The secret to Stan Lee's writing process The story behind Elmo's giggle What's for lunch on the set of The Walking Dead Squirrel training with Johnny Depp Think you know what it takes to get your favorite TV show on the air every week? (You'd be surprised.) Or what all those people whose names in the credits of the latest blockbuster actually do? (Including the Supervising Digital Colorist?)What better way to find out than from the who's who of Hire Me, Hollywood! Entertainment insiders Mark Scherzer and Keith Fenimore are here to give you a crash course in all things Hollywood through thirty sometimes funny, occasionally racy, and always revealing interviews with such industry experts as: Ryan Randall, Hair Stylist/Makeup Artist (American Idol) Sam Trammell, Actor (Sam Merlotte on HBO's True Blood) Paula Davis, Senior Talent Executive (Conan O'Brien) Mark Steines, Cohost (Entertainment Tonight) Sara Holden, Stunt Woman (House, All My Children, How I Met Your Mother, Iron Man 2) Cecilia Cardwell, On-Set Tutor (Titanic, Little Miss Sunshine, No Ordinary Family) Michael Gelman, Executive Producer (Live! with Regis and Kelly) Whether you've always dreamed of yelling "Action" on a major movie set or you'd be thrilled just to get Matthew McConaughey his morning coffee, this book will give you inside scoop from craft service to the director's chair—and every take in between.
A comprehensive guide to science fiction films, which analyzes and contextualizes the most important examples of the genre, from Un voyage dans la lune (1902), to The Road (2009).
Upon its release in 1956, Don Siegel's Invasion of the Body Snatchers was widely perceived as another 'B' movie thriller in the cycle of science fiction and horror films that proliferated in the 1950s. Yet the film addresses numerous issues brewing in post-war US society, including the Cold War, McCarthyism and the changing dynamics of gender relations. In the fifty years since the film's release, its reputation has grown from cult status to become an acknowledged classic of American cinema. With its narrative of emotionless alien duplicates replacing average folk, Invasion of the Body Snatchers was the first post-war horror film to locate the monstrous in the everyday, thus marking it as a pivotal moment in American horror film history four years before Psycho. In this first comprehensive critical study of the film, Barry Keith Grant traces Invasion's historical and generic contexts to explore the importance of Communism and conformity, post-war modernity and gender politics in order to understand the film's cultural significance and metaphorical weight. He also provides an account of the film's fraught production history and offers an extended discussion of the distinctive contributions of the production personnel. Concluding with a consideration of the three remakes it has inspired, Grant illustrates how Invasion of the Body Snatchers' enduring popularity derives from its central metaphor for the monstrous, which has proven as flexible as that of the vampire and the zombie.
Kwanzaa: Black Power and the Making of the African-American Holiday Tradition explores the beginning and expansion of Kwanzaa, from its start as a Black Power holiday, to its place as one of the most mainstream black holiday traditions.
Through every era of American history, New York City has been a battleground for international espionage, where secrets are created, stolen, and passed through clandestine meetings and covert communications. Some spies do their work and escape, while others are compromised, imprisoned, and—a few—executed. Spy Sites of New York City takes you inside this shadowy world and reveals the places where it all happened. In 233 main entries as well as listings for scores more spy sites, H. Keith Melton and Robert Wallace weave incredible true stories of derring-do and double-crosses that put even the best spy fiction to shame. The cases and sites follow espionage history from the Revolutionary War and Civil War, to the rise of communism and fascism in the twentieth century, to Russian sleeper agents in the twenty-first century. The spy sites are not only in Manhattan, Brooklyn, Queens, and the Bronx but also on Long Island and in New Jersey. Maps and 380 photographs allow readers to follow in the footsteps of spies and spy-hunters to explore the city, tradecraft, and operations that influenced wars hot and cold. Informing and entertaining, Spy Sites of New York City is a must-have guidebook to the espionage history of the Big Apple.
