In this book, Katie Reid argues that the fifth-century author Martianus Capella was a significant influence in the late Middle Ages and Renaissance. His poetic encyclopaedia, The Marriage of Philology and Mercury, was a source for writing on the liberal arts, allegory and classical mythology from 1300 to 1650. In fact, writers of this period had much more in common with Martianus Capella than they did with older ancients like Homer and Virgil. As such, we must reshape our understanding of late medieval and Renaissance encounters with the classical world by exploring their roots in Late Antiquity.
Students will love learning about the Chicago Cubs in this high-interest title! Text covers the team's history, memorable wins, star players, and important coaches. Features include table of contents, fun facts, team stats, timeline, glossary, and index. Aligned to Common Core standards and correlated to state standards.Big Buddy Books is an imprint of Abdo Publishing, a division of ABDO.
The Immanent Word establishes that the philosophical study of language inaugurated in the 1759 works of Hamann and Lessing marks a paradigm shift in modern philosophy; it analyzes the transformation of that shift in works of Herder, Kant, Fichte, Novalis and Schlegel. It contends that recent studies of early linguistic philosophy obscure the most relevant commission of its thinkers, arguing against the theological appropriation of Hamann by John Milbank; against the "expressive" appropriation of Hamann and Herder by Christina Lafont and Charles Taylor; and against Philippe Lacoue-Labarthe and Jean-Luc Nancy’s uncritical championing of Schlegel’s ideological position.
Liverpool. December, 1905. In the breaking dawn of a raw windswept morning, a new-born baby girl is left at the door of an orphange. So helpless and appealing is the foundling that young Nellie McDowell, the maid-of-all-work, decides there and then to adopt her as her own sister. In the years that follow, Nellie and Lilac become even closer than sisters in their shared struggle to survive the grinding poverty of their lot. But they cannot lean on each other for ever. Nellie delights in the promise of love - and tastes the bitterness of betrayal - just as the long finger of war stretches out to divide the girls and rob Liverpool of a whole generation of its young men ... Sure to please fans and newcomers alike, this is classic Katie Flynn saga writing at its best.
The Art and Thought of John La Farge: Picturing Authenticity in Gilded Age America offers an unprecedented portrait of one of the most celebrated artists of the Gilded Age and opens a window onto nineteenth-century American culture. The book reveals how the work of John La Farge contributed to a rich philosophical dialogue concerning the trustworthiness of human perception. In his struggle against a 'common truth' of iconic symbols presented by a new mass visual culture, La Farge developed a subversive approach to visual representation that focused attention not on the artwork itself, but on the complex, real encounter of artist, subject and medium from which the artwork came. Katie Kresser charts La Farge's efforts to assert his own reality - his own intrinsic uniqueness - in a postwar society that increasingly based personal identity on standardized vocational labels and economic productivity. La Farge's work is contrasted with that of Kenyon Cox, James Whistler and Henry Adams, all of whom (for La Farge) had fallen prey to the crass new visual environment - albeit in very different ways. This innovative study suggests that La Farge dealt with issues still relevant in a world characterized by ubiquitous mass media and the proliferation of 'normative' visions.
From the author of How We Fall Apart comes a tense and thrilling YA about what it means to not feel safe in the places we call home. Anna Xu moves out of her parent's home and into the dorms across town as she starts freshman year at the local, prestigious Brookings University. But her parents and their struggling Chinese bakery, Sweetea, aren't far from campus or from mind, either. At Brookings, Anna wants to keep up her stellar academic performance and to investigate the unsolved campus murder of her childhood babysitter. She also finds a familiar face–her middle-school rival, Chris Lu. The Lus happen to be the Xu family's business rivals since they opened Sunny's, a trendy new bakery on Sweetea's block. Chris is cute but still someone to be wary of... until a vandal hits Sunny's and Anna matches the racist tag with a clue from her investigation. Anna grew up in this town, but more and more she feels like maybe she isn't fully at home here–or maybe it's that there are people here who think she doesn't belong. When a very specific threat is made to Anna, she seeks out help from the only person she can; Anna and Chris team up to find out who is stalking her and take on a dangerous search into the hate crimes happening around campus. Can they root out the ugly history and take on the current threat? The Lies We Tell is a social activism/we all belong here anthem crossed with a thriller and with a rivals-to-romance relationship set on a college campus.
