Conor Nash has lived his life with a single purpose--to pitch in the Major Leagues. He's been released from professional baseball contracts ten times over a sixteen-year career, but he's overcome every obstacle to finally reach The Show when he's a decade too old. As he faces the specter of injury-forced retirement, he becomes a man neither he nor his wife recognizes. During his career, Conor avoided the trap of alcohol and drugs because his drug was baseball. And what can an addict do when he realizes he will never get that high again? Conor climbs treacherous Camelback Mountain, drinks a bottle of Champagne, recalls people and events, and seeks an answer. Who is Conor Nash if he can't pitch? The Conman is based on the Life of Keith Comstock. Keith pitched professionally for sixteen years, including Major League time with The Seattle Mariners, the San Diego Padres, the San Francisco Giants and the Minnesota Twins. Following his retirement in 1992, Keith has held minor league coaching and managing positions with several organizations. For the past decade he has served as the rehabilitation instructor for the Texas Rangers.
Keith L. Bildstein has studied migrating raptors on four continents and directs the conservation science program at Hawk Mountain Sanctuary, Pennsylvania, the world's first refuge for migratory birds of prey. In this book, he details the stories and successes of twelve of the world's most important raptor-viewing spots, among them Cape May Point, New Jersey; Veracruz, Mexico; Kekoldi, Costa Rica; the Strait of Gibralter, Spain; and Elat, Israel."--BOOK JACKET.
Though physiological ecology has been a discipline since the 1950s, McNab redresses a perceived absence of a theoretical framework with a comparative, inductive approach to studying vertebrate evolution and ecology. He discusses the patterns and limits of adaptation to the environment, acclimation to temperature variation and material exchange with the environment, and the energetics of locomotion and growth. The final section treats the significance of energetics for population ecology and distribution. Includes a taxonomic as well as subject index. Suitable for advanced students and researchers in the biological and ecological sciences. The Gainesville, FL-based author is referred to by the foreword writer as a keen naturalist, but his credentials are not stated. Annotation copyrighted by Book News Inc., Portland, OR.
Keith Ward--philosopher, ethicist, theologian, Anglican priest, cathedral canon, and book-writing addict--has spent his life thinking about "the big questions" (and, what's more, getting paid for it!). This philosophical pilgrimage led him from jobs at Glasgow and St. Andrew's Universities in Scotland, to Cambridge University, then on to King's College, London, followed by Oxford University (by invitation of the Queen!), before moving back to London at Gresham College, Heythrop College, and Roehampton University. Along the way he became a fellow of the British Academy and of a number of academic institutions, gathering up doctorates from various places, and writing more books than your bookshelf can handle. This sounds awfully dull, but according to Keith Ward, it was great fun, and he experienced all these things with a feeling of slight surprise, and with an irrepressible sense of humour. Having retired, exhausted, at eighty-one, Ward could not resist one more book. This is it--a humorous account of his life and thought, especially to show how he developed his own philosophy of personal idealism. It is both a genuinely amusing account of the life of an English academic and a rather profound account of an anti-materialistic and scientifically informed philosophy.
