This is the first book-length study of Tennyson's record of publication in Victorian periodicals. Despite Tennyson's supposed hostility to periodicals, Ledbetter shows that he made a career-long habit of contributing to them and in the process revealed not only his willingness to promote his career but also his status as a highly valued commodity. Tennyson published more than sixty poems in serial publications, from his debut as a Cambridge prize-winning poet with "Timbuctoo" in the Cambridge Chronicle and Journal to his last public composition as Poet Laureate with "The Death of the Duke of Clarence and Avondale" in The Nineteenth Century. In addition, poems such as "The Charge of the Light Brigade" were shaped by his reading of newspapers. Ledbetter explores the ironies and tensions created by Tennyson's attitudes toward publishing in Victorian periodicals and the undeniable benefits to his career. She situates the poet in an interdependent commodity relationship with periodicals, viewing his individual poems as textual modules embedded in a page of meaning inscribed by the periodical's history, the poet's relationship with the periodical's readers, an image sharing the page whether or not related to the poem, and cultural contexts that create new meanings for Tennyson's work. Her book enriches not only our understanding of Tennyson's relationship to periodical culture but the textual implications of a poem's relationship with other texts on a periodical page and the meanings available to specific groups of readers targeted by individual periodicals.
Marrying two exceptionally popular topics—needlework and women's history—this book provides an authoritative yet entertaining discussion of the diversity and importance of needlework in Victorian women's lives. Victorian Needlework explores these ubiquitous pastimes—their practice and their meaning in women's lives. Covering the period from 1837–1901, the book looks specifically at the crafts themselves examining quilting, embroidery, crochet, knitting, and more. It discusses required skills and the techniques women used as well as the technological innovations that influenced needlework during this period of rapid industrialization. This book is unique in its comprehensive treatment of the topic ranging across class, time, and technique. Readers will learn what needlework meant to "ladies," for whom it was a hobby reflecting refinement and femininity, and discover what such skills could mean as a "suitable" way for a woman to make a living, often through grueling labor. Such insights are illustrated throughout with examples from women's periodicals, needlework guides, pattern books, and personal memoirs that bring the period to life for the modern reader.
Ledbetter explores themes and patterns of poetry publication in a variety of women's periodicals published throughout the Victorian era using taste, style and the significance of poetry to advance our understanding of women's lives in the nineteenth century.
Broadcasting the Ozarks explores the vibrant music scene in Springfield, Missouri, that reached its apex during the 1950s and '60s. Central to this history is the Ozark Jubilee (1955-61), the first weekly country music show on network television. Performers, promoters, talent managers, booking agents, and tourists from every corner of the United States followed the music trail to the Jubilee. Dubbed the 'king of the televised barn dances,' the show introduced the Ozarks region to viewers across America and put Springfield in the running with Nashville for dominance of the country music industry-with the Jubilee's producer, Si Siman, at the helm
This book studies the print culture of the nineteenth century as it shaped the meanings and the cultural significance of literary works by women writers - Mary Robinson, Felicia Hemans, Elizabeth Barrett Browning, Lady Blessington, Lady Morgan, Caroline Norton, Letitia Elizabeth Landon, and others. Colour'd Shadows explains and interprets the physical forms of their books, the economics and politics of production and reception, and the cultural meanings of their literary work, showing how poems, literary annuals, engravings, commercial arrangements, the practices of women editors as well as writers, the politics of gender, the changing means of production, and women's literary relationships unfold in the medium of print and, more largely, the rapidly changing culture of the century.
This is the first book-length study of Tennyson's record of publication in Victorian periodicals. Despite Tennyson's supposed hostility to periodicals, Ledbetter shows that he made a career-long habit of contributing to them and in the process revealed not only his willingness to promote his career but also his status as a highly valued commodity. Tennyson published more than sixty poems in serial publications, from his debut as a Cambridge prize-winning poet with "Timbuctoo" in the Cambridge Chronicle and Journal to his last public composition as Poet Laureate with "The Death of the Duke of Clarence and Avondale" in The Nineteenth Century. In addition, poems such as "The Charge of the Light Brigade" were shaped by his reading of newspapers. Ledbetter explores the ironies and tensions created by Tennyson's attitudes toward publishing in Victorian periodicals and the undeniable benefits to his career. She situates the poet in an interdependent commodity relationship with periodicals, viewing his individual poems as textual modules embedded in a page of meaning inscribed by the periodical's history, the poet's relationship with the periodical's readers, an image sharing the page whether or not related to the poem, and cultural contexts that create new meanings for Tennyson's work. Her book enriches not only our understanding of Tennyson's relationship to periodical culture but the textual implications of a poem's relationship with other texts on a periodical page and the meanings available to specific groups of readers targeted by individual periodicals.
