Relaying Cinema in Midcentury Iran investigates how the cultural translation of cinema has been shaped by the physical translation of its ephemera. Kaveh Askari examines film circulation and its effect on Iranian film culture in the period before foreign studios established official distribution channels and Iran became a notable site of world cinema. This transcultural history draws on cross-archival comparison of films, distributor memos, licensing contracts, advertising schemes, and audio recordings. Askari meticulously tracks the fragile and sometimes forgotten material of film as it circulated through the Middle East into Iran and shows how this material was rerouted, reengineered, and reimagined in the process.
Focusing on early cinema's relationship with the pictorial arts, this pioneering study explores how cinema's emergence was grounded in theories of picture composition, craft and arts education – from magic lantern experiments in 1890s New York through to early Hollywood feature films in the 1920s. Challenging received notions that the advent of cinema was a celebration of mechanisation and a radical rejection of nineteenth-century traditions of representation, Kaveh Askari instead emphasises the overlap between craft traditions and modernity in early film. Opening up valuable new perspectives on the history of film as art, Askari links American silent cinema with the practice of teaching the public how to appreciate fine art; charts its entrance into arts education via art schools and university film courses; shows how concepts of artistic production entered films through a material interest in the studio; and examines the way in which Maurice Tourneur and Rex Ingram made early art films by shaping an image of the film director around the idea of the fine artist.
Focusing on early cinema's relationship with the pictorial arts, this pioneering study explores how cinema's emergence was grounded in theories of picture composition, craft and arts education – from magic lantern experiments in 1890s New York through to early Hollywood feature films in the 1920s. Challenging received notions that the advent of cinema was a celebration of mechanisation and a radical rejection of nineteenth-century traditions of representation, Kaveh Askari instead emphasises the overlap between craft traditions and modernity in early film. Opening up valuable new perspectives on the history of film as art, Askari links American silent cinema with the practice of teaching the public how to appreciate fine art; charts its entrance into arts education via art schools and university film courses; shows how concepts of artistic production entered films through a material interest in the studio; and examines the way in which Maurice Tourneur and Rex Ingram made early art films by shaping an image of the film director around the idea of the fine artist.
Relaying Cinema in Midcentury Iran investigates how the cultural translation of cinema has been shaped by the physical translation of its ephemera. Kaveh Askari examines film circulation and its effects on Iranian film cultures in the period before foreign studios established official distribution channels and before Iran became a notable site of so-called world cinema. This transcultural history draws on cross-archival comparison of films, distributor memos, licensing contracts, advertising schemes, and audio recordings. Askari meticulously tracks the fragile and sometimes forgotten material of film as it circulated through the Middle East into Iran and shows how this material was rerouted, reengineered, and reimagined in the process. "--
This book provides a broad understanding of the main computational techniques used for anthropometric data, focusing specifically on data for female athletes. A number of data analysis techniques are introduced along with the application of such in a sports setting. These techniques will have potential for application in several disciplines that cover orthopedic injury. Chapters range from new methods to novel applications of existing methods to give readers a better understanding of the topic. The book’s authors also performed the technology and high speed detector equipment to determine correct operational procedures to avoid hazard to human health. The authors believe the information in the book will help to reduce the risk of sports activities. The book also includes the latest coverage of sports databases and the development of new computational methods and efficient algorithms for sports and engineering software.
India, Modernity and the Great Divergence is an original and pioneering book about India’s transition towards modernity and the rise of the West. The work examines global entanglements alongside the internal dynamics of 17th to 19th century Mysore and Gujarat in comparison to other regions of Afro-Eurasia. It is an interdisciplinary survey that enriches our historical understanding of South Asia, ranging across the fascinating and intertwined worlds of modernizing rulers, wealthy merchants, curious scholars, utopian poets, industrious peasants and skilled artisans. Bringing together socio-economic and political structures, warfare, techno-scientific innovations, knowledge production and transfer of ideas, this book forces us to rethink the reasons behind the emergence of the modern world.
More than two decades after their parents rose up against the Shah's excesses, increasing numbers of young Iranians are risking jail at the hands of religious paramilitaries roughly their own age, for things their counterparts in the West take for granted: wearing makeup, slow dancing at parties, holding hands with members of the opposite sex. Every day anxious parents queue at courthouses to bail out sons and daughters who have been detained for 'moral crimes'. Kaveh Basmenji, who spent his own youth amidst the turbulence of the Islamic Revolution, argues that Iran's youth are in near-open revolt for want of greater freedoms, in furious defiance of the mullahs and their brand of sombre religiosity. Through candid interviews with young people, and in a careful assessment of Iran today (including a special chapter on the implications of the recent election to the presidency of hardliner Mahmoud Ahmadinejad), Basmenji gets to the heart of the matter: What do Iran's youth want, and how far are their elders prepared to go to accommodate them? 'A detailed insider's view of Iran's recent history and its impact on the new generation that is both entertaining and thought provoking.' Jordan Times 'Fascinating and highly readable ... with his vivid style and eye for detail, [Basmenji] takes the reader right inside Iranian society.' Saudi Gazette 'An accurate account of Iranian society, history and culture...easy to read, and full of enlightening commentaries on personalities, events and trends.' Middle East Journal
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