A fascinating account of human experience at its best." -- Mihá Csízentmihái, author of Flow Creativity has long been thought to be an individual gift, best pursued alone; schools, organizations, and whole industries are built on this idea. But what if the most common beliefs about how creativity works are wrong? Group Genius tears down some of the most popular myths about creativity, revealing that creativity is always collaborative -- even when you're alone. Sharing the results of his own acclaimed research on jazz groups, theater ensembles, and conversation analysis, Keith Sawyer shows us how to be more creative in collaborative group settings, how to change organizational dynamics for the better, and how to tap into our own reserves of creativity.
Explaining Creativity is a comprehensive and authoritative overview of scientific studies on creativity and innovation. Sawyer discusses not only arts like painting and writing, but also science, stage performance, business innovation, and creativity in everyday life. Sawyer's approach is interdisciplinary. In addition to examining psychological studies on creativity, he draws on anthropologists' research on creativity in non-Western cultures, sociologists' research on the situations, contexts, and networks of creative activity, and cognitive neuroscientists' studies of the brain.
A science-backed method to maximize creative potential in any sphere of life With the prevalence of computer technology and outsourcing, new jobs and fulfilling lives will rely heavily on creativity and innovation. Keith Sawyer draws from his expansive research of the creative journey, exceptional creators, creative abilities, and world-changing innovations to create an accessible, eight-step program to increasing anyone's creative potential. Sawyer reveals the surprising secrets of highly creative people (such as learning to ask better questions when faced with a problem), demonstrates how to come up with better ideas, and explains how to carry those ideas to fruition most effectively. This science-backed, step-by step method can maximize our creative potential in any sphere of life. Offers a proven method for developing new ideas and creative problem-solving no matter what your profession Includes an eight-step method, 30 practices, and more than 100 techniques that can be launched at any point in a creative journey Psychologist, jazz pianist, and author Keith Sawyer studied with world-famous creativity expert Mihaly Csikszentmihalyi Sawyer's book offers a wealth of easy to apply strategies and ideas for anyone who wants to tap into their creative power.
Mayor Richard M. Daley dropped the bomb at a routine news conference at City Hall on Tuesday. With no prelude or fanfare, Mr. Daley announced that he would not seek re-election when his term expires next year. 'Simply put, it's time,' he said." New York Times, September 7, 2010 With those four words, an era ended. After twenty-two years, the longest-serving and most powerful mayor in the history of Chicago—and, arguably, America—stepped down, leaving behind a city that was utterly transformed, and a complicated legacy we are only beginning to evaluate. In First Son, Keith Koeneman chronicles the sometimes Shakespearean, sometimes Machiavellian life of an American political legend. Making deft use of unprecedented access to key players in the Daley administration, as well as Chicago's business and cultural leaders, Koeneman draws on more than one hundred interviews to tell an up-close, insider story of political triumph and personal evolution. With Koeneman as our guide, we follow young Daley from his beginnings as an average Bridgeport kid thought to lack his father's talent and charisma to his unlikely transformation into an iron-fisted leader. Daley not only escaped the giant shadow of his father but also transformed Chicago from a gritty, post-industrial Midwestern capital into a beautiful, sophisticated global city widely recognized as a model for innovative metropolises throughout the world. But in spite of his many accomplishments, Richard M. Daley's record is far from flawless. First Son sets the dramatic improvement of certain parts of the city against the persistent realities of crime, financial stress , failing public housing, and dysfunctional schools. And it reveals that while in many ways Daley broke with the machine politics of his father, he continued to reward loyalty with favors, use the resources of city government to overwhelm opponents, and tolerate political corruption. A nuanced portrait of a complex man, First Son shows Daley to be sensitive yet tough, impatient yet persistent, a street-smart fighter and detail-driven policy expert who not only ran Chicago, but was Chicago.
