In“This Is America”: Race, Gender, and Politics in America’s Musical Landscape, Katie Rios argues that prominent American artists and musicians build encoded gestures of resistance into their works and challenge the status quo. These artists offer both an interpretation and a critique of what “This Is America” means. Using Childish Gambino’s video for “This Is America” as a starting point, Rios considers how elements including clothing, hairstyles, body movements, gaze, lighting effects, distortion, and word play symbolize American dissonance. From Laurie Anderson’s presence in challenging authority and playing with traditional gender roles in her works, to the Black female feminism and social activism of Beyoncé, Rhiannon Giddens, and Janelle Monáe, to hip hop as resistance in the age of Trump, to sonic and visual variety in the musical Hamilton, the subjects are as powerful as they are topical. Rios explores the ways in which artists relate to and represent underrepresented groups, especially groups that are not traditionally perceived as having a majority voice. The encoded resistances recur across performances and video recordings so that they begin to become recognizable as repeated acts of resistance directed at injustices based on a number of categories, including race, gender, class, religion, and politics.
Holly, North Carolina—where it’s Christmas year-round and miracles can happen. A good thing for the O’Connor family—four local siblings, four sexy stories, four unique journeys to happily ever after. Merry Christmas, Baby: Legal guardian for her sister, Nora broke her no-romance rule for Jackson, but when he does something she can’t easily forgive, he’ll have to prove a second chance, and her heart, are worth the risk. Tease Me, Baby: Reluctantly leaving town to fulfill an obligation, Fallon can’t let her desire for Brad derail her plans. But the sexy sheriff is determined to prove she’s already right where she belongs…in his arms. It’s Me Again, Baby: When his new real estate agent turns out to be “the one who got away,” Maguire knows a second chance with Samantha is within reach…if he can save her from the menace who followed her home. Mistletoe Me, Baby: Nolan already wants Miranda, so playing her fake fiancé is no hardship. Convincing her family—and the whole town—is easy. Convincing Miranda, especially after tragedy strikes, proves far harder. Length: 111,000 words Author Note: each title can be purchased individually or as a complete series collection.
He foolishly let her go… When the woman he loved walked out of his life, Brooks Alexander was certain she did so willingly—with the cool two-million his father had offered as incentive to walk away. So when the former Marine scout sniper learns that Darcy didn’t take a dime of his father’s payoff, Brooks realizes he made an epic mistake. He’s determined to make things right and reclaim his woman. Except neither task is as easily accomplished as he first thought. Now her life is in his hands… Wedding planner Darcy is no stranger to disappointment when it comes to the men in her life. When Brooks accused her of taking his father’s bribe, she was devastated that he thought so little of her—and realized he never knew her at all. So she walked away with her pride intact and her heart broken. Now, months later, an overheard conversation puts Darcy in the crosshairs of a dangerous criminal with powerful connections. With nowhere else to turn, she has no choice but to put all her trust in Redemption Harbor Consulting—and its cofounder, the man who broke her heart. Length: NOVEL Redemption Harbor Series 1. Resurrection 2. Savage Rising 3. Dangerous Witness 4. Innocent Target 5. Hunting Danger 6. Covert Games 7. Chasing Vengeance
Thrust into the middle of a political and personal war, Annie Mitchell is caught between her uncle, County Commissioner Ben Daily and the Under-sheriff Will Redmond. As she struggles to find her place in the small mountain community of Grand Lake, Colorado in the late 1880s, Annie soon discovers how many betrayals, deaths, and pain can be endured as she plummets into the abyss, and ultimately, to a life worth living.
She’s a sheltered princess… Stella is from a fierce and ancient dragon line, but when her kingdom was invaded and half her family slaughtered, everything changed. She’s been taught to fight, to protect herself, but now that one of her sisters is back after being thought dead, she realizes it’s time to make some changes. After years of being smothered, she needs freedom, to spread her dragon wings and experience life. So when she’s tasked with a job in New Orleans, she jumps at the chance to strike out on her own and prove herself. He's the assassin hired to kidnap her… Dragon shifter Rhodes is a killer. An assassin. And he’s been ordered to kidnap the dragon princess Stella. He’s always finished his contracts—until he meets her. Now he’ll do anything to keep her safe. To claim her forever as his mate. But first they’ll have to overcome the danger stalking her—and then he’ll have to figure out how to get her to forgive him for betraying her. Author note: each book in the Ancients Rising series may be read as a complete stand-alone with HEA.
