Where was this book when we were teenagers?" - Real Simple "Helps new grads make smart, informed money decisions." - MSNBC Learn how to money in this in-depth, illustrated guide from New York Times bestselling author and financial expert Jean Chatzky, Kathryn Tuggle, and the team at HerMoney There’s no getting around it. You need to know how to manage money to know how to manage life — but most of us don’t! This illustrated guidebook from New York Times bestselling author and financial expert Jean Chatzky, Kathryn Tuggle, and their team at HerMoney breaks down the basics of money—how to earn it, manage it, and use it—giving you all the tools you need to take charge and be fearless with personal finance. How to Money will teach you the ins and outs of: -creating a budget (and sticking to it) -scoring that first job (and what that paycheck means) -navigating student loans (and avoiding student debt) -getting that first credit card (and what “credit” is) -investing like a pro (and why it’s important!) All so you can earn more, save smart, invest wisely, borrow only when you have to, and enjoy everything you've got!
Stories and Novels by Kathryn Kaleigh Each issue contains a complete novel and at least five full short stories. Each issue is an anthology of Kathryn's different stories including historical romance, time travel romance, and sweet wholesome contemporary. Most issues contain stories from her different series, but some issues have standalone stories not part of a series.
Where was this book when we were teenagers?" - Real Simple "Helps new grads make smart, informed money decisions." - MSNBC Learn how to money in this in-depth, illustrated guide from New York Times bestselling author and financial expert Jean Chatzky, Kathryn Tuggle, and the team at HerMoney There’s no getting around it. You need to know how to manage money to know how to manage life — but most of us don’t! This illustrated guidebook from New York Times bestselling author and financial expert Jean Chatzky, Kathryn Tuggle, and their team at HerMoney breaks down the basics of money—how to earn it, manage it, and use it—giving you all the tools you need to take charge and be fearless with personal finance. How to Money will teach you the ins and outs of: -creating a budget (and sticking to it) -scoring that first job (and what that paycheck means) -navigating student loans (and avoiding student debt) -getting that first credit card (and what “credit” is) -investing like a pro (and why it’s important!) All so you can earn more, save smart, invest wisely, borrow only when you have to, and enjoy everything you've got!
Deerskins and Duffels documents the trading relationship between the Creek Indians in what is now the southeastern United States and the Anglo-American peoples who settled there. The Creeks were the largest native group in the Southeast, and through their trade alliance with the British colonies they became the dominant native power in the area. The deerskin trade became the economic lifeblood of the Creeks after European contact. This book is the first to examine extensively the Creek side of the trade, especially the impact of commercial hunting on all aspects of Indian society. British trade is detailed here, as well: the major traders and trading companies, how goods were taken to the Indians, how the traders lived, and how trade was used as a diplomatic tool. The author also discusses trade in Indian slaves, a Creek-Anglo cooperation that resulted in the virtual destruction of the native peoples of Florida.
A family of cats move in across Tug's treehouse. When Tug introduces himself to his new neighbour, Hickory, Tug finds out that Hickory misses his old home and friends. What does Tug do to make Hickory feel more at home? Read to find out!
Hickory and Lacy prepare for the school's art contest. When Lacy drops by Hickory's house for a snack, Lacy copies Hickory's picture in hopes of winning the pretty paintbox. Who will win the prize? Hickory or Lacy?
Like the train sitting at the bottom of its lake, the treasures of Estacada's history often elude the casual observer. From covert operations in a famous hotel to the untold trimmings of logger lore, surprising tales abound in this region. Learn of an explosion that threw men 150 feet away, a nudist club just out of town and a firing range under a high school auditorium. Kathryn Hurd dives into the trials and triumphs of Estacada's past, bringing unpublished images to light and charting the course of family stories handed down through five generations.
The book contains all legible tombstone inscriptions in the Winchester Cemetery from the earliest interments to those of persons born not later than 1871. In addition to names, each listing contains the cemetery section and dates of birth and death.
On 10 December 1910, Giacomo Puccini’s seventh opera, La fanciulla del West, had its premiere before a sold-out audience at New York City’s Metropolitan Opera House. The performance was the Metropolitan Opera Company’s first world premiere by any composer. By all accounts, the premiere was an unambiguous success and the event itself recognized as a major moment in New York cultural history. The initial public opinion matched Puccini’s own evaluation of his opera. He called it "the best he had ever written" and expected it to become as popular as La Bohème. Yet the music reviews tell a different story. Marked by ambivalence, the reviews expose the New York City critics’ struggle to reconcile the opera they expected to see with the one they actually saw, and the opera itself became embroiled in controversy over the essence of musical Americanness and the nativist perception that a uniquely American national opera tradition continued to elude both American- and foreign-born opera composers. This book seeks to account for the differences between Puccini’s own assessments of the opera and those of its first audience. Offering transcriptions of the central reviews and of letters unavailable elsewhere, the book provides a historically informed understanding of La fanciulla del West and the reception of this European work as it intersected with both opera production and consumption in the United States and with the process of American musical identity formation during the very period that Americans actively sought to eradicate European cultural influences. As such, it offers a window into the development of nativism and "cosmopolitan nationalism" in New York City’s musical life during the first decade of the twentieth century.
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