New York's pride is the pride of things done. Her leadership is no more due to her great wealth or her large population than to the patriotism of her citizens and the uses to which her wealth is put. In every war in which this country has engaged, she has shown a spirit of sacrifice that has made her preeminent among the States." It was with these words that New York State Governor Charles S. Whitman urged his fellow New Yorkers to purchase Liberty Bonds in support of the war effort on April 6, 1918. He reminded New Yorkers and the nation that the Empire State once again led all others in the numbers of men, the amount of money, and the tonnage of material supplied to American forces during World War I. A companion catalog to the New York State Museum exhibition of the same name, A Spirit of Sacrifice documents the statewide story of New York in World War I through the collections of the State's Office of Cultural Education comprised of the New York State Museum, Library, and Archives. Within these world-class collections are the nearly 3,600 posters of the Benjamin W. Arnold World War I Poster Collection at the New York State Library. By interweaving the story of New York in the Great War and utilizing the tremendous artifacts within the pictorial history revealed by the posters of the era and primary source documentation, this exhibition catalog serves as both a display of poster art and a more comprehensive examination of the primacy of the state's contributions to America's foray into World War I. Posters and objects from museums, libraries, and historical societies from across New York State as well as iconic artifacts and images are all included here. Brought together they tell the story of New York State's essential role in the First World War.
[A] well-plotted survey." Total Film In 100 American Horror Films, Barry Keith Grant presents entries on 100 films from one of American cinema's longest-standing, most diverse and most popular genres, representing its rich history from the silent era - D.W. Griffith's The Avenging Conscience of 1915 - to contemporary productions - Jordan Peele's 2017 Get Out. In his introduction, Grant provides an overview of the genre's history, a context for the films addressed in the individual entries, and discusses the specific relations between American culture and horror. All of the entries are informed by the question of what makes the specific film being discussed a horror film, the importance of its place within the history of the genre, and, where relevant, the film is also contextualized within specifically American culture and history. Each entry also considers the film's most salient textual features, provides important insight into its production, and offers both established and original critical insight and interpretation. The 100 films selected for inclusion represent the broadest historical range, and are drawn from every decade of American film-making, movies from major and minor studios, examples of the different types or subgenres of horror, such as psychological thriller, monster terror, gothic horror, home invasion, torture porn, and parody, as well as the different types of horror monsters, including werewolves, vampires, zombies, mummies, mutants, ghosts, and serial killers.
Because every single one of us will die, most of us would like to know what—if anything—awaits us afterward, not to mention the fate of lost loved ones. Given the nearly universal vested interest in deciding this question in favor of an afterlife, it is no surprise that the vast majority of books on the topic affirm the reality of life after death without a backward glance. But the evidence of our senses and the ever-gaining strength of scientific evidence strongly suggest otherwise. In The Myth of an Afterlife: The Case against Life after Death, Michael Martin and Keith Augustine collect a series of contributions that redress this imbalance in the literature by providing a strong, comprehensive, and up-to-date casebook of the chief arguments against an afterlife. Divided into four separate sections, this collection opens with a broad overview of the issues, as contributors consider the strongest evidence of whether or not we survive death—in particular the biological basis of all mental states and their grounding in brain activity that ceases to function at death. Next, contributors consider a host of conceptual and empirical difficulties that confront the various ways of “surviving” death—from bodiless minds to bodily resurrection to any form of posthumous survival. Then essayists turn to internal inconsistencies between traditional theological conceptions of an afterlife—heaven, hell, karmic rebirth—and widely held ethical principles central to the belief systems supporting those notions. In the final section, authors offer critical evaluations of the main types of evidence for an afterlife. Fully interdisciplinary, The Myth of an Afterlife: The Case against Life after Death brings together a variety of fields of research to make that case, including cognitiveneuroscience, philosophy of mind, personal identity, philosophy of religion, moralphilosophy, psychical research, and anomalistic psychology. As the definitive casebookof arguments against life after death, this collection is required reading for anyinstructor, researcher, and student of philosophy, religious studies, or theology. It issure to raise provocative issues new to readers, regardless of background, from thosewho believe fervently in the reality of an afterlife to those who do not or are undecidedon the matter.