Rough-Hewn Land tells the geologic story of the American West--the story of its rocks, rivers, mountains, earthquakes, and mineral wealth, including gold. It tells it by taking you on a 1000-mile-long field trip across the rough side of the continent from the California coast to the Rocky Mountains. This book puts you on the outcrop, geologic hammer in hand, to explore the evidence for how the spectacular, rough-hewn lands of the West came to be. When North America broke free from Eurasia and Africa some 200 million years ago, it triggered a cascade of violent geologic events that shaped the West we see today. As the west-moving continent crunched across the seabed of the ancient Pacific, islands and assorted pieces of ocean floor collected against its prow to build California--and plant gold there too. Meanwhile, mountains squeezed upward from California to Colorado, and vast quantities of molten rock seeded the crust with precious metals while spewing volcanic fire across the land. Later, the land stretched like an accordion to form the washboard-like Basin and Range province and Great Basin within it, while California began to crackle along the San Andreas fault. Throughout the West today, a near-constant drumroll of earthquakes testifies to a world still reshaping itself in response to the ceaseless movements of the Earth's tectonic plates. Rough-Hewn Land weaves these stories into the human history of the West. As we follow the adventures of John C. Frémont, Mark Twain, the Donner party, and other historic characters, we see how geologic forces have shaped human experience, just as they direct the fate of the West today"--
For those of us who love The Rocky and Bullwinkle Show, these names conjure up memories of some of the wittiest, most inspired, and relentlessly hilarious half-hours of animation ever produced. There was a kind of gleeful magic to the shows, a cumulative joy that transcended the crude animation and occasionally muddy sound, and it's this quality that was the essence of the legendary Jay Ward and Bill Scott. Jay Ward was the magnificent visionary, the outrageous showman who lobbied Washington for statehood for Moosylvania, and invited the press to a picnic on the floor of the Plaza Hotel's august Grand Ballroom. Bill Scott was the genial, brilliant head writer, coproducer, and all-purpose creative whirlwind, often described as the "soul" of the shows. In fact, Scott even provided the voices for most of the star characters, giving life to Bullwinkle J. Moose, Mr. Peabody, Dudley Do-Right, and George of the Jungle. From their tiny, oddball animation studio, Jay Ward Productions, they created some of the most memorable animation of all time, and gave birth to a family of characters whose undying popularity has cast them forever into the pop culture firmament. With their distinctively unorthodox, artist-friendly philosophy, Ward and Scott attracted some of the most talented writers and voice actors in the industry, and for a time, Jay Ward Productions was a kind of Camelot of cartoons. Now, through exclusive interviews with Bill Scott, Tiffany Ward, June Foray, and dozens of others intimately involved with the Ward epoch, as well as access to original scripts, artwork, story notes, letters, and memos, Keith Scott has created the definitive history of Jay Ward Productions, including episode guides and voice credits for all the Jay Ward cartoons. From the first "Hey Rocky, watch me pull a rabbit out of a hat!" to the last "Watch out for that tree!", The Moose That Roared is not only the record of a legendary chapter in animation history, but also the story of a rare and magical relationship between two artists who were wildly, exuberantly ahead of their time, and the fascinating story of the struggle to bring their vision of bad puns and talking animals to unforgettable life.
Born as Eric Blair in India in 1903, George Orwell was a sickly child who was sent away to boarding school at age eight. Later he won a scholarship to Eton, where he was not a good student and earned a reputation as a rebel. Following Eton, he returned to Burma as a police officer, deliberately postponing his dream of becoming a writer. Orwell moved to Paris in 1928. He was concerned with the plight of the poor and was determined to find his own literary voice and themes. In the following years, he traveled and lived among the poor and unemployed. Orwell published several books and novels about his experiences, but success and recognition seemed slow in coming. In England, Orwell became known as an angry political writer and crusader for the left. He stood up for his convictions and fought in the Spanish Civil War, despite ill health. After this disillusioning experience, Orwell became an enemy of any form of totalitarianism. He tried to do his part for England under the Nazi siege through his journalism and broadcast scripts. Orwell completed Animal Farm during the war but was unable to find a publisher until the war was over. After the book’s enormous success in 1946, Orwell planned another novel set in the future ina totalitarian society. Writing from his house on the island of Jura in the Scottish Hebrides, he created the story of Winston Smith, who lived in a world where Big Brother was always watching. This was his masterpiece, Nineteen Eighty-Four. Orwell died soon after its publication, but not before witnessing its success. In a special epilogue, Ferrell deals with Orwell’s impact as a political moralist and the way in which the year 1984 has come to stand as a fearful symbol.
During World War II, the U.S. Navy's submarine service suffered the highest casualty percentage of all the American armed forces, losing one in five submariners. But despite the odds, these underwater warriors accounted for almost 60 percent of Japanese shipping losses, and were a major factor in winning the war. 16 U.S. submarines - and one German U-Boat - that saw action during WWII are now open to the public. Most have been restored and authentically equipped. Final Patrol takes a fascinating look at these subs and the personal stories of the brave sailors who lived, fought, and often died in them. Now, visitors can climb into these cramped steel cylinders, peer through their torpedo tubes, and imagine diving under the sea - perhaps for the last time - to stalk a fanatical enemy who threatened our nation's freedom.
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