From spring-fed headwaters to quiet, marshy creeks and from tannin-stained northern reaches to broad southern tributaries winding through farmland, Wisconsin is home to 84,000 miles of streams. This guide is the ultimate companion for learning about Wisconsin stream life. Developed by Wisconsin Department of Natural Resources scientists, with information provided by dozens of biologists and ecologists, Field Guide to Wisconsin Streams is accessible to anglers, teachers and students, amateur naturalists, and experienced scientists alike. More than 1,000 images illustrate the species in this field guide, augmented by detailed descriptions that include look-alikes, ecological and taxonomic notes, and distribution maps. It identifies:• more than 130 common plants• all 120 fishes known to inhabit Wisconsin streams• 8 crayfishes• 50 mussels• 10 amphibians• 17 reptiles• 70 families of insects• other commonly found invertebrates.
NEW! 700 crisp, all-new images more closely match the colors representative of the actual microscopic view. NEW! Expanded content combines coverage of the exocrine and endocrine pancreas and adds a new emphasis on the ear, specifically otic sample collection and cytopathology. NEW! All-new appendices provide quick reference to infectious agents, immunocytochemistry, reporting, molecular and immunologic testing, quality assurance, and more. NEW! Enhanced eBook is included with each new print purchase, providing access to a fully searchable text online — available on a variety of devices.
One of the greatest influences on teens is other teens. They listen to each other now more than ever, and learn from each how to survive and thrive in their faith and in the world. Having the ear of hundreds of thousands of teens over the years, Ron and Katie Luce have insight into their worlds. So they have invited select teens, including Honor Academy students and Teen Mania internship and missions trips alumni, to write from their hearts to their peers. These select teens have penned 50 daily devotionals, each one digging into a different aspect of teen life today. The writings will tell stories of passion, pursuing God and cultivating a servant attitude. They will deal head on with peer pressure, teen suicide, sex and purity. They will struggle with the ideals of absolutes and big dreams against the backdrop of a hopeless feeling culture in crisis. These edgy daily readings will draw teen readers into the conversations that will build a character of no compromise and equip them with leadership skills that will prepare them to not only survive but also thrive in teen years.
This classic of cowboy lore including illustrations by cowboy artist William Moyers, first published in 1976, is now available only from the University of New Mexico Press. "A beautiful job, exact, comprehensive and witty. Should remain a basic history of the subject for many years to come."--Edward Abbey
The early drama of Eugene O’Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O’Neill’s dramatic writing—changing scripts to omit offensive epithets, inserting African American music and dance, or including citations of Black internationalism--theater artists of color have used O’Neill’s texts to raze barriers in American and transatlantic theater. Challenging the widely accepted idea that Broadway was the white-hot creative engine of U.S. theater during the early 20th century, author Katie N. Johnson reveals a far more complex system of exchanges between the Broadway establishment and a vibrant Black theater scene in New York and beyond to chart a new history of American and transnational theater. In spite of their dichotomous (and at times problematic) representation of Blackness, O’Neill’s plays such as The Emperor Jones and All God’s Chillun Got Wings make ideal case studies because of the way these works stimulated traffic between Broadway and Harlem—and between white and Black America. These investigations of O’Neill and Broadway productions are enriched by the vibrant transnational exchange found in early to mid-20th century artistic production. Anchored in archival research, Racing the Great White Way recovers not only vital lost performance histories, but also the layered contexts for performing bodies across the Black Atlantic and the Circum-Atlantic.
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