The once tight bond among three sisters, ages fourteen to eighteen, disappears as each deals with a personal setback; but when a letter arrives informing the sisters of a dead uncle and an inheritance they knew nothing about, the news forces them to band together in the face of a sinister family mystery, and possible murder.
Serial killer H.H. Holmes built his murder castle in Chicago, but he met the hangman in Philadelphia. Al Capone served his first prison sentence here. The real-life killers who inspired HBO’s Boardwalk Empire lived and died here. America’s first bank robbery was pulled off here in 1798. The country’s first kidnapping for ransom came off without a hitch in 1874. A South Philadelphia man hatched the largest mass murder plot in U.S. history in the 1930s. His partners in crime were unhappy housewives. Catholics and Protestants aimed cannon at each other in city streets in 1844. Civil rights hero Octavius V. Catto was gunned down on South Street in 1871. Take a walk with us through city history. Would you pass Eastern State Penitentiary on April 3, 1945, just as famed bank robber Willie Sutton popped out of an escape tunnel in broad daylight? Or you might have been one of the invited guests at H.H. Holmes’ hanging at Moyamensing Prison on a gray morning in May 1896. It still ranks as one of the most bizarre executions in city history. Or, if you walked down Washington Lane on July 1, 1874, would you have been alert enough to stop the two men who lured little blond Charley Ross away with candy? You might have stopped America’s first kidnapping for ransom, the one that gave rise to the admonition, “Never take candy from a stranger.” The case inspired the Leopold and Loeb kidnapping. Then there was the bank robber whose funeral drew thousands of spectators and the burglary defendant so alluring that conversation would stop whenever she entered the courtroom. Mix in murderous maids, bumbling burglars, and unflinching local heroes and you have True Crime Philadelphia.
Paul Ilie's theories of internal exile as well as Michel Foucault and Julia Kristeva on the problems of subjectivity guide the readings of the visual and verbal texts."--BOOK JACKET.
What does literature reveal about a country's changing cultural identity? In History, Violence, and the Hyperreal by Kathryn Everly, this question is applied to the contemporary novel in Spain. In the process, similarities emerge among novels that embrace apparent differences in style, structure, and language. Contemporary Spanish authors are rethinking the way the novel with its narrative powers can define a specific cultural identity. Recent Spanish novels by Carme Riera, Dulce Chacon, Javier Cercas, Ray Loriga, Lucia Etxebarria, and Jose Angel Manas (published from 1995 to 2008) particularly highlight the tension that exists between historical memory and urban youth culture. The novels discussed in this study reconfigure the individual's relationship to narrative, history, and reality through their varied interpretations of Spanish history with its common threads of national and personal violence. In these books, culture acts as mediator between the individual and the rapidly changing dynamic of contemporary society. The authors experiment with the novel form to challenge fundamental concepts of identity when the narrative acknowledges more than one way of reading and understanding history, violence, and reality. In Spain today, questions of historical accuracy in all foundational fictions--such as the Inquisition, the Spanish Civil War, or globalization--collide with the urgency to modernize. The result is a clash between regional and global identities. Seemingly disparate works of historical fiction and Generation X narrative prove similar in the way they deal with history, reality, and the delicate relationship between writer and reader.
Back in print, Kathryn Davis’s riveting debut about the indelible pacts and hidden hatreds of sisterhood Labrador is the story of two unforgettable sisters. Willie, the eldest, is willful, beautiful, and wayward; to Kitty, the youngest, she is the radiant center around which everything revolves. Kitty, too, is willful, but in the brooding manner of the inveterate loner. She is the one who is visited by an angel, Rogni, who reshapes her beliefs by telling her eerie, enigmatic fables that defy time and place, parables about bears, martyrs, and imprisoned daughters that seem to contain warnings about betrayals and violence to come. In the pared-down landscape of the far north, where the girls’ grandfather has his home, Kitty escapes the orbit of her sister and begins to come to terms with the demons—and the enchantments—that have been her birthright from the start. In Labrador, Davis’s first novel, one finds the hallmark lyricism and startling narrative swerves, the layered atmospherics, the fierce intelligence and wit, and above all the wild and transformative qualities of her imagination that have defined her work ever since.
Ronnie's husband is supposed to move out today. But when Jeff pulls into the driveway drunk, with a shotgun in the front seat, she realizes nothing about the day will go as planned. The next few hours spiral down in a flash, unlike the slow disintegration of their marriage-and whatever part of that painful unraveling is Ronnie's fault, not much else matters now but these moments. Her family's lives depend on the choices she will make-but is what's best for her best for everyone? Based on a real event from the author's life, The Far End of Happy is a chilling story of one troubled man, the family that loves him, and the suicide standoff that will change all of them forever.
Todays Global Flneuse offers a fresh analysis of the flneuse on the 21st-century global stage, drawn from the perspectives of art history, mobility studies, sociology, and urban geography. The essays and artwork in this volume offer histories of Eurocentric 19th-century flnerie that still resonate in 21st-century transnational terms. This special issue also reveals the decisive impact of the flneuses practices beyond the strictly urban, extending into rural environs via the mega- and ex-urban, thus contributing to the continuing debate regarding the ever-narrowing urban/rural divide.
