From Monty Python to "The Full Monty, The 50 Funniest Movies of All Time" presents a critical retrospective of a century of screen humor and serves as an homage to the colorful personalities behind the comic creations. 50 photos.
Would one agree that their past may have influenced their primary decisions in life? Does one wonder what life would have been like under different choices or circumstances? For the record, the author answers yes to both questions. Regardless, a person can only imagine the alternative because the future is known to God alone. In Footprints to Heaven, Kathryn takes the reader on an interesting, detailed, and eventful journey into her childhood and adult life. In addition, she mentions certain unfortunate events that had impacted her life for years. Therefore, specific details may be alarming to the reader. In spite of it all, Kathryn had developed courage, strength, and determination to overcome the adversity that tried to divert a meaningful and productive existence. The book will also divulge the author's choice to live a lesbian lifestyle, provide explanations, and hopefully answer any concerning questions for the reader. Kathryn's condensed history will invite the reader to consider a profound decision, accepting Jesus Christ as Lord and Savior of their life. The author's personal relationship with Jesus Christ is the main basis for the book. Kathryn outlines her lifesaving decision to follow Jesus Christ, the transformation and deliverance process, the free choice to live in her car for several years, and the humbleness and joy from the whole experience. Most importantly, Kathryn learned to be less independent. Instead, she has learned to depend and trust God in all things.
The multitalented Tina Fey has many credits to her name, including writer, actress, and producer. Even before breathing life into 30 Rock or earning critical acclaim for her impersonation of Sarah Palin, Fey was making waves as the first woman to serve as Saturday Night Live’s head writer. This absorbing volume takes a look at how the beloved comedian evolved into a multiple award-winning entertainment powerhouse and self-proclaimed Bossypants. Readers will learn how she balances the writing and performing aspects of her comedic career and how her comedy transformed political discourse. Convenient back matter summarizes pivotal life events, awards, and reviews.
Enjoy this series of short stories as a young girl struggles to sort through the scattered thoughts and memories of her life thusfar. Walk with her as she candidly comments on surviving a father addicted to drugs and alcohol. Crawl with her as she copes with the death of her grandparents. Run with her as she falls in love and relives the joys of her family and experiences. Take the time to realize and cherish the intricacies of faith, hope and love. Take the time to remind your heart that life is a most treasured gift.
In the last decade, the question of how trauma is remembered and narrated has become increasingly crucial in literary studies and in psychotherapy. Writing Wounds rethinks the relation between trauma, memory and narrative through readings of key fictional, autobiographical and “autofictional” texts by recent French women writers: Marie Cardinal, Chantal Chawaf, Hélène Cixous, Charlotte Delbo, Béatrice de Jurquet and Sarah Kofman. By drawing on and also interrogating recent theories of trauma, this study shows that trauma is inscribed in writing through recurring images of the body and of bodily wounding that mark the limits and possibilities of narrativisation. This book has a double aim: to offer new readings of texts by modern French women writers and to rethink the crucial question of how narratives of trauma are to be read. Writing Wounds will be of interest to researchers working on trauma, modern French literature, women’s writing or “life-writing” as well as to a range of undergraduate and postgraduate courses on trauma and narrative.
Can capitalism and citizenship co-exist? In recent years advocates of the Third Way have championed the idea of public-spirited capitalism as the antidote to the many problems confronting the modern world. This book develops a multi-disciplinary theory of citizenship, exploring the human abilities needed for its practice. It then argues that capitalism impedes the nurturing of these abilities. In advancing these arguments, Kathryn Dean draws on the work of a wide range of thinkers including Freud, Marx, Lacan, Habermas and Castells.
Organized by the theme of place and place-making in the Southwest, Contemporary Archaeologies of the Southwest emphasizes the method and theory for the study of radical changes in religion, settlement patterns, and material culture associated with population migration, colonialism, and climate change during the last 1,000 years. Chapters address place-making in Chaco Canyon, recent trends in landscape archaeology, the formation of identities, landscape boundaries, and the movement associated with these aspects of place-making. They address how interaction of peoples with objects brings landscapes to life. Representing a diverse cross section of Southwestern archaeologists, the authors of this volume push the boundaries of archaeological method and theory, building a strong foundation for future Southwest studies. This book will be of interest to professional and academic archaeologists, as well as students working in the American Southwest.
