Are you intrigued by Brother Cadfael or Jane Austen's heroines and want to learn more about Maud the Empress or the Prince Regent? Need a better grasp of the background to Shakespeare's history plays or career? Let Royals of England fill in the missing links. Royals of England offers lively biographies of royal personages that accompany detailed accounts of geographic sites and websites. Placed in chronological order, each profile can easily be read as a self-contained narrative. With the information provided by authors Kathleen Spaltro and Noeline Bridge, you'll be able to design a tour around a royal person of interest or search out all the royal persons associated with a certain locale. Fifty family trees, one or more for most chapters, help you identify members of different royal houses. You'll be able to determine how the Jacobite Pretenders passed their claim to the Kings of Sardinia, or how Lettice Knollys, wife to Leicester and mother to Essex, was related to Elizabeth I. Royals of England provides a useful resource for history enthusiasts, travelers, and genealogists alike.
Kathleen Brown examines the origins of racism and slavery in British North America from the perspective of gender. Both a basic social relationship and a model for other social hierarchies, gender helped determine the construction of racial categories and the institution of slavery in Virginia. But the rise of racial slavery also transformed gender relations, including ideals of masculinity. In response to the presence of Indians, the shortage of labor, and the insecurity of social rank, Virginia's colonial government tried to reinforce its authority by regulating the labor and sexuality of English servants and by making legal distinctions between English and African women. This practice, along with making slavery hereditary through the mother, contributed to the cultural shift whereby women of African descent assumed from lower-class English women both the burden of fieldwork and the stigma of moral corruption. Brown's analysis extends through Bacon's Rebellion in 1676, an important juncture in consolidating the colony's white male public culture, and into the eighteenth century. She demonstrates that, despite elite planters' dominance, wives, children, free people of color, and enslaved men and women continued to influence the meaning of race and class in colonial Virginia.
This book is about the literary culture that emerged during and in the aftermath of the Great Plague of London (1665). Textual transmission impacted upon and simultaneously was impacted by the events of the plague. This book examines the role of print and manuscript cultures on representations of the disease through micro-histories and case studies of writing from that time, interpreting the place of these media and the construction of authorship during the outbreak. The macabre history of plague in early modern England largely ended with the Great Plague of London, and the miscellany of plague writings that responded to the epidemic forms the subject of this book.
In October of 1563, 18-year old Anne Mylner was herding cows near her home when she was suddenly enveloped by a white cloud that precipitated a months-long illness characterized by sleeplessness, loss of appetite, convulsions, and bodily swelling. Mylner's was the first of several cases during the reign of Elizabeth I of England that were interpreted as demon possession, a highly emotional experience in which an afflicted person displays behavior indicating a state of religious distress. To most Elizabethans, belief in Satan was as natural as belief in God, and Satan's affliction of mankind was clearly demonstrated in the physical and spiritual distress displayed by virtually every person at some point in his or her life. This book recounts 11 cases of Elizabethan demon possession, documenting the details of each case and providing the cultural context to explain why the diagnosis made sense at the time. Victims included children and adults, servants and masters, Catholics and Protestants, frauds and the genuinely ill. Edmund Kingesfielde's wife, possessed by a demon who caused her to hate her children and to contemplate suicide, was cured when her husband changed his irreverent tavern sign (depicting a devil) for a more seemly design. Alexander Nyndge, possessed by a Catholic demon that spoke with an Irish accent, was cured by his own brother through physical bondage and violence. Agnes Brigges and Rachel Pindar, whose afflictions included vomiting pins, feathers, and other trash, were revealed as frauds and forced to confess publicly, their parents being imprisoned for complicity in the fraud. All these cases attest to a powerful need to ascribe some moral significance to human suffering. Allowing the sufferer to externalize and ultimately evict the demon as the cause of his or her affliction bestowed some measure of hope—no mean feat in a world with such widespread human distress.