“Enlightening, nuanced, and honest.”—Lisa See Set against the glittering backdrop of Los Angeles during the gin-soaked Jazz Age and the rise of Hollywood, this debut book celebrates Anna May Wong, the first Asian American movie star, to bring an unsung heroine to light and reclaim her place in cinema history. One of Autostraddle's Most Anticipated Queer Books for Spring 2024 Before Constance Wu, Sandra Oh, Awkwafina, or Lucy Liu, there was Anna May Wong. In her time, she was a legendary beauty, witty conversationalist, and fashion icon. Plucked from her family’s laundry business in Los Angeles, Anna May Wong rose to stardom in Douglas Fairbanks’s blockbuster The Thief of Bagdad. Fans and the press clamored to see more of this unlikely actress, but when Hollywood repeatedly cast her in stereotypical roles, she headed abroad in protest. Anna May starred in acclaimed films in Berlin, Paris, and London. She dazzled royalty and heads of state across several nations, leaving trails of suitors in her wake. She returned to challenge Hollywood at its own game by speaking out about the industry’s blatant racism. She used her new stature to move away from her typecasting as the China doll or dragon lady, and worked to reshape Asian American representation in film. Filled with stories of capricious directors and admiring costars, glamorous parties and far-flung love affairs, Not Your China Doll showcases the vibrant, radical life of a groundbreaking artist.
Claudia and her younger sister, Jenny, live with their parents, Louisa and Cormack Muldoon, in their grandmother's house in Blodwen Street. Louisa has a good job in a dress shop on Scotland Road and Cormack is a supervisor at the nearby tobacco manufactory. They assume they are settled for life, but then Grandpa Muldoon has a seizure and begs his son to return to Kilnevin and the family croft.
Can she hold on to hope? Liverpool, 1937 When Miranda awakes one morning to find her mother has disappeared, her life is about to change forever. She raises the alarm amongst the locals, but her mother's whereabouts remains a mystery. With nowhere else to turn, Miranda is forced to live with her aunt and cousin, who resent her presence and treat her badly. She struggles to hold onto hope until she meets Steve, a neighbour who promises to help her in her search - until war intervenes... Miranda will never forget the past, but can she find the courage to open her heart and forge the future she deserves? A classic Katie Flynn story of tragedy, triumph and love from the Sunday Times bestselling author.
What do we mean when we say that a text is relevant to a young person or to a group of young people? And how might a reimagining of relevance, shaped through the voices of young men of color, enhance literacy teaching and learning? Based on case studies of six young Black, Latino, and South Asian men and their reading experiences, this book reconceptualizes the term relevance as it applies to and is applied within literacy education (middle school through college). The author reveals how four dimensions of relevance--Identity, Spatiality, Temporality, and Ideology--can guide educators in supporting the reading and meaning-making experiences of students in ways that honor the complexities of their lives and enhance their criticality. Sciurba frames relevance from a student-centered perspective as conditions that are practically, socially, and/or conceptually applicable to one's life. Readers can use this book to disrupt problematic enactments of relevance in literacy spaces that are rooted in assumptions about who young people are, culturally or otherwise, as well as how they think and maneuver through their complex worlds. Book Features: Provides a nuanced understanding of relevance in literacy education in order to successfully enact culturally relevant pedagogy. Draws on scholarly literature from a broad range of fields, including sociology, cultural studies, literary studies, and physical science studies. Showcases what a nondeficit approach to working with Black, Latino, South Asian, and other young people of color can look like in educational contexts. Examines data from longitudinal qualitative studies with six students and young men of color that took place across 10 years beginning in a New York City middle school.
