AN ENGAGING AND WELL-WRITTEN CULTURAL AND LITERARY HISTORY. Lagos is one of the fastest growing cities in the world. Kaye Whiteman explores a city that has constantly re-invented itself, from the first settlement on an uninhabited island to the creation of the port in the early years of the twentieth century. Lagos is still defined by its curious network of islands and lagoons, where erosion and reclamation lead to a permanently shifting topography, but history has thrust it into the role of a burgeoning mega-city, overcoming all nature’s obstacles. The city’s melting-pot has fertilized a unique literary and artistic flowering that is only now beginning to be appreciated by a world that has only seen slums and chaos.
Lagos is one of the fastest growing cities in the world, expected in some projections to have a population of 25 million by 2025. This will make it the biggest metropolis in sub-Saharan Africa and possibly the world's third largest city. This phenomenal and continuing growth gives it a heady turbulence, especially as it only took on the form of a coherent urban entity in the eighteenth century. After Nigeria's independence Lagos remained both trading hub and, for thirty years, a federal capital and political vortex. Now its driving sense of 'can-do', its outreach and vitality, make it a fulcrum and a channel for commercial and cultural talent. Kaye Whiteman explores a city that has constantly re-invented itself, from the first settlement on an uninhabited island to the creation of the port in the early years of the twentieth century. Lagos is still defined by its curious network of islands and lagoons, where erosion and reclamation lead to a permanently shifting topography, but history has thrust it into the role of a burgeoning mega-city, overcoming all nature's obstacles. The city's melting-pot has fertilised a unique literary and artistic flowering that is only now beginning to be appreciated by a world that has only seen slums and chaos. COLONIAL CITY: Portuguese influences; the 1861 Treaty of Cession and the British colonialists; architectural traces: schools and government buildings; the move towards independence. CITY OF ENTREPRENEURS: trading through the centuries: Sierra Leoneans and Brazilians; traditional markets and modern malls; the Central Business District. THE CITY OF WORDS AND MUSIC: a counterpoint to the alleged philistinism of its businessmen; the views of writers Wole Soyinka and Chinua Achebe; artist and sculptor Ben Enwonwu; the musical genius Fela Kuti.
The Good Lil Boys and Girls from the Buckeye State of Ohio and the Hoosier State of Indiana book is a compilation of stories of slave narratives shared by ex-slaves who either escaped to these two free states or moved to freedom. The ex-slaves described their experiences as children in slavery. The book is a part of a twelve-book series of Black Children Speak.
In this new interpretation of antebellum slavery, Anthony Kaye offers a vivid portrait of slaves transforming adjoining plantations into slave neighborhoods. He describes men and women opening paths from their owners' plantations to adjacent farms to go courting and take spouses, to work, to run away, and to otherwise contend with owners and their agents. In the course of cultivating family ties, forging alliances, working, socializing, and storytelling, slaves fashioned their neighborhoods into the locus of slave society. Joining Places is the first book about slavery to use the pension files of former soldiers in the Union army, a vast source of rich testimony by ex-slaves. From these detailed accounts, Kaye tells the stories of men and women in love, "sweethearting," "taking up," "living together," and marrying across plantation lines; striving to get right with God; carving out neighborhoods as a terrain of struggle; and working to overthrow the slaveholders' regime. Kaye's depiction of slaves' sense of place in the Natchez District of Mississippi reveals a slave society that comprised not a single, monolithic community but an archipelago of many neighborhoods. Demonstrating that such neighborhoods prevailed across the South, he reformulates ideas about slave marriage, resistance, independent production, paternalism, autonomy, and the slave community that have defined decades of scholarship.
Since 1977, The Wolfe Pack has published "The Gazette," chockful of articles and tales of America's greatest sleuth, Nero Wolfe, who prefers beer and orchids to working at his West 35th Street brownstone. But thanks to Wolfe's wisecracking associate Archie Goodwin and his agent REX STOUT, Wolfe's seventy-two cases are mystery classics. NERO WOLFE: THE ARCHIE GOODWIN FILES is a new selection of Neronian delights carefully picked from over twenty-five years of The Gazette by veteran anthologist, novelist, and charter member of The Wolfe Pack Marvin Kaye.