Offering an accessible introduction to the study of film genres and genre films, this book examines the use of genre in cinema from its beginnings to the present day. This book explains the various elements of genre, the importance of genre in popular culture, problems of definition, Hollywood and the studio system, ideology and genre, national cinema and genre, authorship and genre, and debates about representation. The book also provides an in-depth examination of four key genres: the Western, the horror film, the film musical, and the documentary film. Each chapter provides a historical overview of the genre and a summary of important critical debates, and concludes with a case study that builds on the historical and theoretical aspects already introduced and provides a model for subsequent analyses. Featured boxes throughout the text highlight specific cycles, filmmakers, and trends, and each chapter concludes with a list of suggestions for further reading. Film Genre: The Basics is an invaluable resource for those new to studying film and for anyone interested in the history and ongoing significance of film genres and genre films.
From baked beans to apple cider, from clam chowder to pumpkin pie, Keith Stavely and Kathleen Fitzgerald's culinary history reveals the complex and colorful origins of New England foods and cookery. Featuring hosts of stories and recipes derived from generations of New Englanders of diverse backgrounds, America's Founding Food chronicles the region's cuisine, from the English settlers' first encounter with Indian corn in the early seventeenth century to the nostalgic marketing of New England dishes in the first half of the twentieth century. Focusing on the traditional foods of the region--including beans, pumpkins, seafood, meats, baked goods, and beverages such as cider and rum--the authors show how New Englanders procured, preserved, and prepared their sustaining dishes. Placing the New England culinary experience in the broader context of British and American history and culture, Stavely and Fitzgerald demonstrate the importance of New England's foods to the formation of American identity, while dispelling some of the myths arising from patriotic sentiment. At once a sharp assessment and a savory recollection, America's Founding Food sets out the rich story of the American dinner table and provides a new way to appreciate American history.
This path-breaking work offers the first comprehensive examination of the important personalities and events that have influenced the course of history. It discusses whether people who go down in history are different from the rest of us and whether specific personality traits predispose certain people to become world leaders, movie stars, scientific geniuses, and athletes. It sheds light on the depth of potential in everyone, yielding important clues as to how we can take advantage of our own individual personality traits. Probing the lives of a range of important figures, the book explores the full range of phenomena associated with greatness, scrutinizing the significance of everything from genetic inheritance, intuition, aesthetic appreciation, and birth order, to formal education, sexual orientation, aging, IQ, and alcohol and drug abuse. This book will be of interest to anyone interested in the people and events that have helped shape the world, including mental health professionals and scholars studying psychological topics in the larger context of science, art, politics, and history. The book also serves as an engaging text for undergraduate psychology courses.
The renowned historian Keith Thomas has written a peerless study of the place of civility in the shaping of English society between the early sixteenth and the late eighteenth centuries. Dramatic changes in court fashion and manners took place, but equally important was the emergence of an urban trading and manufacturing class with new values and standards of behavior. Traditional notions of class, gender, social custom, and Englishness would all be affected by the upheavals of the period. Civility emerged in contrast to barbarism, as England took its first steps towards global domination. Displaying a true master's grasp of the period, Thomas offers a compelling and wide-ranging analysis of the connections between changing notions of civility, the justification of colonial expansion, and the invention of race."--Publisher description.
This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears, by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself. It also facilitated studies to focus on notions of hybridity where terms were not fixed but were constantly shifting and mobile. The central idea of the book is that after horror/Gothic film was dragged into disrepute by the rise of torture porn and endless North American remakes, a set of international filmmakers are seeking to emphasize the aesthetic, artistic and philosophical potential of the Gothic. Such filmmakers include Guillermo del Toro (Crimson Peak), Ana Lily Amirpour (A Girl Walks Home Alone at Night), Park Chan-wook (The Handmaiden, Stoker), Tomas Alfredson (Let the Right One In), Wim Wenders (Only Lovers Left Alive), Ben Wheatley (A Field in England), Jane Campion (Top of the Lake), and Carol Morley (The Falling). Although written in an accessible manner, the book incorporates theory and engages extensively into research to tap into key developments in Gothic studies – transnationalism, fandom and genre fiction, and transmedia exchanges – bringing these together along with popular culture and associated phenomena.