In Mighty Justice, trailblazing African American civil rights attorney Dovey Johnson Roundtree recounts her inspiring life story that speaks movingly and urgently to our racially troubled times. From the streets of Charlotte, North Carolina, to the segregated courtrooms of the nation's capital; from the male stronghold of the army where she broke gender and color barriers to the pulpits of churches where women had waited for years for the right to minister--in all these places, Roundtree sought justice. At a time when African American attorneys had to leave the courthouses to use the bathroom, Roundtree took on Washington's white legal establishment and prevailed, winning a 1955 landmark bus desegregation case that would help to dismantle the practice of "separate but equal" and shatter Jim Crow laws. Later, she led the vanguard of women ordained to the ministry in the AME Church in 1961, merging her law practice with her ministry to fight for families and children being destroyed by urban violence."--Amazon.com.
This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.
From the beginning, the Beatles acknowledged in interviews their debt to Black music, apparent in their covers of and written original songs inspired by Chuck Berry, Little Richard, Fats Domino, the Shirelles, and other giants of R&B. Blackbird goes deeper, appreciating unacknowledged forerunners, as well as Black artists whose interpretations keep the Beatles in play. Drawing on interviews with Black musicians and using the song “Blackbird” as a touchstone, Katie Kapurch and Jon Marc Smith tell a new history. They present unheard stories and resituate old ones, offering the phrase “transatlantic flight” to characterize a back-and-forth dialogue shaped by Black musicians in the United States and elsewhere, including Liverpool. Kapurch and Smith find a lineage that reaches back to the very origins of American popular music, one that involves the original twentieth-century blackbird, Florence Mills, and the King of the Twelve String, Lead Belly. Continuing the circular flight path with Nina Simone, Billy Preston, Jimi Hendrix, Aretha Franklin, Sylvester, and others, the authors take readers into the twenty-first century, when Black artists like Bettye LaVette harness the Beatles for today. Detailed, thoughtful, and revelatory, Blackbird explores musical and storytelling legacies full of rich but contested symbolism. Appealing to those interested in developing a deep understanding of the evolution of popular music, this book promises that you’ll never hear “Blackbird”—and the Beatles—the same way again.
Through a close reading of eight Venezuelan novels published between 2004 and 2012, this book reveals the enduring importance of the national in contemporary Venezuelan fiction, arguing that the novels studied respond to both the nationalist and populist cultural policies of the Bolivarian Revolution and Venezuela’s literary isolation.
Inspired by the real-life mother of forensic science, Frances Glessner Lee, and featuring a whip-smart, intrepid sleuth in post-WWII Vermont, this debut historical mystery will appeal to fans of Victoria Thompson and Rhys Bowen. Maple Bishop is ready to put WWII and the grief of losing her husband, Bill, behind her. But when she discovers that Bill left her penniless, Maple realizes she could lose her Vermont home next and sets out to make money the only way she knows how: by selling her intricately crafted dollhouses. Business is off to a good start—until Maple discovers her first customer dead, his body hanging precariously in his own barn. Something about the supposed suicide rubs Maple the wrong way, but local authorities brush off her concerns. Determined to help them see “what’s big in what’s small,” Maple turns to what she knows best, painstakingly recreating the gruesome scene in miniature: death in a nutshell. With the help of a rookie officer named Kenny, Maple uses her macabre miniature to dig into the dark undercurrents of her sleepy town, where everyone seems to have a secret—and a grudge. But when her nosy neighbor goes missing and she herself becomes a suspect, it’ll be up to Maple to find the devil in the details—and put him behind bars. Drawing inspiration from true crime and offering readers a smartly plotted puzzle of a mystery, Death in the Details is a stunning series debut.
Men on Trial provides the first history of masculinity and the law in early nineteenth-century Ireland. It combines cutting-edge theories from the history of emotion, performativity and gender studies to argue for gender as a creative and productive force in determining legal and social power relationships.
