The epic story of doing what most people just dream of, opening your home as a tourist attraction. Twenty one years ago Keith and Maggie Bell bought Crook Hall and Gardens as a private home and then decided, in what might be seen as a fit of madness, to open it to the general public. This is the story of buying a medieval Manor House situated in the middle of Durham City, and then the extraordinary experience of opening your home to the public. Keith describes how the Hall and Gardens were developed into one of the top tourist attractions in the North of England. This is the story of the practical and emotional struggles through those years and inspiring, engaging and sometimes downright hilarious interactions with each other, the people who came to work for them, and the general public. When they bought the property Keith ran a management consultancy and his wife, Maggie, worked in Child Psychiatry. They had no master plan to build a business from their new home. This story is the record of what happened once they decided to open their front gates to the public. With absolutely no experience of the gardening nor the hospitality sector and little exposure to the difficulties of owning a listed building, this was an undertaking fraught with hazard. Although they had limited time and an even smaller budget they could bring to the project an enormous amount of enthusiasm and energy. The book is divided into various different parts of the project: the period before opening the Hall; the tales of the ghost in the house; the wedding parties; the various events they ran; the different visitors they welcomed, the team they built up to run the house and their future aspirations for this wonderful success story.
Robert Digby, a young engineer, manages a factory manufacturing robots. Searching for a higher level of artificial intelligence he meets Carla Rossi who has care of four illegally cloned human brains. The pair save the brains from destruction and equip them with robot bodies. The free brains have no organs for sight hearing or speech and develop communications with each other and with Carla by mental telepathy. Robert and Carla adapt or invent mechanical and electronic systems to provide the free brains for a semblance of human life. It all has to be done in secret. In the process, advances in medical science including the replication of human organs to repair or replace failing natural organs result. One of the four cloned brains bears the genes that produce autism. Another has a penchant for speaking in rhyme a third becomes an accomplished pianist and guitar player. The fourth, Utopia, is a universally loved and vivacious adolescent girl growing up in unnatural circumstances as a fashion model.
Dont Look Back, a documentary film of Bob Dylan's 1965 England tour, is recognised as a landmark work in the field of documentary film-making, contributing to the cultural life of an era. This text examines the aesthetic, thematic and social dynamics of the film in order to elucidate how and why it was a groundbreaking piece of documentary cinema.
The Korean War is the most comprehensive and detailed bibliography compiled to date on the American involvement in "The Forgotten War." In this revised and expanded second edition, Keith D. McFarland’s clearly written annotations provide concise descriptions of more than 2,600 of the most important books, articles, and documents written in English on the conflict in Korea. Key topics include origins of the war; the political and military roles of North and South Korea, the United States, the Soviet Union, China, Great Britain, Canada, Australia, South Africa, Turkey, and other United Nations members; campaigns and battles; weapons and uniforms; and the military and diplomatic aspects of the war. Specific subjects are easy to find using the index organized by topic and author, making The Korean War a necessity for every academic or research library.
This book introduces the life and thought of two British contemporaries who were decisive in shaping the modern ecumenical movement: the Scottish layman J. H. (Joe) Oldham (1874-1969) and the Anglican bishop G. K. A. (George) Bell (1883-1958). Their careers were rather different but closely related. Oldham was a missionary statesman, the organizing secretary of the 1910 Edinburgh World Missionary Conference, and a pioneering thinker and writer on race and social ethics who set the agenda for the crucial ecumenical conference on Church, Community, and State at Oxford in 1937. A quiet, skillful diplomat, he was the decisive mind behind the formation of the World Council of Churches (WCC). Bell was the public, prophetic voice of the ecumenical fellowship from the 1930s onward, steadfastly leading the churches' support for the Christian opposition to Hitler in Germany, tirelessly working for refugees and all victims of oppression, and after the war pioneering the work of reconciliation. After the inauguration of the World Council of Churches in 1948, he served as the first chairman of its central committee. It was widely believed that he would have become Archbishop of Canterbury but for his courageous and outspoken opposition to the British and American policy of bombing civilian populations during the war. The book outlines the life and main engagements of each figure in turn, and then provides a selection of their key writings to illustrate their thinking and their impact on ecumenism. A final chapter reflects on their pioneering significance and their relevance today.
The Enlightenment Atlantic was awash in deep feelings. People expressed the ardour of patriots, the homesickness of migrants, the fear of slave revolts, the ecstasy of revivals, the anger of mobs, the grief of wartime, the disorientation of refugees, and the joys of victory. Yet passions and affections were not merely private responses to the events of the period – emotions were also central to the era’s most consequential public events, and even defined them. In Enthusiasms and Loyalties Keith Grant shows that British North Americans participated in a transatlantic swirl of debates over emotions as they attempted to cultivate and make sense of their own feelings in turbulent times. Examining the emotional communities that overlapped in Cornwallis Township, Nova Scotia, between 1770 and 1850, Grant explores the diversity of public feelings, from disaffected loyalists to passionate patriots and ecstatic revivalists. He shows how certain emotions – especially enthusiasm and loyalty – could be embraced or weaponized by political and religious factions, and how their use and meaning changed over time. Feelings could be the glue that made loyalties stick, or a solvent that weakened community bonds. Taking a history of emotions approach, Enthusiasms and Loyalties aims to recover and understand the wide range of political and religious emotions that were possible – feelable – in the Enlightenment Atlantic.
