A dynamic look at how artists used paper to radically redefine the relationship between the body and its surroundings, and to propose new conceptions of ecology From sketches created inside pants pockets to paper-strewn performances that took cues from protests and riots, the work on paper in the 1960s acted as a mobile, flexible connective tissue between the body and the world around it. In this book, Katie Anania reveals how artists Carolee Schneemann, William Anastasi, Richard Tuttle, Robert Morris, and Charles White harnessed this historically intimate medium during a period in which Americans were becoming urgently concerned with identity, consumer culture, the overreach of state power, and the rapidly deteriorating natural world. Her reexamination of drawing shows how the omnipresence of paper facilitated artists' critiques of dominant systems, from modern throwaway culture to bureaucracy to colonial violence. Engaging a wide range of actions--such as recycling, recording, cutting, planning, and erasing--Anania offers fresh insights into paper's role not merely as a preparatory medium but one essential to the histories of performance, minimalist, conceptual, and land art. Out of Paper uses materiality studies, social history, and feminist art historical methods to situate paper as a major conduit for thought in the postwar United States.
Can food really take the place of medicine? While modern medicine certainly has its place and does more than its fair share of good, there is no denying that many of society’s most perilous chronic diseases are exacerbated by poor diets. Whereas earlier infectious diseases used to cause the most death, the impact of chronic diseases now far overshadows that of infectious diseases. Diet plays a significant role in the development of a number of types of chronic disease, such as heart disease, diabetes, and certain types of cancer. This title explores the impact of dietary choices on the prevention, management, and treatment of a number of medical conditions and disease states including the gastrointestinal tract, musculoskeletal disorders, rheumatic disease, anemias, hepatobiliary, gallbladder, pancreatic, and kidney diseases. The topics of nutrition and cardiovascular disease, diabetes and metabolic stress, critical illness, cancer and HIV/AIDS are covered in the subsequent title Diet and Disease I.
This book provides a profound geographical description and analysis of Central Asia. The authors take a synthetic approach in a period of critical transformation in the post-soviet time. The monograph analyzes comprehensively the physical and human geography as well as human-nature interactions of Central Asia with focus on Kazakhstan, Uzbekistan, Turkmenistan, Kyrgyzstan and Tajikistan. Natural processes are described at a systemic scale, focusing on ecological impacts and consequences and contemporary human adaptations and organization. It also discusses in which ways the human organizations try to apply solutions for their needs such as security, territorial management and resources renewability, material and functional needs, identity elaborations, culture and communication. The Geography of Central Asia appeals to scientists and students of regional geography and interested academics from other areas such as social, political, economic and environmental studies within the context of Central Asia. The book is also a very useful resource for field trips into this area.
A dynamic look at how artists used paper to radically redefine the relationship between the body and its surroundings, and to propose new conceptions of ecology From sketches created inside pants pockets to paper-strewn performances that took cues from protests and riots, the work on paper in the 1960s acted as a mobile, flexible connective tissue between the body and the world around it. In this book, Katie Anania reveals how artists Carolee Schneemann, William Anastasi, Richard Tuttle, Robert Morris, and Charles White harnessed this historically intimate medium during a period in which Americans were becoming urgently concerned with identity, consumer culture, the overreach of state power, and the rapidly deteriorating natural world. Her reexamination of drawing shows how the omnipresence of paper facilitated artists' critiques of dominant systems, from modern throwaway culture to bureaucracy to colonial violence. Engaging a wide range of actions--such as recycling, recording, cutting, planning, and erasing--Anania offers fresh insights into paper's role not merely as a preparatory medium but one essential to the histories of performance, minimalist, conceptual, and land art. Out of Paper uses materiality studies, social history, and feminist art historical methods to situate paper as a major conduit for thought in the postwar United States.
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