This is a story about a little girl's special relationship with her grandmother and the wonder and simplicity of a child's imagination. Kathleen Dixon is a first time author and illustrator whose grandchildren were the inspiration for this book. Retired from her profession as a psychiatric nurse, she is the mother of two married daughters and resides with her husband, Anthony, an attorney.
Cultural studies scholarship on the television talk show, especially the 'audience discussion' genre, was guardedly hopeful about its democratic or feminist potential. In this exciting new volume, Kathleen Dixon investigates the relationship between the talk genre and democracy, but through a new emphasis on art, broadly defined. The Global Village Revisited: Art, Politics, and Television Talk Shows explores three case studies from Belgium, Bulgaria, and the United States, and reveals how these cases interanimate to produces a new view of the talk show as a global phenomenon, and as a negotiation among the forces of late capitalism, the unnamed but still palpable audience, and the individual rhetors, artists, and technicians who make the shows. Dixon treats the globalization of media and culture as a dynamic process that yields different results according to time and place. While the way in which television talk shows serve democracy may be hard to define precisely, The Global Village Revisited demonstrates the importance and necessity of this question in cultural studies.
Sometimes the only way to keep teaching is to keep moving. Travel with My Irish Husband Tony and I to Europe, the Bahamas and back home to Florida. Or England. And Asia. These are the entries from my four Gypsy Teacher 'blooks' which deal with teaching, students, and trying to teach.
America was going on the greatest, gaudiest spree in history and there was going to be plenty to tell about it." -F. Scott Fitzgerald That was 100 years ago. So here we are again. At the beginning of the Twenties. Will this be a similar decade? There's one way to tell: To look back at certain points and document what was happening a century before. Based in part on her Ph.D. research at Dublin City University, in "Such Friends" The Literary 1920s, Vol. 1-1920, Kathleen Dixon Donnelly chronicles the events of the first year of the decade that included and affected the creative people in the four main writers' salons in the English-speaking Western world: William Butler Yeats and the Irish Literary Renaissance, Virginia Woolf and the Bloomsbury Group, Gertrude Stein and the Americans in Paris, and Dorothy Parker and the Algonquin Round Table, as well as writers and supporters of the arts who were important to the time such as T. S. Eliot, James Joyce, Edna St. Vincent Millay, Ezra Pound and others. They ate, they drank, they neglected their families. They praised and berated each other privately and publicly; they bickered endlessly. They complained about money and few had day jobs. And they talked. And talked. You can dip in and out of the vignettes in "Such Friends," search to see if your birthday is included, look for mentions of your favorite writers, or read it all straight through from January 1st to December 31st.
1921 A new American president is coming into office. England is discovering new art and literature from Europe. Ireland is fighting its War for Independence from Britain. And everyone is coming to Paris. With 100 short, lively vignettes, the second book in the "Such Friends" _ e Literary 1920s series covers the second year of the Roaring Twenties or Les Annees Foules [_ e Crazy Years]. Dip in and out to read about a time when creative writers and artists from four writers' salons - William Butler Yeats and the Irish Literary Renaissance, - Virginia Woolf and the Bloomsbury Group, - Gertrude Stein and the Americans in Paris, and - Dorothy Parker and the Algonquin Round Table, reinvented art and literature as they drank and ate and argued and hung out together. Volume II-1921 also includes the lives and works of others who orbited around them such as T. S. Eliot, E. M. Forster, James Joyce, D. H. Lawrence and Edna St. Vincent Millay. Here's what readers are saying about "Such Friends
They needed a miracle -- what they got was twelve girls! Marywood School for Girls will fall under the blades of a developer's bulldozers unless their hopeless team of rookie players wins the regional soft ball championship! The odds? Impossible. The opponents? Unbeatable. The end? Certain defeat. -- but nobody told the girls!
Religious Lessons tells the story of Zellers v. Huff, which challenged Catholic religious employed in public schools in 1948. The "Dixon case," as it was known nationally, was the most famous in a series of midcentury lawsuits, all targeting what opponents provocatively dubbed "captive schools." Spearheaded by Protestants and Other Americans United for Separation of Church and State, the publicity campaign built around Zellers drew on centuries-old rhetoric of Catholic captivity to remind Americans about the threat of Catholic power in the post-War era, and the danger Catholic sisters dressed in full habits posed to American education.