How, long before the advent of computers and the internet, educators used technology to help students become media-literate, future-ready, and world-minded citizens. Today, educators, technology leaders, and policy makers promote the importance of “global,” “wired,” and “multimodal” learning; efforts to teach young people to become engaged global citizens and skilled users of media often go hand in hand. But the use of technology to bring students into closer contact with the outside world did not begin with the first computer in a classroom. In this book, Katie Day Good traces the roots of the digital era's “connected learning” and “global classrooms” to the first half of the twentieth century, when educators adopted a range of media and materials—including lantern slides, bulletin boards, radios, and film projectors—as what she terms “technologies of global citizenship.” Good describes how progressive reformers in the early twentieth century made a case for deploying diverse media technologies in the classroom to promote cosmopolitanism and civic-minded learning. To “bring the world to the child,” these reformers praised not only new mechanical media—including stereoscopes, photography, and educational films—but also humbler forms of media, created by teachers and children, including scrapbooks, peace pageants, and pen pal correspondence. The goal was a “mediated cosmopolitanism,” teaching children to look outward onto a fast-changing world—and inward, at their own national greatness. Good argues that the public school system became a fraught site of global media reception, production, and exchange in American life, teaching children to engage with cultural differences while reinforcing hegemonic ideas about race, citizenship, and US-world relations.
She was supposed to be a means to an end... Redemption Harbor Consulting’s greatest enemy, Alexei Kuznetsov, is in their sights. For RHC cofounder Leighton, toppling the treacherous criminal’s empire is one more small step toward making up for his own past. To destroy Kuznetsov, he’ll go through the Russian’s niece, a woman Leighton suspects may also be guilty of dirty deeds. A woman he doesn’t count on wanting…who boils his blood and makes Leighton want things he doesn’t deserve with someone he can’t have. Now she’s everything to him… Despite other prospects, family loyalty has Lucy Carreras running one of her uncle’s prosperous hotels. But the longer she observes its operations, the more she believes the elegant establishment is host to some shady exploits. When her suspicions are confirmed by Leighton—a dangerous man straight out of her fantasies—Lucy’s entire world explodes when she learns just how evil her uncle’s sins are. Now she can’t stand by and let it continue. She and Leighton will take Alexei down together…if they can survive the deadly storm hurtling toward them. Length: NOVEL Author note: This is a stand-alone novel in the Redemption Harbor series complete with an HEA and no cliffhanger.
The year is 1925, and in Liverpool, Rose Ryder worships her father, a tram-driver. She nurses a secret dream of driving trams too, even though it's not considered a job for women. Meanwhile, in Dublin, Colm O'Neill is happily settled - until his father gets a job working on the Liverptool-Birkenhead tunnel, and takes Colm across the water with him. When tragedy strikes and her beloved father is killed, Rose and her mother scrape a living by turning their home into a boarding house. And it is their boarding house which Colm and his father come to when they arrive in Liverpool...
From USA Today bestselling author Katie Reus comes the next story in the explosive Redemption Harbor series where sparks fly and so do bullets… The one woman he wants… When a childhood friend needs help, Nova doesn’t hesitate. They endured the foster system together, forging a bond Nova can’t ignore. Relying on her friends from Redemption Harbor Consulting—including Gage, the computer genius she’s falling for—is out of the question. She used to work for the CIA and she’s trained—she can handle this. Besides, the whole team is working on their own important jobs. She’s not going to drag anyone away when she’s not sure it’s necessary. Is the one he can’t have… When Nova asks for time off out of the blue—and use of the company jet—former Marine Gage takes note. Of course, he notices everything about Nova. But as one of her bosses, his growing attraction to her is a line he won’t cross. However, that doesn’t mean he’ll let her run straight into danger—and a quick hack of her computer proves she’s gotten in over her head. Gage is coming along for the ride, whether the sassy assistant likes it or not. He’ll do whatever’s necessary to save her friend…and keep Nova out of the clutches of a lethal enemy who won’t hesitate to kill anyone who gets in their way. Length: NOVEL Author note: This is a stand-alone novel in the Redemption Harbor series complete with an HEA. Redemption Harbor Series: 1. Resurrection 2. Savage Rising 3. Dangerous Witness 4. Innocent Target 5. Hunting Danger 6. Covert Games 7. Chasing Vengeance
Australia makes an appeal to the fancy which is all its own. When Cortes entered Mexico, in the most romantic moment of history, it was as if men had found their way to a new planet, so strange, so long hidden from Europe was all that they beheld. Still they found kings, nobles, peasants, palaces, temples, a great organised society, fauna and flora not so very different from what they had left behind in Spain. In Australia all was novel, and, while seeming fresh, was inestimably old. The vegetation differs from ours; the monotonous grey gum-trees did not resemble our varied forests, but were antique, melancholy, featureless, like their own continent of rare hills, infrequent streams and interminable deserts, concealing nothing within their wastes, yet promising a secret. The birds and beasts—kangaroo, platypus, emu—are ancient types, rough grotesques of Nature, sketching as a child draws. The natives were a race without a history, far more antique than Egypt, nearer the beginnings than any other people. Their weapons are the most primitive: those of the extinct Tasmanians were actually palaeolithic. The soil holds no pottery, the cave walls no pictures drawn by men more advanced; the sea hides no ruined palaces; no cities are buried in the plains; there is not a