Twenty five years ago, it didn't exist. Today, twenty million people worldwide are surfing the Net. Where Wizards Stay Up Late is the exciting story of the pioneers responsible for creating the most talked about, most influential, and most far-reaching communications breakthrough since the invention of the telephone. In the 1960's, when computers where regarded as mere giant calculators, J.C.R. Licklider at MIT saw them as the ultimate communications devices. With Defense Department funds, he and a band of visionary computer whizzes began work on a nationwide, interlocking network of computers. Taking readers behind the scenes, Where Wizards Stay Up Late captures the hard work, genius, and happy accidents of their daring, stunningly successful venture.
Law's metaphysics -- When whiteman came in -- Mission days -- A land and sea claim -- The ethnographic archive -- In the court -- Legal submissions and crosscurrents -- How judgments are made -- Society and sea on appeal -- Recognitions's paradox
Katie Metcalfe takes readers through the daily struggle with this potentially lethal obsession. It is a harrowing account of her triumphs and tragedies on the long road to recovery after being hospitalized at 15. We learn of Katie's constant battle with 'the voice' when her pride at improving her health is overshadowed by the fear of over eating. It is a story of a young girl at war with herself and anyone who fights to keep her alive. However, Katie Metcalfe's book is more than a personal journey - it is the story of the impact of her illness on her family. With remarkable candour Katie's parents and siblings tell of the shocking impact on close relatives - when anorexia creates a stranger in the family. Katie's honesty combined with her talent for writing, gives a real sense of the horror of anorexia and its power to dominate lives. It is a true account of a family's hard won victory over a disease that kills.
The early drama of Eugene O’Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O’Neill’s dramatic writing—changing scripts to omit offensive epithets, inserting African American music and dance, or including citations of Black internationalism--theater artists of color have used O’Neill’s texts to raze barriers in American and transatlantic theater. Challenging the widely accepted idea that Broadway was the white-hot creative engine of U.S. theater during the early 20th century, author Katie N. Johnson reveals a far more complex system of exchanges between the Broadway establishment and a vibrant Black theater scene in New York and beyond to chart a new history of American and transnational theater. In spite of their dichotomous (and at times problematic) representation of Blackness, O’Neill’s plays such as The Emperor Jones and All God’s Chillun Got Wings make ideal case studies because of the way these works stimulated traffic between Broadway and Harlem—and between white and Black America. These investigations of O’Neill and Broadway productions are enriched by the vibrant transnational exchange found in early to mid-20th century artistic production. Anchored in archival research, Racing the Great White Way recovers not only vital lost performance histories, but also the layered contexts for performing bodies across the Black Atlantic and the Circum-Atlantic.
In this feminist cultural study of reenactments, Katie King traces the development of a new kind of transmedia storytelling during the 1990s, as a response to the increasing difficulty of reaching large audiences at a time where entertainment media and knowledge production were both being restructured.
In early twentieth-century U.S. culture, sex sold. While known mainly for its social reforms, the Progressive Era was also obsessed with prostitution, sexuality, and the staging of women’s changing roles in the modern era. By the 1910s, plays about prostitution (or “brothel dramas”) had inundated Broadway, where they sometimes became long-running hits and other times sparked fiery obscenity debates. In Sex for Sale, Katie N. Johnson recovers six of these plays, presenting them with astute cultural analysis, photographs, and production histories. The result is a new history of U.S. theatre that reveals the brothel drama’s crucial role in shaping attitudes toward sexuality, birth control, immigration, urbanization, and women’s work. The volume includes the work of major figures including Eugene O’Neill, John Reed, Rachel Crothers, and Elizabeth Robins. Now largely forgotten and some previously unpublished, these plays were among the most celebrated and debated productions of their day. Together, their portrayals of commercialized vice, drug addiction, poverty, white slavery, and interracial desire reveal the Progressive Era’s fascination with the underworld and the theatre’s power to regulate sexuality. Additional plays, commentary, and teaching materials are available at brotheldrama.lib.miamioh.edu. Plays included: Ourselves (1913) by Rachel Crothers The Web (1913) by Eugene O’Neill My Little Sister (1913) by Elizabeth Robins Moondown (1915) by John Reed Cocaine (1916) by Pendleton King A Shanghai Cinderella (renamed East is West, 1918) by Samuel Shipman and John B. Hymer
How children engage with technology at each stage of development, from toddler to twentysomething, and how they can best be supported. What happens to the little ones, the tweens, and the teenagers, when technology—ubiquitous in the world they inhabit—becomes a critical part of their lives? This timely book Technology's Child brings much-needed clarity to what we know about technology’s role in child development. Better yet, it provides guidance on how to use what we know to help children of all ages make the most of their digital experiences. From toddlers who are exploring their immediate environment to twentysomethings who are exploring their place in society, technology inevitably and profoundly affects their development. Drawing on her expertise in developmental science and design research, Katie Davis describes what happens when child development and technology design interact, and how this interaction is complicated by children’s individual characteristics and social and cultural contexts. Critically, she explains how a self-directed experience of technology—one initiated, sustained, and ended voluntarily—supports healthy child development, especially when it takes place within the context of community support. Children’s experiences with technology—their “screen time” and digital social relationships—have become an inescapable aspect of growing up. This book, for the first time, identifies the qualitative distinctions between different ages and stages of this engagement, and offers invaluable guidance for parents and teachers navigating the digital landscape, and for technology designers charting the way.