As seen on BBC: An illustrated visit to four iconic gardens, each a product of its age, with stories of the creators and events that shaped them. The stories of these gardens’ creation include obsession, escape, social ambition, political intrigue, heartbreak, bankruptcy, and disaster. In unravelling these remarkable stories we reach back over the centuries to see these great gardens through fresh eyes. From the magnificent landscape garden at Stowe created by Bridgeman, Kent and Lancelot ‘Capability’ Brown; the Victorian masterpiece of Biddulph Grange; the romantic Arts & Crafts retreat at Nymans; and Christopher Lloyd’s plantsman’s paradise at Great Dixter, you will hear of adventure, innovation, and visionary individuals who changed the way we create our gardens and the plants we grow. Katie Campbell weaves the stories of these four exemplary gardens into a history of British gardening from the earliest cultivated spaces to the present day, exploring trends, influences, and pioneers. Fascinating historic detail and atmospheric storytelling make this a compelling read. Includes a foreword by Chris Beardshaw, specially commissioned photography by Nathan Harrison, and extensive archive illustrations “A worthy accompaniment to the BBC series of the same name.” —The Irish Times “Campbell treads a nice line between juicy facts and the aesthetic qualities of the gardens. I adore her description of Jane Austen-ish tourists turning up in carriages, buying guidebooks and filling up the local inns, while commendably tipping the head gardener.” —The Independent
This classic of cowboy lore including illustrations by cowboy artist William Moyers, first published in 1976, is now available only from the University of New Mexico Press. "A beautiful job, exact, comprehensive and witty. Should remain a basic history of the subject for many years to come."--Edward Abbey
Follow Callie, Declan, Lasser, and Radish as they embark on a new adventure in the second installment of the hit Webtoon series Nothing Special, featuring new, exclusive behind-the-scenes material from the inimitable Katie Cook. “Smart, sweet, and totally original, Nothing Special is sure to captivate.” —Sarah Andersen, New York Times bestselling author of Fangs, Sarah’s Scribbles, and Cryptid Club After defeating her neurotic wood nymph mother, all Callie wants to do is help her dad with his magical antique shop, tease Lasser about his newfound romance novel addiction, and—most important—spend time with her boyfriend, Declan. But when Declan’s injured fairy wing starts shooting sparks and causes him to collapse in pain, Callie decides to take matters into her own hands and find a way to heal him. She knows where to start, at least—with her dad’s boring friend, Professor Larkspur, who in addition to serving the grossest cup of tea in history, is a fairy himself and incredibly knowledgeable about his kind. Armed with new information, Callie, Declan, Lasser, and Radish set out to find a fairy healer. But what starts as a simple four-day journey to visit a particular enclave of fairies ends up becoming a much more profound exploration of not only what Declan is, but exactly who he is to the fairies…. The second installment of Katie Cook’s Nothing Special collects the first 25 chapters of Season 2 of the webcomic and features exclusive behind-the-scenes content.
One wild night midwife Patty Peel is called to attend a birth on the opposite side of Liverpool. She pedals off into the storm and delivers a baby girl in a filthy slum dwelling, just as the mother dies. The drunk and violent father tells Patty to get rid of it, so she takes the child away, meaning to deliver it to the nearest orphanage. But Patty had spent her entire childhood in an institution and cannot bear to hand the baby over. However, there are rough waters ahead. Patty has few friends, and fears and despises men, including her next door neighbour, Darky Knight, so how can she hope to bring up the child alone? She has no idea how the baby will affect the attitude of those around her, nor how her life will change as a result... The Bad Penny is a heartwarming tale of love and courage in hard times from the hugely popular storyteller Katie Flynn.
Reviews of the first edition: '...a work of high seriousness...manna from rhetorical heaven for students and researchers with a lot of hard graft ahead of them... '(English Today) '...an impressive single-author reference work... '(English) '...Not only is this volume indispensible for anyone, students or academics, working in any field related to stylistics, it is, like all the best dictionaries, a very good read...' (Le Lingue del Mondo) Over the past ten years there have been striking advances in stylistics. These have given rise to new terms and to revised thinking of concepts and re-definitions of terms. A Dictionary of Stylistics, 2nd Edition contains over 600 alphabeticlly listed entries: fully revised since the first and second editions, it contains many new entries. Drawing material from stylistics and a range of related disciplines such as sociolinguistics, cognitive linguistics and traditional rhetoric, the revised Third Edition provides a valuable reference work for students and teachers of stylistics, as well as critical discourse analysis and literary criticism. At the same time it provides a general picture of the nature, insights and methodologies of stylistics. As well as explaining terminology clearly and concisely, this edition contains a subject index for further ease of use. With numerous quotations; explanations for many basic terms from grammar and rhetoric; and a comprehensive bibliography, this is a unique reference work and handbook for stylistic and textual analysis. Students and teachers at secondary and tertiary levels of English language and literature or English as a foreign or second language, and of linguistics, will find it an invaluable source of information. Katie Wales is Professor of Modern English Language, University of Leeds and Dean of Learning and Teaching in the Faculty of Arts.
