".
Apuleius and Antonine Rome features outstanding scholarship by Keith Bradley on the Latin author Apuleius of Madauros and on the second-century Roman world in which Apuleius lived. Bradley discusses Apuleius' work in the context of social relations (especially the family and household), religiosity in all its diversity and complexity, and cultural interactions between the imperial centre and the provincial periphery. These essays examine the Apology, the speech Apuleius made when he defended himself on the criminal charge of having enticed a wealthy widow to marry him through magical means; the fragments of his speeches known as the Florida; and the remarkable serio-comic novel Metamorphoses (better known as The Golden Ass). Altogether, Apuleius and Antonine Rome effectively illustrates how socio-cultural history can be recovered from works of literature.
Leadership is vital, but how do you know which leadership theory or practice is right for you? How should you go about assessing the quality of a leadership practice? How can you evaluate leadership ideas to ensure that they line up with Scripture? How can you assess a leadership model and know it will work in your ministry setting? Evaluating Leadership provides a solution to these problems. It introduces the Leadership Assessment Matrix, which helps you assess whether a leadership theory, principle, or practice is suitable for your team and your specific context. Drawing on extensive experience and research, Evaluating Leadership delves deep into the problem, explains the model, and demonstrates how it can be applied. If you have ever had questions about how to evaluate leadership ideas or practices, this book is the book for you.
Arthur Mee (1875-1943), best remembered as the creator of The Children's Encyclopaedia, was more than a popular editor, journalist and travel writer; for a generation of young readers and their parents, the name Arthur Mee truly meant something. Formany in his audience, the narratives and discourses embedded within his writing tied together and legitimised a trinity of beliefs that lay at the heart of his nonconformist faith and character: God, England and Empire. Despite the enormous appeal of his many published works, which during the first half of the twentieth century saw him become a household name and a major publishing brand, Mee has remained an ethereal figure. In Arthur Mee, the first full-length account of Mee's life since 1946, Crawford draws upon a range of Mee's correspondence to offer for the first time a realistic picture of the man at work and at home as an antidote to the overly romanticised image attached to his name. The book places Mee's work within the wider cultural, political and social context of an England undergoing unparalleled societal change and technological advancement. Scholars of the history of education, children's literature and beyond will find much of interest in these pages, and childhooddevotees to Mee's publications may well find themselves transported back to a time of wonder, imagination and hope.
These bizarre true stories of collectors and their cars is "a whole lot of fun" (The Virginian Pilot). Have you heard of the fellow who squirrelled away dozens of Chevelles, Camaros, and other classic muscle cars in semi-trailers? How about the president of Shakespeare fishing rods, who sold thirty Bugattis for a mere $85,000? What about the English nobleman who cut up and buried his Ferrari hoard in an elaborate insurance scam? Or how about the Duesenberg abandoned in a Manhattan parking garage for decades only to be uncovered by Jay Leno? Most car collectors exhibit a healthy enthusiasm for their hobby by digging into their favorite marques, chasing parts, swapping stories, and generally living the car-guy lifestyle. Some, however, step over that fine line between enthusiasm and obsession—and that's where these legendary car-collector stories come from. In Strange but True Tales of Car Collecting, Keith Martin and the staff of Sports Car Market Magazine recount the wildest, most eccentric, over-the-top stories of collectors and their collections. "This likable book serves as a ‚ÄòRipley's Believe It or Not!' for car obsessives." —The New York Times
The controversial, almost mythic Louisiana politician Huey P. Long inspired not just one but six American novels, published between 1934 and 1946. And he continues to resonate in American cultural memory, appearing in a 1995 work of historical fiction. The Kingfish in Fiction offers the first study of all six “Hueys-who-aren’t-Hueys” as they strut and bluster their way across the literary page, each character with his own particular story, each towing a different authorial agenda. Keith Perry carefully dissects the intertwining of documented history and artistic invention in Sinclair Lewis’s It Can’t Happen Here, Hamilton Basso’s Cinnamon Seed and Sun in Capricorn, John Dos Passos’s Number One, Adria Locke Langley’s A Lion Is in the Streets, and Robert Penn Warren’s All the King’s Men. Perry explains that Lewis cast his version of the Kingfish as a totalitarian menace, a sort of homegrown Hitler, in what Lewis later admitted was an unapologetic attempt to sabotage Long’s designs on the White House. Basso, one of Long’s most vocal detractors, created two Long-based characters, each a rabble-rousing affront to what remained of the Old South order. To warn readers of the dangers hidden in the politician-constituent contract, Dos Passos transformed Long into a shameless manipulator of the gullible American masses. Langley’s rendition suffers complete condemnation by its creator for personal as well as public transgressions. Warren’s spellbinding Willie Stark, almost as much philosopher as politician, ironically bears the least resemblance to Long though for almost six decades Stark has been Long’s best-known fictional embodiment. Exploring how and why these five authors—among them, a Nobel laureate, one of America’s most celebrated political novelists, and a two-time Pulitzer Prize winner—turned one politician into six fictional characters leads Perry to conclude that Huey P. Long’s lasting impression may well be a composite of both historical and imaginative interpretation.
Brilliant, political, historical, social, and topical literary essays. A list of England's crimes is furnished, but they are not those of which she was accused by the Germans. Among the best chapters is "The Awakening of England", and among the finest writing is the last chapter, on the Battle of the Marne. It is good to read Mr. Chesterton once more and to read him at his best.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.