I have never been particularly fond of Nietzsche, probably because I saw many of my fellow students, years ago, taken, fascinated, even entranced, with his passion, but with no way to let that passion open into something creative. At last, that view changes here. A central effect of Gruber's creative approach to Nietzsche, is to demonstrate, not simply talk about, the fact that it is necessary to throw oneself across the threshold into initiatory realms, into the completely unknown. Initiatory experience cannot be planned; one cannot, in advance, know where one is going or what will happen. Even more, this chopping off of one's purposive, calculating head must be done with the greatest enthusiasm possible. Still, why choose Nietzsche to exemplify this necessity? Part of the answer lies in suggesting that Nietzsche's program for abandoning our mental structures is exactly what is needed to enter the unknown and to develop the capacity of letting life unfold from the unknown, unknowingly, and with the fullest attention." -- Robert Sardello (from the foreword) Beginning with a consideration of Nietzsche's inflammatory and critical insight that the modern world is framed by the death of God, Michael Gruber confronts contemporary disenchantment and its necessary offspring, the "universalization of terror." By making truth relative, negating the value of beauty, and rendering questions about the good dubious if not obsolete, terror permeates all aspects of our psychosocial existence with the threat of dehumanization. In response to this terror, which is the fundamental mood of our time, Gruber advocates re-imagining our destiny as a path of initiation. Describing an inner awakening to the spiritual world, whose earthly manifestation of its inherent divinity invites and necessitates our conscious participation, Gruber offers readings and practices that promote the incarnation of "noble souls." Referring to the work of Nietzsche, Heidegger, and Steiner, An Unknown Destiny describes how psychotherapy can move beyond healing the ego to transcending the ego. Gruber shows how opening the soul to meditative or intuitive forms of thinking can contribute to the development of new soul faculties of perception and to the experience of moral freedom. Most important, he shows how the incomplete and continuously evolving Mystery of Golgotha can inspire the emergence and presence of modern human beings infused with Christ consciousness--reverence, wisdom, peace, and love. "The challenge of this book is to radicalize therapy, to see that all of psychology to this point has been nothing more than a preparatory and transitional discipline, a training of consciousness for modern initiation, which now takes place with others, rather than through one's solitary meditative practices. I hope that at least a few therapists will feel the truth of what Michael Gruber has written and take up the magnificent work that he proposes." -- Robert Sardello (from the foreword)
I have never been particularly fond of Nietzsche, probably because I saw many of my fellow students, years ago, taken, fascinated, even entranced, with his passion, but with no way to let that passion open into something creative. At last, that view changes here. A central effect of Gruber's creative approach to Nietzsche, is to demonstrate, not simply talk about, the fact that it is necessary to throw oneself across the threshold into initiatory realms, into the completely unknown. Initiatory experience cannot be planned; one cannot, in advance, know where one is going or what will happen. Even more, this chopping off of one's purposive, calculating head must be done with the greatest enthusiasm possible. Still, why choose Nietzsche to exemplify this necessity? Part of the answer lies in suggesting that Nietzsche's program for abandoning our mental structures is exactly what is needed to enter the unknown and to develop the capacity of letting life unfold from the unknown, unknowingly, and with the fullest attention." -- Robert Sardello (from the foreword) Beginning with a consideration of Nietzsche's inflammatory and critical insight that the modern world is framed by the death of God, Michael Gruber confronts contemporary disenchantment and its necessary offspring, the "universalization of terror." By making truth relative, negating the value of beauty, and rendering questions about the good dubious if not obsolete, terror permeates all aspects of our psychosocial existence with the threat of dehumanization. In response to this terror, which is the fundamental mood of our time, Gruber advocates re-imagining our destiny as a path of initiation. Describing an inner awakening to the spiritual world, whose earthly manifestation of its inherent divinity invites and necessitates our conscious participation, Gruber offers readings and practices that promote the incarnation of "noble souls." Referring to the work of Nietzsche, Heidegger, and Steiner, An Unknown Destiny describes how psychotherapy can move beyond healing the ego to transcending the ego. Gruber shows how opening the soul to meditative or intuitive forms of thinking can contribute to the development of new soul faculties of perception and to the experience of moral freedom. Most important, he shows how the incomplete and continuously evolving Mystery of Golgotha can inspire the emergence and presence of modern human beings infused with Christ consciousness--reverence, wisdom, peace, and love. "The challenge of this book is to radicalize therapy, to see that all of psychology to this point has been nothing more than a preparatory and transitional discipline, a training of consciousness for modern initiation, which now takes place with others, rather than through one's solitary meditative practices. I hope that at least a few therapists will feel the truth of what Michael Gruber has written and take up the magnificent work that he proposes." -- Robert Sardello (from the foreword)
Dynamic group discussion is a rewarding experience. This affordable, concise guide offers comprehensive coverage of the standard agenda. Learning this proven, practical approach to solving problems enhances group discussion skills and encourages creativity—contributing to effective participation and leadership. The newest edition once again maps the route to effective communication in groups, emphasizing rhetorical sensitivity, mutual respect, and critical assessment during each step of the standard agenda. The best insights come from diverse inputs in collective problem solving in all types of groups. Individual abilities are strengthened through experiences as effective team members.
Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold’s Captain Blood, Max Steiner’s The Informer, Bernard Herrmann’s The Magnificent Ambersons, and David Raksin’s Laura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams’ The Empire Strikes Back and Basil Poledouris’ RoboCop demonstrate how the traditions of the classical era continue to influence scoring practices today.
After its start in 1910, The Crisis: A Record of the Darker Races magazine became the major outlet for works by African American writers and intellectuals. In 1920, Langston Hughes's poem "The Negro Speaks of Rivers" was published in The Crisis and W. E. B. Du Bois, the magazine's editor, wrote about the coming "renaissance of American Negro literature," beginning what is now known as the Harlem Renaissance. The Crisis Reader is a collection of poems, short stories, plays, and essays from this great literary period and includes, in addition to four previously unpublished poems by James Weldon Johnson, work by Countee Cullen, Langston Hughes, Jessie Fauset, Charles Chesnutt, W. E. B. Du Bois, and Alain Locke.
Renowned C. S. Lewis scholar Kathryn Lindskoog has here expanded and updated her classic study of Lewis's Narnia series originally titled, "The Lion of Judah in Never-Never Land: The Theology of C.S. Lewis Expressed in his fantasies for Children." Now with the addition of a study guide, including a look at the chronological order of the series of the seven books, the "Journey into Narnia" is filled with abundant and fresh new background information that not only puts the series in its context but explains many of the English terms unfamiliar to the American reader. Ms. Lindskoog provides many Biblical parallels which illumine the plot. These concise insights and applications are designed for personal reading pleasure as well as being practical helpers for teachers, parents and ministers. When C. S. Lewis read the first draft of this manuscript, he commented, "You are in the center of the target everywhere. For one thing, you know my work better than anyone else I've met; certainly better than I do myself.... You (alone of the critics I've met) realize the connection or even the unity of all the books-scholarly, fantastic, theological-and make me appear a single author, not a man who impersonates half a dozen authors, which is what I seem to most. This wins really very high marks indeed." This important text of Lewis scholarship has been copied, widely used but never surpassed.
From the authors of Minnesota Eats Out, this lavishly illustrated and jam-packed book brings readers 150 years of vacation getaways in the Land of 10,000 Lakes
A virtual romp through Minnesota's dining spots, this rich history also features a priceless collection of recipes for dishes made famous through the years. 1,000 illustrations, many in color.
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