trace of inscriptions or of agriculture. The burying places contain relics of men perhaps even lower than the existing tribes; nothing attests the presence in any age of men more cultivated. Perhaps myriads of years have gone by since the Delta, or the lands beside Euphrates and Tigris were as blank of human modification as was the whole Australian continent. The manners and rites of the natives were far the most archaic of all with which we are acquainted. Temples they had none: no images of gods, no altars of sacrifice; scarce any memorials of the dead. Their worship at best was offered in hymns to some vague, half-forgotten deity or First Maker of things, a god decrepit from age or all but careless of his children. Spirits were known and feared, but scarcely defined or described. Sympathetic magic, and perhaps a little hypnotism, were all their science. Kings and nations they knew not; they were wanderers, houseless and homeless. Custom was king; yet custom was tenacious, irresistible, and as complex in minute details as the etiquette of Spanish kings, or the ritual of the Flamens of Rome. The archaic intricacies and taboos of the customs and regulations of marriage might puzzle a mathematician, and may, when unravelled, explain the less complicated prohibitions of a totemism less antique. The people themselves in their struggle for existence had developed great ingenuities. They had the boomerang and the weet-weet, but not the bow; the throwing stick, but not, of course, the sword; the message stick, but no hieroglyphs; and their art was almost purely decorative, in geometrical patterns, not representative. They deemed themselves akin to all nature, and called cousins with rain and smoke, with clouds and sky, as well as with beasts and trees. They were adroit hunters, skilled trackers, born sportsmen; they now ride well, and, for savages, play cricket fairly. But, being invaded by the practical emigrant or the careless convict, the natives were not studied when in their prime, and science began to examine them almost too late. We have the works of Sir George Grey, the too brief pamphlet of Mr. Gideon Lang, the more learned labours of Messrs. Fison and Howitt, and the collections of Mr. Brough Smyth. The mysteries (Bora) of the natives, the initiatory rites, a little of the magic, a great deal of the social customs are known to us, and we have fragments of the myths. But, till Mrs. Langloh Parker wrote this book, we had but few of the stories which Australian natives tell by the camp-fire or in the gum-tree shade.Australia makes an appeal to the fancy which is all its own. When Cortes entered Mexico, in the most romantic moment of history, it was as if men had found their way to a new planet, so strange, so long hidden from Europe was all that they beheld. Still they found kings, nobles, peasants, palaces, temples, a great organised society, fauna and flora not so very different from what they had left behind in Spain. In Australia all was novel, and, while seeming fresh, was inestimably old. The vegetation differs from ours; the monotonous grey gum-trees did not resemble our varied forests, but were antique, melancholy, featureless, like their own continent of rare hills, infrequent streams and interminable deserts, concealing nothing within their wastes, yet promising a secret. The birds and beasts—kangaroo, platypus, emu—are ancient types, rough grotesques of Nature, sketching as a child draws. The natives were a race without a history, far more antique than Egypt, nearer the beginnings than any other people. Their weapons are the most primitive: those of the extinct Tasmanians were actually palaeolithic. The soil holds no pottery, the cave walls no pictures drawn by men more advanced; the sea hides no ruined palaces; no cities are buried in the plains; there is not a trace of inscriptions or of agriculture. The burying places contain relics of men perhaps even lower than the existing tribes; nothing attests the presence in any age of men more cultivated. Perhaps myriads of years have gone by since the Delta, or the lands beside Euphrates and Tigris were as blank of human modification as was the whole Australian continent. The manners and rites of the natives were far the most archaic of all with which we are acquainted. Temples they had none: no images of gods, no altars of sacrifice; scarce any memorials of the dead. Their worship at best was offered in hymns to some vague, half-forgotten deity or First Maker of things, a god decrepit from age or all but careless of his children. Spirits were known and feared, but scarcely defined or described. Sympathetic magic, and perhaps a little hypnotism, were all their science. Kings and nations they knew not; they were wanderers, houseless and homeless. Custom was king; yet custom was tenacious, irresistible, and as complex in minute details as the etiquette of Spanish kings, or the ritual of the Flamens of Rome. The archaic intricacies and taboos of the customs and regulations of marriage might puzzle a mathematician, and may, when unravelled, explain the less complicated prohibitions of a totemism less antique. The people themselves in their struggle for existence had developed great ingenuities. They had the boomerang and the weet-weet, but not the bow; the throwing stick, but not, of course, the sword; the message stick, but no hieroglyphs; and their art was almost purely decorative, in geometrical patterns, not representative. They deemed themselves akin to all nature, and called cousins with rain and smoke, with clouds and sky, as well as with beasts and trees. They were adroit hunters, skilled trackers, born sportsmen; they now ride well, and, for savages, play cricket fairly. But, being invaded by the practical emigrant or the careless convict, the natives were not studied when in their prime, and science began to examine them almost too late. We have the works of Sir George Grey, the too brief pamphlet of Mr. Gideon Lang, the more learned labours of Messrs. Fison and Howitt, and the collections of Mr. Brough Smyth. The mysteries (Bora) of the natives, the initiatory rites, a little of the magic, a great deal of the social customs are known to us, and we have fragments of the myths. But, till Mrs. Langloh Parker wrote this book, we had but few of the stories which Australian natives tell by the camp-fire or in the gum-tree shade.
