From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
For the medieval period that was witness to a legion of political and natural disasters, the rise and fall of empires across the globe and one of the most devastating and greatest pandemics human kind has ever experienced, the fourteenth century was transformative. Peering through the looking-glass to focus on one of Europe’s largest medieval cities, and centre of an international melting pot on the global stage, this is a social history of England's (in)famous capital and its multi-cultural residents in the first half of the fourteenth century. Using a rich variety of important sources that provide first-hand accounts of everyday life and personal interactions between loved ones, friends, foreigners and foes alike, such as the Assize of Nuisance, Coroners’ Rolls, wills, household accounts, inquisitions post mortem and many more, this chronicle begins at the start of the fourteenth century and works its way up to the first mass outbreak of the Black Death at the end of the 1340s. It is a narrative that builds a vivid, multi-layered picture of London’s inhabitants who lived in one of the most turbulent and exciting periods in European history.
The notion of 'place' is a powerful one: the place where we are from; the place where we live; the place where we would like to be. It raises issues of identity and belonging (or lack of it), and about roots and connections (or lack of them). In a world that is more uncertain, more liquid, less known, place matters. This engaging and accessible book is the first of its kind to look at the role of place in schools and in the lives of young people today. Drawing on original research from the US, UK and South Africa, Kathryn Riley poses some tough questions to the practitioners who lead our schools, and to the politicians who decide the fate of our schools: ·Can schools create a space for young people to be safe and confident in who they are? ·Can they help them find their place in the world and understand how to shape it?
In historical records, women appear as widows, sometimes as wives or singlewomen, but one thing they had in common was they all were daughters. Through an examination of the Husting wills, Kate Staples focuses on daughters in the late medieval capital and their chances to own, rent, and manage property. These daughters were provided opportunities to be active economic agents in a world often described as hostile to women. Daughters of London also considers parents’ influence through their bequests to daughters and the visualization of daughters’ household spaces that these bequests allow. By focusing on daughterhood, and particularly urban daughters’ experiences of inheritance, we can refocus the lens through which we see and understand women’s lives in the medieval past
City Women is a major new study of the lives of ordinary women in early modern London. Drawing on thousands of pages of Londoners' depositions for the consistory court, it focuses on the challenges that preoccupied London women as they strove for survival and preferment in the burgeoning metropolis. Balancing new demographic data with vivid case studies, Eleanor Hubbard explores the advantages and dangers that the city had to offer, from women's first arrival to London as migrant maidservants, through the vicissitudes of marriage, widowhood, and old age. In early modern London, women's opportunities were tightly restricted. Nonetheless, before 1640, the city's unique demographic circumstances provided unusual scope for marital advancement, and both maids and widows were quick to take advantage of this. Similarly, moments of opportunity emerged when the powerful sexual anxieties that associated women's speech and mobility with loose behaviour came into conflict with even more powerful anxieties about the economic stability of households and communities. As neighbours and magistrates sought to reconcile their competing priorities in cases of illegitimate pregnancy, marital disputes, working wives, remarrying widows, and more, women were able to exploit the resulting uncertainty to pursue their own ends. By paying close attention to the aspirations and preoccupations of London women themselves, their daily struggles, small triumphs, and domestic tragedies, City Women provides a valuable new perspective on the importance of early modern women's efforts in the growing capital, and on the nature of early modern English society as a whole.
Blade is a young girl, who witnesses the brutal murder of her brother during a school shooting. Dealing with this emotions she's sent on a wild roller coaster to find out what really happened.
No Matter What Magical Path You Walk, This Book Will Inspire and Renew Your Practice In today's world, it can be hard to find time for magic—but this practical guide helps keep you inspired and connected to your spirituality. Designed so that you can easily choose a spell, meditation, or ritual to suit your needs, Witch Life is the perfect tool for making your practice thrive, even in the busiest times. Emma Kathryn presents spells and workings for nearly every purpose, from protection rituals and kitchen witchery to candle magic and spirit work. She encourages you to explore healing and hexing magic, moon and plant magic, and magical crafts. You'll also enjoy exciting ways to celebrate the sabbats, harness the elements, and more. From worshipping deities to creating charms, this book offers something for beginners and experienced practitioners alike.
