Willie Nelson, Joe Ely, Marcia Ball, Tish Hinojosa, Stevie Ray Vaughan, Lyle Lovett...the list of popular songwriters from Texas just goes on and on. In this collection of thirty-four interviews with these and other songwriters, Kathleen Hudson pursues the stories behind the songs, letting the singers' own words describe where their songs come from and how the diverse, eclectic cultures, landscapes, and musical traditions of Texas inspire the creative process. Conducted in dance halls, dressing rooms, parking lots, clubs-wherever the musicians could take time to tell their stories-the interviews are refreshingly spontaneous and vivid. Hudson draws out the songwriters on such topics as the sources of their songs, the influence of other musicians on their work, the progress of their careers, and the nature of Texas music. Many common threads emerge from these stories, while the uniqueness of each songwriter becomes equally apparent. To round out the collection, Hudson interviews Larry McMurtry and Darrell Royal for their perspectives as longtime friends and fans of Texas musicians. She also includes a brief biography and discography of each songwriter.
Across the state and across a wide variety of musical genres, women are making their mark on Texas music. Some have become international superstars, while others are just starting to make their voices heard. But every woman who goes out and plays her music proves that "baring one's heart and soul takes courage, and Texas women artists have a lot of courage," as Lloyd Maines observes in the opening interview of this book. To pay tribute to these dedicated musicians and to capture their unique perspectives on what it means to be a woman in the music business, Kathleen Hudson has spent many years interviewing Texas women musicians for the Texas Heritage Music Foundation. In Women in Texas Music, Hudson lets us listen in on conversations with thirty-nine musical artists, including Emily Robison, Terri Hendrix, Lee Ann Womack, Rosie Flores, Betty Buckley, Marcia Ball, Lavelle White, and Bobbie Nelson. Hudson encourages and allows the women to tell their own stories as she delves into their life journeys, creative processes, and the importance of writing and performing music, be it blues, rock, country, folk, jazz, or pop. The interviews are warm and open, like good friends sharing the lessons that a life of playing music has taught them. What emerges from this collection is a solid sense of the strength and integrity that women bring to and gain from Texas music. Everyone who cares about music and culture in Texas will want to join the conversation.
This volume provides readers with a comprehensive literary and historical basis for understanding servant characters and servant narratives in the early Gothic mode. Throughout the eighteenth and nineteenth centuries, servants were ‘othered’ figures whose voices had the potential to undermine socio-political and personal identity. This study recasts servant characters within the early Gothic mode as ‘narrators’ who verbally or non-verbally perform dialogue, moral insights and folkloric or gossip-based stories. Examining the development of servant narrative within the early Gothic mode, Servants and the Gothic outlines the socio-historical and literary influences which defined the servant voice during the eighteenth century, as well as identifying and expanding upon the ways in which servant narratives contributed to each author’s unique goals. It redefines servant narratives as a Gothic ‘performance’, a self-conscious self-examination of the ways in which a Gothic narrative impacts literary, social and personal identity.
Corazón Abierto: Mexican American Voices in Texas Music provides a wide view of the myriad contributions Mexican American artists have made to music in Texas and the United States. Based on interviews with longtime stalwarts of Mexican American music—Flaco Jiménez, Tish Hinojosa, Ernie Durawa, Rosie Flores, and others—and also conversations with newer voices like Lesly Reynaga, Marisa Rose Mejia, Josh Baca, and many more, Kathleen Hudson allows the musicians to tell their own stories in a unique and personal way. As the artists reveal in their free-ranging discussions with Hudson, their influences go far beyond traditionally Mexican genres like conjunto, norteño, and Tejano to extend into rock, jazz, country-western, zydeco, and many other styles. Hudson’s survey also includes essays, poetry, and other creative works by Dagoberto Gilb, Sandra Cisneros, and others, but the core of the book consists of what she describes as “a collection of voices from different locations in Texas. . . . Some represent voices from the edge, while others give us a view from the center.” Weaving together a tapestry that combines “family, borders, creativity, music, food, and community,” the book presents an image as varied and difficult to define as the musicians themselves. By sharing the artists’ accounts of their influences, their experiences, their family stories, and their musical and cultural journeys, Corazón Abierto reminds us that borders can be gateways, that differences enrich, rather than isolate.
The accounts of fateful voyages are told through four different viewpoints via letters, diary entries, and personal narratives in this dramatic tale of life, risk, reward, and peril on the high seas.