Here stands the New Man. His conception of reality is a dance of electronic images fired into his forebrain, a gossamer construction of his masters, designed so that he will not-under any circumstances-perceive the actual. His happiness is delivered to him through a tube or an electronic connection. His God lurks behind an electronic curtain; when the curtain is pulled away we find the CIA sorcerer, the media manipulator. There has never been a book which so carefully and thoroughly exposes the secret plans to dominate world consciousness. Book jacket.
An economic and social history of early New South Wales, told through the life stories of pioneer 19th century horsemen. Traces the origin and development of the horse in Australia and a special tribute to Australia's internationally acclaimed thoroughbred expert C. Bruce Lowe.
[A] well-plotted survey." Total Film In 100 American Horror Films, Barry Keith Grant presents entries on 100 films from one of American cinema's longest-standing, most diverse and most popular genres, representing its rich history from the silent era - D.W. Griffith's The Avenging Conscience of 1915 - to contemporary productions - Jordan Peele's 2017 Get Out. In his introduction, Grant provides an overview of the genre's history, a context for the films addressed in the individual entries, and discusses the specific relations between American culture and horror. All of the entries are informed by the question of what makes the specific film being discussed a horror film, the importance of its place within the history of the genre, and, where relevant, the film is also contextualized within specifically American culture and history. Each entry also considers the film's most salient textual features, provides important insight into its production, and offers both established and original critical insight and interpretation. The 100 films selected for inclusion represent the broadest historical range, and are drawn from every decade of American film-making, movies from major and minor studios, examples of the different types or subgenres of horror, such as psychological thriller, monster terror, gothic horror, home invasion, torture porn, and parody, as well as the different types of horror monsters, including werewolves, vampires, zombies, mummies, mutants, ghosts, and serial killers.
Open your mind to extreme possibilities' Scully's desire to be recognised as 'a medical doctor', ooze, mouthfuls of difficult dialogue and the tendency for characters not to make it through the pre-titles sequence were just a few of the tragically underexamined elements of THE X-FILES phenomenon - until the first edition of this book. Now the authors take their study of televisions weirdest show through to the end of series five, and THE X-FILES movie. X-TREME POSSIBILITIES presents a unique analysis of the programme that transformed US television. While sometimes witty and light-hearted, this volume is also a serious study of the elements that made the show such a success. As well as a detailed episode guide of the first five seasons, the book pieces together the nature of the series' Conspiracy - and attempts to discover just what the truth is. Never before has THE X-FILES been put under such focused, affectionate and bizarre scrutiny. Please note this new release of the second edition has not been updated.
Throughout its history, Philadelphia has been home to international intrigue and some of America’s most celebrated spies. This illustrated guidebook reveals the places and people of Philadelphia’s hidden history, inviting the reader to explore over 150 spy sites in Philadelphia and its neighboring towns and counties.
Containing approximately 1500 entries covering Korean civilisation from early times to the present day this dictionary looks at subjects including history, politics, art, archaeology, literature.
This study deals with the Manx poet T. E. Brown and his rustic persona in perhaps the most sustained dramatization of the trails and triumphs of storytelling in British poetry, Fo'c's'le Yarns.
Schools around the world use online programs like Accelerated Reader and Reading Counts to improve students’ reading comprehension of real books, but how can such software be used most effectively? In this unique resource, researcher Keith Topping analyzes independent research studies and brings you best practices on quality implementation to enhance effectiveness. He explains the evidence base for the programs in a comprehensible way and addresses many common questions, such as "Does it work?," "How should it be implemented to make it work?," and "Is it cheaper and more efficient in teacher time than what we were doing before?" He also discusses best practices for using the assessment data, for tailoring implementation in elementary vs. high schools, and for working with disadvantaged students. Appropriate for teachers, literacy coaches, curriculum leaders, and other stakeholders, the book will provide you with a strong research foundation and easily accessible information to help you fine-tune your understanding of the reading programs and implement them more successfully in your schools and classrooms.
This unique book tells the story of two stars. One is Sir Elton John and his career up to the breakthrough gigs at the LA Troubadour in 1970. The other is Tin Pan Alley itself.
In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo Pärt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism’s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject.
“An absolutely fascinating blend of history, design, sociology, and cultural poetics—highly recommended.”—Maria Popova, Brain Pickings A charming and indispensable tour of two thousand years of the written word, Shady Characters weaves a fascinating trail across the parallel histories of language and typography. Whether investigating the asterisk (*) and dagger (†)—which alternately illuminated and skewered heretical verses of the early Bible—or the at sign (@), which languished in obscurity for centuries until rescued by the Internet, Keith Houston draws on myriad sources to chart the life and times of these enigmatic squiggles, both exotic (¶) and everyday (&). From the Library of Alexandria to the halls of Bell Labs, figures as diverse as Charlemagne, Vladimir Nabokov, and George W. Bush cross paths with marks as obscure as the interrobang (?) and as divisive as the dash (—). Ancient Roman graffiti, Venetian trading shorthand, Cold War double agents, and Madison Avenue round out an ever more diverse set of episodes, characters, and artifacts. Richly illustrated, ranging across time, typographies, and countries, Shady Characters will delight and entertain all who cherish the unpredictable and surprising in the writing life.
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