Born in 1901, Louise Thompson Patterson was a leading and transformative figure in radical African American politics. Throughout most of the twentieth century she embodied a dedicated resistance to racial, economic, and gender exploitation. In this, the first biography of Patterson, Keith Gilyard tells her compelling story, from her childhood on the West Coast, where she suffered isolation and persecution, to her participation in the Harlem Renaissance and beyond. In the 1930s and 1940s she became central, along with Paul Robeson, to the labor movement, and later, in the 1950s, she steered proto-black-feminist activities. Patterson was also crucial to the efforts in the 1970s to free political prisoners, most notably Angela Davis. In the 1980s and 1990s she continued to work as a progressive activist and public intellectual. To read her story is to witness the courage, sacrifice, vision, and discipline of someone who spent decades working to achieve justice and liberation for all.
Both Roosevelt and Churchill recognized the importance of the land and naval battles of Plattsburgh. Many other, more famous, engagements were ruses meant to divert U.S. troops away from the prize Plattsburgh would afford: a clear pathway into New England. If not for the exemplary skills of two young military officers, Commodore Macdonough and General Macomb, and the force they commanded, regular army and naval personnel, New York and Vermont Militia, Native Americans, Veteran Exempts and boys from the local school, the war and the nation would have been lost. Using original source documents, author Keith Herkalo retells the battles at Plattsburgh, the key battles of the War of 1812.
Timely and original, this collection of essays from the leading figures in their fields throws new and valuable light on the significance and future of flânerie. The flâneur is usually identified as the ‘man of the crowd’ of Edgar Allen Poe and Charles Baudelaire, and as one of the heroes of Walter Benjamin’s Arcades Project. The flâneur’s activities of strolling and loitering are mentioned increasingly frequently in sociology, cultural studies and art history, but rarely is the debate developed further. The Flâneur is the first book to develop the debate beyond Baudelaire and Benjamin, and to push it in unexpected and exciting directions.
Bill Bryden's Cottesloe Company, which flourished at Peter Hall's National Theatre, was the English theatre's only true ensemble of the last thirty or so years. Impossible Plays tells the story of the company and the many actors and musicians connected to it. Co-written by Keith Dewhurst, author of eight plays for the group, and Jack Shepherd, a founder-actor, it explains the ideas behind the company's work and how the work was staged, and provides an idiosyncratic, lively and deeply personal take on the company. "The search was always to find a popular theatre, a form of theatre that would draw into it people from all backgrounds, not just the cultured and the educated." Beginning with a Royal Court Theatre Sunday night performance in 1970, the story of one company's aim to create a popular theatre form includes such milestone productions as The Mystery cycle of plays and Lark Rise to Candleford. With photographs by John Haynes, Michael Mayhew and Nobby Clark, Impossible Plays is a glorious and timely tribute to one of theatre's most innovative companies.
Mostly hidden from public view, like an embarrassing family secret, scores of putative locks of George Washington’s hair are held, more than two centuries after his death, in the collections of America’s historical societies, public and academic archives, and museums. Excavating the origins of these bodily artifacts, Keith Beutler uncovers a forgotten strand of early American memory practices and emerging patriotic identity. Between 1790 and 1840, popular memory took a turn toward the physical, as exemplified by the craze for collecting locks of Washington’s hair. These new, sensory views of memory enabled African American Revolutionary War veterans, women, evangelicals, and other politically marginalized groups to enter the public square as both conveyors of these material relics of the Revolution and living relics themselves. George Washington’s Hair introduces us to a taxidermist who sought to stuff Benjamin Franklin’s body, an African American storyteller brandishing a lock of Washington’s hair, an evangelical preacher burned in effigy, and a schoolmistress who politicized patriotic memory by privileging women as its primary bearers. As Beutler recounts in vivid prose, these and other ordinary Americans successfully enlisted memory practices rooted in the physical to demand a place in the body politic, powerfully contributing to antebellum political democratization.