Born in Los Angeles at the dawn of the 1960s to parents who quickly departed, Kathryn Harrison was received by her maternal grandparents as a late-life child. Harry Jacobs and Margaret Sassoon, true wandering Jews, had emigrated to L.A. after leading whirlwind lives in Shanghai, London, Alaska, Russia, and beyond. Harrison grew up in their fading Tudor mansion on Sunset Boulevard, a kingdom inhabited by gleaming memories from their extraordinary past. Their photos, letters, and souvenirs sparked endless family stories that spanned cultures, dynasties, and continents—until declining finances forced them to sell the house in 1971, and night fell fast. Vivid and poignant, filled with the wisdom of retrospect and the wonder of childhood, On Sunset seeks to recover a foundational time in her life, affirming the power of storytelling and the endurance of memory.
Elm Tree Terrace is host to an odd collection of guests. Colin Jepson, a young graduate from Sydney, turns up unannounced to look for a room. Mary Mercy who checks his references puzzles Colin: she is not English, but perhaps European, yet her dress belies this. Colin is entranced by her eyes. The other guests at the boarding house fit their stereotypes: a middle-aged school teacher from Scotland and a couple visiting from Adelaide. The boarding house manager, Mr Suddern, seems out of place. Huston, his business partner, is suave with an air of mystery. Colin takes a bus ride with Mary, ending up at London zoo. She tells him of growing up in the Belgian Congo, and of her strange relationship with Huston. Could there be blackmail involved? When Huston demands Colin give up his room, and an eminent physician comes to dinner, the truth behind the Adelaide man and Huston is revealed.
“Kathryn Smith is a wonderfully original author of stylish, page-turning romance.” —Lisa Kleypas In When Tempting a Rogue, the breathtaking conclusion to Kathryn Smith’s red hot historical romance series about the powerful and wealthy patrons of Victorian London’s most prestigious house of pleasure, sparks fly and passions are unleashed when the brother of a duke attempts to rekindle the flames of a lost love. New York Times bestselling author Sabrina Jeffries says that Kathryn Smith, “satisfies the soul.” Fans of Lisa Kleypas and Judith Ivory will undoubtedly agree.
The life of actress Charlotte Charke transports us through the splendors and scandals of eighteenth-century London and its wicked theatrical world. Her father was one of the century's great actor/playwrights, a favorite of the king. It was thought that his high-spirited, often rebellious daughter Charlotte would follow in his footsteps at the legendary Drury Lane--but this was not to be. She had the troublesome habit of dressing in men's clothes--a preference first revealed onstage but adopted elsewhere after her disastrous marriage to an actor, who became the last man she ever loved. Author Shevelow, an expert on eighteenth-century London, re-creates Charlotte's downfall from the heights of London's theatrical world to its lascivious lows (the domain of fire-eaters, puppeteers, wastrels, gender-bending cross-dressers, wenches, and scandalous sorts of every variety) and her comeback as the author of one of the first autobiographies ever written by a woman.--From publisher description.
‘Gamle Norge and Nineteenth-Century British Women Travellers in Norway’ presents an account of the development of tourism in nineteenth-century Norway and considers the ways in which women travellers depicted their travels to the region. Tracing the motivations of various groups of women travellers, such as sportswomen, tourists and aristocrats, this book argues that in their writing, Norway forms a counterpoint to Victorian Britain: a place of freedom and possibility.
In Compassionate Leadership for School Belonging, Kathryn Riley draws on 40 years of international research and professional practice to show how schools can be places of safety and fulfilment, even in the most difficult of circumstances. When belonging is a school’s guiding principle, more young people at all levels experience a sense of connectedness and friendship, perform better academically, and come to believe in themselves; their teachers feel more professionally fulfilled, their families more accepted. The originality of this highly readable book lies in its scope. It offers international analysis from the OECD alongside insights from the author’s extensive research in schools, powerfully supported by observational vignettes and drawings from the children, young people and teachers who have been her co-researchers. The book reveals patterns of dislocation, disaffection and exclusion, and highlights the points of intervention in policy and practice needed across school systems to create the conditions for school belonging. The methodologies, concepts and research tools offered can be used by practitioners and researchers in their own contexts, and to guide school leaders towards creating their own places of belonging. This is an urgent book of hope, offering knowledge so that schools can open up possibilities to all children and young people in an increasingly uncertain world.
