The Life and the Art: A Study of Conrad's Under Western Eyes has a twofold origin. Over the past ten years, as an associate editor of the prospective Cambridge Edition of Under Western Eyes, the author, Keith Carabine, has worked on the genesis and composition of the novel in its several versions and on its literary, ideological, social, and historical contexts. At the same time during these years he has taught seminar courses on Conrad for undergraduates and on Conrad and Dostoevsky for postgraduates. This interpenetration of teaching and research constantly reminded the author that his many hours devoted to textual minutiae and manuscript variations or to a study of Conrad's Polish background should result not only in a scholarly edition of the novel in a book that will demonstrate the ways in which Conrad's life and his protracted, uncertain composition of the Under Western Eyes enrich his art; and the title of this book deliberately invokes Conrad's belief in the inseparability of the art and the life. This study's six chapters concentrate in different ways and with differing emphases on the complex inter-relations between the art and the life, on the intersections between Conrad's personal preoccupations, fictional aesthetic, and working practices with regard to what he described as without doubt ... the most deeply meditated novel that came from under my pen.
Bipolar disorder, Tourette syndrome and associated mood disorders are some of the most misunderstood challenges encountered today. Many unanswered questions can leave patients feeling afraid and alone. Available information is often vague or technical. Turning Black and White into Gray offers a firsthand account of the everyday lives of adults and children diagnosed with these puzzling disorders. What are these patients thinking? Why do they act the way they do? How can we help them? Through the personal stories of therapist Sarah Kennedy and her patient Keith Conrad, these questions and many others are honestly and clearly addressed. Combining personal and clinical points of view, Kennedy and Conrad clarify and explain puzzling behavior. They do this by sharing personal experience and stories that are often painful, sometimes humorous, but always helpful. Combining the personal with the clinical, Kennedy and Conrad share valuable information to help others understand bipolar disorder, Tourette syndrome and mood disorders and to cope with the associated symptoms. Turning Black and White into Gray will comfort many who feel they are the only ones suffering with these debilitating conditions. While being educated, they will be offered gentle guidance through the darkness of fear toward a new horizon of enlightenment and understanding.
The Life and the Art: A Study of Conrad's Under Western Eyes has a twofold origin. Over the past ten years, as an associate editor of the prospective Cambridge Edition of Under Western Eyes, the author, Keith Carabine, has worked on the genesis and composition of the novel in its several versions and on its literary, ideological, social, and historical contexts. At the same time during these years he has taught seminar courses on Conrad for undergraduates and on Conrad and Dostoevsky for postgraduates. This interpenetration of teaching and research constantly reminded the author that his many hours devoted to textual minutiae and manuscript variations or to a study of Conrad's Polish background should result not only in a scholarly edition of the novel in a book that will demonstrate the ways in which Conrad's life and his protracted, uncertain composition of the Under Western Eyes enrich his art; and the title of this book deliberately invokes Conrad's belief in the inseparability of the art and the life. This study's six chapters concentrate in different ways and with differing emphases on the complex inter-relations between the art and the life, on the intersections between Conrad's personal preoccupations, fictional aesthetic, and working practices with regard to what he described as without doubt ... the most deeply meditated novel that came from under my pen.
When the queen is murdered in her own palace at Tarangar, by those who believe they can govern the land to a better future, they initiate albeit unwittingly the destruction of their world. Evil workings, begun by the arcane weavings of one twisted mage, quickly spread across the land in the form of dragon fire and a mercenary army, operating from a huge fortress, built by the sweat and blood of countless slaves. Only the Sky-Water Dragons can save mankind, but they, too, have been caught up in the mages workings, their Caller murdered, leaving his apprentice of seven months to unlock the secrets and break the spell a task for which he his woefully unprepared. A huge army, formed at Tarangar by the High Council, is intercepted by the Fire-Water Dragons only a few days march from the palace. For the survivors of this mindless slaughter life soon becomes a series of nightmares from which they cannot awake. While most hide in fear of their lives a brother and sister search for a way to bring the Sky-Water Dragons to their aid. If they fail the land will be lost and mankind become extinct.
Several hundred A-Z entries cover Achebe's major works, important characters and settings, key concepts and issues, and more. Though best known as a novelist, Achebe is also a critic, activist, and spokesman for African culture. This reference is a comprehensive and authoritative guide to his life and writings. Included are several hundred alphabetically arranged entries. Some of these are substantive summary discussions of Achebe's major works of fiction, nonfiction, and poetry. Entries are written by expert contributors and close with brief bibliographies. The volume also provides a general bibliography and chronology. Nigerian writer Chinua Achebe is widely regarded as the most important of the numerous African novelists who gained global attention in the second half of the 20th century. Achebe is certainly the African writer best known in the West, and his first novel, Things Fall Apart, is a founding text of postcolonial African literature and regarded as one of the central works of world literature of the last 50 years. Though best known as a novelist, Achebe is also a critic, activist, and spokesman for African culture. This reference is a comprehensive and authoritative guide to his life and writings. Included are several hundred alphabetically arranged entries. Some of these are substantive summary discussions of Achebe's major works of fiction, nonfiction, and poetry. Other topics include all of his major fictional characters and settings, important concepts and issues central to his writings, historical persons, places, and events relevant to his works, and influential texts by other writers. Entries are written by expert contributors and close with brief bibliographies. The volume also provides a general bibliography and chronology.
