Winner, Best Book in Humanities and Cultural Studies (Literary Studies), Association for Asian American Studies Upon signing the first U.S. arms agreement with Israel in 1962, John F. Kennedy assured Golda Meir that the United States had “a special relationship with Israel in the Middle East,” comparable only to that of the United States with Britain. After more than five decades such a statement might seem incontrovertible—and yet its meaning has been fiercely contested from the start. A Shadow over Palestine brings a new, deeply informed, and transnational perspective to the decades and the cultural forces that have shaped sharply differing ideas of Israel’s standing with the United States—right up to the violent divisions of today. Focusing on the period from 1960 to 1985, author Keith P. Feldman reveals the centrality of Israel and Palestine in postwar U.S. imperial culture. Some representations of the region were used to manufacture “commonsense” racial ideologies underwriting the conviction that liberal democracy must coexist with racialized conditions of segregation, border policing, poverty, and the repression of dissent. Others animated vital critiques of these conditions, often forging robust if historically obscured border-crossing alternatives. In this rich cultural history of the period, Feldman deftly analyzes how artists, intellectuals, and organizations—from the United Nations, the Black Panther Party, and the Association of Arab American University Graduates to James Baldwin, Daniel Patrick Moynihan, Edward Said, and June Jordan—linked the unfulfilled promise of liberal democracy in the United States with the perpetuation of settler democracy in Israel and the possibility of Palestine’s decolonization. In one of his last essays, published in 2003, Edward Said wrote, “In America, Palestine and Israel are regarded as local, not foreign policy, matters.” A Shadow over Palestine maps this jagged terrain on which this came to be, amid a wealth of robust alternatives, and the undeterred violence at home and abroad unleashed as a result of this special relationship.
Since its launch in 2006, Twitter has served as a major platform for political performance, social justice activism, and large-scale public debates over race, ethnicity, gender, sexuality, and nationality. It has empowered minoritarian groups to organize protests, articulate often-underrepresented perspectives, and form community. It has also spread hashtags that have been used to bully and silence women, people of color, and LGBTQ people. #identity is among the first scholarly books to address the positive and negative effects of Twitter on our contemporary world. Hailing from diverse scholarly fields, all contributors are affiliated with The Color of New Media, a scholarly collective based at the University of California, Berkeley. The Color of New Media explores the intersections of new media studies, critical race theory, gender and women’s studies, and postcolonial studies. The essays in #identity consider topics such as the social justice movements organized through #BlackLivesMatter, #Ferguson, and #SayHerName; the controversies around #WhyIStayed and #CancelColbert; Twitter use in India and Africa; the integration of hashtags such as #nohomo and #onfleek that have become part of everyday online vernacular; and other ways in which Twitter has been used by, for, and against women, people of color, LGBTQ, and Global South communities. Collectively, the essays in this volume offer a critically interdisciplinary view of how and why social media has been at the heart of US and global political discourse for over a decade.
Winner, Best Book in Humanities and Cultural Studies (Literary Studies), Association for Asian American Studies Upon signing the first U.S. arms agreement with Israel in 1962, John F. Kennedy assured Golda Meir that the United States had “a special relationship with Israel in the Middle East,” comparable only to that of the United States with Britain. After more than five decades such a statement might seem incontrovertible—and yet its meaning has been fiercely contested from the start. A Shadow over Palestine brings a new, deeply informed, and transnational perspective to the decades and the cultural forces that have shaped sharply differing ideas of Israel’s standing with the United States—right up to the violent divisions of today. Focusing on the period from 1960 to 1985, author Keith P. Feldman reveals the centrality of Israel and Palestine in postwar U.S. imperial culture. Some representations of the region were used to manufacture “commonsense” racial ideologies underwriting the conviction that liberal democracy must coexist with racialized conditions of segregation, border policing, poverty, and the repression of dissent. Others animated vital critiques of these conditions, often forging robust if historically obscured border-crossing alternatives. In this rich cultural history of the period, Feldman deftly analyzes how artists, intellectuals, and organizations—from the United Nations, the Black Panther Party, and the Association of Arab American University Graduates to James Baldwin, Daniel Patrick Moynihan, Edward Said, and June Jordan—linked the unfulfilled promise of liberal democracy in the United States with the perpetuation of settler democracy in Israel and the possibility of Palestine’s decolonization. In one of his last essays, published in 2003, Edward Said wrote, “In America, Palestine and Israel are regarded as local, not foreign policy, matters.” A Shadow over Palestine maps this jagged terrain on which this came to be, amid a wealth of robust alternatives, and the undeterred violence at home and abroad unleashed as a result of this special relationship.
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