Almost from the moment of its creation in 1906, Ontario Hydro has been criticized for pursuing its own interests at the expense of the public it was established to serve. In Power at Cost, Keith Fleming demonstrates that while Hydro exercised tremendous influence over its political masters in the Ontario government, it nevertheless cooperated with the public and a succession of provincial governments in formulating rural electrification policies.
One of Canada’s most outspoken and respected advocates of internationalism during the early Cold War, John King Gordon had a remarkably eclectic professional life. Keith R. Fleming’s biography of Gordon explores the man’s many careers, from his start as a Manitoba clergyman in the 1920s to his work as a United Nations field officer in Korea, the Middle East, and the Congo. In “The World Is Our Parish,” Fleming traces how Gordon’s passion for social reform and humanitarianism led him to become a clergyman, a political activist, a journalist, a professor, and one of Canada’s leading advocates of liberal internationalism in the years after World War Two. An exceptional biography of an extraordinary but little-known Canadian, “The World Is Our Parish” uses Gordon’s professional and intellectual journey to reveal the confluence of liberal Christianity, social democracy, and internationalism in Canadian politics and thought.
An exploration of the pastoral theology of Andrew Fuller (1754-1815) suggests that evangelical renewal did not only take place alongside the local church - missions, itinerancy, voluntary societies - but also within the congregation as the central tasks of dissenting pastoral ministry became, in the words of one diarist, 'very affecting and evangelical'. How did evangelicalism transform dissenting and Baptist churches in the eighteenth century? Is there a distinctively congregational expression of evangelicalism? And what contribution has evangelicalism made to pastoral theology? renewal did not only take place alongside the local church - missions, itinerancy, voluntary societies - but also within the congregation as dissenting pastoral ministry became, in the words of one diarist, 'very affecting and evangelical'.
This is a concise evaluation of film genre, discussing genre theory and sample analyses of the western, science fiction, the musical, horror, comedy, and the thriller. It introduces the topic in an accessible way and includes sections on the principles of studying and understanding "the idea of genre"; genre and popular culture; the narrative and stylistic conventions of specific genres; the relations of genres to culture and history, race, gender, sexuality, class and national identity; and the complex relations between genre and authorship. Case studies include: 42nd Street, Pennies from Heaven, Red River, All That Heaven Allows, Night of the Living Dead, Die Hard, Little Big Man, Blue Steel, and Posse.
Given the complexity and expense of making and distributing a film, the process of filmmaking is by its very nature a political process. Moreover, given the power and persuasiveness of the cinema as a medium, film can be a powerful political tool. It should thus come as no surprise that film has had a long and extensive engagement with a variety of political topics, ranging from the actual mechanics of governance to electoral politics, to any number of specific political issues. Through a film-by-film examination of the movies explicitly concerned with American politics and American political issues, From Box Office to Ballot Box provides valuable new insights into our culture's perceptions of various political environments and serves as a witness to the cinema's own complex contribution to the media's coverage of, and relationship to, American politics at large. From Box Office to Ballot Box takes as its subject films exploring the electoral process, the process of governing, and the involvement of the media in both. Separate chapters also deal with films related to specific political issues or phenomena that are particularly relevant to the above three categories, including labor and class, the Cold War, the Vietnam War, and the other recent conflicts in which the media has played such a large role. Specific films discussed include: Citizen Kane, All the King's Men, The Manchurian Candidate, All the Presidents' Men, The Front, M*A*S*H*, JFK, Nixon, Wag the Dog, Three Kings, Black Hawk Down, The Quiet American, The Contender, and many more.
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