In his in-depth analysis of the works of Ann Petry (1908--1997), Keith Clark moves beyond assessments of Petry as a major mid-twentieth-century African American author and the sole female member of the "Wright School of Social Protest." He focuses on her innovative approaches to gender performance, sexuality, and literary technique. Engaging a variety of disciplinary frameworks, including gothic criticism, masculinity and gender studies, queer theory, and psychoanalytic theory, Clark offers fresh readings of Petry's three novels and collection of short stories. He explores, for example, Petry's use of terror in The Street, where both blacks and whites appear physically and psychically monstrous. He identifies the use of dark comedy and the macabre in the stories "The Bones of Louella Brown" and "The Witness." Petry's overlooked second novel, Country Place -- set in a deceptively serene Connecticut hamlet -- camouflages a world as nightmarish as the Harlem of her previous work. While confirming the black feminist dimensions of Petry's writing, Clark also assesses the writer's representations of an array of black and white masculine behaviors -- some socially sanctioned, others taboo -- in her unheralded masterpiece The Narrows and her widely anthologized short story "Like a Winding Sheet." Expansive in scope, The Radical Fiction of Ann Petry analyzes Petry's unique concerns and agile techniques, situating her among more celebrated male contemporary writers.
The uncovering in the mid-1700s of fossilized mastodon bones and teeth at Big Bone Lick, Kentucky, signaled the beginning of a great American adventure. The West was opening up and unexplored lands beckoned. Unimagined paleontological treasures awaited discovery: strange horned mammals, birds with teeth, flying reptiles, gigantic fish, diminutive ancestors of horses and camels, and more than a hundred different kinds of dinosaurs. This exciting book tells the story of the grandest period of fossil discovery in American history, the years from 1750 to 1890. The volume begins with Thomas Jefferson, whose keen interest in the American mastodon led him to champion the study of fossil vertebrates. The book continues with vivid descriptions of the actual work of prospecting for fossils--a pick in one hand, a rifle in the other--and enthralling portraits of Joseph Leidy, Ferdinand Hayden, Edward Cope, and Othniel Marsh among other major figures in the development of the science of paleontology. Shedding new light on these scientists feuds and rivalries, on the connections between fossil studies in Europe and America, and on paleontologys contributions to Americas developing national identity, The Legacy of the Mastodon is itself a fabulous discovery for every reader to treasure.
This brief informative guide to American, and Latin- American, Indians will save one much time and trouble when researching for reports or essays. I have covered as much as possible, with the intent of keeping it as brief as I possibly could. This brief guide covers much more than the American and Latin-American Indian tribes. you will learn; how they lived, the coming of the white man, Indian wars, language groups, brief biographies of Indian Chiefs and Army Commanders, Military Forts, the Pilgrims and Rangers, the Revolutionary War, the Westward Movement, and much more. After completing this book I have found it to be very informative, and much less time consuming, to say the least. Example: If you want to know how the Indians lived, simply turn to that page and you will begin learn about their food, transportation, housing, clothing, communication, family life, religion and ceremony, and government. There are also additional articles, such as: the Bison, Bureau of Indian Affairs, Indian Territory, History of the Stagecoach, Totem Pole, and Writings. I can only hope that you find this book as useful as I and several of my friends and family members have.
Challenging the standard portrayals of Black men in African American literature From Frederick Douglass to the present, the preoccupation of black writers with manhood and masculinity is a constant. Black Manhood in James Baldwin, Ernest J. Gaines, and August Wilson explores how in their own work three major African American writers contest classic portrayals of black men in earlier literature, from slave narratives through the great novels of Richard Wright and Ralph Ellison. Keith Clark examines short stories, novels, and plays by Baldwin, Gaines, and Wilson, arguing that since the 1950s the three have interrupted and radically dismantled the constricting literary depictions of black men who equate selfhood with victimization, isolation, and patriarchy. Instead, they have reimagined black men whose identity is grounded in community, camaraderie, and intimacy. Delivering original and startling insights, this book will appeal to scholars and students of African American literature, gender studies, and narratology.