The houses of history is a clear, jargon-free introduction to the major theoretical approaches employed by historians. This innovative critical reader provides accessible introductions to fourteen schools of thought, from the empiricist to the postcolonial, including chapters on Marxist history, Freud and psychohistory, the Annales, historical sociology, narrative, gender, public history and the history of the emotions. Each chapter begins with a succinct description of the ideas integral to a particular theory. The authors then explore the insights and controversies arising from the application of this model, drawing upon debates and examples from around the world. Each chapter concludes with a representative example from a historian writing within this conceptual framework. This newly revised edition of the highly successful textbook is the ideal basis for an introductory course in history and theory for students of history at all levels.
During the early days of the professional English theatre, dramatists including Dekker, Greene, Heywood, Jonson, Marlowe, Middleton, and Shakespeare wrote for playhouses that, though enclosed by surrounding walls, remained open to the ambient air and the sky above. The drama written for performance at these open-air venues drew attention to and reflected on its own relationship to the space of the air. At a time when theories of the imagination emphasized dramatic performance's reliance upon and implication in the air from and through which its staged fictions were presented and received, plays written for performance at open-air venues frequently draw attention to the nature and significance of that elemental relationship. Aerial Environments on the Early Modern Stage considers the various ways in which the air is brought into presence within early modern drama, analyzing more than a hundred works that were performed at the London open-air playhouses between 1576 and 1609, with reference to theatrical atmospheres and aerial encounters. It explores how various theatrical effects and staging strategies foregrounded early modern drama's relationship to, and impact on, the actual playhouse air. In considering open-air drama's pervasive and ongoing attention to aerial imagery, actions, and representational strategies, the book suggest that playwrights and their companies developed a dramaturgical awareness that extended from the earth to encompass and make explicit the space of air.
With its humble beginnings as a small train junction in Virginias northern piedmont region, Manassas has evolved from a traditional rural community into a leading city of the New South, serving as a focal point for new businesses and growth outside of our nations capital. Though the Civil War left an indelible mark on the character of Manassas, the areas citizens and post-war newcomers were able to begin anew, building a progressive town, full of promise and hope, upon the four-year conflicts ashes and battle-scarred landscape. In Manassas: A Place of Passages, this historic town comes alive, allowing the reader to take an entertaining and educational visual journey from the early days of the Iron Horse at Manassas Junction in the mid-nineteenth century to a more prosperous Manassas in the early twentieth century, when the streets were newly paved and lined with family-owned businesses. This comprehensive volume touches upon every facet of community life: schools, such as the Manassas Institute and the Manassas Industrial School for Colored Youth; the towns many historic churches, which were acknowledged, at one time, by Ripleys Believe It or Not!; several prominent families and civic leaders; and general scenes of people participating in recreational activities, from piano lessons and plays to athletic teams and parades.
The Modernization of the Western World presents an overview of the history of Western civilization and provides readers with the intellectual tools they need to comprehend how societies function and change. Covering Western history from ancient history to the current era of globalization, it draws on the tradition of historical sociology to describe the forces of social change and what they have meant to the lives of the people caught in the midst of them. This second edition is revised throughout to bring the content up to date with recent developments and discusses key themes such as terrorism, refugees, the European Union and multinational corporations. It also includes a new chapter on the Ancient World, covering this era from the advent of urbanization and agriculture in the Middle East to the fall of Rome and emergence of Christianity, providing valuable historical context. Clear and concise, this book succinctly illustrates the essential turning points in the history of Western society and identifies the economic, social, political and cultural forces that are transforming the wider world to this day. Illustrated with maps and images and containing a glossary and new boxed features explaining key concepts, this is the perfect introductory book for students of the development of Western civilization.
In England the latter years of the nineteenth century saw a period of rapid and profound change in the role of women in sports. Kathleen McCrone describes this transformation and the social changes it helped to bring about. Based upon a thorough canvas of primary and secondary materials, this study fills a gap in the history of women, of sport, and of education.