Although it's the birthplace of American wine, Hudson Valley vintages have yet to meet with the renown of those produced by the neighboring Finger Lakes and Long Island. In the 1600s, French Huguenots arrived in the area and used their French winemaking skills to found vineyards. Benmarl is cultivating astounding varietals from a vineyard that has continuously grown grapes since 1772. Recently launched cooperative winemaking organizations have made strides in the region, and scientists at Cornell University have worked to determine the tastiest varietals and hybrids that will flourish in the challenging Hudson Valley terroir. Hudson Valley wines are at last garnering critical acclaim in mainstream national publications and restaurants. Tessa Edick and Kathleen Willcox uncover the hundreds of years, unrelenting pride, determination and ingenuity behind Hudson Valley wines.
Get out, Get out of my head ' cried Jake as the demons of drug addiction unconsciously took over his mind. In the compelling, powerful novel Straight to Hell, inspired and determined author Kathleen Hudson relives the heartache and devastating disaster of a child who chooses insanity over reality. You will find yourself engrossed in this tragic tale of how drug abuse affects not only the addicted person, but also his family and society at large. This story will also give you faith and courage to make the right choice as it illustrates that drug abuse and the insanity that comes with it is a sure ticket Straight to Hell.
Discusses previously marginalized or underappreciated women Gothic authors. Provides innovative readings of specific Gothic texts. Reintroduces lesser known primary texts into the critical discussion. Presents a core thesis which advances the field of Gothic studies and rethinks previous perceptions of literary culture.
Although it's the birthplace of American wine, Hudson Valley vintages have yet to meet with the renown of those produced by the neighboring Finger Lakes and Long Island. In the 1600s, French Huguenots arrived in the area and used their French winemaking skills to found vineyards. Benmarl is cultivating astounding varietals from a vineyard that has continuously grown grapes since 1772. Recently launched cooperative winemaking organizations have made strides in the region, and scientists at Cornell University have worked to determine the tastiest varietals and hybrids that will flourish in the challenging Hudson Valley terroir. Hudson Valley wines are at last garnering critical acclaim in mainstream national publications and restaurants. Tessa Edick and Kathleen Willcox uncover the hundreds of years, unrelenting pride, determination and ingenuity behind Hudson Valley wines.
Harlequin Desire brings you three new titles for one great price, available now for a limited time only from July 1 to July 31! Escape with a rugged rancher, a hot Hollywood director and a playboy prince. This Harlequin Desire bundle includes Rumor Has It by Maureen Child, A Baby Between Friends by Kathie DeNosky, and One Night with the Sheikh by Kristi Gold. Look for 6 new compelling stories every month from Harlequin Desire!
Deception leads to passion in this regency romance debut starring a reluctant earl and the beautiful thief who has stolen his heart—first in the Birch Hall romance series. A thief and a fugitive from the mental hospital where she was falsely committed, Joan Price is now on the run from her former partners in crime. But luck must be on her side—just when it seems all is doomed, she runs straight into the arms of Martin Hargrove, Earl of Fenbrook, who mistakes her for his distant cousin, Daphne. Lord Fenbrook has no intention of marrying, and certainly doesn't consider his notoriously scatterbrained cousin a prospect. But her flighty persona seems to hide something far more intriguing—a secret self she trusts with no one. And Martin is determined to earn that trust... When Martin’s sister discovers Joan’s charade, they strike a bargain: Joan can remain within the safe walls of Birch Hall, as long as she doesn’t allow Martin to fall in love with her—for their flirtation would surely ruin them both. She’s convinced she poses no threat to his heart, but she’s beginning to realize that her heart may be the one in danger. Especially as he seems very set on seducing her...
The uneasy relationship between the arts, US art museums, and the federal government has not been thoroughly explored by scholars. This book focuses on the development of “national diplomacy exhibitions” during World War II and the early Cold War and explains how the War provided the government with an impetus to create a national arts policy. It discusses how national diplomacy exhibitions on US soil were deployed as persuasive tools to influence public opinion, to reconcile discrepancies between high art and democracy, and to resolve America’s lagging art status and difficulties with “the foreign.” The type of soft diplomacy that art museums provide by initiating national diplomacy exhibitions has not received emphasis in the scholarly community and art museums have essentially been ignored in cultural studies of the early Cold War. Scholarly analysis of museum exhibitions in the last quarter of the 20th century is now a popular topic, but investigations of exhibitions between 1939-1960 have been thin. By scrutinizing major exhibitions during those formative years this book takes a new perspective and examines the foundational development of the so-called “blockbuster” exhibition stimulated by World War II. The book will interest readers in visual studies, history, museums, cultural affairs, government, and international diplomacy.
The scientific community has argued for decades over the origin of giant craters on the earth. In a highly readable fashion, Kathleen Mark recounts the fascinating detective story of how scientists came to recognize metorite craters, both ancient and relatively recent.
