It is what it is. People often say this when faced with unpleasant, unavoidable events. Whether we consider the phrase to be an annoying cliché or a useful reminder, it’s difficult to argue with the logic. It is what it is, so we might as well make our peace with it. But we stumble when the time comes to apply this wisdom. Whether it's an ill-timed computer crash, an upsetting diagnosis, or a global pandemic, accepting a bad situation is hard. And what if we can change it? The world would be quite different if Jonas Salk had accepted polio, or if members of the civil rights movement had accepted racial inequality. So. Is it what it is? Taking us on a journey into the heart of this question, Book of iiwii provides thought-provoking insights on surrendering, resisting, and figuring out when which approach is right.
Media Ethics: Cases and Moral Reasoning challenges readers to think analytically about ethical situations in mass communication through original case studies and commentaries about real-life media experiences. This text provides a comprehensive introduction to the theoretical principles of ethical philosophies, facilitating ethical awareness. It introduces the Potter Box, with its four dimensions of moral analysis, to provide a framework for exploring the steps in moral reasoning and analyzing the cases. Focusing on a wide spectrum of ethical issues faced by media practitioners, the cases in this Eleventh Edition include the most recent issues in journalism, broadcasting, advertising, public relations and entertainment. Cases touch on issues and places worldwide, from Al Jazeera to the Xinhua News Agency, from Nigerian "brown envelopes" to PR professional standards in South Africa. Racially divisive language comes up in different communication contexts, as does celebrity influence on culture. A core textbook for classes in media ethics, communication ethics, and ethics in journalism, public relations, and advertising.
An exploration of the study of crime-scene blood spatter, featuring real-life examples and scientific analysis. Blood Secrets reveals how forensic experts read the story of a murder told in the traces of blood left behind, providing crucial evidence that has helped convict criminals who might have otherwise walked free. When Rod Englert began his career in law enforcement, virtually no police force in the world knew how to correctly examine blood spatter. He spent years studying and testing how blood behaves, pioneering a vital new tool that is now a part of any criminal investigation. In Blood Secrets he demonstrates how detectives and forensic experts use blood-spatter analysis to solve real cases. How can the police tell what type of murder weapon was used when the body is missing and all that’s left is a trace of gore? How can they tell if a victim was moved, or which person in a room fired the fatal shot? Englert lays out what he’s learned on a variety of intriguing cases, from puzzling murders in tiny, remote towns to the highest-profile celebrity trials—including O. J. Simpson, Robert Blake, and many others. Filled with fascinating details of forensic science and real-life CSI stories, Blood Secrets shows the techniques and tools used to decipher blood spatter’s code. Praise for Blood Secrets “A fascinating journey into the study of crimson drops. . . . Englert deftly balances real-life examples and detailed scientific analysis, giving readers a richer understanding of this developing avenue of forensic science.” —Publishers Weekly “Rod Englert is the ideal forensics professional. Blood Secrets shares many special insights and lessons learned from his long and storied law-enforcement career. The reader will appreciate his honesty and conviction as he weaves his way through the world of forensics and criminal investigation.” —Dayle Hinman, criminal profiler, host of Body of Evidence: from the case files of Dayle Hinman
In this riveting book, acclaimed journalist Kathy Sawyer reveals the deepest mysteries of space and some of the most disturbing truths on Earth. The Rock from Mars is the story of how two planets and the spheres of politics and science all collided at the end of the twentieth century. It began sixteen million years ago. An asteroid crashing into Mars sent fragments flying into space and, eons later, one was pulled by the Earth’s gravity onto an icy wilderness near the southern pole. There, in 1984, a geologist named Roberta Score spotted it, launching it on a roundabout path to fame and controversy. In its new home at NASA’s Johnson Space Center in Houston, the rock languished on a shelf for nine years, a victim of mistaken identity. Then, in 1993, the geochemist Donald “Duck” Mittlefehldt, unmasked the rock as a Martian meteorite. Before long, specialist Chris Romanek detected signs of once-living organisms on the meteorite. And the obscure rock became a rock star. But how did nine respected investigators come to make such startling claims about the rock that they triggered one of the most venomous scientific battles in modern memory? The narrative traces the steps that led to this risky move and follows the rippling impact on the scientists’ lives, the future of space exploration, the search for life on Mars, and the struggle to understand the origins of life on Earth. From the second the story broke in Science magazine in 1996, it spawned waves of excitement, envy, competitive zeal, and calculation. In academia, in government agencies, in laboratories around the world, and even in the Oval Office–where an inquisitive President Clinton had received the news in secret– players of all kinds plotted their next moves. Among them: David McKay, the dynamic geologist associated with the first moon landing, who labored to achieve at long last a second success; Bill Schopf of UCLA, a researcher determined to remain at the top of his field and the first to challenge McKay’s claims; Dan Goldin, the boss of NASA; and Dick Morris, the controversial presidential adviser who wanted to use the story for Clinton’s reelection and unfortunately made sure it ended up in the diary of a $200-an-hour call girl. Impeccably researched and thrillingly involving, Kathy Sawyer’s The Rock from Mars is an exemplary work of modern nonfiction, a vivid account of the all-too-human high-stakes drive to learn our true place in the cosmic scheme.
Big Data for Qualitative Research covers everything small data researchers need to know about big data, from the potentials of big data analytics to its methodological and ethical challenges. The data that we generate in everyday life is now digitally mediated, stored, and analyzed by web sites, companies, institutions, and governments. Big data is large volume, rapidly generated, digitally encoded information that is often related to other networked data, and can provide valuable evidence for study of phenomena. This book explores the potentials of qualitative methods and analysis for big data, including text mining, sentiment analysis, information and data visualization, netnography, follow-the-thing methods, mobile research methods, multimodal analysis, and rhythmanalysis. It debates new concerns about ethics, privacy, and dataveillance for big data qualitative researchers. This book is essential reading for those who do qualitative and mixed methods research, and are curious, excited, or even skeptical about big data and what it means for future research. Now is the time for researchers to understand, debate, and envisage the new possibilities and challenges of the rapidly developing and dynamic field of big data from the vantage point of the qualitative researcher.
Shifting ideas about Geoffrey Chaucer's audience have produced radically different readings of Chaucer's work over the course of the past century. Kathy Cawsey, in her book on the changing relationship among Chaucer, critics, and theories of audience, draws on Michel Foucault's concept of the 'author-function' to propose the idea of an 'audience function' which shows the ways critics' concepts of audience affect and condition their criticism. Focusing on six trend-setting Chaucerian scholars, Cawsey identifies the assumptions about Chaucer's audience underpinning each critic's work, arguing these ideas best explain the diversity of interpretation in Chaucer criticism. Further, Cawsey suggests few studies of Chaucer's own understanding of audience have been done, in part because Chaucer criticism has been conditioned by scholars' latent suppositions about Chaucer's own audience. In making sense of the confusing and conflicting mass of modern Chaucer criticism, Cawsey also provides insights into the development of twentieth-century literary criticism and theory.
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