“Kathryn Smith weaves a heart-wrenching tale of love lost and found that satisfies the soul. Don’t miss this one!” —New York Times bestselling author Sabrina Jeffries USA Today bestseller Kathryn Smith follows the success of When Seducing a Duke with When Marrying a Scoundrel—the second book in her sexy Victorian series centered around a group of wealthy and powerful patrons of London’s most prestigious house of pleasure. Romance superstar Lisa Kleypas says, “Smith writes with spectacular passion and flare” and Sherilynn Kenyon promises that, “Kathryn Smith never disappoints”—high praise that is more than supported by this breathtaking story of a beautiful fortuneteller whose heart is thrown into disarray when the dashing former conman she wed unexpectedly bursts back into her life.
The exploitation of archaeological sites for commercial gain is a serious problem worldwide. In peace and during wartime archaeological sites and cultural institutions, both on land and underwater, are attacked and their contents robbed for sale on an international 'antiquities' market. Objects are excavated without record, smuggled across borders and sold for exorbitant prices in the salesrooms of Europe and North America. In some countries this looting has now reached such a scale as to threaten the very survival of their archaeological and cultural heritage. This volume highlights the deleterious effects of the trade on cultural heritage, but in particular it focuses upon questions of legal and local responses: How can people become involved in the preservation of their past and what, in economic terms, are the costs and benefits? Are international conventions or export restrictions effective in diminishing the volume of the trade and the scale of its associated destruction?
Can capitalism and citizenship co-exist? In recent years advocates of the Third Way have championed the idea of public-spirited capitalism as the antidote to the many problems confronting the modern world. This book develops a multi-disciplinary theory of citizenship, exploring the human abilities needed for its practice. It then argues that capitalism impedes the nurturing of these abilities. In advancing these arguments, Kathryn Dean draws on the work of a wide range of thinkers including Freud, Marx, Lacan, Habermas and Castells.
This intensely engaging biography examines the extraordinary life of George Eliot from her childhood, through her scandalous liaison and social exile, to her hard-won status as one of Victorian England's literary elite.
This is a study of the politics, the commerce, and the aesthetics of heritage culture in the shape of authors' manuscripts. Draft or working manuscripts survive in quantity from the eighteenth century when, with the rise of print, readers learnt to value 'the hand' as an index of individuality and the blotted page, criss-crossed by deletion and revision, as a sign of genius. Since then, collectors have fought over manuscripts, libraries have curated them, the rich have stashed them away in investment portfolios, students have squeezed meaning from them, and we have all stared at them behind exhibition glass. Why do we trade them, conserve them, and covet them? Most, after all, are just the stuff left over after the novel or book of poetry goes into print. Poised on the boundary where precious treasure becomes abject waste, litter, and mess, modern literary manuscripts hover between riches and rubbish. In a series of case studies, this book explores manuscript's expressive agency and its capacity to provoke passion--a capacity ever more to the fore in the twenty-first century now that books are assembled via word-processing software and authors no longer leave in such quantity those paper trails behind them. It considers manuscripts as residues of meaning that print is unable to capture: manuscript as fragment art, as property, as waste paper. It asks what it might mean to re-read print in the shadow of manuscript. Case studies of Samuel Johnson, James Boswell, Walter Scott, Frances Burney, and Jane Austen--writers from the first great period of manuscript survival--are interspersed with discussions of William Godwin's record keeping, the Cairo genizah, Katie Paterson's 'Future Library' project, Andy Warhol's and Muriel Spark's self-archiving, Cornelia Parker's reclamation art, and more.
Temptation by Kathryn Barrett: Holt Medallion Winner – MAINSTREAM / SINGLE TITLE – Winner. Golden Quill BEST FIRST NOVEL winner. Laura Hayes has been acting since she was an infant, making Hollywood the only home she has ever known. But when she moves to Pennsylvania's Amish country to film her next movie, she discovers there's more to life than a pair of Jimmy Choos and a Marie Claire cover. Intrigued by the Amish simplicity, she's soon gardening and baking plum pies—and enjoying it. And when her neighbor turns out to be the local heartthrob and a talented furniture maker, she realizes that what's missing from her life might be the love of a good man—not to mention the perfect heirloom tomato. Jacob fights the urge to question the teachings of his Amish beliefs—despite his desire to create furniture that is beautiful as well as useful—and struggles with his longing for the sexy stranger who makes him feel truly alive for the first time. As his attraction grows, so do his doubts, until he's forced to face temptation and decide once and for all what is truly worth the fight.