VIVIDLY EVOKING IRELAND AND LIVERPOOL, RAINBOW'S END IS A WARM AND ENGROSSING SAGA FROM A RISING STAR. Tracing the stories of two quite diffrent girls: Ellen Docherty, in Liverpool, bringing up her younger sister and brother single-handedly, and Maggie McVeigh, in the Dublin tenements, finding a better life working for the Nolan family, and falling in love with Liam, the eldest son, RAINBOW'S END follows two girls on their struggle for happiness. But the First World War changes everything -and unearths a long-buried link between the families.
Did the stork really deliver a baby boy to the roof of Sandra Coulton's isolated Alaskan ranch house? The ranch hands swear it's true, but Sandra, a wildlife biologist, is sure there's a rational explanation, even if she can't think of one. The baby distracts Sandra from her research on grizzlies, but not as much as Austin Smith, the ne'er-do-well, part-Cheyenne bush pilot who crash lands at the ranch and claims the baby is his. The pilot wants Sandra to be his, too, but she isn't looking for love, and she won't give up the baby. No one knows it, but the mysterious baby is actually the Archangel Geoffrey, who is suffering a bout of amnesia. If he doesn't remember his mission soon, he'll lose a bet with his rival Gabriel. Not to mention disappoint his boss.
Liverpool: Christmas Day 1924. When twelve-year-old Sara Cordwainer, the unloved child of rich and fashionable parents, sees a ragged girl with a baby in her arms outside her church, she stops to talk to her, pressing her collection money into the girl's icy hand. But from this generous act comes a tragedy which will haunt her for years. When, years later, Sara meets Brogan, a young Irishman working in England, she feels she has found a friend at last. But Brogan has a secret which he dare tell no one, not even Sara. And in a Dublin slum, Brogan's little sister Polly is growing up. The only girl in a family of boys, she knows herself to be much loved, but it is not until Sara begins to work at the Salvation Army children's home, Strawberry Fields, that the two girls meet - and Brogan's secret is told at last...
Stories are all around us. From our digital newsfeeds, interactions with one another, to watching a movie or listening to a curated playlist, we see and hear different tales told to us in various ways.In her book, Story: Still the Heart of Literacy Learning, author and teacher Katie Egan Cunningham reminds us that when we bridge reading strategies with the power of story, we can deepen literacy learning and foster authentic engagement with students. Cunningham shows how to create classrooms of caring and inquisitive readers, writers, and storytellers. Inside you'll find: How to build a diverse, multicultural classroom library that reflects all voices through rich, purposeful, and varied texts Numerous examples of multi-genre and multi-modal stories from children's and young adult literature A practical toolkit at the end of each chapter to demonstrate how to make stories come alive in any classroom Throughout the book, Cunningham shares her experiences as a teacher, literacy specialist, and staff developer and how building and talking about stories brings them to life. She honors the importance of teaching strategies to read different kinds of text, to write across genres, and to speak and listen with purpose while reminding us about the importance of story.
Introduction : the private labors of public men -- Rabelais in a pickle : fixing flux in Le quart livre -- Spenser's secret recipes : life support in The faerie queene -- Correcting Montaigne : agitation and care in the Essais -- Marvell in the meantime : preserving patriarchy in Upon Appleton House -- Milton's storehouses : tempering futures in Areopagitica, Paradise lost, and Paradise regain'd -- Conclusion : a woman's work is never done.