By the mid nineteenth century, anti-Catholicism had become a central conflict in America. Fueling the dissent were Protestant groups dedicated to maintaining what they understood to be the Christian vision and spirit of the "founding fathers." Afraid of the religious and moral impact of Catholics, they advocated for stricter laws in order to maintain the Protestant predominance of America. Of particular concern to some of these native-born citizens, or "nativists," were Roman Catholic immigrants whose increasing presence and perceived allegiance to the pope alarmed them. The Nativist Movement in American History draws attention to the religious dimensions of nativism. Concentrating on the mid-nineteenth century and examining the anti-Catholic violence that erupted along the East Coast, Katie Oxx historicizes the burning of an Ursuline convent in Charlestown, Massachusetts, the Bible Riots in Philadelphia, and the theft and destruction of the "Pope's Stone" in Washington, D.C. In a concise narrative, together with trial transcripts and newspaper articles, poems, and personal narratives, the author introduces the nativist movement to students, illuminating the history of exclusion and these formative clashes between religious groups.
No scandal is more threatening to the Obama administration than Operation Fast and Furious. While other scandals involve money, Fast and Furious involves lives, including that of Border Patrol Agent Brian Terry, gunned down with a weapon that the federalgovernment put in the hands of Mexico's narco-terrorists.
National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year. This anthology brings together 10 new plays by some of the UK's most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups. Salt Life is never plain sailing, but when a new government initiative comes into place offering young people the chance to train and learn skills overseas, droves of teens jump at the chance to secure their future. Once on board the transport ship, the promises of the glossy advert seem a far cry from what lies ahead. A play about generations, choices and hope. Class It's school election time and while most of the school is busy enjoying their lunch break, a deadlock is taking place amongst the members of the school council. Bitter rivalries, secret alliances and false promises are laid bare. As a ruthless battle ensues, who will win and does anyone really care? A play about politics, populism and the 'ping' of a text message. The Sad Club This is a musical about depression and anxiety. It's a collection of monologues, songs and duologues from all over time and space exploring what about living in this world stops us from being happy and how we might go about tackling those problems. Chaos A girl is locked in a room. A boy brings another boy flowers. A girl has tied herself to a railing. A boy doesn't know who he is. A girl worries about impending catastrophe. A woman jumps in front of a train. A boy's heart falls out his chest. A butterfly has a broken wing. Stuff Vinny's organising a surprise birthday party for his mate, Anita. It's not going well: his choice of venue is a bit misguided, Anita's not keen on leaving the house, and everyone else has their own stuff going on. Maybe a surprise party wasn't the best idea? A play about trying (but not really managing) to help. Flesh A group of teenagers wake up in a forest with no clue how they got there. They find themselves separated into two different teams but have no idea what game they are expected to play. With no food, no water and seemingly no chance of escape, it's only a matter of time before things start to get drastic. But whose side are people on and how far will they go to survive? Ageless In a not too distant future, Temples pharmaceutical corporation has quite literally changed the face of ageing. Their miracle drug keeps its users looking perpetually teenage. With an ever youthful population, how can society support those who are genuinely young? The Small Hours It's the middle of the night and Peebs and Epi are the only students left at school over half-term. At the end of their night out, former step-siblings Red and Jazz try to navigate their reunion. With only a couple of hours until morning, Jaffa tries to help Keesh finish an essay. As day breaks, Wolfie is getting up the courage to confess a secret to VJ at a party. Their choices are small yet momentous. The hours are small but feel very, very long. And when the night finally ends, the future is waiting – all of it. terra A group of classmates is torn apart by the opportunity to perform their own dance. As they disagree and bicker, two distinct physical groups emerge and separate into opposing teams. When a strange outsider appears – out of step with everyone else – the divide is disrupted. A contemporary narrative dance piece about individuality, community and heritage. Variations Thirteen-year-old Alice wishes her life was completely different. She wakes up one morning to find that her life is different. In fact, it's so different that all she wants to do is get back to normality. But how does she do that?
An incisive account of the crucial role money played in the formation and development of British North America. Promise to Pay follows America’s first paper money—the “bills of credit” of British North America—from its seventeenth-century origins as a means of war finance to its pivotal role in catalyzing the American Revolution. Katie A. Moore combs through treasury records, account books, and the bills themselves to tell a new story of money’s origins that challenges economic orthodoxy and mainstream histories. Promise to Pay shows how colonial governments imposed paper bills on settler communities through existing labor and kinship relations, their value secured by thousands of individual claims on the public purse—debts—and the state’s promise to take them back as payment for taxes owed. Born into a world of hierarchy and deference, early American money eroded old social ties and created new asymmetries of power, functioning simultaneously as a ticket to the world of goods, a lifeline for those on the margins, and a tool of imperial domination. Grounded in sustained engagement with scholarship from multiple disciplines, Promise to Pay breathes new life into old debates and offers an incisive account of the centrality of money in the politics and conflicts of empire, community, and everyday life.
