Explore the ancient technique of Japanese ink painting. The art of sumi-e, which means "ink picture," combines calligraphy and ink-painting to produce brush painting compositions of rare beauty. This beauty is paradoxical--ancient but modern, simple but sophisticated, bold but subdued--no doubt reflecting the art's spiritual basis in Zen Buddhism. At the same time, sumi-e painting is firmly rooted in the natural world, its various techniques serving as the painter's language for describing the wonders of nature. Buddhist priests brought the ink stick and the bamboo-handled brush to Japan from China in the sixth century, and over the past fourteen centuries, Japan has developed a rich heritage of ink-painting. Today the artistry of sumi-e can be admired in books, reproductions, and museums, but the techniques of the art have been much less accessible. As a result, little information has been available to the inquisitive Western artist attracted to Japanese sumi-e. This book, designed to help remedy that deficiency, is the product of the author's study with her teacher, Ukai Uchiyama, master calligraphist and artist. It contains extensive explanations of technique as well as detailed painting instructions and diagrams.
Japanese Sumi-e brush painting combines the techniques of calligraphy and ink painting to produce compositions of rare beauty. This art has its roots in the Zen Buddhist practices of mindfulness and meditation--serving as a means not just for describing wonders of nature, but as a method for training our minds to view the world in its essential grace and simplicity. This book is the product of many years of study with Ukai Uchiyama--a master Japanese calligrapher and artist. Kay Morrissey Thompson shares the knowledge she gained from this association, presenting a thorough discussion of the artist's work along with a series of practical lessons based on Mr. Uchiyama's instruction. The informative text is accompanied by over fifty illustrations, many in color, reproducing works by Ukai Uchiyama and enabling aspiring artists to understand how each painting was created. With a smaller size and new cover, this timeless Tuttle Classic (originally published in 1960), has been reformatted for a new generation of readers.
Explore the ancient technique of Japanese ink painting. The art of sumi-e, which means "ink picture," combines calligraphy and ink-painting to produce brush painting compositions of rare beauty. This beauty is paradoxical--ancient but modern, simple but sophisticated, bold but subdued--no doubt reflecting the art's spiritual basis in Zen Buddhism. At the same time, sumi-e painting is firmly rooted in the natural world, its various techniques serving as the painter's language for describing the wonders of nature. Buddhist priests brought the ink stick and the bamboo-handled brush to Japan from China in the sixth century, and over the past fourteen centuries, Japan has developed a rich heritage of ink-painting. Today the artistry of sumi-e can be admired in books, reproductions, and museums, but the techniques of the art have been much less accessible. As a result, little information has been available to the inquisitive Western artist attracted to Japanese sumi-e. This book, designed to help remedy that deficiency, is the product of the author's study with her teacher, Ukai Uchiyama, master calligraphist and artist. It contains extensive explanations of technique as well as detailed painting instructions and diagrams.
Explore the ancient technique of Japanese ink painting. The art of sumi-e, which literally means "ink picture," combines calligraphy and ink-painting to produce brush painting compositions of rare beauty. This beauty is paradoxical—ancient but modern, simple but complex, bold but subdued—no doubt reflecting the art's spiritual basis in Zen Buddhism. At the same time sumi-e painting is firmly rooted in the natural world, its various techniques serving as the painter's language for describing the wonders of nature. Buddhist priests brought the ink stick and the bamboo-handled brush to Japan from China in the sixth century, and over the past fourteen centuries Japan has developed a rich heritage of ink-painting. Today the artistry of sumi-e can be admired in books, reproductions and museums, but the techniques of the art have been much less accessible. As a result, little information has been available to the inquisitive Western artist attracted to Japanese sumi-e. This book, designed to help remedy that deficiency, is the product of the author's study with her teacher, Ukai Uchiyama, master calligraphist and artist. It contains extensive explanations of technique as well as detailed painting instructions and diagrams.
The Oral History Manual, Fourth Edition, is a comprehensive and user-friendly book designed to take novice or experienced oral historians through the entire life cycle of creating an oral history project, from idea through planning, interviewing, caring for, and making oral history interviews accessible. It includes updated information on: evolving technology, including the use of—and challenges associated with—automated transcription apps; ethical and practical considerations related to oral history and social justice, including interviews with people experiencing trauma; and challenges associated with real-time interviews conducted in the wake of natural and human-caused disasters. It emphasizes that an oral historian’s work is not finished when the recorder is turned off, describing in detail the importance of fully processing and preserving oral histories and related materials. The book emphasizes the importance of oral history practitioners providing context for their work so researchers and others who encounter the materials in the future will understand fully the circumstances in which the oral histories were created. The Oral History Manual, Fourth Edition also provides readers background on the evolution of oral history practice and includes appendices with sample forms that oral historians will find useful as they develop their own projects.
Through his student Kay Morrisey Thompson, master calligrapher Ukai Uchiyama teaches readers the language of sumi-e, the distinctive Japanese calligraphy which combines Zen spirituality and boldly mimetic natural images. This beautiful volume, winner of the Good Design Award from the American Booksellers Association, offers striking illustrations in black and white and color of its lessons on the practice and philosophy of sumi-e. Readers are encouraged to learn about the bamboo-handled brushes and ink sticks, experiment with simple naturalistic forms, and explore the history and spiritual foundation of an art form that this book makes accessible to Westerners for the first time.
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