Once books kick-start their brains, girls change history. Discover the foundation of reading that empowered some of the world’s most influential women in this informative and inspirational illustrated middle grade collection of twenty biographies. What do Cleopatra, Audre Lorde, and Taylor Swift have in common? They’re all influential women who grew up doing one very important thing: reading. This collection of short-form biographies tells the story of twenty groundbreaking women and how their childhood reading habits empowered them to change the world. From Cleopatra to Sally Ride to Amanda Gorman, the women featured in this collection are from all throughout history and all kinds of backgrounds. They are women who have and who continue to change the game in STEM, literature, politics, sports, and more. Most importantly, they are women who were born to read. For some, reading was forbidden, but they taught themselves to read anyway. For some, reading was a struggle, but they practiced and grew to love it. For some, reading was an escape from difficult realities. For all, reading was empowering.
The Stranje House series discounted ebundle includes: A School for Unusual Girls, Exile for Dreamers, Refuge for Masterminds A School for Unusual Girls It is 1814. Napoleon has escaped his imprisonment on Elba. Britain is at war on four fronts. And at Stranje House, a School for Unusual Girls, five young ladies are secretly being trained for a world of spies, diplomacy, and war. Fans of genre-blending, romance, and action will love this Regency-era alternate history series filled with spunky heroines, handsome young lords, and dastardly villains. Exile for Dreamers Tess can't run far enough or fast enough to escape the prophetic dreams that haunt her. Dreams bring nothing but death and grief, and Tess refuses to accept that she may be destined for the same madness that destroyed her mother. Until her disturbing dreams become the only means of saving Lord Ravencross, the man she loves, and her friends at Stranje House from Lady Daneska and her lover, the Ghost-agent of Napoleon, who has escaped from Elba. Refuge for Masterminds Napoleon’s invasion of England is underway and someone at Stranje House is sneaking information to his spies. Lady Jane Moore is determined to find out who it is. If anyone can discover the traitor, it is Jane—for, according to headmistress Emma Stranje, Lady Jane is a mastermind. "A School for Unusual Girls sucked me in from the first few pages and kept me reading until late into the night. Kathleen Baldwin has created a completely original--and totally engrossing--world, full of smart girls, handsome boys, and sinister mysteries. Who wouldn't want to enroll?" --Meg Cabot, bestselling author of The Princess Diaries At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
History teachers and school library media specialists will find this guide a valuable resource for creating technologically advanced, resource-based instructional units in American and World History in grades 7-12. It is filled with 150 recommended primary source Internet sites about history ranging from ancient civilizations to 1998 and is stocked with exciting, interesting, and challenging questions designed to stimulate students' critical thinking skills. Dr. Craver, who maintains an award-winning interactive Internet database and conducts technology workshops for school library media specialists, provides an indispensable tool to enable students to make the best use of the Internet for the study of history. Each site is accompanied by a summary that describes its contents and usefulness to history teachers and school library media specialists. The questions that follow are designed specifically to stimulate critical thinking skills. Critical thinking skills are deemed essential for students if they are to succeed academically and economically in the twenty-first century. An annotated appendix of selected primary source databases includes the Internet addresses for 60 additional primary source sites.
This special collection includes two of Kathleen Kirkwood’s best-selling Paranormal Romances: Shades of the Past and A Slip In Time at a savings of 25% over buying each book separately.
As one of the most enigmatic and most reviled kings in English history, the man who will become Richard III emerges from the pages of The Protector as a loyal brother, a fearless soldier, and an able administrator of the north of England. Neither saint nor villain, he is thrust unwillingly into power by the untimely death of his elder brother, King Edward IV, who leaves the crown to his son, a twelve-year-old boy. On his deathbed, the dying king names Richard protector of the new king
First published in 1988. This study can be situated within the history of women, women’s education, women’s rights, sport, leisure and recreation. Its aim is not to establish or submit to review what is known or thought to be known about the Victorian world-view and woman’s place within it, but rather to investigate reactions against this view and the emergence of a counter-view through sport and exercise. An attempt is made to rescue the English sportswoman from the obscuring mists of the past, to discuss her as a transitional figure between opposing views of womanhood and to place her within the context of the general movement for the emancipation of women as an important effect and cause — without necessarily assuming what women’s status in sport and in society should have been.