Atonement as Gift: Re-Imagining the Cross for the Church and the World grows out of the conviction that the doctrine of the atonement has wide-reaching practical implications for some of the deepest pastoral and theological questions individuals and communities face today. It asks the question: 'What difference does the atonement make for ecumenics, pastoral care, theodicy, gender, ecology, and social division?' The answers given by experts in their fields point to the potential of the doctrine to renew Christian theology and spirituality. This unique book is designed not only to offer the insights of these theologians, but also to guide readers to engage the issue for themselves and to integrate the doctrine into their own theological reflection. Contents: 1. Stephen Williams, 'The Atonement Today: The State of Current Discussion'; 2. Vincent Twomey and Stephen Williams, 'The Cross and Our Aspiration for a Common Doctrine of Redemption' followed by questions for discussion groups; 3. Ron Elsdon, 'The Cross and the Redemption of the Cosmos'; 4. Elaine Storkey, 'The Cross and the Reconciliation of Gender' followed by a creative writing workshop exercise; 5. David Tombs, 'The Cross and the Reconciliation of Enemies'; 6. Richard Bauckham, 'The Cross and God's Embrace of Suffering' followed by an exegetically driven exercise examining lament texts; 7. Robin Stockitt, 'The Cross and Our Captivity to Shame' followed by resources for conducting a bibliodrama workshop; 8. Heather Morris, 'The Cross and the Healing of the Self' followed by the description of a prayer ministry clinic related to the themes of the chapter; 9. Katie M. Heffelfinger and Patrick G. McGlinchey, 'Responses'; 10. Conclusion.
Ford architects, contractors, engineers and specialists in the field, this book uses real-world evidence from a Technology Strategy Board-funded research project to develop a set of tools for architects and other building designers to meet a growing need to anticipate future climate change. Built on in his seminal future climate change report for the TSB, identifies three broad categories of climate change impacts on building design – comfort and energy performance, construction, and managing water.
Sometimes hope is all you need... Liverpool, 1917: When Irish seaman Michael Gallagher docks in Liverpool after years of fighting with the British Navy, he never expects to fall in love. But the moment he glimpses Stella Bennett standing on the quayside, all thoughts of returning to his homeland vanish. Determined to be together, the young couple defy Stella’s parents’ wishes. But their plans to marry are soon derailed by the arrival of baby Ginny. Her crop of fiery red hair plants a seed of doubt in her father’s mind and it’s not long before their world begins to fall apart. As Michael returns to Ireland, Stella dies unexpectedly, leaving Ginny to be brought up in the slums at the mercy of her grandmother. Will she escape the shackles of her new life and find a way back to her father?
The University is an institution that disciplines the academic self. As such it produces both a particular emotional culture and, at times, the emotional suffering of those who find such disciplinary practices discomforting. Drawing on a rich array of writing about the modern academy by contemporary academics, this Element explores the emotional dynamics of the academy as a disciplining institution, the production of the academic self, and the role of emotion in negotiating power in the ivory tower. Using methodologies from the History of Emotion, it seeks to further our understanding of the relationship between the institution, emotion and the self.
