The first thing I saw was the wheelchair. The first thing she saw was the doper. Ben Goddard is an embarrassment - as a cyclist, as an athlete, as a human being. And he knows it. Now that he's been exposed by a positive drugs test, his race wins and his work with disabled children mean nothing. He quits professional cycling in a hurry, sticks a pin in a map, and sets out to build a new life in a town where nobody knows who he is or what he's done. But when the first person he meets turns out to be a cycling fan, he finds out that it's not going to be quite as easy as that. Besides, Polly's not just a cycling fan, she's a former medical student with a chronic illness and strong opinions. Particularly when it comes to Ben Goddard...
A new year at the University of Stancester, and Lydia Hawkins is trying to balance the demands of her studies with her responsibilities as an officer for the Christian Fellowship. Her mission: to make sure all the Christians in her hall stay on the straight and narrow, and to convert the remaining residents if possible. To pass her second year. And to ensure a certain secret stays very secret indeed. When she encounters the eccentric, ecumenical student household at 27 Alma Road, Lydia is forced to expand her assumptions about who's a Christian to include Quaker Becky, bells-and-smells Peter, and bisexual Methodist Colette. As the year unfolds, Lydia discovers that there are more ways to be Christian, and more ways to be herself, than she had ever imagined. Then a disgruntled member of the Catholic Society starts asking whether the Christian Fellowship is really as Christian as it claims to be, and Lydia finds herself at the centre of a row that will reach far beyond the campus.
During the early days of the professional English theatre, dramatists including Dekker, Greene, Heywood, Jonson, Marlowe, Middleton, and Shakespeare wrote for playhouses that, though enclosed by surrounding walls, remained open to the ambient air and the sky above. The drama written for performance at these open-air venues drew attention to and reflected on its own relationship to the space of the air. At a time when theories of the imagination emphasized dramatic performance's reliance upon and implication in the air from and through which its staged fictions were presented and received, plays written for performance at open-air venues frequently draw attention to the nature and significance of that elemental relationship. Aerial Environments on the Early Modern Stage considers the various ways in which the air is brought into presence within early modern drama, analyzing more than a hundred works that were performed at the London open-air playhouses between 1576 and 1609, with reference to theatrical atmospheres and aerial encounters. It explores how various theatrical effects and staging strategies foregrounded early modern drama's relationship to, and impact on, the actual playhouse air. In considering open-air drama's pervasive and ongoing attention to aerial imagery, actions, and representational strategies, the book suggest that playwrights and their companies developed a dramaturgical awareness that extended from the earth to encompass and make explicit the space of air.
This book is a study of the role of clan networks in Central Asia from the early twentieth century through 2004. Exploring the social, economic, and historical roots of clans, and their political role and political transformation in the Soviet and post-Soviet periods, it argues that clans are informal political actors that are critical to understanding politics in this region. The book demonstrates that the Soviet system was far less successful in transforming and controlling Central Asian society, and in its policy of eradicating clan identities, than has often been assumed. In order to understand Central Asian politics and their economies, scholars and policy makers must take into account the powerful role of these informal groups, how they adapt and change over time, and how they may constrain or undermine democratization in this strategic region.
This is Volume IV in a series of seven about the Sociology of Mental Health. Originally published in 1960, this volume covers the period of a hundred years from 1845, and was extended to include the Mental Health Act of 1959. The last two chapters, therefore are not 'historical' in character, but represent an interim assessment of events which are still close to the time of writing.
First published in 1972, A History of the Mental Health Services is a revised and abridged version of both Lunacy, Law and Conscience and Mental Health and Social Policy, rewriting the material from the end of the Second World War to the passing of the Mental Health Act 1959, and adding a new section which runs from 1959 to the Social Services Act 1970. The story starts with the first legislative mention of the ‘furiously and dangerously mad’ as a class for whom some treatment should be provided, traces the development of reform and experiment in the nineteenth century, and the creation of the asylum system, and ends in the age of Goffman and Laing and Szasz with the virtual disappearance of the system. The book will be of interest to students of mental health, sociology, social policy, health policy and law.
This book situates comparative-historical analysis within contemporary debates in political science and explores the latest theoretical and conceptual advances.