My book traces the significant poetic and political contributions made by non-canonical women poets, situating women's poetry both in colonial Australian print culture and in wider imperial and transnational contexts. Women poets in colonial Australia have tended to be represented as marginal and isolated figures or absent. This study intervenes by demonstrating an alternative networked tradition of transnational feminist poetics and politics beyond and around emergent masculine nationalism, particularly within newspapers and periodical print culture. Without the inclusion of periodical literature, women’s poetry in Australia during the colonial period would appear to have been fairly limited. When periodical literature is taken into account, this picture is radically altered, and poets emerge as consistent contributors, often across a variety of newspapers and journals, who were well-known, influential and connected with political figures and literary circles. In examining this poetry in the original context of the newspapers and journals, the political intervention and the reception of that poetry is made much more apparent.
Stunned and grieving survivors stared into their burned-out town on the western frontier in the midst of the Civil War. William C. Quantrill's Missouri guerillas raided Lawrence, Kansas, on August 21, 1863, and killed 180 men and boys. Women lost husbands, children lost fathers, and fathers lost sons. Every one of the 2,500 residents lost either a loved one, a neighbor, or acquaintance. A few left town but most survivors were determined to remain and remember; not to "wink out." Newcomers brought industry and innovation. The University of Kansas, 1866, and Haskell Institute, 1884 (now Haskell Indian Nations University), grew into major institutions.
Raine, Ly’Tana and the others escape Brutal’s trap, but with dire consequences. Kel’Ratan has been grievously injured, and Rygel must take him to safety to save his life. Yet, they are not out of danger. A monstrous storm called the Wrath of Usa’a’mah has halted their flight from Khalid and they must seek shelter within a remote monastery or die under the storm’s power. But High King Brutal has allied himself with the deadly assassins, the Shekinah Tongu. The secretive clan has sworn out a Blood Oath against Rygel in retaliation for his leaving their brothers in the forest to die. With their hellish hounds and Brutal’s dark wizard, Ja’Teel, they track Raine and Ly’Tana through the devastation left by the storm. Raine leads them into the west, toward Ly’Tana’s home of Kel’Halla, with Brutal’s menace confronting them at every turn. As he finds himself falling in love with the exotic Ly’Tana, Raine is plagued by a mysterious voice in his head. Is he going crazy? In Raine, Ly’Tana discovers the one man she cannot live without. However, an evil entity has targeted Ly’Tana, bent on her destruction. How can Raine, Rygel, Kel’Ratan and her griffin bodyguard, Bar, keep her safe from its vast, unseen power? Hunted by Brutal and his evil allies, Raine, Ly’Tana and their friends discover a new, and very strange, force dogging their trail – a pack of enormous, cunning wolves. Mysterious wolves who call to Raine in the night, and bring alive the secret he’s kept hidden, even from himself. Taunted by nightmarish visions, Raine is forced to confront his own dark demon – the beast within himself. Who will catch Raine and Ly’Tana first? Brutal and his pets – or the wolves? Thus begins the second novel of the Saga of the Black Wolf series.
The main aim of this Element is to introduce the topic of limited awareness, and changes in awareness, to those interested in the philosophy of decision-making and uncertain reasoning. While it has long been of interest to economists and computer scientists, this topic has only recently been subject to philosophical investigation. Indeed, at first sight limited awareness seems to evade any systematic treatment: it is beyond the uncertainty that can be managed. On the one hand, an agent has no control over what contingencies she is and is not aware of at a given time, and any awareness growth takes her by surprise. On the other hand, agents apparently learn to identify the situations in which they are more and less likely to experience limited awareness and subsequent awareness growth. How can these two sides be reconciled? That is the puzzle we confront in this Element.
Whether a small plot in the backyard of an inner-urban home or a capital city's sprawling botanic garden, Australians have long desired a patch of dirt to plough or enjoy. 'Reading the garden' explores our deep affection for gardens and gardening and illuminates their numerous meanings and uses from European settlement to the late twentieth century."--Cover.