Born into the famous, sometimes scandalous, theatrical clan of Colley Cibber, Charlotte was an actress destined for greatness. But she rebelled, and started dressing as a man. When her father disowned her, her life became an adventure extending from the pinnacles of London society to its dangerous depths. Kathryn Shevelow captures Charlotte - an artist and a survivor - in all her guises, from her time among the leading lights of glamorous Drury Lane Theatre to her trials as a strolling player and puppeteer, to her comeback as author of one of the first autobiographies written by a woman. Charlotteis the captivating story of an extraordinary woman, set against the rich tapestry of London's colourful theatre world, its history and savage political battles.
This bibliography, first published in 1989, brings together a number of reviews of the early Dickens which appeared in contemporary magazines, newspapers, and quarterlies during the eight years between 1833 and 1841. The chronological arrangement of reviews, both of Dickens and others, forms the core of this study. This book is perfect for those studying Dickens and his works in-depth.
Be prepared to be kept on your toes... you won’t see the end coming! Includes three gripping psychological thrillers; The Other Husband, The Lying Wife and The Mother’s Secret. The Other Husband: The night that throws a wrecking ball into Abby’s life starts out perfectly. There’s still a hint of summer sun in the purple-streaked sky. Abby and her best friend, Sienna, look on fondly as their two husbands laugh under the garden gazebo. None of them know it’s the last time they will be together again. Abby finds Sienna’s husband, Greg, unexpectedly charming, and when the two of them are left alone, something happens that neither can take back. Abby is desperate to tell her own husband and Sienna the truth, but can’t risk Greg sharing what he knows. She has no choice but to keep quiet. Then Greg disappears. Is her best friend’s husband simply running from his secrets? Or has someone decided they can’t risk that he may share theirs? The Lying Wife: Callie has known sadness, and sometimes doubted she would ever have the life she wanted. When she meets James, also no stranger to grief, it seems as though her luck has changed. She becomes his wife, and in the process a stepmother to his two sons. Callie has finally got what she always imagined for herself. But things don’t go to plan for Callie. She tries to get things right, but the harder she tries, the more she fails. A split-second decision leads to her spiralling out of control, and there is no way back for Callie. When the police arrest her for murder, the dark tale of Callie’s shocking fall from grace slowly unfolds. Will her secrets be her undoing? Or will she tell the truth, no matter the cost? The Mother’s Secret: Eve wanted nothing more than to be a mother. She and her husband, Aiden, planned to have a family, but with each devastating miscarriage her hopes dwindled. When she eventually gave birth to her daughter, Kayla, it should have been the happiest time of her life. Instead, it was a waking nightmare for Eve, and one she was desperate to escape. Now, Eve has left all that behind. She pretends that she never had a child, and keeps her secrets close. But someone knows the truth. If people learn about the crime she covered up, they’ll never look at her the same way again. She must get her little girl back, before it’s too late. If she can’t, running away won’t be an option. This time, Eve will face the consequences, and pay the price she should have paid years ago... A compelling collection of heart-stopping psychological thrillers perfect for fans of Shari Lapena, C. L. Taylor and K. L. Slater. Praise for Kathryn Croft ‘I loved the story-telling voice... Intelligently written.' Jane Corry, author of The Lies We Tell ‘An extremely twisty plot. A well written, enjoyable thriller.’ Lesley Sanderson, author of The Birthday Weekend ‘So many twists and turns! ... Hard to put down and worth every moment.’ ⭐️⭐️⭐️⭐️⭐️ Reader review ‘Awesome read.’ ⭐️⭐️⭐️⭐️⭐️ Reader review ‘Wow. A roller coaster of emotions and twists and turns. ... Bloody brilliant!’ ⭐️⭐️⭐️⭐️⭐️ Reader review ‘A beautiful marriage of 'whodunnit' with a cracking work of psychological fiction. Don't even get me started on those awesome plot twists!!’ ⭐️⭐️⭐️⭐️⭐️ Reader review ‘Wow! Wow! Wow! Kathryn Croft never disappoints. An excellent, captivating psychological thriller.’ ⭐️⭐️⭐️⭐️⭐️ Reader review ‘Well written with a compelling storyline and well developed characters... I was gripped right from the start and couldn't put it down.’ ⭐️⭐️⭐️⭐️⭐️ Reader review ‘Croft clearly has that knack of hitting you with a cracking twist at the end.’ ⭐️⭐️⭐️⭐️⭐️ Reader review
Speaking for Patients and Carers draws on original research and is based on a theoretical framework taken from sociology and politics. It examines health consumer groups in the context of specific conditions: Arthritis and related conditions, cancer, heart and circulatory disease, maternity and childbirth, and mental health. It also analyzes their interaction with government, health professionals and the media, and assesses their impact on policy.
