More than two decades after their parents rose up against the Shah's excesses, increasing numbers of young Iranians are risking jail at the hands of religious paramilitaries roughly their own age, for things their counterparts in the West take for granted: wearing makeup, slow dancing at parties, holding hands with members of the opposite sex. Every day anxious parents queue at courthouses to bail out sons and daughters who have been detained for 'moral crimes'. Kaveh Basmenji, who spent his own youth amidst the turbulence of the Islamic Revolution, argues that Iran's youth are in near-open revolt for want of greater freedoms, in furious defiance of the mullahs and their brand of sombre religiosity. Through candid interviews with young people, and in a careful assessment of Iran today (including a special chapter on the implications of the recent election to the presidency of hardliner Mahmoud Ahmadinejad), Basmenji gets to the heart of the matter: What do Iran's youth want, and how far are their elders prepared to go to accommodate them? 'A detailed insider's view of Iran's recent history and its impact on the new generation that is both entertaining and thought provoking.' Jordan Times 'Fascinating and highly readable ... with his vivid style and eye for detail, [Basmenji] takes the reader right inside Iranian society.' Saudi Gazette 'An accurate account of Iranian society, history and culture...easy to read, and full of enlightening commentaries on personalities, events and trends.' Middle East Journal
Whether negotiating often-treacherous paths through political and religious upheavals or threading their way through dreams and fantasies, the characters in these stories are vivid and compelling enough to challenge and surprise anyone unfamiliar with Iranian life and literature. From the oppressive atmosphere before the Islamic Revolution of 1979 in Simin Daneshvar's Whom Shall I Greet? to Shahrnoosh Parsipour's mesmerising story of women who blur distinctions between reality and dreams in Crystal Pendants, these tales brim with the inner lives, attitudes and outlooks of women in Iran. 'There is great talent in these stories as well as great courage.' -- Elaine Showalter, Literary Review
Part of a series showcasing contemporary women writers from around the world.Whether negotiating often-treacherous paths through political and religious upheavals or threading their way through dreams and fantasies, the characters in these stories are vivid and compelling enough to challenge and surprise anyone unfamiliar with Iranian life and literature.Simin Daneshvar, perhaps the most renowned Iranian woman writer of all time, has as a recurring theme in her stories the oppressive atmosphere prevailing in Iran during the last two decades before the Islamic Revolution of 1979. Goli Taraqqi's stories are populated with sick, desperate people who lead lonely lives suffused with fear. The Shemiran Bus and A House in Heaven are virtuoso works of hers, and probably two of the best examples of contemporary prose in Iran. In the words of one critic: 'If Taraqqi had not written anything but these stories, she would still be regarded as first-rate amongst Iranian writers.' Others include Shahrnoosh Parsipour, Moniroo Ravanipour, Mahshid Amirshahi, Fereshteh Sari, and Fereshteh Molavi. These tales brim with the inner lives, attitudes and outlooks of women in Iran.
More than two decades after their parents rose up against the Shah's excesses, increasing numbers of young Iranians are risking jail at the hands of religious paramilitaries roughly their own age, for things their counterparts in the West take for granted: wearing makeup, slow dancing at parties, holding hands with members of the opposite sex. Every day anxious parents queue at courthouses to bail out sons and daughters who have been detained for 'moral crimes'. Kaveh Basmenji, who spent his own youth amidst the turbulence of the Islamic Revolution, argues that Iran's youth are in near-open revolt for want of greater freedoms, in furious defiance of the mullahs and their brand of sombre religiosity. Through candid interviews with young people, and in a careful assessment of Iran today (including a special chapter on the implications of the recent election to the presidency of hardliner Mahmoud Ahmadinejad), Basmenji gets to the heart of the matter: What do Iran's youth want, and how far are their elders prepared to go to accommodate them? 'A detailed insider's view of Iran's recent history and its impact on the new generation that is both entertaining and thought provoking.' Jordan Times 'Fascinating and highly readable ... with his vivid style and eye for detail, [Basmenji] takes the reader right inside Iranian society.' Saudi Gazette 'An accurate account of Iranian society, history and culture...easy to read, and full of enlightening commentaries on personalities, events and trends.' Middle East Journal
Whether negotiating often-treacherous paths through political and religious upheavals or threading their way through dreams and fantasies, the characters in these stories are vivid and compelling enough to challenge and surprise anyone unfamiliar with Iranian life and literature. From the oppressive atmosphere before the Islamic Revolution of 1979 in Simin Daneshvar's Whom Shall I Greet? to Shahrnoosh Parsipour's mesmerising story of women who blur distinctions between reality and dreams in Crystal Pendants, these tales brim with the inner lives, attitudes and outlooks of women in Iran. 'There is great talent in these stories as well as great courage.' -- Elaine Showalter, Literary Review
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