Reviews of the first edition: '...a work of high seriousness...manna from rhetorical heaven for students and researchers with a lot of hard graft ahead of them... '(English Today) '...an impressive single-author reference work... '(English) '...Not only is this volume indispensible for anyone, students or academics, working in any field related to stylistics, it is, like all the best dictionaries, a very good read...' (Le Lingue del Mondo) Over the past ten years there have been striking advances in stylistics. These have given rise to new terms and to revised thinking of concepts and re-definitions of terms. A Dictionary of Stylistics, 2nd Edition contains over 600 alphabeticlly listed entries: fully revised since the first and second editions, it contains many new entries. Drawing material from stylistics and a range of related disciplines such as sociolinguistics, cognitive linguistics and traditional rhetoric, the revised Third Edition provides a valuable reference work for students and teachers of stylistics, as well as critical discourse analysis and literary criticism. At the same time it provides a general picture of the nature, insights and methodologies of stylistics. As well as explaining terminology clearly and concisely, this edition contains a subject index for further ease of use. With numerous quotations; explanations for many basic terms from grammar and rhetoric; and a comprehensive bibliography, this is a unique reference work and handbook for stylistic and textual analysis. Students and teachers at secondary and tertiary levels of English language and literature or English as a foreign or second language, and of linguistics, will find it an invaluable source of information. Katie Wales is Professor of Modern English Language, University of Leeds and Dean of Learning and Teaching in the Faculty of Arts.
Geographies of Developing Areas is a thought provoking and accessible introductory text, presenting a fresh view of the Global South that challenges students' pre-conceptions and promotes lively debate. Rather than presenting the Global South as a set of problems, from rapid urbanization to poverty, this book focuses on the diversity of life in the South, and looks at the role the South plays in shaping and responding to current global change. The core contents of the book integrate 'traditional' concerns of development geographers, such as economic development and social inequality, with aspects of the global South that are usually given less attention, such as cultural identity and political conflict. This edition has been fully updated to reflect recent changes in the field and highlight issues of security, risk and violence; environmental sustainability and climate change; and the impact of ICT on patterns of North-South and South-South exchange. It also challenges students to think about how space is important in both the directions and the outcomes of change in the Global South, emphasizing the inherently spatial nature of political, economic and socio-cultural processes. Students are introduced to the Global South via contemporary debates in development and current research in cultural, economic and political geographies of developing areas. The textbook consider how images of the so-called 'Third World' are powerful, but problematic. It explores the economic, political and cultural processes shaping the South at the global scale and the impact that these have on people's lives and identities. Finally, the text considers the possibilities and limitations of different development strategies. The main arguments of the book are richly illustrated through case study material drawn from across the Global South as well as full colour figures and photos. Students are supported throughout with clear examples, explanations of key terms, ideas and debates, and introductions to the wider literature and relevant websites in the field. The pedagogical features of the book have been further developed through discussion questions and activities that provide focused tasks for students' research, including investigation based around the book's case studies, and in-depth exploration of debates and concepts it introduces.
Readers and Mistresses: Kept Women in Victorian Literature identifies kept mistresses in British Victorian narrative and offers ways to understand their experiences. The author discusses kept women characters in Charles Dickens’ Oliver Twist, Elizabeth Gaskell’s Mary Barton and Ruth, Anne Brontë’s The Tenant of Wildfell Hall, and George Eliot’s Daniel Deronda, and examines the methods their authors use to encourage reader empathy. This book also usefully demonstrates how to identify kept women when they are less visible in texts, including in Charlotte Brontë's Jane Eyre, Dickens' Hard Times and Dombey and Son, and George Gissing's The Odd Women.
They call me soulless. A destroyer of innocents. An apocalypse waiting to happen. That’s what getting dumped at the altar will do to you. Keeley Moore was as happy as a proverbial clam when he found his Beloved, the one woman fated to be the love of his immortal life. Jenna was smart, had a quirky mind, and promised to be the salvation he had long sought. And then she left him at the altar without so much as a single word of explanation. Naturally, he swept up the tattered remains of his heart, and swore to forget her. One hundred and thirty years later, he’s still trying NOT to think about her. Jenna Boyle has no idea who is the tortured, tormented, and sexy-as-sin man who claims she betrayed him a century ago, but she’s not overly worried about their past. It’s the present that concerns her, mostly in getting Keeley free from the monsters who have turned him from a peaceful vampire into a Thrall, the dreaded ancestor of all Dark Ones…one who is about to go into a murderous, unstoppable killing spree. Then there’s the Weaver’s Council, who threaten to banish Jenna for crimes she doesn’t remember committing. Although Keeley is determined to keep Jenna from hurting him again, he’s drawn to her time after time. And it’s getting increasingly difficult to convince himself that she would be better off without him in her life. If only he could find the source of his enthrallment…if only he could find a way to save Jenna without destroying himself…if only he had a future. One Thrall and his Beloved, a bestie with a male harem, and a group of intrepid tourists tackling an international organization bent on the destruction of the mortal world…it’s just another day in the world of Katie MacAlister’s Dark Ones.