Religious Lessons tells the story of Zellers v. Huff, which challenged Catholic religious employed in public schools in 1948. The "Dixon case," as it was known nationally, was the most famous in a series of midcentury lawsuits, all targeting what opponents provocatively dubbed "captive schools." Spearheaded by Protestants and Other Americans United for Separation of Church and State, the publicity campaign built around Zellers drew on centuries-old rhetoric of Catholic captivity to remind Americans about the threat of Catholic power in the post-War era, and the danger Catholic sisters dressed in full habits posed to American education.
It's New Year's Eve, 1952. Texas politicians are backslapping and ringing in '53 at the historic Luther Hotel on the Texas Coast. Reporter Sydney Lockhart is there covering the festivities. The celebration turns sour when Sydney finds herself dancing with a dead man. With her fingerprints on the murder weapon and a police chief with his own agenda, Sydney ushers in the New Year behind bars. Soon there is another body, more damning fingerprints, and a crazy Cajun who's been paid to feed Sydney to the alligators. Things get worse when cousin Ruth comes to town with a problem even Sydney can't solve.
In this volume, Kathleen Jeffs draws on first-hand experience of the Royal Shakespeare Company's rehearsal room for the 2004-05 Spanish Golden Age season to put forth a collaborative model for translating, rehearsing, and performing Spanish Golden Age drama. Building on the RSC season, the volume offers methodologies for translation and communication that can feed the creative processes of actors and directors, while maintaining an ethos of fidelity with regards to the original texts. It argues that collaboration between academics and theatre practitioners was instrumental in the success of the season and that the work carried out has repercussions for critical debate of Comedia. The volume posits a model for future productions of the Comedia in English, one that recognizes the need for the languages of the scholar and the theatre artist to be made mutually intelligible by the use of collaborative strategies, mediated by a consultant or dramaturg proficient in both tongues. This model applies more generally to theatrical collaborations involving a translator, writer and director, and will be useful for translation and performance processes in any language.
The Good Diamond A Pacific Northwest Mystery Skye Kathleen Moody United States Fish and Wildlife Agent Venus Diamond tracks a stolen gem across Canada and the United States in this latest installment of Moody's quirky series Reports of two Canadian black bears abandoned in a cage just south of the United States-Canadian border bring Agent Venus Diamond to the scene to discover one bear severely malnourished and the other dead, his stomach slit open. Local authorities quickly deduce that the bears were used as a diversion by drug smugglers, but Venus is skeptical and follows up on lead after lead until all she has to go on is a distinctive diamond ring off a dead informant's hand. The ring leads her to a diamond mine in Northern Canada, where she discovers that a priceless blue diamond had been found and kept secret. Stolen before it could be cut and shown to the world, Venus is now on the trail of a ruth-less smuggler, as one by one he kills those helping him cut, process, and sell the most valuable diamond in the world. The Good Diamond is the seventh winning and suspense-ful entry in Moody's atmospheric environmental mystery series. 'Venus Diamond, the peppy Fish and Wildlife Service agent in Skye Kathleen Moody's energetic mysteries, can be my alter ego.' -Marilyn Stasio, The New York Times Skye Kathleen Moody, writer, photographer, and teacher, lives in Seattle where she was born and raised. Mystery 0-312-32415-4 $24.95 / $34.95 Can. 51/2" x 81/4" / 320 pages Hardcover
The Virgin Mary has been idealized as a self-sacrificing mother throughout Christian history, but she is not the only ancient maternal figure whose story is connected to violent loss. This book examines several ancient representations of mothers and children in contexts of sociopolitical violence, demonstrating that notions of early Christian motherhood, as today, are contextual and produced for various political, social, and ethical reasons. In each chapter, the ancient maternal figure is juxtaposed with an example of contemporary maternal activism to show that maternal self-sacrifice can be understood as strategic, varied, politically charged, and rhetorically flexible.