In 'Shadows of Doubt', Barry Keith Grant questions the idea that Hollywood movies reflect moments of crisis in the dominant image of masculinity. Arguing instead that part of the mythic function of genre movies is to offer audiences an ongoing dialogue on issues of gender, Grant explores a wide diversity of films.
Includes information on author and playwright D.H. Lawrence such as a chronology of his life, a chronology of his writings, a checklist of his reading, calendar and maps of his travel, bibliography, filmography, and discography.
What happens the second we die? If heaven is a real place, who will live there? If hell exists, where is it located? What do near-death experiences mean? Can the dead speak to us? And more...
What happens the second we die? If heaven is a real place, who will live there? If hell exists, where is it located? What do near-death experiences mean? Can the dead speak to us? And more...
This book taps into popular culture's insatiable appetite for the supernatural. Written in a popular style, Heaven and the Afterlife touches on many topics related to life after death, including amazing near-death experiences, accounts from the Bible, testimonies, theories, and what some of the world's religions believe. It will demystify the afterlife with information about heaven, hell, ghosts, angels, near-death experiences, and much more, helping readers gain a solid understanding of the often-confusing subject of life after death. The book culminates by presenting Jesus as the answer to eternal peace and how readers can spend eternity with him. Garlow and Wall write not only for believers, but also for seekers or anyone looking for straight, simple answers to the fascinating subject of the world beyond this life.
A handy and engaging chronicle, this book is the most detailed production history to date of the original Broadway version of Cabaret, showing how the show evolved from Christopher Isherwood's Berlin stories, into John van Druten's stage play, a British film adaptation, and then the Broadway musical, conceived and directed by Harold Prince as an early concept musical. With nearly 40 illustrations, full cast credits, and a bibliography, The Making of Cabaret will appeal to musical theatre aficionados, theatre specialists, and students and performers of musical theatre.
Hunting is our heritage, our heart, and our future. Where does hunting fit in the modern world? To many, it can seem outdated or even cruel, but as On Hunting affirms, hunting is holistic, honest, and continually relevant. Authors Grossman, Miller, and Cunningham dive deep into the ancient past of hunting and examine its position today, demonstrating that we cannot understand humanity without first understanding hunting. Readers will · discover how hunting formed us, · examine hunting ethics and their adaptation to modernity, · understand the challenges, traditions, and reverence of today’s hunter, · identify hunting skills and their many applications outside the field, · learn why hunting is critical to ecological restoration and preservation, and · gain inspiration to share hunting with others. Drawing from ecology, philosophy, and anthropology and sprinkled with campfire stories, this wide-ranging examination has rich depths for both nonhunters and hunters alike. On Hunting shows that we need hunting still—and so does the wild earth we inhabit.
Keith Brown's literary essays, published at intervals over the course of a long career, are marked by their engaging flair and independence from intellectual fashion. They often explore aspects of the interaction of craftsmanship and ideas that are unnoticed or ignored in the mainstream of critical debate. However, the full potential of his approach only emerges when these essays are taken together. A notable concern of Brown's critical method is to uncover the latent organising principles - naturally as various as the author's intentions - that lie beneath the surface of any worthwhile extended literary work. His 'sightings' reveal the actual contours of literary landscapes seen dimly before.
