This book marks a new departure in the study of Dickens. The authors make use of first-hand evidence of Dickens’ actual methods and conditions of work; much of this evidence is examined and co-ordinated here for the first time. It includes Dickens’ detailed manuscript notes for novels, with a complete transcript of these for every instalment and chapter of David Copperfield. Seven other books are chosen, so that the different stages of his career and different kinds of work are well represented. The volume illustrates what modes of planning Dickens evolved as best suited to his genius and to the demands of serial publication, monthly or weekly; how he responded to the events of the day; and how he yet managed to combine the freshness of this "periodical", almost journalistic approach with the art of the novel.
This collection of lectures, broadcasts, reviews, and articles (several of which have not previously been published) embraces many aspects of the English literary scene in the middle of the nineteenth century. Though various in origin the collection has this unity: it has been the constant concern of its authors for many years that the great and lasting contribution of the mid-Victorian period to our literature should be fully vindicated, and its appraisal based upon secure foundations of critical scholarship. The book has moreover an obvious connection with the volume on the mid-nineteenth century which the Tillotsons are preparing for the Oxford History of English Literature, though the items included here are not samples of that history but rather 'milestones, or halting places, in the several ways that lead towards it'. There are important studies of Carlyle, John Henry Newman, Tennyson, Clough, Matthew Arnold, and George Eliot. These, however, represent only one side of the book's interest, for there are accounts of writers famous in their day, as Harriett Mozley and Charlotte M. Yonge, but since the cross-currents at work in the period, notably 'Writers and Readers in 1851', which vividly convey much of the quality of the momentous years in which so many masterpieces were produced. At several points indeed the volume demonstrates that the truth about the literature of the nineteenth century, in distinction (for the most part) to that of earlier centuries, may be recovered complete.
Consumer magazines aimed at women are as diverse as the market they serve. Some are targeted to particular age groups, while others are marketed to different socioeconomic groups. These magazines are a reflection of the needs and interests of women and the place of women in American society. Changes in these magazines mirror the changing interests of women, the increased purchasing power of women, and the willingness of advertisers and publishers to reach a female audience. This reference book is a guide to women's consumer magazines published in the United States. Included are profiles of 75 magazines read chiefly by women. Each profile discusses the publication history and social context of the magazine and includes bibliographical references and a summary of publication statistics. Some of the magazines included started in the 19th century and are no longer published. Others have been available for more than a century, while some originated in the last decade. An introductory chapter discusses the history of U.S. consumer women's magazines, and a chronology charts their growth from 1784 to the present.
Between 1965 and 1975, thousands of American migrants traded their established lives for a new beginning in the West Kootenay region of British Columbia. Some were non-violent resisters who opposed the war in Vietnam. But a larger group was inspired by the ideals of the 1960s counterculture and the New Left and, hoping to flee the restrictive demands of their parents’ world and the pressures of city life, they set out to build a peaceful, egalitarian society in the Canadian wilderness. Even today, their success is evident, as values like equality, sustainability, and creativity still define community life. This fascinating history draws on interviews and archival records to explore the root causes of this bold migration and its role in creating a region that continues to be a hotbed of social and environmental experimentation. Welcome to Resisterville is both an important look at an untold chapter in Canadian history and a compelling story of enduring idealism.
Once called "the most gifted character actor of our time" by Broadway theater producer Arthur Hopkins, Lionel Barrymore (1878–1954) was part of the illustrious Barrymore acting dynasty. Although he garnered success on stage and screen and was a talented actor, writer, director, visual artist, and composer, he never quite escaped the shadow of his family members—including his brother, John, famous for his leading roles. Barrymore won the Academy Award for Best Actor in A Free Soul (1931) and was nominated for Best Director for Madame X (1930). However, he is best known for his role as Mr. Potter in It's a Wonderful Life (1946) and as the voice of Ebenezer Scrooge in radio broadcasts of A Christmas Carol from 1934 to 1953. He spent the last two decades of his career playing versions of his signature character—the curmudgeonly but lovable gentleman—in a variety of films from You Can't Take It With You (1938) to Key Largo (1948). Barrymore worked alongside some of Hollywood's most recognizable names, including Humphrey Bogart, James Stewart, Frank Capra, Lauren Bacall, Clark Gable, and Ava Gardner, and his legacy is enshrined at the Hollywood Walk of Fame, where he has two stars—one for radio and one for film. In Lionel Barrymore: Character and Endurance in Hollywood's Golden Age, Kathleen Spaltro examines Barrymore as an individual rather than just a supporting cast member of the famous dynasty. This comprehensive study divides Barrymore's life into three compelling acts. Act One follows Barrymore's early days—his failed endeavor as a visual artist, his performances in the family vaudeville acts, his first silent motion pictures, and his greatest successes and failures on the stage. Act Two details Barrymore's establishment as a fixture at MGM, his foray into directing, his success as the first actor to thrive in the talkies, and his estimable Oscar-winning performance. Finally, Act Three expounds on Barrymore's curation of his trademark character—the endearing grouch—his exploits in radio, and his fateful final years. Spaltro also unearths Barrymore's personal challenges, recounts his difficulties with—and sometimes estrangement from—members of his family, and delves into the devastating losses Barrymore suffered: his divorce, the deaths of his two daughters, and later, the death of his second wife and the accidents that eventually led to permanent disabilities requiring the use of a wheelchair. Lionel Barrymore is a detailed, multifaceted portrait of a brilliant character actor.