Accessible and lively, "For the Love of Animals" is the engaging story of how an unlikely group of extraordinary people laid the foundation for the legal protection of animals.
How do parents try to minimize risk-taking, and are they successful? The book draws upon a wealth of quantitative survey data and makes extensive use of the rich case material gathered in 64 different households. Written from a sociological perspective, it will be of interest to social scientists in the field of health, family life, education and youth culture as well as professionals and policymakers concerned with young people.
The premise of Chittick's study is that the national discourse found in British periodical literature of 1802-30 is crucial to an understanding of the literary language of the era.
This title was first published in 2001: During the last twenty years government rhetoric in the UK has increasingly advocated that statutory health and social care services should regard and treat recipients as 'consumers' in the same way as companies and organizations in the private sector. This involves a considerable cultural change on the part of both service providers and their clients, and this timely study explores the extent to which such a cultural change is actually taking place in British society. The utilization of welfare services by a sample of people aged 70 and above on discharge from inpatient care and in a short period afterwards is examined as a critical testbed for key components of consumerism, including participation, representation, access, choice, information and redress. The book explores not only the extent to which opportunities are being provided for users to play an active role in their care, but also their degree of willingness to assume such a role. By investigating the experiences of clients from a generation which might be considered relatively resistant to a more active participation in health and social care, the study offers an important insight into the extent to which a real social transformation is indeed taking place in the British welfare services.
While under arrest in 1750 on suspicion of producing a seditious pamphlet Eliza Haywood insisted she ‘never wrote any thing in a political way’. This study of the life and works, the first full-length biography of Haywood in nearly a century, takes the measure of her duplicity.
Controlling national borders has once again become a key concern of contemporary states and a highly contentious issue in social and political life. But controlling borders is about much more than patrolling territorial boundaries at the edges of states: it now comprises a multitude of practices that take place at different levels, some at the edges of states and some in the local contexts of everyday life – in workplaces, in hospitals, in schools – which, taken together, construct, reproduce and contest borders and the rights and obligations associated with belonging to a nation-state. This book is a systematic exploration of the practices and processes that now define state bordering and the role it plays in national and global governance. Based on original research, it goes well beyond traditional approaches to the study of migration and racism, showing how these processes affect all members of society, not just the marginalized others. The uncertainties arising from these processes mean that more and more people find themselves living in grey zones, excluded from any form of protection and often denied basic human rights.
Through three intertwined histories Jane Austen's Textual Lives offers a new way of approaching and reading a very familiar author. One is a history of the transmission and transformation of Jane Austen through manuscripts, critical editions, biographies, and adaptations; a second provides a conspectus of the development of English Studies as a discipline in which the original and primary place of textual criticism is recovered; and a third reviews the role of Oxford University Press in shaping a canon of English texts in the twentieth century. Jane Austen can be discovered in all three. Since her rise to celebrity status at the end of the nineteenth century, Jane Austen has occupied a position within English-speaking culture that is both popular and canonical, accessible and complexly inaccessible, fixed and certain yet wonderfully amenable to shifts of sensibility and cultural assumptions. The implied contradiction was represented in the early twentieth century by, on the one hand, the Austen family's continued management, censorship, and sentimental marketing of the sweet lady novelist of the Hampshire countryside; and on the other, by R. W. Chapman's 1923 Clarendon Press edition of the Novels of Jane Austen, which subjected her texts to the kind of scholarly probing reserved till then for classical Greek and Roman authors obscured by centuries of attrition. It was to be almost fifty years before the Clarendon Press considered it necessary to recalibrate the reputation of another popular English novelist in this way. Beginning with specific encounters with three kinds of textual work and the problems, clues, or challenges to interpretation they continue to present, Kathryn Sutherland goes on to consider the absence of a satisfactory critical theory of biography that can help us address the partial life, and ends with a discussion of the screen adaptations through which the texts continue to live on. Throughout, Jane Austen's textual identities provide a means to explore the wider issue of what text is and to argue the importance of understanding textual space as itself a powerful agent established only by recourse to further interpretations and fictions.