In the year 1892 on the fourth day of August, an infamous crime was committed during the late morning hours in the city of Fall River. It was during a time when the cotton mill industry was thriving, and the population within the city was growing. The heart of the city was busy with many people working on and tending to their daily affairs as being nothing more than the norm. Then, suddenly without warning, evil had taken its revenge upon two prominent people within this community. Such an event had sent waves of fear and dismay throughout the city. People gathered by the hundreds, standing at the front gate of house number 92 on Second Street. What such evil act had taken place within this wonderful home and darkened this great city of prosperity and goodwill? As the people waited so desperately to hear of the news that could shed some light upon this situation, it was finally revealed. The lifeless bodies of Mr. and Mrs. Andrew Jackson Borden lay inside the home on Second Street, sustaining blunt force wounds by means of a hatchet or an axe. Both bodies were severely traumatized and mutilated, and according to Dr. Seabury W. Bowen, Mr. Bordens face was so brutally cut that one could not even recognize him. This darkened cloud has only begun its fury, and as time moves forward, much greater evil will come about. This infamous crime will make this city a place for all to remember that throughout the days ahead, many will come in defense of the victims, but then, it will be those who seek justice that requires no law or boundaries to a society that is governed by such.
** FREE DIGITAL SAMPLER FEATURING EXTENDED EXCERPTS FROM TOP NEW BOOKS FOR THE HOLIDAYS ** ‘Tis the season to get lost in a great book! When the days turn cold, and the nights are long, it’s time to get cozy by a warm fire with a great book! This FREE, must-read sampler will give you a taste of eight unforgettable books—from sweet stories to passionate tales and thought-provoking narratives, it is sure to help you narrow down your Christmas reading list! Featuring extended excerpts from: Want Me, Cowboy by Maisey Yates The Sergeant’s Christmas Mission by Joanne Sims Undercover Connection by Heather Graham Wyoming Legend by Diana Palmer Snowfall on Lighthouse Lane by JoAnn Ross Evergreen Tidings from the Baumgartners by Gretchen Anthony The Dutch Wife by Ellen Keith A Rancher for Christmas by Stella Bagwell
A vigorous reappraisal of American literature inspired by the First World War. American World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army’s unprecedented attempt during World War I to assign men—except, notoriously, African Americans—to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame. Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context—as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed—often in coded ways—the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers—Katherine Anne Porter, Willa Cather, and Ellen La Motte—who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn’t the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.
Available in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and "the color line," and their stories illuminate the forces--both black and white--that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws. Lost Sounds includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
The Third Disestablishment examines the formative period in the development of church-state law and the rise and decline of church-state separation as a legal construct and a cultural value.
In a little town in the heart of Texas, the same old story can turn into happily ever after . . . On any given day, Maggie Roby has cake batter on her sleeve, flour where the blush supposedly goes, and sore feet from standing since dawn. For her sister’s wedding day, she’s added a side of heartache. Maggie’s failed marriage taught her that love is a lie and commitment a mistake, and it was an expensive lesson. But with her bakery thriving and her life simplified to work, family, and knitting for her pug, Maggie thinks she's bought some peace. Until Jake Sutton walks in and she realizes she isn't safe from desire at all . . . Jake has model-perfect looks and about a billion dollars to throw around, but Maggie also sees the same never-say-die grit she prizes in herself. The attraction between them is hotter than her oven in July. But when Jake decides to restore the old Art Deco movie theater right around the corner from her bakery, she worries that temptation is a little too close for comfort. And the added ingredient of a man from her past only complicates the mix. This time nothing less than true love will do. If she can learn to listen to her heart, she just may be able to have her cake and eat it too. . .
Detailed case studies of agrecological initiatives show how growers, scientists, agricultural organizations, and public agencies can form partnerships to develop innovative, ecologically based techniques for reducing reliance on agrochemicals.
Everyday conversations including gossip, boasting, flirting, teasing, and informative discussions are highly creative, improvised interactions. Children's play is also an important, often improvisational activity. One of the most improvisational games among 3- to 5-year-old children is social pretend play--also called fantasy play, sociodramatic play, or role play. Children's imaginations have free reign during pretend play. Conversations in these play episodes are far more improvisational than the average adult conversation. Because pretend play occurs in a dramatized, fantasy world, it is less constrained by social and physical reality. This book adds to our understanding of preschoolers' pretend play by examining it in the context of a theory of improvisational performance genres. This theory, derived from in-depth analyses of the implicit and explicit rules of theatrical improvisation, proves to generalize to pretend play as well. The two genres share several characteristics: * There is no script; they are created in the moment. * There are loose outlines of structure which guide the performance. * They are collective; no one person decides what will happen. Because group improvisational genres are collective and unscripted, improvisational creativity is a collective social process. The pretend play literature states that this improvisational behavior is most prevalent during the same years that many other social and cognitive skills are developing. Children between the ages of 3 and 5 begin to develop representations of their own and others' mental states as well as learn to represent and construct narratives. Freudian psychologists and other personality theorists have identified these years as critical in the development of the personality. The author believes that if we can demonstrate that children's improvisational abilities develop during these years--and that their fantasy improvisations become more complex and creative--it might suggest that these social skills are linked to the child's developing ability to improvise with other creative performers.