In the spring of 1789, the Senate and House of Representatives fell into dispute regarding how to address the president. For Fear of an Elective King is Kathleen Bartoloni-Tuazon's rich account of the title controversy and its meanings.
American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.
While, strictly speaking, Alternate Histories are not Future Narratives, their analysis can shed a clear light on why Future Narratives are so different from past narratives. Trying to have it both ways, most Alternate Histories subscribe to a conflicting set of beliefs concerning determinism and freedom of choice, contingency and necessity. For the very first time, Alternate Histories are here discussed against the backdrop of their Other, Future Narratives. The volume contains in-depth analyses of the classics of the genre,such as Philip K. Dick's The Man in the High Castle and Philip Roth's The Plot against America, as well as less widely-discussed manifestations of the genre, such as Dieter Kühn's N, Christian Kracht's Ich werde hier sein im Sonnenschein und im Schatten, and Quentin Tarantino's film Inglourious Basterds.
How the ideas that animate nationalism influence whether it causes—or calms—conflict With nationalism on the rise around the world, many worry that nationalistic attitudes could lead to a surge in deadly conflict. To combat this trend, federations like the European Union have tried to build inclusive regional identities to overcome nationalist distrust and inspire international cooperation. Yet not all nationalisms are alike. Nationalisms in International Politics draws on insights from psychology to explore when nationalist commitments promote conflict—and when they foster cooperation. Challenging the received wisdom about nationalism and military aggression, Kathleen Powers differentiates nationalisms built on unity from those built on equality, and explains how each of these norms give rise to distinct foreign policy attitudes. Combining innovative US experiments with fresh analyses of European mass and elite survey data, she argues that unity encourages support for external conflict and undermines regional trust and cooperation, whereas equality mitigates militarism and facilitates support for security cooperation. Nationalisms in International Politics provides a rigorous and compelling look at how different forms of nationalism shape foreign policy attitudes, and raises important questions about whether transnational identities increase support for cooperation or undermine it.
A Designer’s Guide to Period Style can serve as a textbook or reference guide covering the architecture, décor, furniture, fashion and accessories for any period production. The authors illustrate the evolution of style from antiquity through the end of the 19th century, focusing primarily on Western style, with the goal to develop in the user an understanding of the “visual essence” of a given style, simplified into line and shape. Drawings, along with brief explanations, comprise the body of the book. The book is organized by chapters in chronological order. All illustrations are original to the authors and were inspired by primary research for the time period to provide the most accurate portrayal of the line and silhouette. The illustrations clearly articulate the silhouette and the elements used to accentuate and create the style as we know it.
Environmental intrigue abounds in this quirky and inspired new mystery in the popular Pacific Northwest series starring United States Fish and Wildlife agent Venus Diamond.
It has become customary in Canada to describe P. K. Page as ‘distinguished’, but that epithet betrays her. P. K. Page is simply too vivacious, too cunning, too elusive, to be monumentalized. She is in fact the supreme escape artist of our literature. Try to confine her in a villanelle and she scampers off into free verse. Peg her as a prose poet and she springs forth with a glosa. Categorize her as a poet who writes fiction but then note that you find very little ‘poet’s prose’ in her stories. Her characters are often incised with acid and a cruelly keen burin. She is the shrewdest of observers but at the same time she celebrates life, low and high, in all its manifestations. One of the finest and most distinctive Canadian poets, P. K. Page is no provincial. She is a citizen not merely of the world, but of the earth. Starting in Calgary in the twenties, the young P K Page discovered first horses and then the pre-Raphaelites in cheap reproductions. In the thirties it was London, then back to the Maritimes and war and the distance of accented radio broadcasts from overseas. In the forties, in Montreal, there was snow as high as a house, cocoa at Murray’s on Sherbrooke Street and poems by Frank Scott and Abe Klein read aloud in rented rooms. In the fifties, marriage to Arthur Irwin and thence to Australia by steamer via Aden, Port Said and Ceylon. Kangaroos and platypus and tea with the wives of diplomats. Perth to Melbourne by train. Alice Springs, Kalgoorli and Ayers Rock. Briefly, New Guinea. Then Brazil, a pet marmoset christened B Fledermouse and drinks with Margot Fonteyn on the beach at Copacobana. From the sublime, to the ridiculous -- an honour guard of mariachis poised to greet John Diefenbaker in the shadow of Popocatepetl. The posting to Mexico was the last. Her memoir ranges from the trivial – the condition of pipes and wiring in embassy homes – to the profound, her persistent search for spiritual certainty. P. K. Page met many of the dominant figures of the twentieth century, including Nehru, DeGaulle, Mountbatten, Tito and the Kennedys. But above all, she celebrates the senses, the beauty of it all. Towards the end of a long and passionate life, Page shares in a most engaging form the highlights of a life lived to the full.
