A two-act play in which Vincent Heffernan, an African American lawyer, is the public defender for a single Caucasian mother accused of killing her baby. Vincent, hounded by the community and haunted by his past, battles with having to defend both his client and his ailing mother.
A two-act play in which Vincent Heffernan, an African American lawyer, is the public defender for a single Caucasian mother accused of killing her baby. Vincent, hounded by the community and haunted by his past, battles with having to defend both his client and his ailing mother.
The vanished world of India’s late-colonial theatre provides the backdrop for the autobiographies in this book. The life-stories of a quartet of early Indian actors and poet-playwrights are here translated into English for the first time. These men were schooled not in the classroom but in large theatrical companies run by Parsi entrepreneurs. Their memoirs, replete with anecdote and humor, are as significant to the understanding of the nationalist era as the lives of political leaders or social reformers.
Women Writers in the United States is a celebration of the many forms of work--written and social, tangible and intangible--produced by American women. Davis and West document the variety and volume of women's work in the U.S. in a clear and accessible timeline format. They present information on the full spectrum of women's writing--including fiction, poetry, biography, political manifestos, essays, advice columns,and cookbooks, alongside a chronology of developments in social and cultural history that are especially pertinent to women's lives. This extensive chronology illustrates the diversity of women who have lived and written in the U.S. and creates a sense of the full trajectory of individual careers. A valuable and rich source of information on women's studies, literature, and history, Women Writers in the United States will enable readers to locate familiar and unfamiliar women's texts and to place them in the context out which they emerged.
This study places the last three novels of Hugo's maturity - Les Travailleurs de la mer (1866), L'Homme qui rit (1869), and Quatrevingt-Treize (1874) - within the context of his artistic development after the success of Les Misérables (1862), thereby illuminating the shift from a poetics of harmony to one of transcendence.
Emma Albani / Emily Carr / George Grant / Jacques Plante / John Diefenbaker / John Franklin / Marshall McLuhan / Phyllis Munday / Wilfrid Laurier / Nellie McClung
Emma Albani / Emily Carr / George Grant / Jacques Plante / John Diefenbaker / John Franklin / Marshall McLuhan / Phyllis Munday / Wilfrid Laurier / Nellie McClung
Presenting ten titles in the Quest Biography series that profiles prominent figures in Canada’s history. The important Canadian lives detailed here are: Emma Albani, a nineteenth century opera singer from Quebec who became a diva of the musical world; Emily Carr, the artist famous for capturing the essence in her paintings of the Native cultures of the coast of British Columbia; George Grant, a prescient political philosopher and author of Lament for a Nation; star NHL goalie Jacques Plante, the first netminder to don a protective mask; influential Prime Ministers John Diefenbaker and Sir Wilfrid Laurier; John Franklin, while not a Canadian, an explorer whose demise in the Arctic is an important part of Canada’s historical identity; Marshall McLuhan, the academic who predicted so much of the modern media world we live in today; mountaineer and explorer Phyllis Munday; and early feminist icon Nellie McClung. Includes Emma Albani Emily Carr George Grant Jacques Plante John Diefenbaker John Franklin Marshall McLuhan Phyllis Munday Wilfrid Laurier Nellie McClung
From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
This collection of writings offers a glimpse into the minds of three N.A.A.C.P. leaders who occupied the center of black thought and action during some of the most troublesome and pivotal times of the civil rights movement. The volume delineates fifty-seven years of the N.A.A.C.P.'s program under the successive direction of James Weldon Johnson, Walter White, and Roy Wilkins. These writings illustrate the vital roles of these three leaders in building a peoples liberation, underscoring not only their progressive influence throughout their time in power, but also a vision of the future as race relations enter the 21st Century. Much of the material, notably "The Secretary's Reports to the Board," is published here for the first time, offering an invaluable resource for those seeking a deeper knowledge of the history of race in America
It's 1943, and the war escalating in Europe and the Pacific seems far away. But for aspiring actress Rosie Winter, the war feels as if it were right in New York City—what with food rationing and frequent blackouts . . . and a boyfriend she hasn't heard word one from since he enlisted in the navy. Now her rent is coming due and she hasn't been cast in anything for six months. The factories are desperate for women workers, but Rosie the Thespian isn't about to become Rosie the Riveter, so she grabs a part-time job at a seamy, lowbrow detective agency instead. However, there's more to the Big City gumshoe game than chasing lowlife cheating spouses. When her boss turns up dead, Rosie finds herself caught up in a ticklish high society mystery, mingling with mobsters and searching for a notorious missing script. Maybe she has no crime-fighting experience—but Rosie certainly knows how to act the role. No matter how the war against Miss Winter turns out, it's not going to end with her surrender! Evocative, entertaining, and wonderfully original, Kathryn Miller Haines's War Against Miss Winter introduces not only an unforgettable new sleuth but also an exciting new voice in the mystery genre, with a fast-paced tale of murder and deception that brings the World War II era vividly to life.