Handbook of Statistical Analysis: AI and ML Applications, third edition, is a comprehensive introduction to all stages of data analysis, data preparation, model building, and model evaluation. This valuable resource is useful to students and professionals across a variety of fields and settings: business analysts, scientists, engineers, and researchers in academia and industry. General descriptions of algorithms together with case studies help readers understand technical and business problems, weigh the strengths and weaknesses of modern data analysis algorithms, and employ the right analytical methods for practical application. This resource is an ideal guide for users who want to address massive and complex datasets with many standard analytical approaches and be able to evaluate analyses and solutions objectively. It includes clear, intuitive explanations of the principles and tools for solving problems using modern analytic techniques; offers accessible tutorials; and discusses their application to real-world problems. - Brings together, in a single resource, all the information a beginner needs to understand the tools and issues in data analytics to build successful predictive analytic solutions - Provides in-depth descriptions and directions for performing many data preparation operations necessary to generate data sets in the proper form and format for submission to modeling algorithms - Features clear, intuitive explanations of standard analytical tools and techniques and their practical applications - Provides a number of case studies to guide practitioners in the design of analytical applications to solve real-world problems in their data domain - Offers valuable tutorials on the book webpage with step-by-step instructions on how to use suggested tools to build models - Provides predictive insights into the rapidly expanding "Intelligence Age" as it takes over from the "Information Age," enabling readers to easily transition the book's content into the tools of the future
The pedal meets the metal in Rolling Thunder Stock Car Racing--the thrilling series from Kent Wright and Don Keith that traces the history of stock car racing from the dusty dirt tracks of East Tennessee to the multi-million-dollar, high-tech venues of today. The tracks are faster. The cars, too. But the hunger for speed--and the hunt for the checkered flag--hasn't changed. Jodell Bob Lee has long since retired from driving, but the love of the sport is still like a fire in his belly. When he spots a talented young driver he can't help remembering his own glory days. It's as if he is thirty years younger and racing the dirt tracks of Tennessee all over again. Jodell has an idea: his old friend and former "wrench," Billy Winton, has put together a racing team, but so far wins have been hard to come by. Billy is looking for a driver who can do more than just chase the checkered flag. He needs a young gun who can tame the superspeedways and take the flag. A new partnership is born. But the Kid has a few obstacles in the way, namely Dale Earnhart, Jr., Adam Petty, Casey Atwood, and the other young guns who are clearly stock car racing's next wave of stars. It's a new generation of drivers, but the prize in Young Guns is the same: the checkered flag! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Using shaggy dog stories based on classic literature, the Polettes address common spelling and grammatical errors and the ways in which children can be taught to read critically to recognize them. Stories such as Rapunzel, Alice, The Hare and the Tortoise, and King Arthur, purposely embedded with common errors, have been pretested in teacher workshops given by Nancy Polette and in Dr. Keith Polette's classes at the University of Texas, El Paso. Teachers found them specific enough to be used directly in the writing instruction curriculum and fun for students to read and try to figure out.
This fully revised second edition of Bain and Howells' Monetary Economics provides an up-to-date examination of monetary policy as it is practised and the theory underlying it. The authors link the conduct of monetary policy to the IS/PC/MR model and extend this further through the addition of a simple model of the banking sector. They demonstrate why monetary policy is central to the management of a modern economy, showing how it might have lasting effects on real variables, and look at how the current economic crisis has weakened the ability of policymakers to influence aggregate demand through the structure of interest rates. The second edition: features a realistic account of the conduct of monetary policy when the money supply is endogenous provides a detailed and up-to-date account of the conduct of monetary policy and links this explicitly to a framework for teaching macroeconomics includes recent changes in money market operations and an examination of the problems posed for monetary policy by the recent financial crisis Monetary Economics is an ideal core textbook for advanced undergraduate modules in monetary economics and monetary theory and policy.