Biobanks are proliferating rapidly worldwide because they are powerful tools and organisational structures for undertaking medical research. By linking samples to data on the health of individuals, it is anticipated that biobanks will be used to explore the relationship between genes, environment and lifestyle for many diseases, as well as the potential of individually-tailored drug treatments based on genetic predisposition. However, they also raise considerable challenges for existing legal frameworks and research governance structures. This book critically examines the current governance structures in place for biobanks in England and Wales. It shows that the technologies, techniques and practices involved in biobanking do not always conform neatly to existing legal principles and frameworks that apply to other areas of medical research. Using a socio-legal approach, including interview data gathered from the scientific community, this book provides unique insights and makes recommendations about appropriate governance mechanisms for biobanking in the future. It also explores the issues around the secondary use of information, such as consent and how to protect privacy, when biobanks are accessed by a number of different third parties. These issues have relevance both within England and Wales and to a wide international audience, as well as for other areas where large datasets are used.
Only five months after Gen. James Edward Oglethorpe established the new colony of Georgia in 1733, pioneering Jewish settlers arrived at her shores. They landed in Savannah, where over the next several centuries they built a thriving community within one of the South's most revered cities. Savannah's Jewish citizenry, while a well-defined entity on its own, is also steeped in the rich, overall heritage of the area, contributing to every facet of civic, business, and cultural life. The Jewish Community of Savannah celebrates, in word and image, the colorful history of one of the nation's oldest established Jewish communities. Vintage photographs culled from the Savannah Jewish Archives, housed in the Georgia Historical Society, reveal what life was like in days gone by. Early twentieth-century scenes depict Savannah Jews not only in times of steadfast worship and engaged in earnest business efforts, but also in lighter moments of celebration and recreation. The three local congregations are all represented in this collection, including those practicing Reform Judaism (Congregation Mickve Israel), Orthodox Judaism (Congregation B'nai B'rith Jacob), and Conservative Judaism (Congregation Agudath Achim.) Many readers will be surprised and delighted to view images of their ancestors within this treasured volume.
One autumn night in the eighties a young Irishman of twenty-seven, who had passed most of his life in Germany, took his place in the orchestra pit of the Metropolitan Opera House to play the cello. His name was Victor Herbert. He had just arrived in New York, and from his obscure seat he looked around curiously at the mass of faces glowing weirdly in the vast, dim auditorium. He felt a symbolic force in the crowding immensity of the place, in the numerous dazzling points of light that leaped back from the precious stones on the hands and breasts of the women who sat in the two great curving tiers of boxes. What future was he to have in this land? The conductor emerged from the depths beneath the stage to his eminence on the podium. Applause rolled over the heads of the musicians below him. He raised his baton and the opera began. Twenty-five years later, the same immigrant heard from the stage of the same theatre the performance of an opera he himself had written. Similar rolls of applause came from the audience, but this time not to pass over his head in the pit. The acclaim was for him, a tribute to his artistry. Thus, in the romantic fashion, may be outlined the beginning and the climax of the career of the most popular composer of light opera to be developed in the American theatre. And of one of the most beloved figures who ever made the rounds of Broadway.
Meet the increasing need for effective brain tumor management with the highly anticipated revision of Brain Tumors by Drs. Andrew H. Kaye and Edward R. Laws. Over the past decade, enormous advances have been made in both the diagnosis and the surgical and radiotherapeutic management of brain tumors. This new edition guides you through the latest developments in the field, including hot topics like malignant gliomas, functional brain mapping, neurogenetics and the molecular biology of brain tumors, and biologic and gene therapy. Benefit from the knowledge and experience of Drs. Andrew H. Kaye and Edward R. Laws, globally recognized experts in the field of neurosurgery, as well as many other world authorities.
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