Forest Hill, located in the North Ward of Newark, overlooks the Passaic River to the east and Branch Brook Park to the west. This desirable residential area is filled with large homes representing a variety of architectural styles, from Richardsonian Romanesque to Craftsman. In the mid-1800s, three major landowners acquired most of the former farmland on the northern edge of Newark. These men built mansions for themselves and modest housing for those who worked in their nearby plants. With easy commuting access to downtown Newark and New York City, the Forest Hill neighborhood was marketed to wealthy professionals. One local landmark is the old Tiffany factory. A 52-block area of Forest Hill has been designated a National Historic District and is listed in the New Jersey and National Registers of Historic Places. Forest Hill showcases the rich architectural and community history of this Newark neighborhood.
From apple pie to baklava, cannoli to gulab jamun, sweet treats have universal appeal in countries around the world. This encyclopedia provides a comprehensive look at global dessert culture. Few things represent a culture as well as food. Because sweets are universal foods, they are the perfect basis for a comparative study of the intersection of history, geography, social class, religion, politics, and other key aspects of life. With that in mind, this encyclopedia surveys nearly 100 countries, examining their characteristic sweet treats from an anthropological perspective. It offers historical context on what sweets are popular where and why and emphasizes the cross-cultural insights those sweets present. The reference opens with an overview of general trends in desserts and sweet treats. Entries organized by country and region describe cultural attributes of local desserts, how and when sweets are enjoyed, and any ingredients that are iconic. Several popular desserts are discussed within each entry including information on their history, their importance, and regional/cultural variations on preparation. An appendix of recipes provides instructions on how to make many of the dishes, whether for school projects or general entertaining.
In 1935, Angus Bowmer, an instructor at Southern Oregon Normal School in Ashland, began with a dream and a small coterie of devoted friends who believed, as he did, in the value of Shakespeare performed on an Elizabethan stage. Though the Oregon Shakespeare Festivals early platforms were rudimentary and the backstage areas primitive, the art drew enthusiastic audiences. The urgency of World War II closed the festivals doors, but in 1947 it reopened with larger theater facilities and an expanded repertory, winning the support and respect of state, regional, and national artists and dignitaries. In a setting of extraordinary beauty and a community dedicated to culture and the arts, the 75-year-old Oregon Shakespeare Festival (OSF) is among the largest and most influential professional regional theaters in North America.
The first in-depth exploration of the rise and evolution of abstract, symbolic, and conceptual portraiture in American art This groundbreaking book traces the history of portraiture as a site of radical artistic experimentation, as it shifted from a genre based on mimesis to one stressing instead conceptual and symbolic associations between artist and subject. Featuring over 100 color illustrations of works by artists from Charles Demuth, Marcel Duchamp, Marsden Hartley, and Georgia O'Keeffe to Janine Antoni, Felix Gonzalez-Torres, Roni Horn, Jasper Johns, and Glenn Ligon, this timely publication probes the ways we think about and picture the self and others. With particular focus on three periods during which non-mimetic portraiture flourished--1912-25, 1961-70, and 1990-the present--the authors investigate issues related to technology, sexuality, artist networks, identity politics, and social media, and explore the emergence of new models for the visual representation of identity. Taking its title from a 1961 work by Robert Rauschenberg--a telegram that stated, "This is a portrait of Iris Clert if I say so"--this book unites paintings, sculpture, photography, and text portraits that challenge the genre in significant, often playful ways and question the convention, as well as the limits, of traditional portrayal.
