Biometric identification and registration systems are being proposed by governments and businesses across the world. Surprisingly they are under most rapid, and systematic, development in countries in Africa and Asia. In this groundbreaking book, Keith Breckenridge traces how the origins of the systems being developed in places like India, Mexico, Nigeria and Ghana can be found in a century-long history of biometric government in South Africa, with the South African experience of centralized fingerprint identification unparalleled in its chronological depth and demographic scope. He shows how empire, and particularly the triangular relationship between India, the Witwatersrand and Britain, established the special South African obsession with biometric government, and shaped the international politics that developed around it for the length of the twentieth century. He also examines the political effects of biometric registration systems, revealing their consequences for the basic workings of the institutions of democracy and authoritarianism.
Identity recognition of individuals by the groups they are born into or wish to affiliate themselves with has been a universal human experience but any registration documentation has received little scholarly attention. This introduction to a new subject presents a wide-ranging set of original studies of registration over 2000 years.
The Warners are a typical family, with the usual rifts and arguments. Each year, they leave home on Christmas Day to spend the holiday week in a time-share condominium in Breckenridge, Colorado. The early-teenaged children, Tim and Julie, are opposed to the idea, preferring to stay home back in Boulder with Xmas gifts and friends, but their workaholic father insists that they spend the rare family time together. However, he is inevitably called back to his demanding business each year and is not even there for the Christmas holiday. Then, on one Christmas, Tim surprises his sister, taking her on an impromptu horseback ride to a mountaintop. There, he shows her an amazing and inspiring display of lights on a distant peak, a scene of mysterious origin that can only be viewed from that one spot and precisely at dusk on Christmas Day. The next year, their father is too busy to even make the trip to the Rocky Mountain condo for Christmas. Even so, the kids can't wait to take their mother on the yuletide horseback ride up the mountain so they can show her the beautiful light show. She, too, is inspired, and when they return home, she tries once more to convince her husband to put his priorities in the right place, to return to church and spend more time with the family. However, by the next holiday, their marriage is over and so are the rides to the mountain for the Warner family. Tim blames his mother for the breakup of the family and, when he eventually goes away to college, he ends all communication with her. Julie finally takes a Christmas journey of her own, a drive to the West Coast to convince her brother to renew the spirit they found together on that Colorado mountain peak with its mysterious light display. He does return home, and, at the same time, their father has his own epiphany. The next Christmas, the parents renew their vows, remarrying on the mountain just as the lights seem to be burning their brightest for the reunited family. But then a tragic turn brings the two siblings even closer, and a special Christmas gift makes certain their bond will never be dissolved, not by distance, hurt, or even death. A final view of the lights on the mountaintop confirms that the love of a family is the strongest tie of all. And a strange but wondrous twist shows Julie Warner the true meaning of those lights they saw on their rides to the Christmas mountain. This powerful story will resonate with today's busy families, too involved with their own distractions to experience the beauty of this special season, and offer special meaning to those who have lost someone and miss them most during the holidays. The lesson of those magical lights-that one must be in the right place and have an open heart to know the true meaning of Christmas-will touch readers everywhere. A Christmas Ride is a book about families sharing the miracle of the season and the wondrous display of lights on a snowy Colorado mountaintop is the perfect metaphor for this Christian holiday.
Keith Haring is synonymous with the downtown New York art scene of the 1980's. His artwork-with its simple, bold lines and dynamic figures in motion-filtered in to the world's consciousness and is still instantly recognizable, twenty years after his death. This Penguin Classics Deluxe Edition features ninety black-and-white images of classic artwork and never-before-published Polaroid images, and is a remarkable glimpse of a man who, in his quest to become an artist, instead became an icon. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A long-forgotten event once shattered the community. But that's just the beginning as demonic forces take their toll in this chilling church mystery. In the upscale college town of Newcastle, romance intertwines with the supernatural at St. Barnabas Church where Elliot Buchanan is a new Pastor, and Stacie Jordan is a Professor of Theology at a local university. Together they unravel a mystery that began with a bizarre death fifteen years earlier to one dropped at the very doorstep of their lives. This is a behind-the-scenes look at church life where the devil doesn't take 'no' for an answer.
A theoretical account of the formation of Sikh diaspora and Sikh nationalism, arguing that the diaspora, rather than originating from the nation, has a major role in the nation's creation.