What if the only reason you aren't doing well in school is that you've been lied to about your own brain? For centuries, students worldwide have been tricked into making school more difficult, more stressful, and less successful than it needs to be. In reality, you already have the ability to make anything that you do in school easy. From writing essays to mastering any math concept to acing even your most difficult final exam, The Straight-A Conspiracy takes you through the simple, stress-free ways to conquer any class in school. The truth about straight-A's has been kept from you. It's time you knew about The Straight-A Conspiracy. [Katie O'Brien and Hunter Maats] destroy the notion that you have to be born smart to understand complex concepts and get good grades. - GeekDad, Wired.com By using concrete research in a way that speaks directly to teenagers, Maats and O'Brien hope to dispel the image of the rumpled genius, being brilliant in spite of himself. - Holly Korbey, NPR's MindShift A guide to learning that is really entertaining. Even if you're not a reader and you get bored quickly...you won't get bored with this. This is a clear-cut win for common sense. - Jordan Rich, The Jordan Rich Show, WBZ Boston
This book is far better than it has any right to be. My best advice is that you shouldn't waste the time and money it takes to get an MBA. But if you're going to ignore that advice, please (please!) read this book first." - Seth Godin, Stanford MBA and New York Times bestselling author of Linchpin and Tribes Here's the powerful truth about getting into business school: it starts by being honest with yourself. As a graduate of Stanford's Graduate School of Business, and throughout her career as a highly sought-after admissions consultant as well as yoga instructor and life coach, Katie Malachuk has learned that no matter your vocation, fulfillment is only achieved when you find your true place in the world. With Earn It, she offers her surprising yet highly successful approach that transforms the admissions process from burden to adventure. Earn It can supply you with the practical, insider savvy of a winning consultant, but it goes well beyond other books in the field. It seeks to reveal your true self-your gifts, values, and callings. This is more than your average guide to getting accepted to prestigious programs. It's a guide to finding your bliss and making it last well beyond graduation.
Few animals have a worse reputation than the vulture. But is it deserved? With Vulture, Katie Fallon offers an irresistible argument to the contrary, tracing a year in the life of a typical North American turkey vulture. Turkey vultures, also known as buzzards, are the most widely distributed and abundant scavenging birds of prey on the planet, found from central Canada to the southern tip of Argentina and nearly everywhere in between. Deftly drawing on the most up-to-date scientific papers and articles and weaving those in with interviews with world-renowned raptor and vulture experts and her own compelling natural history writing, Fallon examines all aspects of the bird’s natural history: breeding, incubating eggs, raising chicks, migrating, and roosting. The result is an intimate portrait of an underappreciated bird—one you’ll never look at in the same way again.
A fresh introductory study of late medieval Scotland. Includes: expert assessment of the period arranged in thematic chapters; fresh insights into the period that draw on a wide range of sources; extensive further reading lists.
In this imaginative book, Katie McGettigan argues that Melville's novels and poetry demonstrate a sustained engagement with the physical, social, and economic materiality of industrial and commercial forms of print. Further, she shows that this "aesthetics of the material text," central both to Melville's stylistic signature and to his innovations in form, allows Melville to explore the production of selfhood, test the limits of narrative authenticity, and question the nature of artistic originality. Combining archival research in print and publishing history with close reading, McGettigan situates Melville's works alongside advertising materials, magazine articles, trade manuals, and British and American commentary on the literary industry to demonstrate how Melville's literary practice relies on and aestheticizes the specific conditions of literary production in which he worked. For Melville, the book is a physical object produced by particular technological processes, as well as an entity that manifests social and economic values. His characters carry books, write on them, and even sleep on them; they also imagine, observe, and participate in the buying and selling of books. Melville employs the book's print, paper, and binding - and its market circulations - to construct literary figures, to shape textual form, and to create irony and ambiguity. Exploring the printed book in Melville's writings brings neglected sections of his poetry and prose to the fore and invites new readings of familiar passages and images. These readings encourage a reassessment of Melville's career as shaped by his creative engagements with print, rather than his failures in the literary marketplace. McGettigan demonstrates that a sustained and deliberate imaginative dialogue with the material text is at the core of Melville's expressive practice and that, for Melville, the printed book served as a site for imagining the problems and possibilities of modernity.