When the moon and the sun Are joined as one, From tears of strife, from the bitter ashes, From sorrow and from rage That what was once parted Shall again be one. First Captain Vanyar: Disgraced. Outlawed. Haunted by the chilling murder of his own men, he is consumed by guilt and knows he can never find redemption for his crimes. The most talented Shape-Shifter ever born, only he can save Princess Iyumi from a Witch’s evil, and help her find the child of prophecy. But his Atani brothers, seeking justice for the slaying of Vanyar’s unit, plan his private execution against the King’s orders. Princess Iyumi: She is the legendary “She Who Hears”, the voice of the gods, and the gods’ chosen tool. Only she knows where to find the child spoken of in the ancient prophecy, the child who will unite two feuding countries and protect the world of magic from obliteration. Caught between two warring men, only her love is hers to give, to offer to the only man she ever wanted. Prince Flynn: Despised by his own people, cruelly abused by his father, he fights to hide his magical gifts from those who would slay him for possessing them. By blood and by fire, he gains a terrible power, and condemns his own soul. He must find Princess Iyumi and the child, and bring them to his father’s mistress, the Red Witch. Or the only people who ever mattered to him, his mother and his sister, will die.
A Wolf Hunted Raine, gai-tan, the werewolf descended from the wolf god, Darius, has been trapped by the evil witch, Chovani. How can he escape the powers of evil that pursue him? Hunted by Brutal’s pet wizard, Ja’Teel and the pack of assassins, he must struggle through the high mountain passes. Traveling ever northward, he is reunited with Tashira and Darkhan, but also faces the dark forces who are determined to capture him, and turn him over to High King Brutal. Beloved of the Gods Unable to follow her beloved Raine north through the winter mountains, Ly’Tana and her companions must seek to find and appease the god who is trying to kill her. In the camps of the desert nomads, she discovers not only which god wants her dead, Ly’Tana finds she is also the gods’ chosen voice – the Beloved of the Gods. Terrified of this strange power she possesses, power enough to destroy the world, Ly’Tana leads her people and the band of wolves north seeking Raine. She must join up with him before he battles with the Guardian, or die trying. The Forces of Evil Pursued by a vindictive and unholy god, by Brutal’s paid assassins, Raine and Ly’Tana fight the terrible forces ranged against them. How can they survive the brutal winter in the high mountains of the north while escaping the Tongu assassins? Will Ly’Tana find her great black wolf before he is killed? How can Raine save Tashira’s life, or must he execute the Tarbane who saved his life? Thus begins Book Five of the Saga of the Black Wolf, Wolf Unchained.
This book exposes the truth behind the real war on women--the one being waged by Democrats. This book goes beyond the Democratic Party's rhetoric and exposes its shocking and sustained assault on American women that has lasted for generations. And in some cases, the word,assault is quite literal. Katie Pavlich thinks the Democrats have run the conversation for too long and is out to debunk the sacred cows of the so-called Republican War on Women. This book exposes the truth about the Democratic stance toward women on every major current issue and in every liberal stronghold, including: abortion, self-defense, the myth of the women's vote, Hollywood, academia, and more. Using original reporting and interviews, Pavlich deftly exposes the liberal heroes of the women's movement to show us the frauds they really are including such revered figures as Bill Clinton and Barack Obama, often called the most pro-woman president in history.
The Wolf Raine is a slave, a gladiator. Known as the Bloody Wolf, he is the champion of all champions in the Empire of Khalid. When Raine and his new wizard pal, Rygel, accidentally murder the High King, they set in motion events rapidly spiraling out of control. In saving each other, they forge a bond closer than brothers. The Warrior Ly’Tana is a warrior and heir to the throne of Kel’Halla, and set to wed Crown Prince Broughton of Khalid. Ly’Tana discovers the true, and violent, nature of her betrothed. Broughton, nicknamed Prince Brutal for his vicious nature, plans to kill her after their marriage. With her war-band, she flees his wrath and seeks to escape his evil empire. The King But Brutal will stop at nothing to have Ly’Tana for his wife. He brings down and captures her griffin bodyguard, Bar. Ly’Tana seeks the help of Raine and Rygel, and frees Bar from Brutal’s clutches. Raine and Ly’Tana are forced to flee for their lives, hunted by Brutal’s secretive assassins. Can they escape the hunters and their silent, evil hounds? Can Ly’Tana evade Brutal’s hungry need to marry her and seize her beloved country? Can Raine keep Ly’Tana alive and save himself from capture and torture? Can they stop themselves from falling in love?
For years, things have run quite smoothly for Perdita and her organic gardening business. So what if her hair needs a complete overhaul, her sweater has more holes than Swiss cheese, and there's no hope of a boyfriend on the horizon? The last thing Perdita wants is a meddlesome man in her life-but she's about to get one, in the form of her completely infuriating ex-husband, Lucas. Lucas in disagreeable, curt, arrogant, and smolderingly gorgeous. He's also the new chef at Grantly House, Perdita's number-one customer. Worse, Mr. Grantly has the insane idea of starting a television cooking show that will put Lucas and Perdita together as "The Gourmet and the Gardener." Now, things are heating up in the kitchen--and elsewhere. With the bright lights blazing and old feelings stirring the pot, it could be a recipe for disaster...or absolute delight.