Sinners, saints and Satan...a perfect mix for mischief and murder! Elliot Buchanan, Pastor of St. Barnabas Church, is on his own for the summer. His wife and daughter are on vacation. Soon after they leave, a murder occurs in a hospital parking lot. It's not his business, and he thinks little of it until a friend is arrested for a seemingly unrelated crime, and four more follow in quick succession. Elliot wonders if something more sinister is taking place in the world of spiritual evil. When Detective Breckenridge calls to meet, they collaborate and find a connection that leaves the community stunned and pushes Elliot into a brush with death.
Historical anthropology: critical exchange between two decidedly distinct disciplines or innovative mode of knowledge production? As this volume’s title suggests, the essays Brian Keith Axel has gathered in From the Margins seek to challenge the limits of discrete disciplinary epistemologies and conventions, gesturing instead toward a transdisciplinary understanding of the emerging relations between archive and field. In original articles encompassing a wide range of geographic and temporal locations, eminent scholars contest some of the primary preconceptions of their fields. The contributors tackle such topics as the paradoxical nature of American Civil War monuments, the figure of the “New Christian” in early seventeenth-century Peru, the implications of statistics for ethnography, and contemporary South Africa's “occult economies.” That anthropology and history have their provenance in—and have been complicit with—colonial formations is perhaps commonplace knowledge. But what is rarely examined is the specific manner in which colonial processes imbue and threaten the celebratory ideals of postcolonial reason or the enlightenment of today’s liberal practices in the social sciences and humanities. By elaborating this critique, From the Margins offers diverse and powerful models that explore the intersections of historically specific local practices with processes of a world historical order. As such, the collection will not only prove valuable reading for anthropologists and historians, but also for scholars in colonial, postcolonial, and globalization studies. Contributors. Talal Asad, Brian Keith Axel, Bernard S. Cohn, Jean Comaroff, John L. Comaroff, Nicholas B. Dirks, Irene Silverblatt, Paul A. Silverstein, Teri Silvio, Ann Laura Stoler, Michel-Rolph Trouillot
This book is written for five beloved grandchildren in the hope they will gain insight into and inspiration from a life well-lived. The collected stories, testimonies of a faith in God that has offered love and depth to both the writer and the people he writes about, and the love affair that has existed between the author and his bride of over a half-century, make for a compelling story for anyone’s young adult children or grandchildren. The author shares this work with the hope some might find it entertaining, while others might discover insight into Faith and Grace. The stories shared are of ordinary people who have done extraordinary things in their lives. Perhaps there may be a lesson and a blessing within these pages for readers of all ages.
Sinners, saints and Satan...a perfect mix for mischief and murder! Elliot Buchanan, Pastor of St. Barnabas Church, is on his own for the summer. His wife and daughter are on vacation. Soon after they leave, a murder occurs in a hospital parking lot. It's not his business, and he thinks little of it until a friend is arrested for a seemingly unrelated crime, and four more follow in quick succession. Elliot wonders if something more sinister is taking place in the world of spiritual evil. When Detective Breckenridge calls to meet, they collaborate and find a connection that leaves the community stunned and pushes Elliot into a brush with death.
Capturing the extraordinary within the ordinary moment, seventy-five black-and-white photographs, many never before published, span the artist's career and are accompanied by his own account of his life and artistic development in Beaumont, Texas. UP.
Football tradition at the University of Oklahoma still runs strong, as does the record of forty-seven consecutive victories that legendary coach Bud Wilkinson and his players set in the 1950s. Approached but never equaled by teams such as Washington, Miami, and Texas, the streak contributed to the acclaim Wilkinson garnered by amassing an impressive three national championships (1950, 1955, and 1956), twelve consecutive conference titles, twenty-three straight wins on opposing fields, Top Ten rankings for eleven successive years, and a thirty-one game winning streak before the unforgettable “forty-seven straight.” Forty-seven Straight details how the record grew, season by season, as told by sixty-one of Wilkinson’s players during interviews with Harold Keith, the university’s sports publicist who witnessed all 178 football games during the Wilkinson era at OU. The players recall Wilkinson’s and his staff’s style, methods, and strategies while vividly recalling their most dramatic games. The scholastic integrity of Wilkinson’s program, which included high academic standards and graduation rates, produced a successful group of career-minded players.
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