Marrying two exceptionally popular topics—needlework and women's history—this book provides an authoritative yet entertaining discussion of the diversity and importance of needlework in Victorian women's lives. Victorian Needlework explores these ubiquitous pastimes—their practice and their meaning in women's lives. Covering the period from 1837–1901, the book looks specifically at the crafts themselves examining quilting, embroidery, crochet, knitting, and more. It discusses required skills and the techniques women used as well as the technological innovations that influenced needlework during this period of rapid industrialization. This book is unique in its comprehensive treatment of the topic ranging across class, time, and technique. Readers will learn what needlework meant to "ladies," for whom it was a hobby reflecting refinement and femininity, and discover what such skills could mean as a "suitable" way for a woman to make a living, often through grueling labor. Such insights are illustrated throughout with examples from women's periodicals, needlework guides, pattern books, and personal memoirs that bring the period to life for the modern reader.
In the late twentieth century, residents of the Blue Ridge mountains in western North Carolina fiercely resisted certain environmental efforts, even while launching aggressive initiatives of their own. Kathryn Newfont provides context for those events by examining the environmental history of this region over the course of three hundred years, identifying what she calls commons environmentalism--a cultural strain of conservation in American history that has gone largely unexplored. Efforts in the 1970s to expand federal wilderness areas in the Pisgah and Nantahala national forests generated strong opposition. For many mountain residents the idea of unspoiled wilderness seemed economically unsound, historically dishonest, and elitist. Newfont shows that local people's sense of commons environmentalism required access to the forests that they viewed as semipublic places for hunting, fishing, and working. Policies that removed large tracts from use were perceived as 'enclosure' and resisted. Incorporating deep archival work and years of interviews and conversations with Appalachian residents, Blue Ridge Commons reveals a tradition of people building robust forest protection movements on their own terms."--p. [4] of cover.
The aura and romance of Old California lives on in this treasury of inviting homes. The California House presents the magic of the "golden state," that land of infinite promise and dreams, the most tangible expression of which can be found in the homes built by early California dreamers. Here domestic visions of tranquility and repose were inventively realized—in stucco or stone, wood and wrought iron, plaster, and glass and tile. Spanish Colonial Revival–style homes with elaborate wrought-iron window grilles, romantic, shadowy interiors, and lush courtyard gardens stand beside other particularly Californian architectural wonders such as the San Francisco Victorian Painted Lady, the Monterey Colonial, Eurekan Queen Anne, and the homey California Arts & Crafts. Including houses designed by luminaries George Washington Smith, Stanford White, Greene & Greene, and Reginald Johnson, this book will fascinate both the architecture aficionado and interior design enthusiasts, as well as the everyday lover of homes. Including, but going beyond, the much-adored Spanish style (in its many manifestations) and Mission Revival, the book features as well the Victorian of San Francisco's Painted Lady and Eureka's Queen Anne, Monterey Colonial, California Arts & Crafts, French Chateau, classic Colonial farm house, and more. All new color photography of 25 houses in California ranging in style from Spanish Colonial Revival, Mission, Victorian, Queen Anne, California Arts & Crafts, Monterey, French Chateau, Colonial Farm House. The book includes little known California work by well known architect Stanford White, known primarily for his East Coast work (designer of the original Penn Station with McKim, Mead & White, and original Madison Square Garden, and many others); as well as the Magdelena Zanone House (Queen Anne late Victorian style home in Eureka, CA); the Murphy House, San Francisco (Classic French Chateau); a Gothic Victorian 1860s home in Sonoma; Casa Amesti (Monterey style home); "El Cerrito" designed by Russel Ray and Winsor Soule and built in 1913 in Santa Barbara (an amalgam of Mission and Spanish Colonial Revival); the Frothingham House designed by George Washington Smith in 1922 (Spanish Colonial Rev.); Cuartro Ventos House by Reginald Johnson, 1929 in Santa Barbara; William Edwards House by Roland E. Coate, Sr. in San Marino, 1926; Robinson House by Greene and Greene in Pasadena, 1905; Sack House in Berkeley (California Arts & Crafts) Brune-Reutlinger House in San Francisco (classic Painted Lady Victorian); a colonial mid-19th cent farm house in Sonoma; "Mariposa," classic Spanish style in Montecito; The Marston House in San Diego (Arts & Crafts/Tudoresque); Rancho Los Alamos De Santa Elena in Los Alamos (Span. Col. Rev.); Pepper Hill Farm in Balard.