Screenwriting in a Digital Era examines the practices of writing for the screen from early Hollywood to the new realism. Looking back to prehistories of the form, Kathryn Millard links screenwriting to visual and oral storytelling around the globe, and explores new methods of collaboration and authorship in the digital environment.
Music in the Western: Notes from the Frontier presents essays from both film studies scholars and musicologists on core issues in western film scores: their history, their generic conventions, their operation as part of a narrative system, their functioning within individual filmic texts and their ideological import, especially in terms of the western’s construction of gender, sexuality, race and ethnicity. The Hollywood western is marked as uniquely American by its geographic setting, prototypical male protagonist and core American values. Music in the Western examines these conventions and the scores that have shaped them. But the western also had a resounding international impact, from Europe to Asia, and this volume distinguishes itself by its careful consideration of music in non-Hollywood westerns, such as Ravenous and The Good, the Bad, and the Ugly and in the “easterns” which influenced them, such as Yojimbo. Other films discussed include Wagon Master, High Noon, Calamity Jane, The Big Country, The Unforgiven, Dead Man, Wild Bill, There Will Be Blood and No Country for Old Men. Contributors Ross Care Corey K. Creekmur Yuna de Lannoy K. J. Donnelly Caryl Flinn Claudia Gorbman Kathryn Kalinak Charles Leinberger Matthew McDonald Peter Stanfield Mariana Whitmer Ben Winters The Routledge Music and Screen Media Series offers edited collections of original essays on music in particular genres of cinema, television, video games and new media. These edited essay collections are written for an interdisciplinary audience of students and scholars of music and film and media studies.
Exploring the enduring popularity of Victor Hugo’s Les Misérables, this collection offers analysis of both the novel itself and its adaptations. In spite of a mixed response from critics, Les Misérables instantly became a global bestseller. Since its successful publication over 150 years ago, it has traveled across different countries, cultures, and media, giving rise to more than 60 international film and television variations, numerous radio dramatizations, animated versions, comics, and stage plays. Most famously, it has inspired the world's longest running musical, which itself has generated a wealth of fan-made and online content. Whatever its form, Hugo’s tale of social injustice and personal redemption continues to permeate the popular imagination. This volume draws together essays from across a variety of fields, combining readings of Les Misérables with reflections on some of its multimedia afterlives, including musical theater and film from the silent period to today's digital platforms. The contributors offer new insights into the development and reception of Hugo's celebrated classic, deepening our understanding of the novel as a work that unites social commentary with artistic vision and raising important questions about the cultural practice of adaptation.
There's more than one way to ride shotgun. A serious error in judgment sends actress Steffi Corden spiraling from A-list sweetheart to Hollywood pariah. Her TV show is canceled, her ex-boyfriend has married somebody else, and not only can she not eat lunch in this town again, she can't legally drive through it. It's going to take some serious butt-kissing and good behavior to climb back to the top. Getting there with a suspended license, though, is half the battle. Barry Spahn came to Hollywood with dreams of the big time. While his unsold scripts pile up on his hard drive, he pays the bills as a rideshare driver, mostly shuttling other hopefuls to auditions and meetings. When he's hired to chauffeur Steffi around town he's initially skeptical given her reputation, but quickly comes to understand her. Nevertheless, he drives her around L.A. while she drives him nuts. How Steffi and Barry make the journey from road rage to true romance becomes one long, strange trip, one neither wants to end.
Collective creation - the practice of collaboratively devising works of performance - rose to prominence not simply as a performance making method, but as an institutional model. By examining theatre practices in Europe and North America, this book explores collective creation's roots in the theatrical experiments of the early twentieth century.
From Monty Python to "The Full Monty, The 50 Funniest Movies of All Time" presents a critical retrospective of a century of screen humor and serves as an homage to the colorful personalities behind the comic creations. 50 photos.
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