Would the world be a better place if we were all honest? Fringe First winner Katie Bonna is giving a TED talk on the science of lying. Well, that's not quite true. TED haven't actually asked her to do one – yet. From duping her sister into drinking wee to repeated infidelities, Katie unpicks her history to confront humanity's obsession with fibs.
Two hopeful, hapless romantics get drunk, get it on, and then get the hell away from each other. In her eyes, he's a mistake. A mistake who keeps turning up at parties. In his eyes, she's perfect. He's short-sighted. This achingly funny, romantic catastrophe fuses poetry and prose to ask if a one-night stand last a lifetime. A very human tale of good intentions and bad timing. Winner of 2012 Fringe First (for innovation and outstanding new writing at the Edinburgh Festival Fringe), Dirty Great Love Story is a tale of the chance of love in a one-night stand. This second edition was published to coincide with the 2017 revival of the play and contains some changes to the original script.
Would the world be a better place if we were all honest? Fringe First winner Katie Bonna is giving a TED talk on the science of lying. Well, that's not quite true. TED haven't actually asked her to do one – yet. From duping her sister into drinking wee to repeated infidelities, Katie unpicks her history to confront humanity's obsession with fibs.
Two hopeful, hapless romantics get drunk, get it on, and then get the hell away from each other. In her eyes, he's a mistake. A mistake who keeps turning up at parties. In his eyes, she's perfect. He's short-sighted. This achingly funny, romantic catastrophe fuses poetry and prose to ask if a one-night stand last a lifetime. A very human tale of good intentions and bad timing. Winner of 2012 Fringe First (for innovation and outstanding new writing at the Edinburgh Festival Fringe), Dirty Great Love Story is a tale of the chance of love in a one-night stand. This second edition was published to coincide with the 2017 revival of the play and contains some changes to the original script.
Katie J. Woolstenhulme considers the pertinent questions: Who were 'the matriarchs', and what did the rabbis think about them? Whilst scholarship on the role of women in the Bible and Rabbinic Judaism has increased, the authoritative group of women known as 'the matriarchs' has been neglected. This volume consequently focuses on the role and status of the biblical matriarchs in Genesis Rabbah, the fifth century CE rabbinic commentary on Genesis. Woolstenhulme begins by discussing the nature of midrash and introducing Genesis Rabbah; before exploring the term 'the matriarchs' and its development through early exegetical literature, culminating in the emergence of two definitions of the term in Genesis Rabbah – 'the matriarchs' as the legitimate wives of Israel's patriarchs, and 'the matriarchs' as a reference to Jacob's four wives, who bore Israel's tribal ancestors. She then moves to discuss 'the matriarchal cycle' in Genesis Rabbah with its three stages of barrenness; motherhood; and succession. Finally, Woolstenhulme considers Genesis Rabbah's portrayal of the matriarchs as representatives of the female sex, exploring positive and negative rabbinic attitudes towards women with a focus on piety, prayer, praise, beauty and sexuality, and the matriarchs' exemplification of stereotypical, negative female traits. This volume concludes that for the ancient rabbis, the matriarchs were the historical mothers of Israel, bearing covenant sons, but also the present mothers of Israel, continuing to influence Jewish identity.
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