**Selected for Doody’s Core Titles® 2024 with "Essential Purchase" designation in Maternal/Child** This comprehensive maternity book is now even better! Maternity and Women's Health Care, 13th Edition provides evidence-based coverage of everything you need to know about caring for women of childbearing age. In addition to emphasizing childbearing concerns like newborn care, it also addresses wellness promotion and management of women's health problems. In describing the continuum of care, it integrates the importance of understanding family, culture, and community-based care. New guidelines are incorporated with updated content throughout, focusing on prioritization of care and interprofessional care. Expert authors of the market-leading maternity nursing textbook deliver the most accurate, up-to-date content. Signs of Potential Complications highlight vital concerns, alerting you to signs and symptoms of complications and the immediate interventions to provide. Cultural Considerations stress the importance of considering the beliefs and health practices of clients and their families from various cultures when providing care. Medication Guides provide key information about commonly used medications with specific nursing implications. Medication Alerts highlighted and integrated within the content alert readers to critical drug information that must be considered to provide safe client care. Safety Alerts highlighted and integrated within the content draw attention to developing competencies related to safe nursing practice. Nursing Care Plans identify priority client problems and concerns, along with appropriate interventions and rationales. Community Activity boxes focus on maternal and newborn activities that can be pursued in local community settings and online and illustrate nursing care in a variety of settings, including assisting clients in locating resources. Emergency boxes provide information about various emergency situations and offer a quick reference in critical situations. Teaching for Self-Management boxes highlight important information that nurses need to communicate to clients and families for follow-up care.
This book situates Pindar's victory odes for Hieron of Syracuse within the tumultuous context of Syracuse and Greece in the early fifth century BC. It combines exploration of the material and musical culture of Hieron's Syracuse with literary analysis to demonstrate how Pindar's poetry manipulates epinician form to effect political legitimation.
In this celebration of contemporary American fiction, Kathryn Hume explores how estrangement from America has shaped the fiction of a literary generation, which she calls the Generation of the Lost Dream. In breaking down the divisions among standard categories of race, religion, ethnicity, and gender, Hume identifies shared core concerns, values, and techniques among seemingly disparate and unconnected writers including T. Coraghessan Boyle, Ralph Ellison, Russell Banks, Gloria Naylor, Tim O'Brien, Maxine Hong Kingston, Walker Percy, N. Scott Momaday, John Updike, Toni Morrison, William Kennedy, Julia Alvarez, Thomas Pynchon, Leslie Marmon Silko, and Don DeLillo. Hume explores fictional treatments of the slippage in the immigrant experience between America's promise and its reality. She exposes the political link between contemporary stories of lost innocence and liberalism's inadequacies. She also invites us to look at the literary challenge to scientific materialism in various searches for a spiritual dimension in life. The expansive future promised by the American Dream has been replaced, Hume finds, by a sense of tarnished morality and a melancholy loss of faith in America's exceptionalism. American Dream, American Nightmare examines the differing critiques of America embedded in nearly a hundred novels and points to the source for recovery that appeals to many of the authors.
Language Disorders in Bilingual Children and Adults, Third Edition, provides speech-language pathologists, advanced students in communication disorders programs, and clinical language researchers with information needed to formulate and respond to questions related to effective service delivery to bilingual children and adults with suspected or confirmed language disorders. The bilinguals of interest represent varying levels of first and second language proficiency across the lifespan. That is, bilingualism is not determined here by proficiency in each language, but rather by the individual's experience or need for two languages. In separate chapters, the book synthesizes the literature on bilingual children and adults with typical and atypical language skills. These chapters give the reader a deep understanding of the multiple factors that affect language development and disorders in those who rely on two languages for meaningful interactions. Chapters on assessment and intervention issues and methods are then presented for each population. For children, the text focuses on developmental language disorder but also discusses secondary language disorders (such as autism spectrum disorder) in bilingual populations. For adults, the focus is on aphasia, with additional discussion of dementia, traumatic brain injury, and right hemisphere disorder. Although child and adult, typical and atypical populations are presented separately, all are considered within a unifying Dynamic Interactive Processing perspective and within a new Means-Opportunities-Motives framework for understanding language disorders in bilinguals. This broad theoretical framework emphasizes interactions between social, cognitive, and communicative systems to form the basis for very practical implications related to assessment and intervention. This third edition has been completely updated to reflect the current research on bilingual populations and the best practices for working with them. Studies at the intersection of bilingualism and language disorders have expanded to include additional disorders and new language combinations. The authors synthesize the current literature and translate it for clinical use. New to the Third Edition • Coauthors Kerry Danahy Ebert, PhD, CCC-SLP and Giang Thuy Pham, PhD, CCC-SLP • Updated literature review and references to reflect new research on bilingualism, cultural competence, cognitive advantages and clinical practice with linguistically diverse populations • Case studies on assessment with bilingual children and adults • Additional tables and figures summarizing key information • Available evidence on additional child and adult language disorders in bilinguals • Updated extension activities and resource supplement
An introduction to the U.S. Congress, from seasoned political historians and teachers In this accessible overview of the United States Congress's past and present, Ginsberg and Hill introduce students to the country's most democratic institution. This text surveys Congressional elections, the internal structure of Congress, the legislative process, Congress and the President, and Congress and the courts. Congress: The First Branch offers a fresh approach to the First Branch grounded in a historical, positive frame.