The institutional arrangements governing skill formation are widely seen as a key element in the institutional constellations defining 'varieties of capitalism' across the developed democracies. This book explores the origins and evolution of such institutions in four countries - Germany, Britain, the United States and Japan. It traces cross-national differences in contemporary training regimes back to the nineteenth century, and specifically to the character of the political settlement achieved among employers in skill-intensive industries, artisans, and early trade unions. The book also tracks evolution and change in training institutions over a century of development, uncovering important continuities through putative 'break points' in history. Crucially, it also provides insights into modes of institutional change that are incremental but cumulatively transformative. The study underscores the limits of the most prominent approaches to institutional change, and identifies the political processes through which the form and functions of institutions can be radically reconfigured over time.
Kathleen Paul challenges the usual explanation for the racism of post-war British policy. According to standard historiography, British public opinion forced the Conservative government to introduce legislation stemming the flow of dark-skinned immigrants and thereby altering an expansive nationality policy that had previously allowed all British subjects free entry into the United Kingdom. Paul's extensive archival research shows, however, that the racism of ministers and senior functionaries led rather than followed public opinion. In the late 1940s, the Labour government faced a birthrate perceived to be in decline, massive economic dislocations caused by the war, a huge national debt, severe labor shortages, and the prospective loss of international preeminence. Simultaneously, it subsidized the emigration of Britons to Australia, Canada, and other parts of the Empire, recruited Irish citizens and European refugees to work in Britain, and used regulatory changes to dissuade British subjects of color from coming to the United Kingdom. Paul contends post-war concepts of citizenship were based on a contradiction between the formal definition of who had the right to enter Britain and the informal notion of who was, or could become, really British. Whitewashing Britain extends this analysis to contemporary issues, such as the fierce engagement in the Falklands War and the curtailment of citizenship options for residents of Hong Kong. Paul finds the politics of citizenship in contemporary Britain still haunted by a mixture of imperial, economic, and demographic imperatives.
This book provides a new view of the historical conditions and methods by which godly communities turned personal experience into an authorizing principle. A broad range of life-writing is explored, including Augustine's Confessions, John Bunyan's Grace Abounding to the Chief of Sinners, and Richard Baxter's Reliquiae Baxterianae.
Understanding Parricide is the most comprehensive book available about juvenile and adult sons and daughters who kill their parents. Dr. Heide moves far behind the statistical correlates of parricide by synthesizing the professional literature on parricide in general, matricide, patricide, double parricides, and familicides. As a clinician, she explains the reasons behind the killings. Understanding Parricide includes in-depth discussion of issues related to prosecuting and defending parricide offenders. The book is enriched with its focus on clinical assessment, case studies, and follow-up of parricide offenders, as well as treatment, risk assessment, and prevention.
A new year at the University of Stancester, and Lydia Hawkins is trying to balance the demands of her studies with her responsibilities as an officer for the Christian Fellowship. Her mission: to make sure all the Christians in her hall stay on the straight and narrow, and to convert the remaining residents if possible. To pass her second year. And to ensure a certain secret stays very secret indeed. When she encounters the eccentric, ecumenical student household at 27 Alma Road, Lydia is forced to expand her assumptions about who's a Christian to include Quaker Becky, bells-and-smells Peter, and bisexual Methodist Colette. As the year unfolds, Lydia discovers that there are more ways to be Christian, and more ways to be herself, than she had ever imagined. Then a disgruntled member of the Catholic Society starts asking whether the Christian Fellowship is really as Christian as it claims to be, and Lydia finds herself at the centre of a row that will reach far beyond the campus.
The first thing I saw was the wheelchair. The first thing she saw was the doper. Ben Goddard is an embarrassment - as a cyclist, as an athlete, as a human being. And he knows it. Now that he's been exposed by a positive drugs test, his race wins and his work with disabled children mean nothing. He quits professional cycling in a hurry, sticks a pin in a map, and sets out to build a new life in a town where nobody knows who he is or what he's done. But when the first person he meets turns out to be a cycling fan, he finds out that it's not going to be quite as easy as that. Besides, Polly's not just a cycling fan, she's a former medical student with a chronic illness and strong opinions. Particularly when it comes to Ben Goddard...
THE TIMELESS MIND is Kathleen's autobiography charting her tragic life from the age of four. Kathleen writes of unfulfilled educational ambition, artistic temperament, marriage, motherhood, bereavement, Supernatural/Healing experiences, feminist opinion and challenges to conventional thinking.
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