We are at the crossroads of a new epoch: the age of electronics is being replaced by the age of photonics. This book will introduce you to the fascinating development of photonics, avoiding complicated technical terminology and instead explaining the physical fundamentals in a clear way. Based on this, important developments such as the laser and its applications in industry, research and everyday life are described. Complicated physical properties and technical details are explained to the reader in an understandable way. The authors: Dr. Patrick Steglich is lecturer for photonics and optical technologies at the Technical University of Applied Sciences Wildau and scientist at the Leibniz Institute for Innovative Microelectronics IHP in Frankfurt (Oder). Katja Heise works as an editor in Berlin. As a trained political scientist and journalist, she specializes in translating complex technical topics into simple language. The authors live together with their son and two daughters in Berlin. This Springer essential is a translation of the original German 1st edition essentials, Photonik einfach erklärt by Steglich Patrick and Katja Heise, published by Springer Fachmedien Wiesbaden GmbH, part of Springer Nature in 2019.The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support the authors.
Morocco is hailed by academics, international NGO workers, and the media as a trailblazer in women’s rights and legal reforms. The country is considered a model for other countries in the Middle East and North African region, but has Morocco made as much progress as experts and government officials claim? In Modernizing Patriarchy, Katja Žvan Elliott examines why women’s rights advances are lauded in Morocco in theory but are often not recognized in reality, despite the efforts of both Islamist and secular feminists. In Morocco, female literacy rates remain among the lowest in the region; many women are victims of gender-based violence despite legal reforms; and girls as young as twelve are still engaged to adult men, despite numerous reforms. Based on extensive ethnographic research and fieldwork in Oued al-Ouliya, Modernizing Patriarchy offers a window into the life of Moroccan Muslim women who, though often young and educated, find it difficult to lead a dignified life in a country where they are expected to have only one destiny: that of wife and mother. Žvan Elliott exposes their struggles with modernity and the legal reforms that are supposedly ameliorating their lives. In a balanced approach, she also presents male voices and their reasons for criticizing the prevailing women’s rights discourse. Compelling and insightful, Modernizing Patriarchy exposes the rarely talked about reality of Morocco’s approach toward reform.
Half Swimmer. Noun. A German term for one who has recently learnt to swim but hasn't yet mastered the technique. Growing up in 1980s East Germany, as the daughter of an army officer and a teacher, Tanja seems set to become a model citizen of the German Democratic Republic. Except she has other ideas. And so, it turns out, does the course of history. Half Swimmer is a collection of stories from one life, following a young girl as she attempts to forge her own identity under the social pressures of both the GDR, and the capitalism of a unified Germany.
An art-historical perspective on interactive media art that provides theoretical and methodological tools for understanding and analyzing digital art. Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history. In this book, Katja Kwastek argues that the particular aesthetic experience enabled by these new media works can open up new perspectives for our understanding of art and media alike. Kwastek, herself an art historian, offers a set of theoretical and methodological tools that are suitable for understanding and analyzing not only new media art but also other contemporary art forms. Addressing both the theoretician and the practitioner, Kwastek provides an introduction to the history and the terminology of interactive art, a theory of the aesthetics of interaction, and exemplary case studies of interactive media art. Kwastek lays the historical and theoretical groundwork and then develops an aesthetics of interaction, discussing such aspects as real space and data space, temporal structures, instrumental and phenomenal perspectives, and the relationship between materiality and interpretability. Finally, she applies her theory to specific works of interactive media art, including narratives in virtual and real space, interactive installations, and performance—with case studies of works by Olia Lialina, Susanne Berkenheger, Stefan Schemat, Teri Rueb, Lynn Hershman, Agnes Hegedüs, Tmema, David Rokeby, Sonia Cillari, and Blast Theory.
This is a provocative and intelligent study of how high technology entrepreneurial developments have affected management education in the wider business context. Responding to the growth of new technology businesses, American business schools fostered entrepreneurship studies. Not wishing to be left behind entrepreneurially in the Information Age, France and Germany followed with their own innovative education programmes. And The Czech Republic, like other emerging economies, has been caught up belatedly in this education ferment. Original, and containing new research data, the book will appeal to academics, students and practitioners.
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