We are your typical boomer nana and papa," say authors Kathryn and Allan Zullo, "younger, healthier, wealthier, and better educated than our grandparents. We are more active and less formal than our own parents were at our age. We no longer fit the traditional image of our elderly kin." That description signals the need for a new kind of grandparenting, a role that The Nanas and the Papas fills to perfection.This completely reworked and updated version is now half again as large as the original. "Most boomer grandparents work hard and lead vigorous, often stressful, lives where time is a precious commodity," say the Zullos. The Nanas and the Papas helps grandparents relieve the stress of grandparenting and make the most of limited time.Top grandparenting experts cited throughout the book tailor their guidance and recommendations to fit the boomer sensibility, covering topics such as:o How to define the grandparenting role for a new generationo The latest trends in child careo How to work in harmony with your children and their spouseso High-tech grandparentingo Ways to make the most of time alone with grandchildreno Grandparenting and the single-parent householdo Grandparents caring for their own parentsFilled with expert advice, The Nanas and the Papas provides a smooth transition into grandparenting and sets the stage for successful relationships and experiences for the entire family.
In the late twentieth century, residents of the Blue Ridge mountains in western North Carolina fiercely resisted certain environmental efforts, even while launching aggressive initiatives of their own. Kathryn Newfont provides context for those events by examining the environmental history of this region over the course of three hundred years, identifying what she calls commons environmentalism--a cultural strain of conservation in American history that has gone largely unexplored. Efforts in the 1970s to expand federal wilderness areas in the Pisgah and Nantahala national forests generated strong opposition. For many mountain residents the idea of unspoiled wilderness seemed economically unsound, historically dishonest, and elitist. Newfont shows that local people's sense of commons environmentalism required access to the forests that they viewed as semipublic places for hunting, fishing, and working. Policies that removed large tracts from use were perceived as 'enclosure' and resisted. Incorporating deep archival work and years of interviews and conversations with Appalachian residents, Blue Ridge Commons reveals a tradition of people building robust forest protection movements on their own terms."--p. [4] of cover.
The sexual abuse and exploitation of women by members of the clergy is not a new issue. What is new is the public's growing understanding of what is involved when members of the clergy ignore or repeatedly fall short of legal and ethical requirements to adhere to the expected standards of conduct. This work is based on the author's study of 25 women from 11 states who were sexually abused by members of the clergy. A primary goal of the study was to help the violated women understand their experiences and make available to educators, practitioners and others concrete information about what it means to be sexually exploited by a trusted religious representative. The author also considers the viability of a trauma model to study the impact of such sexual abuse on women and on their relationships with others, and presents her findings that the participants did exhibit symptoms that strongly correspond with the classical and complex trauma criteria used.
It is several months after he graduates from dental school in 1959 when Johnny Savage reads Robert Rourke’s book, Poor No More, while on Navy ship USS Glacier headed for Antarctica. Inspired to learn more about the secret to success, he embarks on a decades-long journey of self-discovery to find wealth, love, and happiness where his path eventually becomes intertwined with that of a black houseboy, Otis Ikner. After exploring the freezing land of Antarctica, Johnny takes a political stand fighting for equal rights on hot, sultry days in Atlanta, Georgia as he and his sidekick, Otis, endure dangerous and near-death challenges. While on an unpredictable journey burdened with sacrifices, misjustices, and unrest, the two men must rely on humor, tenacity, courage, and a desire to be the best they can be as they battle their way toward success without any idea where the road to their destinies will lead. Johnny and Jazzbo is the tale of two extraordinary Southern men as they rise above tumultuous times in American history to learn the true meaning of compassion, love, friendship, and respect for people of all colors and walks of life.
Recently appointed an executive of a Philadelphia department store, Claire Porter doesn’t want a man in her life. She still bears scars from her past, including the Hollywood scandal that resulted in the birth of her son, but she’s the last to admit she needs a hero. Matt Grayson is perfectly cast for the role. As a kid, he staged rescue operations with GI Joe and Barbie. Now he plays a hero on the big screen, but when he encounters Claire, ten years after their disastrous affair, he realizes she's no longer the naive girl who fell into his arms. She not only forbids him to use her store as a location for the film he’s directing, but also refuses to cooperate with the emotional rescue he plans. As layers of secrets are exposed, Claire and Matt grow closer, and finally face their personal—and public—redemption.
The Instructor's Edition includes a visual preface and a Resource Integration Guide, showing instructors how to integrate print and media supplements in to the course.
What does literature reveal about a country's changing cultural identity? In History, Violence, and the Hyperreal by Kathryn Everly, this question is applied to the contemporary novel in Spain. In the process, similarities emerge among novels that embrace apparent differences in style, structure, and language. Contemporary Spanish authors are rethinking the way the novel with its narrative powers can define a specific cultural identity. Recent Spanish novels by Carme Riera, Dulce Chacon, Javier Cercas, Ray Loriga, Lucia Etxebarria, and Jose Angel Manas (published from 1995 to 2008) particularly highlight the tension that exists between historical memory and urban youth culture. The novels discussed in this study reconfigure the individual's relationship to narrative, history, and reality through their varied interpretations of Spanish history with its common threads of national and personal violence. In these books, culture acts as mediator between the individual and the rapidly changing dynamic of contemporary society. The authors experiment with the novel form to challenge fundamental concepts of identity when the narrative acknowledges more than one way of reading and understanding history, violence, and reality. In Spain today, questions of historical accuracy in all foundational fictions--such as the Inquisition, the Spanish Civil War, or globalization--collide with the urgency to modernize. The result is a clash between regional and global identities. Seemingly disparate works of historical fiction and Generation X narrative prove similar in the way they deal with history, reality, and the delicate relationship between writer and reader.
Paul Ilie's theories of internal exile as well as Michel Foucault and Julia Kristeva on the problems of subjectivity guide the readings of the visual and verbal texts."--BOOK JACKET.
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