In Understanding Richard Russo Kathleen Drowne explores the significant themes and techniques in Richard Russo's seven novels, one memoir, and two short story collections, including the 2002 Pulitzer Prize-winning novel, Empire Falls. Known for assembling large casts of eccentric characters and developing sweeping multigenerational storylines, Russo brings to life the hard-hit rural manufacturing towns of the Northeast as he explores the bewildering, painful complexities of family relationships. Drowne first recounts Russo's biography, then explores his novels chronologically, and concludes with a chapter dedicated to his shorter fiction and nonfiction. As Drowne invites readers to appreciate more fully this accomplished chronicler of American small towns, she shows how the empathy that Russo creates for his protagonists is amplified by the careful detail with which he realizes their worlds. In her approaches to Mohawk, The Risk Pool, Nobody's Fool, Empire Falls, and Bridge of Sighs, Drowne traces the primary recurring concern of Russo's work: the plight of deteriorating rural communities and the dramatic impact of that decline on their blue-collar inhabitants and families. Russo's characters have jobs, not careers, and Russo's family relationships are not just nuclear, but multigenerational. Drowne shows that in such a web of powerlessness and attachment Russo explores relationships between emotionally scarred sons and their abusive, absent, or neglectful fathers as well as the frustrated relationships with mothers who yearn for their sons to turn out differently than their fathers. Drowne also highlights Russo's talent for realistic but highly eccentric characters—worn-out construction workers and odd-jobbers, barflies, has-beens, and ne'er-do-wells—whose lives are emblematic of both the dignity and the desperation of crumbling Rust Belt towns. And out of his melancholic surroundings and struggling characters, Drowne shows how Russo consistently reveals a remarkable, literate humor. Her study offers readers an insightful point of entry into one of America's finest contemporary comic writers, a so-called bard of the working class and a chronicler of small-town America.
The American 1920s had many names: the Roaring Twenties, the Jazz Age, the Dry Decade, and the Flapper generation. Whatever the moniker, these years saw the birth of modern America. This volume shows the many colorful ways the decade altered America, its people, and its future. American Popular Culture Through History volumes include a timeline, cost comparisons, chapter bibliographies, and a subject index. Writers as diverse as Ernest Hemingway, William Faulkner, and Damon Runyon presented distinct literary visions of the world. Jazz, blues, and country music erupted onto the airwaves. The exploits of Babe Ruth and Murderers' Row helped save baseball from its scandals, while such players as Red Grange and Notre Dame's Four Horsemen brought football to national prominence. Yo-yos, crossword puzzles, and erector sets appeared, along with fads like dance marathons and flagpole sitting. Rudolph Valentino, talkies, and Clara Bow's It girl appeared on the silver screen. Prohibition indirectly led to bootlegging and speakeasies, while the growing rebelliousness of teenagers highlighted an increasing generation gap.
An authorized biography of Frank Maria (1913-2001), a tough, compassionate battler for peace and justice for all parties in the war torn Middle East. Frank's lifetime service to God and nation are followed from his Depression-era upbringing in Lowell, MA, through the beginnings of a promising career in labor management and political analysis. As war breaks in 1967, however, Frank abandons his best interests to concentrate his talents, attention, and energies on making Americans aware of the tragedy facts of the Holy Land. Through the next several decades and repeated wars, Frank dogs politicians, religious leaders, and journalists about rethinking the one-sided approach to the Palestinian/Israeli question, which prevents peace. Had they heeded this voice from the wilderness, today's world would be far safer.
Tea on the terrace takes the reader on a journey up and down the Nile with famous archaeologists and Egyptologists. Spending time with these fascinating men and women at their hotels and on their boats, the book reveals that a great deal of archaeological work took place away from field sites and museums. Arriving in Alexandria, travellers such as Americans Theodore Davis, Emma Andrews and James Breasted, and Britons Wallis Budge, Maggie Benson and Howard Carter moved on to Cairo before heading south for Luxor, the site of the Ancient Egyptian city of Thebes. The book follows them on their journey, listening in on their conversations and observing their activities. Applying insights from social studies of science, it reveals that hotels in particular were crucial spaces for establishing careers, building and strengthening scientific networks, and generating and experimenting with new ideas. Combining archaeological tourism with the history of Egyptology, and drawing on a wide array of archival materials, Tea on the terrace takes the reader behind the scenes of familiar stories, showing Egyptologists’ activities in a whole new light.