In this compelling work, Keith Gandal reveals how the slum in nineteenth-century America, long a topic for sober moral analysis, became in the 1890s an unprecedented source of spectacle, captured in novels, newspapers, documentary accounts, and photographs. Reflecting a change in the middle-class vision of the poor, the slum no longer drew attention simply as a problem of social conditions and vice but emerged as a subject for aesthetic, ethnographic, and psychological description. From this period dates the fascination with the "colorful" alternative customs and ethics of slum residents, and an emphasis on nurturing their self-esteem. Middle-class portrayals of slum life as "strange and dangerous" formed part of a broad turn-of-the-century quest for masculinity, Gandal argues, a response to a sentimental Victorian respectability perceived as stifling. These changes in middle-class styles for representing the urban poor signalled a transformation in middle- class ethics and a reconception of subjectivity. Developing a broad cultural context for the 1890s interest in the poor, Gandal also offers close, groundbreaking analysis of two of the period's crucial texts. Looking at Jacob Riis's How the Other Half Lives (1890), Gandal documents how Riis's use of ethnographic and psychological details challenged traditional moralist accounts and helped to invent a spectacular style of documentation that still frames our approach as well as our solutions to urban problems. Stephen Crane's Maggie: A Girl of the Streets (1893) pushed ethnographic and psychological analysis even farther, representing a human interiority centered around self-image as opposed to character and exploring not only different customs but a radically different ethics in New York's Bowery--what we would call today a "culture of poverty." Gandal meanwhile demonstrates how both Riis's innovative "touristic" approach and Crane's "bohemianism" bespeak a romanticization of slum life and an emerging middle-class unease with its own values and virility. With framing discussion that relates slum representations of the 1890s to those of today, and featuring a new account of the Progressive Era response to slum life, The Virtues of the Vicious makes fresh, provocative reading for Americanists and those interested in the 1890s, issues of urban representation and reform, and the history of New York City.
W. J. Keith has chosen to ignore utterly both the `popular' at the one extreme (Robert Service, Lucy Maud Montgomery) as well as the `avant-garde' at the other (bpnichol, Anne Carson) in favour of those authors whose style lends itself to the simple pleasure of reading, and to that end Keith dedicates his history to `all those -- including those of the general reading public whose endangered status is much lamented -- who recognize and celebrate the dance of words.
In this book, two leading scholars, a political scientist and an ethical philosopher, outline a new national policy for land use, and provide the legal, political, and ethical justifications for their proposed policies.
While sitting at the dinner table in his kitchen, Chris Carpenter gazed out the window to his left. He stared in awe at the sky, taking in the view of what could have been the most beautiful sunset he had ever laid eyes on. The reds and oranges mingling with the yellows in the nightclub of the darkening sky, melting together like running paint down an artist’s canvas—all of which captured his attention for the one moment of mental clarity that he had experienced in months. His mind had been a world of confusion, holding the memories of pain and torment that he simply wanted to wish away. He rose from his chair and left the kitchen. As he made his way to his bedroom, he could hear the whispering laughter of death in every one of his footsteps. After entering his room, Chris made his way to the dresser his uncle had crafted for him a few years earlier. He opened the top drawer and slid his hand under a pile of white socks his mother had bleached to perfection. Underneath, he felt the cold sting of his escape—he pulled it out and stepped over to the bed.
The Victorians had a thirst for knowledge. This drove them to explore the unchartered corners of the world, plumb the unfathomable depths of science, discover evolution and create some of the engineering and architectural marvels of the world. Yet this open-mindedness also at times made them utterly gullible. Because of their closeness to disease and the ever-present threat of their own mortality, it was inevitable that they would be open to the claims of quacks who promised all kinds of panaceas, and to mediums who offered a means of communicating with the dead. So too did it make them eager for diversion and entertainment by the conjurers and illusionists of the great music halls. Strangely, it was through the magic-making skill of the conjurers that the activities of many of the tricksters and fraudulent mediums finally came to be exposed. Medical Meddlers, Mediums & Magicians is a box of delights for all students of Victoriana.
More than 30 essays by some of film's most distinguished critics are included in this volume, which presents the latest developments in genre study, including teen films, genre hybridity, neo-noir & genre in the age of globalization, & an up-to-date bibliography.
This book presents Keith Gilyard's most seminal work in one volume, with new and previously published essays on linguistic diversity, cultural identity, critical literacy, writing instruction, literary texts, and popular culture. Essential reading for students and scholars in rhetorical studies, composition studies, applied linguistics, and education.
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