Worlds in Common? examines the newly emerging forms of language used in satellite television programmes, exploring a wide range of genres including twenty-four hour news broadcasting, culture channels, talk shows, local TV and European news. Focusing on the experiences of British and German viewers, the authors discuss these new forms of communication brought about by the technological and economic upheavals in Europe in the late 1990s. This interaction between media theories and media discourses, makes the book highly relevant for researchers in media and cultural studies as well as linguistics, and provides an important and innovatory link between these different approaches.
When we watch and listen to actors speaking lines that have been written by someone else-a common experience if we watch any television at all-the illusion of "people talking" is strong. These characters are people like us, but they are also different, products of a dramatic imagination, and the talk they exchange is not quite like ours. Television Dramatic Dialogue examines, from an applied sociolinguistic perspective, and with reference to television, the particular kind of "artificial" talk that we know as dialogue: onscreen/on-mike talk delivered by characters as part of dramatic storytelling in a range of fictional and nonfictional TV genres. As well as trying to identify the place which this kind of language occupies in sociolinguistic space, Richardson seeks to understand the conditions of its production by screenwriters and the conditions of its reception by audiences, offering two case studies, one British (Life on Mars) and one American (House).
This is the 4th edition of my series, Here Are My Peeps, this one focusing on my mother's mother, Grandma Annie Laura. The Story of the Lynch and Richardson Families of the Haliwa-Saponi Indian Tribe, as told thru their granddaughter's eyes
Following the life-changing events that happened during the tribe's annual pow-wow, we walk with the characters as they experience real-life situations. The very unusual funeral of a loved one, the result of living in a loveless marriage, discovering that the husband you just lost, has had an affair with a different family member, being involved in human trafficking, cracking the case and bringing a loved one to safety, and the after-effects of how forgiveness and love and change the world. This book also allows insight into a family, when the truth takes over the lies that have conquered a generation. This is the second book from Author A. Kay Richardson Oxendine, and a follow-up to Storytelling at Marshall's Encampment.
Public issue television is a major contribution to understanding the relationship between television, politics, and society. Based on full access to the archives, it offers a fascinating historical account of how one television series--Granada's World in Action, celebrated for its tough journalism, visual directness, and public impact--functioned and developed over its run across 35 years between 1963 and 1998. This book gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades.
Originally published in 1992. This book discusses the possibilities of developing the research process in social science so that it benefits the subjects as well as the researcher. The authors distinguish between ‘ethical’, ‘advocate’ and ‘empowering’ approaches to the relationship between researcher and researched, linking these to different ideas about the nature of knowledge, action, language, and social relations. They then use a series of empirical case studies to explore the possibilities for ‘empowering research’. The book is the product of dialogue between researchers from a range of disciplines (anthropology, cultural studies, sociology and linguistics) and is for those working across the social sciences. Through combination of philosophical discussion, methodological recommendation and case-study illustration, it provides guidance that is practical without being simplistic.
Exploring the forms and meanings of mediated politics beyond the news cycle, this book encompasses genres drawn from television, radio, the press and the internet, assessing their individual and collective contribution to contemporary political culture through textual analysis and thematic review.
Storytelling at Marshall's Encampment happens within one weekend at the main character, Alicia's, hometown pow-wow. This book is meant to take you thru the intimate lives of many families within one community. It deals with real life issues, in modern times, but does not specify a region or tribe"--Page 4 of cover
In Watching TV with a Linguist, Fägersten challenges the conventional view of television as lowbrow entertainment devoid of intellectual activity. Rather, she champions the use of fictional television to learn about linguistics and at the same time promotes enriched television viewing experiences by explaining the role of language in creating humor, conveying drama, and developing identifiable characters. The essays gathered in this volume explore specific areas of linguistics, providing a comprehensive yet accessible introduction to the study of language. Through programs such as Seinfeld, The Simpsons, Sherlock, and The Wire, contributors deftly illustrate key linguistic concepts and terminology using snippets of familiar dialogue and examples of subtle narration. In addition, contributors aim to raise linguistic awareness among readers by identifying linguistics in action, encouraging readers to recognize additional examples of concepts on their own. To this end, each chapter provides suggestions for viewing other television series or specific episodes, where further examples of the linguistic concepts in focus can be found. Invaluable as a resource in linguistics and communication courses, Watching TV with a Linguist is the first book to use the familiar and compelling medium of television to engage students with the science of language.
This is a quick guide to help those who have never been to a pow-wow, would like to know more about the pow-wow, or for those who need brush ups on the language.
Focussing on three major eighteenth-century English novelists, Carol Kay explores the connections between institutional politics, political philosophy, and fiction. Drawing from Hobbes's Leviathan a political "problematic," a complex of interconnected topics, Kay offers an alternative to current critical theories that overlook the importance of political institutions in literary analysis. She considers Hobbes's though a key to what has been called the growth of political stability in England during this period, a consolidation of national authority which was brutal in some respects and a matter of intense controversy. Political Constructions shows how the fictional creations of Defoe, Richardson, and Sterne challenge but ultimately support Hobbes's diagnosis of a fundamental human ignorance and competition which require the political solution of consent to authority. Although they testified to the potential for social conflict, Kay concludes, the works of novelists and philosophers helped make England the prototype of the settled state, the country that did not have a modern revolution.
Applying multimodal textual analysis to the languages and images of online communication forms, Kay Richardson shows, from an applied linguistic perspective, how the Internet is being used for global, interactive communication about public health risks. Detailed case studies of the possible risks posed by SARS, by mobile phones and by the vaccination of babies against childhood diseases are situated within the context of research on computer-mediated communication, as well as within the broader social context of globalization and discourses of risk and trust.
Social disorganization scholars believe community organizations are a key neighborhood institution for reducing neighborhood violence because they stimulate community control. Here community control can be residents' willingness to engage in crime control or the infusion of resources from outside actors, such as residential bank loans. Neighborhood organizations are associated with community control because they provide opportunities for the creation of ties among neighbors, to local economic and police officials, and to the neighborhood. Recently, however, research on communities and crime has minimized their role by, for instance, subsuming them under other broader theoretical concepts, such as collective efficacy, or leaving them out of analyses entirely. This dissertation evaluates the role of community organizations in neighborhood violence reduction and asserts the need to bring these organizations back to their original place in social disorganization theory.
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