This book provides an illustrated commentary on the major linen families and the magnificent houses they lived in along the Bann Valley in the eighteenth, nineteenth, and twentieth centuries."--BOOK JACKET.
... the word ["hacker"] itself is quite old. In fact, the earliest record of the noun "hacker" is medieval: a type of chopping implement was known as a "hacker" from the 1480s. Evidently, over time the term moved from the implement to the person wielding the implement. Today the grammatical slippage remains, as "the hacker hacked the hack" is grammatically sound, if stylistically unfortunate. Notably, even in its earliest uses, "hacker" and "hacking" referred to necessary disruption. Arboriculture required careful pruning (with a hacker) to remove unwanted branches and cultivation necessitated the regular breaking up of soil and weeds in between rows of a crop (with a hacker). Such practices broke limbs and turf in order to create beneficial new growth. Such physical hacking resembles the actions of computer hackers who claim to identify security exploits (breaking into software) in order to improve computer security, not to weaken it." Kathleen E. Kenndy, Medieval Hackers Medieval Hackers calls attention to the use of certain vocabulary terms in the Middle Ages and today: commonness, openness, and freedom. Today we associate this language with computer hackers, some of whom believe that information, from literature to the code that makes up computer programs, should be much more accessible to the general public than it is. In the medieval past these same terms were used by translators of censored texts, including the bible. Only at times in history when texts of enormous cultural importance were kept out of circulation, including our own time, does this vocabulary emerge. Using sources from Anonymous's Fawkes mask to William Tyndale's bible prefaces, Medieval Hackers demonstrates why we should watch for this language when it turns up in our media today. This is important work in media archaeology, for as Kennedy writes in this book, the "effluorescence of intellectual piracy" in our current moment of political and technological revolutions "cannot help but draw us to look back and see that the enforcement of intellectual property in the face of traditional information culture has occurred before. ... We have seen that despite the radically different stakes involved, in the late Middle Ages, law texts traced the same trajectory as religious texts. In the end, perhaps religious texts serve as cultural bellwethers for the health of the information commons in all areas. As unlikely as it might seem, we might consider seriously the import of an animatronic [John] Wyclif, gesturing us to follow him on a (potentially doomed) quest to preserve the information commons.
A School for Unusual Girls is the first captivating installment in the Stranje House series for young adults by award-winning author Kathleen Baldwin. #1 New York Times bestselling author Meg Cabot calls this romantic Regency adventure "completely original and totally engrossing." It's 1814. Napoleon is exiled on Elba. Europe is in shambles. Britain is at war on four fronts. And Stranje House, a School for Unusual Girls, has become one of Regency England's dark little secrets. The daughters of the beau monde who don't fit high society's constrictive mold are banished to Stranje House to be reformed into marriageable young ladies. Or so their parents think. In truth, Headmistress Emma Stranje, the original unusual girl, has plans for the young ladies—plans that entangle the girls in the dangerous world of spies, diplomacy, and war. After accidentally setting her father's stables on fire while performing a scientific experiment, Miss Georgiana Fitzwilliam is sent to Stranje House. But Georgie has no intention of being turned into a simpering, pudding-headed, marriageable miss. She plans to escape as soon as possible—until she meets Lord Sebastian Wyatt. Thrust together in a desperate mission to invent a new invisible ink for the English war effort, Georgie and Sebastian must find a way to work together without losing their heads—or their hearts.