Get a firm understanding and mastery of the unique issues and procedures involved in critical care nursing with Critical Care Nursing: Diagnosis and Management, 8th Edition. Praised for its comprehensive coverage and clear organization, this market-leading text offers a great foundation in the realities and challenges of today’s critical care unit that’s perfect for both nursing students and practicing nurses alike. This new edition also features enhanced integration of QSEN and interprofessional collaborative practice, plus expanded coverage of leadership, post-ICU outcomes and highly contagious infections. Revamped case studies, Patient Teaching boxes, Evidence-Based Practice boxes, Patient Safety Alerts, and other learning tools further develop your critical thinking skills and prepare you for success in high-acuity, progressive, and critical care settings. UNIQUE! Nursing management plans of care feature approximately 35 NANDA-I nursing diagnoses to provide a detailed, ready-to-use, clinically current reference for safe, effective patient care. Consistent organization within each body-system unit provides a systematic framework for learning and for CCRN and PCCN certification preparation. It also serves as a great reference for clinical practice. Pharmacologic Management tables offer quick summaries of the drugs most often used in critical care.
James Joyce's near blindness, his peculiar gait, and his death from perforated ulcers are commonplace knowledge to most of his readers. But until now, most Joyce scholars have not recognized that these symptoms point to a diagnosis of syphilis. Kathleen Ferris traces Joyce's medical history as described in his correspondence, in the diaries of his brother Stanislaus, and in the memoirs of his acquaintances, to show that many of his symptoms match those of tabes dorsalis, a form of neurosyphilis which, untreated, eventually leads to paralysis. Combining literary analysis and medical detection, Ferris builds a convincing case that this dread disease is the subject of much of Joyce's autobiographical writing. Many of this characters, most notably Stephen Dedalus and Leopold Bloom, exhibit the same symptoms as their creator: stiffness of gait, digestive problems, hallucinations, and impaired vision. Ferris also demonstrates that the themes of sin, guilt, and retribution so prevalent in Joyce's works are almost certainly a consequence of his having contracted venereal disease as a young man while frequenting the brothels of Dublin and Paris. By tracing the images, puns, and metaphors in Ulysses and Finnegans Wake, and by demonstrating their relationship to Joyce's experiences, Ferris shows the extent to which, for Joyce, art did indeed mirror life.
The term "patient safety" rose to popularity in the late nineties, as the medical community -- in particular, physicians working in nonmedical and administrative capacities -- sought to raise awareness of the tens of thousands of deaths in the US attributed to medical errors each year. But what was causing these medical errors? And what made these accidents to rise to epidemic levels, seemingly overnight? Still Not Safe is the story of the rise of the patient-safety movement -- and how an "epidemic" of medical errors was derived from a reality that didn't support such a characterization. Physician Robert Wears and organizational theorist Kathleen Sutcliffe trace the origins of patient safety to the emergence of market trends that challenged the place of doctors in the larger medical ecosystem: the rise in medical litigation and physicians' aversion to risk; institutional changes in the organization and control of healthcare; and a bureaucratic movement to "rationalize" medical practice -- to make a hospital run like a factory. If these social factors challenged the place of practitioners, then the patient-safety movement provided a means for readjustment. In spite of relatively constant rates of medical errors in the preceding decades, the "epidemic" was announced in 1999 with the publication of the Institute of Medicine report To Err Is Human; the reforms that followed came to be dominated by the very professions it set out to reform. Weaving together narratives from medicine, psychology, philosophy, and human performance, Still Not Safe offers a counterpoint to the presiding, doctor-centric narrative of contemporary American medicine. It is certain to raise difficult, important questions around the state of our healthcare system -- and provide an opening note for other challenging conversations.
Humans and grizzly bears have been coming into contact in Yellowstone National Park ever since it was founded in 1872. Most of these encounters have ended peacefully, but many have not. In order to most accurately tell the stories of those involved in the more deadly incidents, Kathleen Snow went directly to the source: the National Park Service archives. With help from personnel at park headquarters, Snow has collected more than 100 years’ worth of hair-raising stories that read like crime scene investigations and provide hard-learned lessons in outdoor safety. A must-read for fans of Death in Yellowstone and anyone fascinated by human-animal interactions.
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