Sex, Work and Professionalism examines what happens when professional concern is defined in terms of sex. Based on original fieldwork with outreach workers in HIV prevention it addresses issues of professionalism, emotion work and boundaries, integrating empirical insights with sociological theory. In most professional relationships sex is not defined as part of the relationship, in fact it is explicitly excluded in guidelines and codes of ethics. HIV prevention outreach workers work in sexual environments with a sexually defined target group and are often employed on the basis of their sexuality. They have to learn how to balance their work and professional lives, overcoming conflicts such as: * professional role V community role * sexual skills V sexual boundaries * personal experiences V professional understanding * professional identity V worldviews. Many of the questions being raised in this book about the meaning of professionalism, the pain and pleasure in emotion work and the management of boundaries between home, sex and work are being asked more generally by workers in a range of organisations. Sex, Work and Professionalism argues for a new understanding of professionalism more appropriate to the human services.
Winner of the 2012 Senior Hume Brown Prize in Scottish History and the 2012 Women's History Network (UK) Book Prize Through an analysis of the correspondence of over one hundred couples from the Scottish elites across the seventeenth to nineteenth centuries, this book explores how ideas around the nature of emotional intimacy, love and friendship within marriage adapted to a modernising economy and society. Patriarchy continued to be the central model for marriage across the period and as a result, women found spaces to hold power within the family, but could not translate it to power beyond the household. Comparing the Scottish experience to that across Europe and North America, Barclay shows that throughout the eighteenth century, far from being a side-note in European history, Scottish ideas about gender and marriage became culturally dominant. Now available in paperback, this book will be vital to those studying and teaching Scottish social history, and those interested in the history of marriage and gender. It will also appeal to feminists interested in the history of patriarchy. 'An important and original study' WHN Book Prize 2012 Judges
Magic meets dark academia at a New York boarding school that’s hidden from mortal eyes. When a student is killed over priceless treasure, the Descendants of the Zodiac assemble a crew to avenge their classmate's murder and heist back what's rightfully theirs. Perfect for fans of A Deadly Education and Legendborn. At a secret Manhattan boarding school, the Descendants of the Chinese zodiac have hidden away since the source of their magic—the twelve zodiac statues—was vandalized and lost to time. Thus, a curse befell the Descendants, and they’ve lived as creatures of darkness . . . until now. When the lost statues suddenly resurface and a powerful classmate is found dead, all signs point to foul play from the fae. The Descendants finally have the chance to take back what's rightfully theirs and break the curse. To pull this deadly heist off, though, they must assemble an elite crew: THE VAMPIRE: After a century of burning hunger, Evangeline is out for blood. THE SHAPESHIFTER: Nicholas yearns to restore justice to his people—and make peace with his past. THE MORTAL: Alice seeks the truth of her mysterious heritage, and this mission may be the key. THE WEREWOLF: Tristan will do anything to break free from the monstrous wolf inside. Only these four have the power to save the Descendants, but the wrath of the fae waits at every turn. One wrong move and the fate of their kind will come crashing down. . . .
Through an examination of World War II era Frank Sinatra fan communities in the United States, The Business of Bobbysoxers considers celebrity following, fan behavior, and popular music culture as a window into the lives of wartime female youth.
This book re-examines the relationship between Britain and colonial slavery in a crucial period in the birth of modern Britain. Drawing on a comprehensive analysis of British slave-owners and mortgagees who received compensation from the state for the end of slavery, and tracing their trajectories in British life, the volume explores the commercial, political, cultural, social, intellectual, physical and imperial legacies of slave-ownership. It transcends conventional divisions in history-writing to provide an integrated account of one powerful way in which Empire came home to Victorian Britain, and to reassess narratives of West Indian 'decline'. It will be of value to scholars not only of British economic and social history, but also of the histories of the Atlantic world, of the Caribbean and of slavery, as well as to those concerned with the evolution of ideas of race and difference and with the relationship between past and present.
When she ran, she didn’t think he’d follow… Pack princess Alyssa Clare was trying to come up with ways to get out of her arranged mating to alpha wolf Reece O’Shea—until she meets the powerful male. After getting to know him, mating doesn’t seem like such a bad idea anymore. But when he makes it clear she’s just a business arrangement for him and his pack, she calls off the mating and heads south to stay with a friend to lick her wounds in private. But he’s not willing to let her go without a fight. Reece can’t let Alyssa go, not when he’s completely fallen for the sweet, sexy female. He doesn’t care about the arranged mating deal, he just wants her and has no idea why she ran. To win her back he infiltrates another alpha’s territory, knowing it could mean his death. Luckily Grant Kincaid allows him in his domain—as long as Alyssa is okay with it. Convincing her that she’s all he wants is a bigger challenge than he imagined. But he’s not giving up, because he knows she’s the one he’s meant to be with forever. Length: NOVELLA Author note: all novellas in the series can easily be read as individual titles. Novellas in the series: Taming the Alpha, #1 Claiming His Mate, #2 Tempting His Mate, #3 Saving His Mate, #4 To Catch His Mate, #5 Falling For His Mate, #6
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