For at least the first two centuries following its publication, John Bunyan's Pilgrim's Progress was among the most formative and beloved books England contributed to the Western tradition, second only to the English Bible in popularity and influence. In this important new study, Kathleen Swaim recognizes Bunyan as a major Puritan cultural figure and Pilgrim's Progress as a multilayered locus of cultural, historical, and theological, as well as literary, systems. Her work maps shifts of cultural and theological emphasis as Christian's focus on the Word and Protestant martyrdom in Part I (1678) gives way to Christiana's characteristic emphasis on good works and the material reality of the Church in the world in Part II (1684). Swaim's study locates Part I of Pilgrim's Progress within the discourses of allegory, myth, the biblical and sermonic word, and the conversion narrative tradition. It locates Part II within modern social constructions, particularly those of gender, and within contemporary church practices and emerging new modes of representation. It draws upon Bunyan's numerous other works to explicate Pilgrim's Progress as a mirror of evolving late seventeenth-century Puritan culture.
The first global history of architecture to give equal attention to Western and non-Western structures and built landscapes, Architecture since 1400 is unprecedented in its range, approach, and insight. From Tenochtitlan’s Great Pyramid in Mexico City and the Duomo in Florence to Levittown’s suburban tract housing and the Bird’s Nest Stadium in Beijing, its coverage includes the world’s most celebrated structures and spaces along with many examples of more humble vernacular buildings. Lavishly illustrated with more than 300 photographs, plans, and interiors, this book presents key moments and innovations in architectural modernity around the globe. Deftly integrating architectural and social history, Kathleen James-Chakraborty pays particular attention to the motivations of client and architect in the design and construction of environments both sacred and secular: palaces and places of worship as well as such characteristically modern structures as the skyscraper, the department store, and the cinema. She also focuses on the role of patrons and addresses to an unparalleled degree the impact of women in commissioning, creating, and inhabiting the built environment, with Gertrude Jekyll, Lina Bo Bardi, and Zaha Hadid taking their place beside Brunelleschi, Sinan, and Le Corbusier. Making clear that visionary architecture has never been the exclusive domain of the West and recognizing the diversity of those responsible for commissioning, designing, and constructing buildings, Architecture since 1400 provides a sweeping, cross-cultural history of the built environment over six centuries.
Eva Galuska and the Christmas Carp is a magical Christmas story told by Jozef Mieszko about his own life. He is a successful young man who has it alla beautiful golden-haired wife, two young sons who worship him, a rewarding career, and a home with great equitya fairytale, castle-like brownstone on Chicagos trendy Gold Coast. Jozefs parents, first generation Polish immigrants, achieved the American dream with sacrifice, tenacity, and hard work, and they own and operate an Old World-style Polish bakery and delicatessen. Their store is located in the heart of Bucktown, an old Polish neighborhood near St. Marys of the Angels Catholic Church, one of Chicagos actual historical landmarks, known for its spectacular golden dome, its glorious rooftop angels, and its mysterious blue light in the cupola that can be glimpsed from the Kennedy Expressway. Even though Jozef is proud of his family heritage and he enjoys helping his parents at their store, he realizes he is not a people person like his father, and he chooses a career as a computer programmer, rather than pursuing the family businessas his father puts it, Jozef prefers to lose his eyesight to blue-screened electronika. A few days before Christmas, Jozef makes a routine stop at his parents store on his way home from work and he runs into Eva Galuska, a strikingly beautiful, seductive woman, who is a friend of his family. Eva is a talented seamstress who has always seemed breath-taking and mysterious, but after their brief, flirtatious encounter in his fathers store, Jozef finds himself unexpectedly attracted to her and cannot get her out of his mind. This unexpected lust leads Jozef to question many aspects of his life and these confusing thoughts about Eva lead him to one particular childhood memory that haunts him, revealing his own guilt and feelings that he could have somehow prevented it from happening in the first place. For Jozefs family, the holidays represent the most profitable time of the year as well as the traditional Polish religious celebration of the birth of Christ. For Jozef, the glow of Christmas is a magical time, when anything is possiblethe twinkle of lights brighten the world at the darkest time of the year and at the same time, the celebration of Christs birth, is an impetus for spiritual rebirth. Jozef sets out on a journey of self-discovery, sharing his memories, perceptions, personal thoughts, and problems