Over twenty-one faithful evangelical Bible teachers have joined together in this work to both honor the legacy of Dr. Mal Couch as well as to promote a solid, sacred, and safe theological manual for the body of Christ. Colleagues and friends of Dr. Couch, such as Dr. Wayne House, Dr. Norman Geisler, Dr. Arnold Fruchtenbaum, Dr. Timothy Demy, and more, along with many of Mals students and disciples, set forth in this work a biblical and practical theology. The first half of the book covers all twelve of the major biblical doctrines of Christianity. The last half covers some of the hottest theological topics and practical issues that present-day believers ought to be aware of in order to properly defend the faith. In chapter 25 you will meet many of the disciples in Christ that Mal taught over the years as they express their gratitude for this godly giant of the faith. So if you are curious about what a holistic evangelical faith looks like, and even curious as to how dispensationalism fits within orthodox evangelicalism, this book will provide for you a solid resource for many years to come.
We read the book, and the book is reading us. In his later novels, Charles Dickens uses the interaction between characters and their audiences within the fiction to dramatise his growing understanding of the pivotal role of spectatorship and choice in a more democratic society. Egotists of all stripes, intent on bending the world to their singular will, would appropriate the power of spectatorship by taking command of the detachment necessary for choice. Dickens’s pluralistic art of sameness and difference redefines that detachment, and liberates choice both inside and outside the novels, for the relationship between characters and their audiences within the narratives actually inscribes our own relationship with them in the performance of reading, a reflective doubling of the fiction upon the reader across time with moral consequences for our spectatorship of our own lives.
A fascinating account of human experience at its best." --Mihály Csíkszentmihályi, author of Flow Creativity has long been thought to be an individual gift, best pursued alone; schools, organizations, and whole industries are built on this idea. But what if the most common beliefs about how creativity works are wrong? Group Genius tears down some of the most popular myths about creativity, revealing that creativity is always collaborative--even when you're alone. Sharing the results of his own acclaimed research on jazz groups, theater ensembles, and conversation analysis, Keith Sawyer shows us how to be more creative in collaborative group settings, how to change organizational dynamics for the better, and how to tap into our own reserves of creativity.
What is creativity, and where does it come from? Creativity and Development explores the fascinating connections and tensions between creativity research and developmental psychology, two fields that have largely progressed independently of each other-until now. In this book, scholars influential in both fields explore the emergence of new ideas, and the development of the people and situations that bring them to fruition. The uniquely collaborative nature of Oxford's Counterpoints series allows them to engage in a dialogue, addressing the key issues and potential benefits of exploring the connections between creativity and development. Creativity and Development is based on the observation that both creativity and development are processes that occur in complex systems, in which later stages or changes emerge from the prior state of the system. In the 1970s and 1980s, creativity researchers shifted their focus from personality traits to cognitive and social processes, and the co-authors of this volume are some of the most influential figures in this shift. The central focus on system processes results in three related volume themes: how the outcomes of creativity and development emerge from dynamical processes, the interrelation between individual processes and social processes, and the role of mediating artifacts and domains in developmental and creative processes. The chapters touch on a wide range of important topics, with the authors drawing on their decades of research into creativity and development. Readers will learn about the creativity of children's play, the creative aspects of children's thinking, the creative processes of scientists, the role of education and teaching in creative development, and the role of multiple intelligences in both creativity and development. The final chapter is an important dialogue between the authors, who engage in a roundtable discussion and explore key questions facing contemporary researchers, such as: Does society suppress children's creativity? Are creativity and development specific to an intelligence or a domain? What role do social and cultural contexts play in creativity and development? Creativity and Development presents a powerful argument that both creativity scholars and developmental psychologists will benefit by becoming more familiar with each other's work.
With contributions from a multi-disciplinary group of expert contributors, this is the first handbook to discuss all aspects of genius, a topic that endlessly provokes and fascinates. The first handbook to discuss all aspects of genius with contributions from a multi-disciplinary group of experts Covers the origins, characteristics, careers, and consequences of genius with a focus on cognitive science, individual differences, life-span development, and social context Explores individual genius, creators, leaders, and performers as diverse as Queen Elizabeth I, Simón Bolívar, Mohandas Gandhi, Jean-Jacques Rousseau, Leo Tolstoy, John William Coltrane, Georgia O’Keeffe, and Martha Graham. Utilizes a variety of approaches—from genetics, neuroscience, and longitudinal studies to psychometric tests, interviews, and case studies—to provide a comprehensive treatment of the subject
Black Cowboys of Rodeo is a collection of one hundred years’ worth of firsthand cowboy stories, set against the backdrop of Reconstruction, Jim Crow, segregation, the civil rights movement, and eventually the integration of a racially divided country.
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