Charles Lutwidge Dodgson was a shy Oxford mathematician, reverend, and pioneering photographer. Under the pen name Lewis Carroll he wrote two stunning classics that liberated children’s literature from the constraints of Victorian moralism. But the exact nature of his relationship with Alice Liddell, daughter of the dean of his college, and the young girl who was his muse and subject, remains mysterious. Dodgson met Alice in 1856, when she was almost four years old. Eventually he would capture her in his photographs, and transform the stories he told her into the luminous Alice’s Adventures in Wonderland & Through the Looking-Glass. Then, suddenly, when Alice was eleven, the Liddell family shut him out, and his relationship with Alice ended abruptly. The pages from Dodgson’s diary that may have explained the rift have disappeared. In imagining what might have happened, Katie Roiphe has created a deep, textured portrait of Alice and Dodgson: she changing from an unruly child to a bewitching adolescent, and he, a diffident, neurasthenic adult whose increasing obsession with her almost destroys him. Here, too, is a brilliantly realized cast of characters that surround them: Lorina Liddell, Alice’s mother, who loves her daughter even as she envies her youth; Edith Liddell, Alice’s resentful little sister; and James Hunt, Dodgson’s speech therapist, an island of sanity in Dodgson’s increasingly chaotic world.
Murder is on the menu and Phaedra Brighton is called on to serve up justice in the latest Jane Austen Tea Society Mystery. While Phaedra Brighton might not have a Mr. Darcy (yet), she's quite content with her loving family and loyal cat. Phaedra's sister Hannah is the Jane to her Elizabeth, and Phaedra is ecstatic that Hannah has decided to move home for her next adventure—opening a business. All of Laurel Springs is out in full force to celebrate the grand unveiling of Hannah's new patisserie, Tout de Sweet, including local celebrity Rachel Brandon. Hannah is a master of her craft, with confections so divine, one bite will make you think you've died and gone to heaven. Of course, you never want that to happen literally. When one of Hannah's famous dark chocolate cupcakes sends Rachel's assistant to the hospital with poisoning, Hannah begs for Phaedra's help to save her reputation and budding business. But Phaedra has more questions than answers: Who was the cupcake actually meant for? And how far is the culprit willing to go to take their target off the menu—permanently?
My book traces the significant poetic and political contributions made by non-canonical women poets, situating women's poetry both in colonial Australian print culture and in wider imperial and transnational contexts. Women poets in colonial Australia have tended to be represented as marginal and isolated figures or absent. This study intervenes by demonstrating an alternative networked tradition of transnational feminist poetics and politics beyond and around emergent masculine nationalism, particularly within newspapers and periodical print culture. Without the inclusion of periodical literature, women’s poetry in Australia during the colonial period would appear to have been fairly limited. When periodical literature is taken into account, this picture is radically altered, and poets emerge as consistent contributors, often across a variety of newspapers and journals, who were well-known, influential and connected with political figures and literary circles. In examining this poetry in the original context of the newspapers and journals, the political intervention and the reception of that poetry is made much more apparent.
This book reveals the breadth and depth of women’s engagements with Arthurian romance in the late eighteenth and early nineteenth centuries. Tracing the variety of women’s responses to the medieval revival through Gothic literature, travel writing, scholarship, and decorative gift books, it argues that differences in the kinds of Arthurian materials read by and prepared for women produced a distinct female tradition in Arthurian writing. Examining the Arthurian interests of the best-selling female poets of the day, Felicia Hemans and Letitia Elizabeth Landon, and uncovering those of many of their contemporaries, the Arthurian myth in the Romantic period is a vibrant location for debates about the function of romance, the role of the imagination, and women’s place in literary history.
Written by one of the UK’s most respected working directors, this book is a practical guide to directing in theatre and includes specific advice on every aspect of working with actors, designers, and the text.
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