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Relationships can be mind boggling difficult for the intellect to comprehend. Why does love have to hurt? Why can't we seem to choose a mate that best suits our innermost desires, needs, and longings? Well, if we listen to Spirit perhaps love stands a chance. If we apply spiritual principles to our expectations, then deliverance from the torment that comes from "love gone sour" is rightfully ours. Historically, in woman's desire to have equal rights to men, we may have lost some elements that are essential to her survival, existence, and ability to flourish. Our government has produced many proclamations and documents for quality living of its citizens. Our forefathers wrote with irrefutable, God-given authority, wisdom, and foresight. Since early history, many amendments have been offered in order to seek full protection for the innocent, blameless the pure. Women's rights require special treatment. It's more than fair pay and voting privileges. Within the pages of this book, an illumination of brighter light appears. The seven divine rights revealed no longer lie dormant. They are being exposed as a guidepost to pursue new personal happiness and intimacy in woman's love relations. The feminine spirit will find them familiar. Her head will nod with affirmation. She will call up things within that had no name. Questions will begin to form answers. Ladies, being the "givers of life" through the process of birth, His Majesty speaks specifically to us. Here, you will get a glimpse of the revelation that He has provided us. We have divine rights in relationship. These rights, ordained by God, can take us from pain to sheer pleasure and delight. Let No Man Put Asunder: 7 Divine Rights for Every Woman holds the keys to a newer freedom. Let us embrace them. Protect them. Demand them knowing nothing less will suffice.
Refuge for Masterminds is the third installment in the Stranje House series for young adults by award-winning author Kathleen Baldwin. #1 New York Times best-selling author Meg Cabot calls this romantic Regency adventure “completely original and totally engrossing.” It’s 1814. Napoleon has escaped his imprisonment on Elba. Britain is at war on four fronts. And at Stranje House, a School for Unusual Girls, five young ladies are secretly being trained for a world of spies, diplomacy, and war.... Napoleon’s invasion of England is underway and someone at Stranje House is sneaking information to his spies. Lady Jane Moore is determined to find out who it is. If anyone can discover the traitor, it is Jane—for, according to headmistress Emma Stranje, Lady Jane is a mastermind. Jane doesn’t consider herself a mastermind. It’s just that she tends to grasp the facts of a situation quickly, and by so doing, she’s able to devise and implement a sensible course of action. Is Jane enough of a mastermind to save the brash young American inventor Alexander Sinclair, her friends at Stranje House, and possibly England itself? Fans of genre-blending, romance, and action will love this Regency-era alternate history novel filled with spunky heroines, handsome young lords, and dastardly villains—the third in the Stranje House series. Don’t miss the first two books: A School for Unusual Girls and Exile for Dreamers. “Enticing from the first sentence." —New York Times Book Review "This alternative history series will appeal to fans of Gail Carriger's works and The Cecelia and Kate novels by Patricia C. Wrede and Caroline Stevermer." —School Library Journal on A School for Unusual Girls At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
It’s easy to be overlooked in Gilded Age Manhattan, but the Ella Shane Opera Company’s latest premier manages to attract adoring crowds, rave reviews, and a killer who’s a real showstopper! New York City, Fall 1899. Ahead-of-her-time coloratura mezzo Ella Shane has always known opening night to be a mess of missed cues and jittery nerves, especially when unveiling a new opera. Her production of The Princes in the Tower, based on the mysterious disappearance of Edward IV’s two sons during the Wars of the Roses in England, concludes its first performance to thunderous applause. It’s not until players take their bows that the worst kind of disaster strikes . . . Flawless basso Albert Reuter is found lurched over a bloody body in his dressing room, seemingly taking inspiration from his role as the murderous Richard III. With a disturbing homicide case stealing the spotlight, Ella can’t be so certain Albert is the one who belongs behind bars . . . Now, Ella must think on her feet while sorting out a wild series of puzzling mishaps and interlocking mysteries. Yet even when sided with her aristocratic beau, does this scrappy diva have the chops to upstage the true criminal, or will this be the last time she headlines a Broadway marquee?
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