This title was first published in 2000: This book provides an exploration of the link between individualized project evaluation and policy analysis. The conceptual and legislative frameworks which contextualize family support are explored in full. By drawing on existing literature and examining the political and legislative aspects of family support the book aims to provide in one volume accessible and up to date information and discussion of key developments within family support, in the UK and internationally as well as within Northern Ireland where the research is set. Five family support settings are selected for close examination by the research and the key evaluation questions applied. The book details the methodology employed and explores exactly how the settings were organized for family support. Additionally the book seeks to identify needs in the context of family support across the range of settings by examining indicators of potential need. Services appropriate to family support were also analyzed across the range of settings. Finally the book reviews the settings against criteria for the evaluation and development of projects considered to be family support.
This book outlines the contribution made by servants to domestic and Continental travel and travel writing between 1750 and 1850. Aiming to re-position British and European travel during this period as a site of work as well as leisure, Katheryn Walchester provides commentary and analysis of texts by servants not addressed in current scholarship. By reading texts contrapuntally, this book draws attention to repeated tropes and common patterns in the ways in which servants are featured in travelogues; and in so doing, offers an account of alternative modes of experiencing and writing about the Home Tour and the Grand Tour.
This deeply informed and lavishly illustrated book is a comprehensive introduction to the modern study of Middle English manuscripts. It is intended for students and scholars who are familiar with some of the major Middle English literary works, such as The Canterbury Tales, Gawain and the Green Knight, Piers Plowman, and the romances, mystical works or cycle plays, but who may not know much about the surviving manuscripts. The book approaches these texts in a way that takes into account the whole manuscript or codex—its textual and visual contents, physical state, readership, and cultural history. Opening Up Middle English Manuscripts also explores the function of illustrations in fashioning audience response to particular authors and their texts over the course of the fourteenth and fifteenth centuries. Kathryn Kerby-Fulton, Linda Olson, and Maidie Hilmo—scholars at the forefront of the modern study of Middle English manuscripts—focus on the writers most often taught in Middle English courses, including Geoffrey Chaucer, William Langland, the Gawain Poet, Thomas Hoccleve, Julian of Norwich, and Margery Kempe, highlighting the specific issues that shaped literary production in late medieval England. Among the topics they address are the rise of the English language, literacy, social conditions of authorship, early instances of the "Alliterative Revival," women and book production, nuns’ libraries, patronage, household books, religious and political trends, and attempts at revisionism and censorship. Inspired by the highly successful study of Latin manuscripts by Raymond Clemens and Timothy Graham, Introduction to Manuscript Studies (also published by Cornell), this book demonstrates how the field of Middle English manuscript studies, with its own unique literary and artistic environment, is changing modern approaches to the culture of the book.
Esmeralda King or 'Esme' as she is known by her friends and family, is a cyber security professional. After working for the government on a series of strictly confidential projects, she now solves sensitive cases on behalf of the rich and famous. Deception in Miami sees Esme take on a case on behalf of the Richardson's - a notorious family from London known for their barbaric and unruly business deals. She embarks on a wild goose chase around Florida, threatened and scared for her life, Esme returns to London to be greeted with more chaos. She is smart, driven and drawn into situations that make the hairs on the back of your neck stand on end. A dramatic crime story full of twists and turns. Main characters and chapters that will leave you on the edge of your seat and an ending that you didn't anticipate. Esmeralda King - not a series for the faint hearted...