In Understanding Richard Russo Kathleen Drowne explores the significant themes and techniques in Richard Russo's seven novels, one memoir, and two short story collections, including the 2002 Pulitzer Prize-winning novel, Empire Falls. Known for assembling large casts of eccentric characters and developing sweeping multigenerational storylines, Russo brings to life the hard-hit rural manufacturing towns of the Northeast as he explores the bewildering, painful complexities of family relationships. Drowne first recounts Russo's biography, then explores his novels chronologically, and concludes with a chapter dedicated to his shorter fiction and nonfiction. As Drowne invites readers to appreciate more fully this accomplished chronicler of American small towns, she shows how the empathy that Russo creates for his protagonists is amplified by the careful detail with which he realizes their worlds. In her approaches to Mohawk, The Risk Pool, Nobody's Fool, Empire Falls, and Bridge of Sighs, Drowne traces the primary recurring concern of Russo's work: the plight of deteriorating rural communities and the dramatic impact of that decline on their blue-collar inhabitants and families. Russo's characters have jobs, not careers, and Russo's family relationships are not just nuclear, but multigenerational. Drowne shows that in such a web of powerlessness and attachment Russo explores relationships between emotionally scarred sons and their abusive, absent, or neglectful fathers as well as the frustrated relationships with mothers who yearn for their sons to turn out differently than their fathers. Drowne also highlights Russo's talent for realistic but highly eccentric characters—worn-out construction workers and odd-jobbers, barflies, has-beens, and ne'er-do-wells—whose lives are emblematic of both the dignity and the desperation of crumbling Rust Belt towns. And out of his melancholic surroundings and struggling characters, Drowne shows how Russo consistently reveals a remarkable, literate humor. Her study offers readers an insightful point of entry into one of America's finest contemporary comic writers, a so-called bard of the working class and a chronicler of small-town America.
Understanding Richard Russo explores the significant themes and patterns in this contemporary American author s seven novels, a memoir, and two short story collections, including the 2002 Pulitzer Prize-winning novel, Empire Falls. Known for assembling large casts of eccentric characters and sweeping multi-generational storylines, Russo brings to life hard-hit rural manufacturing towns and their inhabitants even as he explores the bewildering, painful complexities of family relationships. This critical study by Kathleen Drowne first recounts Russo s biography, then explores his novels chronologically, and ends with a chapter dedicated to his other works. Drowne invites readers to appreciate more fully Russo s evocative portrayals of hardscrabble working-class life in failing rural towns of the Northeast by identifying major themes and patterns present in Russo s work. In Mohawk, The Risk Pool, Nobody s Fool, Empire Falls and Bridge of Sighs, readers can see the primary recurring theme of Russo s work: the plight of deteriorating rural communities and the dramatic impact of that decline on their blue-collar inhabitants. A second important theme in Russo s fiction is the complicated relationship between emotionally scarred sons and their abusive, absent, or neglectful fathers; such relationships fuel the narratives of The Risk Pool, Nobody s Fool, Empire Falls, Bridge of Sighs, and That Old Cape Magic. Russo also utilizes large casts of realistic but highly eccentric characters worn-out shopkeepers and odd-jobbers, alcoholics, invalids, and ne er-do-wells whose lives are emblematic of both the dignity and the desperation of crumbling Rust Belt towns. Russo possesses, as one New York Times reviewer commented, that wonderfully unfashionable gift for effortless storytelling on a sweeping, multigenerational scale, which undoubtedly cements his place among his contemporaries in modern American literature. Drowne offers readers an insightful point of entrance into Russo s body of work to date.
THE TIMELESS MIND is Kathleen's autobiography charting her tragic life from the age of four. Kathleen writes of unfulfilled educational ambition, artistic temperament, marriage, motherhood, bereavement, Supernatural/Healing experiences, feminist opinion and challenges to conventional thinking.
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