Washington Territory, 1888. With contacts on the docks and in the railroad, and with a buyers’ market funneling product their way, Alma Rosales and her opium-smuggling crew are making a fortune. They spend their days moving product and their nights at the Monte Carlo, the center of Tacoma’s queer scene, where skirts and trousers don’t signify and everyone’s free to suit themselves. Then two local men end up dead, with all signs pointing to the opium trade, and a botched effort to disappear the bodies draws lawmen to town. Alma scrambles to keep them away from her operation but is distracted by the surprise appearance of Bess Spencer—an ex-Pinkerton's agent and Alma’s first love—after years of silence. A handsome young stranger comes to town, too, and falls into an affair with one of Alma's crewmen. When he starts asking questions about opium, Alma begins to suspect she’s welcomed a spy into her inner circle, and is forced to consider how far she’ll go to protect her trade. Katrina Carrasco plunges readers into the vivid, rough-and-tumble world of the late-1800s Pacific Northwest in this genre- and gender-blurring novel. Rough Trade follows Carrasco’s critically acclaimed debut The Best Bad Things and reimagines queer communities, the turbulent early days of modern media and medicine, and the pleasures—and price—of satisfying desire.
**Finalist for the Washington State Book Award and the Lambda Award in Bisexual Fiction** "Sexy, fun, serious and unputdownable." —Bethanne Patrick, The Washington Post “Brazen, brawny, sexy . . . full of unforgettable characters and insatiable appetites. I was riveted. Painstakingly researched and pulsing with adrenaline, Carrasco’s debut will leave you thirsty for more.” —Lyndsay Faye, author of The Gods of Gotham A vivid, sexy barn burner of a historical crime novel, The Best Bad Things introduces readers to the fiery Alma Rosales—detective, smuggler, spy It is 1887, and Alma Rosales is on the hunt for stolen opium. Trained in espionage by the Pinkerton Detective Agency—but dismissed for bad behavior and a penchant for going undercover as a man—Alma now works for Delphine Beaumond, the seductive mastermind of a West Coast smuggling ring. When product goes missing at their Washington Territory outpost, Alma is tasked with tracking the thief and recovering the drugs. In disguise as the scrappy dockworker Jack Camp, this should be easy—once she muscles her way into the local organization, wins the trust of the magnetic local boss and his boys, discovers the turncoat, and keeps them all from uncovering her secrets. All this, while sending coded dispatches to the circling Pinkerton agents to keep them from closing in. Alma’s enjoying her dangerous game of shifting identities and double crosses as she fights for a promotion and an invitation back into Delphine’s bed. But it’s getting harder and harder to keep her cover stories straight and to know whom to trust. One wrong move and she could be unmasked: as a woman, as a traitor, or as a spy. A propulsive, sensual tour de force, The Best Bad Things introduces Katrina Carrasco, a bold new voice in crime fiction.
**Finalist for the Washington State Book Award and the Lambda Award in Bisexual Fiction** "Sexy, fun, serious and unputdownable." —Bethanne Patrick, The Washington Post “Brazen, brawny, sexy . . . full of unforgettable characters and insatiable appetites. I was riveted. Painstakingly researched and pulsing with adrenaline, Carrasco’s debut will leave you thirsty for more.” —Lyndsay Faye, author of The Gods of Gotham A vivid, sexy barn burner of a historical crime novel, The Best Bad Things introduces readers to the fiery Alma Rosales—detective, smuggler, spy It is 1887, and Alma Rosales is on the hunt for stolen opium. Trained in espionage by the Pinkerton Detective Agency—but dismissed for bad behavior and a penchant for going undercover as a man—Alma now works for Delphine Beaumond, the seductive mastermind of a West Coast smuggling ring. When product goes missing at their Washington Territory outpost, Alma is tasked with tracking the thief and recovering the drugs. In disguise as the scrappy dockworker Jack Camp, this should be easy—once she muscles her way into the local organization, wins the trust of the magnetic local boss and his boys, discovers the turncoat, and keeps them all from uncovering her secrets. All this, while sending coded dispatches to the circling Pinkerton agents to keep them from closing in. Alma’s enjoying her dangerous game of shifting identities and double crosses as she fights for a promotion and an invitation back into Delphine’s bed. But it’s getting harder and harder to keep her cover stories straight and to know whom to trust. One wrong move and she could be unmasked: as a woman, as a traitor, or as a spy. A propulsive, sensual tour de force, The Best Bad Things introduces Katrina Carrasco, a bold new voice in crime fiction.
Washington Territory, 1888. With contacts on the docks and in the railroad, and with a buyers’ market funneling product their way, Alma Rosales and her opium-smuggling crew are making a fortune. They spend their days moving product and their nights at the Monte Carlo, the center of Tacoma’s queer scene, where skirts and trousers don’t signify and everyone’s free to suit themselves. Then two local men end up dead, with all signs pointing to the opium trade, and a botched effort to disappear the bodies draws lawmen to town. Alma scrambles to keep them away from her operation but is distracted by the surprise appearance of Bess Spencer—an ex-Pinkerton's agent and Alma’s first love—after years of silence. A handsome young stranger comes to town, too, and falls into an affair with one of Alma's crewmen. When he starts asking questions about opium, Alma begins to suspect she’s welcomed a spy into her inner circle, and is forced to consider how far she’ll go to protect her trade. Katrina Carrasco plunges readers into the vivid, rough-and-tumble world of the late-1800s Pacific Northwest in this genre- and gender-blurring novel. Rough Trade follows Carrasco’s critically acclaimed debut The Best Bad Things and reimagines queer communities, the turbulent early days of modern media and medicine, and the pleasures—and price—of satisfying desire.
Examines how four volumes of invented "truths" about Sp[anish sacred histiory radically transformed the religious landscape in Counter-Reformation Spain. Explores the history, author, and legacy of the Cronicones, alleged to have been unearthed in 1595 and not definitively exposed as forgeries until centuries later.
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