with the reader. He questions the blend of old rituals and superstitions with religion, in an attempt to discover his own beliefs and to resolve old conflicts, still smoldering from the past. His meeting with Eva unlocks a forgotten door in his childhood memories, revealing his uneasiness with a family Christmas Eve tradition and unravels a tangled paradox of hidden secrets among the layers of complex personalities, family traditions, superstitions, and faith. And in spite of his conscious efforts to differ from his father, Jozef finds that he possibly shares a secret with his father, to which he has been oblivious, his entire life. As Christmas Eve approaches, Jozef recognizes the tiny window of opportunity to resolve his personal issues once and for all. Eva Galuska and the Christmas Carp is a celebration of the rich cultural heritage and the languages, the culinary specialties, the folklore and superstitions of Chicagos ethnic communities, particularly focused on Chicagos Polonia. And the fictional story of Jozef Mieszko, intertwined with history and actual landmarks of Chicagos magnificent landscapes, reveals a contemporary, yet tangled plot, that could happen to any familyin America or elsewhere. This story at Christmastime is sheds light on Eastern European holiday traditions still practiced today, but also open the door for Jozefs spiritual awakening, and in a sense, his rebirth as he listens to the Black Madonna and follows St. Marys of the Angels mysteriou
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First published in 1975, Opening the Door is a survey of policies and problems in services for the mentally handicapped. It describes the improvements which have taken place since 1969, when the inquiry into conditions of patients at Ely hospital in South Wales stimulated public concern into the quality of life of many mentally handicapped people in hospital. The authors discuss the continuing gap between the idea – as laid down in the 1971 Government White Paper, Better Services for the Mentally Handicapped, which set out a blueprint for development in the 1980s that was to make the antithesis of ‘hospital’ or ‘community’ obsolete – and the reality. The study is based on detailed work in one Region by a team of staff and postgraduate students in the Department of Social Administration and Social Work at the University of York. The survey covers hospital provisions, with special attention to nursing attitudes and to problems of the ‘back wards,’ the relationship between hospitals and their surrounding communities, and the development of local authority social work and residential care services. This book will be of interest to students of social administration, social policy and health.
Comprehensive in scope and invaluable for both practitioners and students, Mechanisms and Management of Pain for the Physical Therapist, 2nd Edition, thoroughly covers the wide range of issues requiring the interdisciplinary management of pain. Joined by more than 20 international contributors, Dr. Kathleen Sluka provides a practical, evidence-based framework for understanding the basics of pain mechanisms and management. This highly regarded, updated text covers the basics of pain neurobiology and reviews evidence on the mechanisms of action of physical therapy treatments, as well as their clinical effectiveness in specific pain syndromes.
This book, first published in 1995, demonstrates the central role of 'people', the empire, and the citizen in eighteenth-century English popular politics. It shows how the wide-ranging political culture of English towns attuned ordinary men and women to the issues of state power and thus enabled them to stake their own claims in national and imperial affairs.
The Developing Person Through the Life Span, Sixth Edition presents theory, research, practical examples, and policy issues in a way that inspires students to think about human development--and about the individual's role in the community and the world. Review the new edition, and you'll find Berger's signature strengths on display--the perceptive analysis of current research, the lively and personal writing style, and the unmistakable commitment to students. You'll also find a wealth of new topics--plus a video-based Media Tool Kit that takes the teaching and learning of human development to a new level.
This book marks a new departure in the study of Dickens. The authors make use of first-hand evidence of Dickens’ actual methods and conditions of work; much of this evidence is examined and co-ordinated here for the first time. It includes Dickens’ detailed manuscript notes for novels, with a complete transcript of these for every instalment and chapter of David Copperfield. Seven other books are chosen, so that the different stages of his career and different kinds of work are well represented. The volume illustrates what modes of planning Dickens evolved as best suited to his genius and to the demands of serial publication, monthly or weekly; how he responded to the events of the day; and how he yet managed to combine the freshness of this "periodical", almost journalistic approach with the art of the novel.
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