* An American Booksellers Association "Indies Introduce" Pick! Haunting, gorgeously descriptive, and spellbinding, At the Edge of the Woods is a magnificent and assured debut novel that delivers all the resonance and significance of an instant classic. Laura lives alone in a cabin deep within the Italian Alps, making her living translating medical documents and tutoring the children of affluent locals. She spends her days climbing the mountains outside her door and exploring the woods, and when she must venture into the small, conservative town for supplies, she’s met with curious stares and wariness. Laura begins seeing a bartender, who alerts her to the villagers’ uncertainties. Then late one night there is a knock on the door, and on the other side stands someone from her past who has finally found her. In beguiling, lyrical prose, the mystery surrounding why Laura has absconded to this remote corner of the Alps comes into focus, while the villagers grow leery of the woman in the cabin and of her increasingly odd behavior. A few decide to take matters into their own hands, to free themselves from the malevolent forces of the strega who lives amongst them. With its dexterity and appreciation for the natural world, its slow-burn tension and thematic considerations of illness, femininity and alienation, At the Edge of the Woods calls to mind the work of Richard Powers, Claire-Louise Bennett and Shirley Jackson, while revealing Kathryn Bromwich as a spectacular and singular talent. ADDITIONAL READING: Orion Magazine: "Beware the Woods: 10 Memorable Forests from Literature" | June 2023 Orion Magazine features recommended reading from author Kathryn Bromwich, author of At the Edge of the Woods! AUTHOR READING: Damian Barr’s Literary Salon | August 23, 2023 Podcast Episode: "Book of the Week: At the Edge of the Woods by Kathryn Bromwich" "With a deft hand and slow-burn tension, At the Edge of the Woods is a captivating novel for anyone who enjoyed Unsettled Ground by Claire Fuller or Strega by Johanne Lykke Holm." On this episode of Damian Barr’s Literary Salon, listen to an excerpt of the novel, read by author Kathryn Bromwich. SELECT INTERVIEWS: Writer's Bone Podcast: "Episode 607: Kathryn Bromwich & Hannah Mary McKinnon" | Aug 31, 2023 Daniel Ford speaks with author Kathryn Bromwich about the books and authors that she loves, the writing of her debut novel At the Edge of the Woods and how she was inspired to write it, living with long covid, and so much more. Across the Pond podcast: Kathryn Bromwich, "At the Edge of the Woods" | Jun 27, 2023 Hosts Lori Feathers and Sam Jordison speak with author Kathryn Bromwich in the Across the Pond podcast, about her new novel At the Edge of the Woods. Plus, enjoy listening to an author reading! AIR MAIL Interview by Lily Meyer with Kathryn Bromwich | June 3, 2023 "How a bout of long COVID during the height of the pandemic gave way to a London editor’s debut novel" "In the earliest days of the pandemic, Kathryn Bromwich, the writer and editor for London’s Observer newspaper, found herself shivering indoors. She and her fiancé both had COVID—which, in both of their cases, turned into long COVID..." An Indies Introduce Q&A with Kathryn Bromwich | May 24, 2023 Kathryn Bromwich's novel, At the Edge of the Woods, was chosen as a Summer/Fall 2023 Indies Introduce selection. Mallory Melton—of BookPeople in Austin, Texas—served on the panel that selected Bromwich’s debut for Indies Introduce and spoke with Kathryn about her debut novel, her influences, why she was drawn to the book's themes of climate crisis, class, infertility, and traditional femininity, how her journalism writing and her writing of fiction intersect, and more! Bookin’ Podcast: Kathryn Bromwich | May 1, 2023 "This week, host Jason Jefferies is joined by Kathryn Bromwich, who discusses her new novel At the Edge of the Woods... Topics of conversation include Richard Powers' The Overstory, wilderness narratives that captivate our imaginations, a female protagonist living off the grid, how one's mind works first thing in the morning, a mountain as a sentient being, practicing one's smile in the mirror, guilt over not attending church, and much more." Bookin' Podcast is sponsored by indie bookstore Explore Booksellers. Q&A with author Kathryn Bromwich | Oct 11, 2022 Two Dollar Radio editor Eric Obenauf spoke with the At the Edge of the Woods novelist Kathryn Bromwich about her debut novel, the concept of "traditional femininity," nature writing and our climate emergency, her personal experience with long Covid, what she loves about her job as a commissioning editor on The Observer newspaper in London, and so much more!
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