Frances Freeborn Pauley, a white woman who grew up in the segregated South, has devoted most of her ninety-four years to the battle against discrimination and prejudice. A champion of civil rights and racial justice and an advocate for the poor and disenfranchised, Pauley's tenacity as an activist and the length of her career are remarkable. She is also a consummate storyteller; for decades, she has shared her words with activists, students, and scholars who have found their way to her door. Kathryn L. Nasstrom uses rich oral history material, recorded by herself and others, to present Frances Pauley in her own words. Pauley's life has encompassed much of the last century of extraordinary social change in the South, a life touching and touched by famous figures from southern politics and the civil rights movement. Highlights of Pauley's career in the public eye include a friendship with Reverend Martin Luther King, Jr. and Coretta Scott King, encounters with several of Georgia's civil-rights-era governors, and a meeting with Eleanor Roosevelt. A skillful political organizer, Pauley was involved in decades of community mobilization, repeated efforts to educate politicians and the public about the origins and nature of poverty, and lobbying for unpopular causes. "People are born into a certain way of living," she says. "It takes a jolt to get out of it. It doesn't really mean that they're all that mean and bad, but it takes a jolt to make them see that maybe they could make a change." In a deft blend of biography and memoir, Nasstrom explains Pauley's historical significance and places her story in the context of developments in Georgia politics and the civil rights movement. Even as it contributes to the political history of Georgia and the South, affording insight of unusual depth on familiar issues and events, the book preserves one woman's story in the still largely undocumented history of southern women's social and political activism in the twentieth century. Pauley's experiences serve as a window on the lives of all those women and men who, town by town and state by state, made momentous change not only possible but also inescapable.
A collection of tunes representing a diversity of ideas, experiences, and geographic locations, this songbook provides a resource for use in clinical, educational, recreational, and religious settings. Designed to allow even a beginning guitarist to lead singing, the songs are written in standard notation with rhythm chord symbols and diagrams. Lyrics are given for all of the songs, with creative adaptations included with some melodies. Sample guitar accompaniment patterns are given in notation and tablature.
Master the essentials of maternity and pediatric nursing with this comprehensive, all-in-one text! Maternal Child Nursing Care, 7th Edition covers the issues and concerns of women during their childbearing years and children during their developing years. It uses a family-centered, problem-solving approach to patient care, with guidelines supported by evidence-based practice. New to this edition is an emphasis on clinical judgment skills and a new chapter on children with integumentary dysfunction. Written by a team of experts led by Shannon E. Perry and Marilyn J. Hockenberry, this book provides the accurate information you need to succeed in the classroom, the clinical setting, and on the Next Generation NCLEX-RN® examination. Focus on the family throughout the text emphasizes the influence of the entire family in health and illness. Expert authors of the market-leading maternity and pediatric nursing textbooks combine to ensure delivery of the most accurate, up-to-date content. Information on victims of sexual abuse as parents and human trafficking helps prepare students to handle these delicate issues. Nursing Alerts highlight critical information that could lead to deteriorating or emergency situations. Guidelines boxes outline nursing procedures in an easy-to-follow format. Evidence-Based Practice boxes include findings from recent clinical studies. Emergency Treatment boxes describe the signs and symptoms of emergency situations and provide step-by-step interventions. Atraumatic Care boxes teach students how to manage pain and provide competent care to pediatric patients with the least amount of physical or psychological stress. Community Focus boxes emphasize community issues, provide resources and guidance, and illustrate nursing care in a variety of settings. Patient Teaching boxes highlight important information nurses need to communicate to patients and families. Cultural Considerations boxes describe beliefs and practices relating to pregnancy, labor and birth, parenting, and women’s health. Family-Centered Care boxes draw attention to the needs or concerns of families that students should consider to provide family-centered care.