This annotated resource by veteran children's book reviewer Isaacs surveys the best 250 nonfiction/informational titles for ages 3 through 10, helping librarians make informed collection development and purchasing decisions.
A magisterial history of Indigenous North America that places the power of Native nations at its center, telling their story from the rise of ancient cities more than a thousand years ago to fights for sovereignty that continue today “A feat of both scholarship and storytelling.”—Claudio Saunt, author of Unworthy Republic Long before the colonization of North America, Indigenous Americans built diverse civilizations and adapted to a changing world in ways that reverberated globally. And, as award-winning historian Kathleen DuVal vividly recounts, when Europeans did arrive, no civilization came to a halt because of a few wandering explorers, even when the strangers came well armed. A millennium ago, North American cities rivaled urban centers around the world in size. Then, following a period of climate change and instability, numerous smaller nations emerged, moving away from rather than toward urbanization. From this urban past, egalitarian government structures, diplomacy, and complex economies spread across North America. So, when Europeans showed up in the sixteenth century, they encountered societies they did not understand—those having developed differently from their own—and whose power they often underestimated. For centuries afterward, Indigenous people maintained an upper hand and used Europeans in pursuit of their own interests. In Native Nations, we see how Mohawks closely controlled trade with the Dutch—and influenced global markets—and how Quapaws manipulated French colonists. Power dynamics shifted after the American Revolution, but Indigenous people continued to command much of the continent’s land and resources. Shawnee brothers Tecumseh and Tenskwatawa forged new alliances and encouraged a controversial new definition of Native identity to attempt to wall off U.S. ambitions. The Cherokees created institutions to assert their sovereignty on the global stage, and the Kiowas used their power in the west to regulate the passage of white settlers across their territory. In this important addition to the growing tradition of North American history centered on Indigenous nations, Kathleen DuVal shows how the definitions of power and means of exerting it shifted over time, but the sovereignty and influence of Native peoples remained a constant—and will continue far into the future.
Passions and tensions run high in the latest scandalous Birch Hall romance from the author of A Lady’s Guide to Ruin. Even men of great certainty can be completely clueless when it comes to matters of the heart. Colin Spenser, Marquess of Farleigh, is shocked when his feelings towards his best friend’s sister take a turn into the realm of helpless adoration. Unfortunately, Elinor is more inclined to ignore him than express her undying devotion, so Colin resolves to forget his troublesome feelings by entering a loveless marriage… Elinor Hargrove has absolutely no interest in the infuriating and arrogant Marquess of Farleigh. That is, until he kisses her—twice—inspiring unexpected and inconvenient passions. Then Elinor finds out he’s engaged, and her desires are quickly surpassed by her outrage... But when a ghost from their shared pasts resurfaces, Colin and Elinor must work together to puzzle out a complicated intrigue by attending an extremely exclusive party where secrets and lies flourish—and scandal is only a kiss away. From the Paperback edition.
Cognitive Psychology In and Out of the Laboratory presents balanced, up-to-date coverage of cognitive psychology and shows readers that research conducted in the lab truly does impact the real world. Using her signature, accessible writing style, author Kathleen M. Galotti masterfully connects cognitive psychology to students′ everyday lives through current, relevant examples. The Sixth Edition has been updated to reflect the rapidly changing field of cognitive psychology with new references, streamlined content that gives more attention to key topics like memory, and material on advances in research that enhance our understanding of how people acquire and use information. Interactive eBook also available—bundle it with the new edition! Your students save when you bundle the new edition with the interactive eBook version. Order using bundle ISBN 978-1-5063-9877-8. /p>
Descriptions of Indian peoples of the Northeast date to the Norse sagas, centuries before permanent European settlement, and the region has been the setting for a long history of contact, conflict, and accommodation between natives and newcomers. The focus of an extraordinarily vital field of scholarship, the Northeast is important both historically and theoretically: patterns of Indian-white relations that developed there would be replicated time and again over the course of American history. Today the Northeast remains the locus of cultural negotiation and controversy, with such subjects as federal recognition, gaming, land claims, and repatriation programs giving rise to debates directly informed by archeological and historical research of the region. The Columbia Guide to American Indians of the Northeast is a concise and authoritative reference resource to the history and culture of the varied indigenous peoples of the region. Encompassing the very latest scholarship, this multifaceted volume is divided into four parts. Part I presents an overview of the cultures and histories of Northeastern Indian people and surveys the key scholarly questions and debates that shape this field. Part II serves as an encyclopedia, alphabetically listing important individuals and places of significant cultural or historic meaning. Part III is a chronology of the major events in the history of American Indians in the Northeast. The expertly selected resources in Part IV include annotated lists of tribes, bibliographies, museums and sites, published sources, Internet sites, and films that can be easily accessed by those wishing to learn more.
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