This volume presents documents that roughly follow the chronology of Joseph Conrad's life and deliberately considers two documents that reveal surprising and important facts that Conrad had carefully concealed.
For Conrad Burrell—husband, father, and successful attorney in the autumn of his life—the world has come apart. Having long ago lost his first wife, the mother of his grown daughter and a widow herself, to youth and pride, he’s now lost his second to a violent accident,. “You think you’re finished, that you have no more stories in you,” his ex-wife warns, and he fears she’s right. Within hailing distance of the end of his days, after a lifetime of meeting the expectations of others, none are left but Conrad’s own, and he must discover whether love survives death as well as divorce—whether family memory can redeem individual mortality. What do we do, then, we widows and widowers for whom there’s nothing left but the world’s permission to stop what we’ve done all our lives? In the cities of his youth, in the deserts of New Mexico, but most of all in a small Pennsylvania town, Conrad finds he has one more lesson in love to learn from the women of his past, and the one woman he's certain he can't live without. When We Were All Still Alive is a novel of grief and healing, a portrait of a marriage, and a love song to ordinary lives.
One of the most talked-about events of the Cold War was the downing of the American U-2 spy plane piloted by Francis Gary Powers over the Soviet Union on May 1, 1960. The event was recently depicted in the Steven Spielberg movie Bridge of Spies. Powers was captured by the KGB, subjected to a televised show trial, and imprisoned, all of which created an international incident. Soviet authorities eventually released him in exchange for captured Soviet spy Rudolf Abel. On his return to the United States, Powers was exonerated of any wrongdoing while imprisoned in Russia, yet a cloud of controversy lingered until his untimely death in 1977. Now his son, Francis Gary Powers Jr., has written this new account of his father's life based on personal files that have never been previously available. Delving into old audio tapes, the transcript of his father's debriefing by the CIA, other recently declassified documents about the U-2 program, and interviews with his contemporaries, Powers sets the record straight. The result is a fascinating piece of Cold War history. Almost sixty years after the event, this will be the definitive account of a famous Cold War incident, one proving that Francis Gary Powers acted honorably through a trying ordeal in service to his country.
This volume presents documents that roughly follow the chronology of Joseph Conrad's life and deliberately considers two documents that reveal surprising and important facts that Conrad had carefully concealed.
For those of us who love The Rocky and Bullwinkle Show, these names conjure up memories of some of the wittiest, most inspired, and relentlessly hilarious half-hours of animation ever produced. There was a kind of gleeful magic to the shows, a cumulative joy that transcended the crude animation and occasionally muddy sound, and it's this quality that was the essence of the legendary Jay Ward and Bill Scott. Jay Ward was the magnificent visionary, the outrageous showman who lobbied Washington for statehood for Moosylvania, and invited the press to a picnic on the floor of the Plaza Hotel's august Grand Ballroom. Bill Scott was the genial, brilliant head writer, coproducer, and all-purpose creative whirlwind, often described as the "soul" of the shows. In fact, Scott even provided the voices for most of the star characters, giving life to Bullwinkle J. Moose, Mr. Peabody, Dudley Do-Right, and George of the Jungle. From their tiny, oddball animation studio, Jay Ward Productions, they created some of the most memorable animation of all time, and gave birth to a family of characters whose undying popularity has cast them forever into the pop culture firmament. With their distinctively unorthodox, artist-friendly philosophy, Ward and Scott attracted some of the most talented writers and voice actors in the industry, and for a time, Jay Ward Productions was a kind of Camelot of cartoons. Now, through exclusive interviews with Bill Scott, Tiffany Ward, June Foray, and dozens of others intimately involved with the Ward epoch, as well as access to original scripts, artwork, story notes, letters, and memos, Keith Scott has created the definitive history of Jay Ward Productions, including episode guides and voice credits for all the Jay Ward cartoons. From the first "Hey Rocky, watch me pull a rabbit out of a hat!" to the last "Watch out for that tree!", The Moose That Roared is not only the record of a legendary chapter in animation history, but also the story of a rare and magical relationship between two artists who were wildly, exuberantly ahead of their time, and the fascinating story of the struggle to bring their vision of bad puns and talking animals to unforgettable life.
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