Katie's Canon is a selection of essays written for a variety of occasions throughout Cannon's celebrated career. This new edition contains three additional essays and a new foreword by Emilee Townes. The volume weaves together the particularities of Cannon's own history and the oral tradition of African American women, African American women's literary traditions, and sociocultural and ethical analysis. The result is a classic. Cannon addresses racism and economics, analyses of Zora Neale Hurston as a resource for a constructive ethic, the importance of race and gender in the development of a Black liberation ethic, womanist preaching in the Black church, and slave ideology and biblical interpretation.
Katie's Canon is a selection of essays written for a variety of occasions throughout Cannon's celebrated career. This new edition contains three additional essays and a new foreword by Emilee Townes. The volume weaves together the particularities of Cannon's own history and the oral tradition of African American women, African American women's literary traditions, and sociocultural and ethical analysis. The result is a classic. Cannon addresses racism and economics, analyses of Zora Neale Hurston as a resource for a constructive ethic, the importance of race and gender in the development of a Black liberation ethic, womanist preaching in the Black church, and slave ideology and biblical interpretation.
If you ain't got no proposition, you ain't got no sermon neither." This was the battle cry of Isaac Rufus Clark, one of the most influential and colorful professors of homiletics in the black church in the twentieth century. Clark taught at the Interdenominational Theological Center in Atlanta for twenty-seven years (1962-1989). In Teaching Preaching, Katie Cannon, one of Clark's myriad preaching protégés, conceives her role as purely "presentational": "to bring Clark face to face with a reading audience, allow him to explain the formal elements of preaching from the inside out." Teaching Preaching is an invaluable resource for ministers who struggle from Sunday to Sunday to find their ethical voice in the preparation of each and every sermon.
Bringing the wisdom of generations of black Catholics into conversation with contemporary scholarly accounts of racism, Christ Divided diagnoses ""antiblackness supremacy"" as a corporate vice that inhabits the body of Christ. To truly understand racial inequality, theologians must acknowledge the existence of ""antiblackness supremacy"" and recognize its uniquely foundational role in prevailing processes of racialization and racial hierarchy. In addition to introducing a new framework of racial analysis, this book proposes a new approach to virtue ethics. Because the church‘s participation in and performance of white supremacy occurs as a result of corporate habituation, the church most needs new habits, not new teachings. The theory of corporate virtue outlined here provides a framework through which to evaluate these habits and propose new ones-to be made to "do the right thing.
How should the Catholic church remember the sins of its saints? This question proves particularly urgent in the case of those saints who were canonized due to their relation to black slavery. Today, many of their racial virtues seem like racial vices. In this way, the church celebrates Peter Claver, a seventeenth-century Spanish missionary to Colombia, as “the saint of the slave trade,” and extols Martín de Porres as the patron saint of mixed race people. But in truth, their sainthoods have upheld anti-blackness much more than they have undermined it. Habituated by anti-blackness, the church has struggled to perceive racial holiness accurately. In the ongoing cause to canonize Pierre Toussaint, a Haitian-born former slave, the church continues to enact these bad racial habits. This book proposes black fugitivity, as both a historical practice and an interpretive principle, to be a strategy by which the church can build new hagiographical habits. Rather than searching inside itself for racial heroes, the church should learn to celebrate those black fugitives who sought refuge outside of it.
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