This book re-examines the relationship between Britain and colonial slavery in a crucial period in the birth of modern Britain. Drawing on a comprehensive analysis of British slave-owners and mortgagees who received compensation from the state for the end of slavery, and tracing their trajectories in British life, the volume explores the commercial, political, cultural, social, intellectual, physical and imperial legacies of slave-ownership. It transcends conventional divisions in history-writing to provide an integrated account of one powerful way in which Empire came home to Victorian Britain, and to reassess narratives of West Indian 'decline'. It will be of value to scholars not only of British economic and social history, but also of the histories of the Atlantic world, of the Caribbean and of slavery, as well as to those concerned with the evolution of ideas of race and difference and with the relationship between past and present.
Leah on the Offbeat meets We Are Okay in this pitch-perfect queer romance about falling in love and never quite falling out of it--heartbreak, unexpected new crushes, and all. Before Quinn Ryan was in love with Jamie Rudawski, she loved Jamie Rudawski, who was her best friend. But when Jamie dumps Quinn a month before their senior year, Quinn is suddenly girlfriend-less and best friend-less. Enter a new crush: Ruby Ocampo, the gorgeous and rich lead singer of the popular band Sweets, who's just broken up with her on-again, off-again boyfriend. Quinn's always only wanted to be with Jamie, but if Jamie no longer wants to be with her, why can't Quinn go all in on Ruby? But the closer Quinn grows to Ruby, the more she misses Jamie, and the more (she thinks) Jamie misses her. Who says your first love can't be your second love, too? Katie Heaney is a full-time senior writer for the Cut, a former editor at BuzzFeed, and the author of the memoirs Never Have I Ever: My Life (So Far) Without a Date and Would You Rather? Girl Crushed is her YA debut.
Medical Conditions in the Athlete, Third Edition, equips health care providers with the information they need to develop a framework for decision making when working with injured and recovering athletes and active populations.
This essential 'black book' to the music industry lists contact names and vital practical advice for producing, selling and performing your music. This expanded edition includes new articles on: How to Approach a Performance, How Vocal Performers Communicate, Recording Acoustic Instruments, The Basics of DJ Technique, The Role of the Musical Director, The A&R Department and Setting up a Studio. Includes information on the Flow of Royalties, New Business Models for Deriving Income, Music industry acronyms and terminology. Among the many expert contributors: Pete Kirtley, Ivor Novello winning songwriter and producer (Spice Girls, Misteeq, Gareth Gates), Steve Levine, Grammy Award winning producer (Culture Club, The Beach Boys), Colin Emmanual, Producer (Jamelia), Jim Jomoa, professional DJ, Ben Challis, music lawyer (Glastonbury), Keith Lowde, Former Deputy Chairman, Music Copyright Protection Society, Sharon Woolf, songwriter and vocalist (Fatboy Slim, Liberty X), JoJo Gould, Editor of Music Business Journal, Jen Moss, Music Consultant (Boosey & Hawkes), Adrian Winman, Record and Games Producer. The foreword is by John Kennedy (Chairman & CEO, International Federation of the Phonographic Industry).
A glittering and sexy story of passion and betrayal and one woman's search for true love. Crystal is beautiful, talented and ambitious. All her life she has dreamed of making it as a singer. After years of trying to break into the music industry her chance finally comes when her girl band enters a TV reality show contest. But Crystal has a secret. She's fallen for the wrong man and this one mistake could cost her everything - her friendships, her fame and her chance of ever finding love again...
Katie Metcalfe takes readers through the daily struggle with this potentially lethal obsession. It is a harrowing account of her triumphs and tragedies on the long road to recovery after being hospitalized at 15. We learn of Katie's constant battle with 'the voice' when her pride at improving her health is overshadowed by the fear of over eating. It is a story of a young girl at war with herself and anyone who fights to keep her alive. However, Katie Metcalfe's book is more than a personal journey - it is the story of the impact of her illness on her family. With remarkable candour Katie's parents and siblings tell of the shocking impact on close relatives - when anorexia creates a stranger in the family. Katie's honesty combined with her talent for writing, gives a real sense of the horror of anorexia and its power to dominate lives. It is a true account of a family's hard won victory over a disease that kills.
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