Ordering Customs explores how Renaissance Venetians sought to make sense of human difference in a period characterized by increasing global contact and a rapid acceleration of the circulation of information. Venice was at the center of both these developments. The book traces the emergence of a distinctive tradition of ethnographic writing that served as the basis for defining religious and cultural difference in new ways. Taylor draws on a trove of unpublished sources—diplomatic correspondence, court records, diaries, and inventories—to show that the study of customs, rituals, and ways of life not only became central in how Venetians sought to apprehend other peoples, but also had a very real impact at the level of policy, shaping how the Venetian state governed minority populations in the city and its empire. In contrast with the familiar image of ethnography as the product of overseas imperial and missionary encounters, the book points to a more complicated set of origins.
From two lawyers at the forefront of the reproductive rights movement, this fully updated book shares bold strategies meant to help restore and expand reproductive and sexual rights. Reproductive freedom has never been in more dire straits. Roe v. Wade protected abortion rights and Planned Parenthood v. Casey unexpectedly preserved them. Yet in the following decades these rights have been gutted by restrictive state legislation, the appointment of hundreds of anti-abortion judges, and violence against abortion providers. Today, the ultra-conservative majority at the Supreme Court has overturned our most fundamental reproductive protections. With Roe toppled, abortion is now a criminal offense in nearly one-third of the United States. At least six states have enacted bans on abortion as early as six weeks of pregnancy—before many women are even aware they are pregnant. Today, 89% of U.S. counties do not have a single abortion provider, in part due to escalating violence and intimidation aimed at disrupting services. We should all be free to make these personal and private decisions that affect our lives and wellbeing without government interference or bias, but we can no longer depend on Roe v. Wade and the federal courts to preserve our liberties. Legal titans Kathryn Kolbert and Julie F. Kay share the story of one of the most divisive issues in American politics through behind-the-scenes personal narratives of stunning losses, hard-earned victories, and moving accounts of women and health care providers at the heart of nearly five decades of legal battles. Kolbert and Kay propose audacious new strategies inspired by medical advances, state-level protections, human rights models, and activists across the globe whose courage and determination are making a difference. No more banging our heads against the Court’s marble walls. It is time for a new direction.
A collection of some of the best original short fiction published on Tor.com in 2012. Includes stories by Elizabeth Bear, Adam Troy Castro, Paul Cornell, Kathryn Cramer, Brit Mandelo, Pat Murphy, Charles Stross, Michael Swanwick, Rachel Swirsky, and Gene Wolfe. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Broadcasting the Ozarks explores the vibrant music scene in Springfield, Missouri, that reached its apex during the 1950s and '60s. Central to this history is the Ozark Jubilee (1955-61), the first weekly country music show on network television. Performers, promoters, talent managers, booking agents, and tourists from every corner of the United States followed the music trail to the Jubilee. Dubbed the 'king of the televised barn dances,' the show introduced the Ozarks region to viewers across America and put Springfield in the running with Nashville for dominance of the country music industry-with the Jubilee's producer, Si Siman, at the helm
In Geologic Life, Kathryn Yusoff theorizes the processes by which race and racialization emerged geologically. Examining both the history of geology as a discipline and ongoing mineral and resource extraction, Yusoff locates forms of imperial geology embedded in Western and Enlightenment thought and highlights how it creates anti-Black, anti-Indigenous, and anti-Brown environmental and racial injustices. Throughout, she outlines how the disciplines of geology and geography---and their conventions: surveying, identifying, classifying, valuing, and extracting—established and perpetuated colonial practices that ordered the world and people along a racial axis. Examining the conceptualization of the inhuman as political, geophysical, and paleontological, Yusoff unearths an apartheid of materiality as distinct geospatial forms. This colonial practice of geology organized and underpinned racialized accounts of space and time in ways that materially made Anthropocene Earth. At the same time, Yusoff turns to Caribbean, Indigenous, and Black thought to chart a parallel geologic epistemology of the "earth-bound" that challenges what and who the humanities have chosen to overlook in its stories of the earth. By reconsidering the material epistemologies of the earth as an on-going geotrauma in colonial afterlives, Yusoff demonstrates that race is as much a geological formation as a biological one.
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