In popular thought, Christianity is often figured as being opposed to dance. Conventional scholarship traces this controversy back to the Middle Ages. Throughout the medieval era, the Latin Church denounced and prohibited dancing in religious and secular realms, often aligning it with demonic intervention, lust, pride, and sacrilege. Historical sources, however, suggest that medieval dance was a complex and ambivalent phenomenon. During the High and Late Middle Ages, Western theologians, liturgists, and mystics not only tolerated dance; they transformed it into a dynamic component of religious thought and practice. This book investigates how dance became a legitimate form of devotion in Christian culture. Sacred dance functioned to gloss scripture, frame spiritual experience, and imagine the afterlife. Invoking numerous manuscript and visual sources (biblical commentaries, sermons, saints' lives, ecclesiastical statutes, mystical treatises, vernacular literature, and iconography), this book highlights how medieval dance helped shape religious identity and social stratification. Moreover, this book shows the political dimension of dance, which worked in the service of Christendom, conversion, and social cohesion. In Ringleaders of Redemption, Kathryn Dickason reveals a long tradition of sacred dance in Christianity, one that the professionalization and secularization of Renaissance dance obscured, and one that the Reformation silenced and suppressed.
The first monograph to examine the depiction of reading women in French art of the early Third Republic, Women Readers in French Painting 1870-1890 evaluates the pictorial significance of this imagery, its critical reception, and its impact on nineteenth-century notions of femininity and social relations. Artists discussed in the volume range from Manet, Cassatt and Degas, to less familiar figures such as Lavieille, Carrière, Toulmouche and Tissot.
The first monograph to examine the depiction of reading women in French art of the early Third Republic, Women Readers in French Painting 1870-1890 evaluates the pictorial significance of this imagery, its critical reception, and its impact on notions of femininity and social relations. Covering a broad range of paintings, prints, and sculptures, this book shows how the liseuse was subjected to unprecedented levels of pictorial innovation by artists with widely differing aesthetic aims and styles. Depictions of readers are interpreted as contributions to changing notions of public and private life, female agency, and women's participation in cultural and political debates beyond the domestic household. This highly original book explores images of women readers from a range of social classes in both urban and rural settings. Such images are shown to have articulated concerns about the impact of female literacy on labour environments and family life while, in many cases, challenging conventions of gendered reading. Kathryn Brown also presents an alternative way of conceiving of modernity in relation to nineteenth-century art, a methodological departure from much recent art historical literature. Artists discussed range from Manet, Cassatt and Degas, to less familiar figures such as Lavieille, Carri?, Toulmouche and Tissot.
This well referenced book provides an amply illustrated publication on upholstery conservation which discusses and reviews the issues related to the care, interpretation and treatment of upholstered furniture. Through many well illustrated case studies the inter-disciplinary collaboration fundamental to upholstery conservation, and the complex decision-making process involved in the treatment of upholstered furniture, are made evident. The case histories are contributed by leading international practitioners in the field and concern objects and collections in the care of English Heritage, the Victoria and Albert Museum, the Metropolitan Museum of Art and other internationally renowned institutions. Likewise, the contributors, from both sides of the Atlantic, are world-renowned specialists and leaders in this area of conservation working for the public and private sectors. The case histories, illustrated in colour, black and white and specially prepared line drawings, concern object treatment and documentation, the conservation of information, the function and the artefact. They range from the documentation of eighteenth century removable chair covers and the treatment of a nineteenth century carriage to a twentieth century foam-filled chair belonging to a museum.
* A New York Times Book Review Notable Book of the Year * A San Francisco Chronicle, Kansas City Star, St. Louis Post-Dispatch, New Hampshire Public Radio, Flavorwire, Vol. 1 Brooklyn, Largehearted Boy, and Slaughterhouse 90210 Best Book of the Year * * A New York Times Book Review Editors' Choice * One of The Millions's Most Anticipated Books of 2013 * Mary and Eddie are meant for each other—but love is no guarantee, not in these suburbs. Like all children, they exist in an eternal present; time is imminent, and the adults of the street live in their assorted houses like numbers on a clock. Meanwhile, ominous rumors circulate, and the increasing agitation of the neighbors points to a future in which all will be lost. Soon a sorcerer's car will speed down Mary's street, and as past and future fold into each other, the resonant parenthesis of her girlhood will close forever. Beyond is adulthood, a world of robots and sorcerers, slaves and masters, bodies without souls. In Duplex, Kathryn Davis, whom the Chicago Tribune has called "one of the most inventive novelists at work today," has created a coming-of-age story like no other. Once you enter the duplex—that magical hinge between past and future, human and robot, space and time—there's no telling where you might come out.
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