During the Civil War and Reconstruction, popular magazines throughout the country published hundreds of short narratives that confronted or evaded the meaning of the Union's great crisis. Yet despite their importance as a measure of the era's cultural temper, these stories have remain largely unexamined in studies of Civil War literature. Where My Heart is Turning Ever is the first volume in a projected trilogy that seeks to recover the significance of this forgotten body of writing. Unearthing more than three hundred stories from sixteen magazines in the South and West as well as the culturally dominant Northeast, Kathleen Diffley examines the effort of popular writers and publications to contain the disruption caused by the war and its aftermath. That effort, she shows, proved especially precarious when writers took up matters of race, political section, and gender. In this volume, Diffley identifies three distinct genres among the stories she investigates: "Old Homestead," which embodies themes of domestic order, collapse, and restoration; "Romance," which represents tensions between the sexes as the result of difficulties imposed by the war and Reconstruction; and "Adventure," which subverts domestic ideals by uprooting characters and situating them outside the home. As she discusses these genres, Diffley relates their messages to the post-bellum congressional debates over constitutional amendments abolishing slavery, guaranteeing federal authority over state jurisdictions, and extending voting rights to black men. She hows how the rhetoric that emerged both in Congress and in popular magazines promoted a new concept of national citizenship, one that transformed ties to kin into ties to country. In addition to discussing the broad spectrum of stories that fall within the three genres she identifies, Diffley includes full text of representative stories by Mark Twain, John W. De Forest, and Rebecca Harding Davis. She then analyzes each story, linking its author's career with the wider cultural and formal patterns that the story reveals. In the subsequent volumes of the trilogy, Diffley will provide a taxonomy of the stories she has uncovered and will examine them in light of reader-response theory. The completed project promises an unprecedented analysis of the ways in which short popular narratives helped readers of that troubled era make sense of the Civil War."--Publisher's description
During the Civil War and Reconstruction, popular magazines throughout the country published hundreds of short narratives that confronted or evaded the meaning of the Union's crisis. In this first volume of a projected trilogy that seeks to recover the significance of this forgotten body of writing, Diffley examines the effort of popular writers and publications to contain the disruption caused by the war and its aftermath. Annotation copyright by Book News, Inc., Portland, OR
The Fateful Lightning is the second volume of Kathleen Diffley’s trilogy on Civil War magazine fiction. While her first book of the trilogy, Where My Heart Is Turning Ever, charted the role of magazine fiction from the Northeast in “grounding the rites of citizenship” following the end of the Civil War, The Fateful Lightning traces the sectional conflicts in a postwar nation and how region shaped the political agendas of these postwar editorials. Diffley argues that the journals she examines present stories that give unpredictable results of sectional conflict and commemorate the Civil War differently from the northeastern publishing establishments. She weaves this argument through her analysis of four literary journals: Baltimore’s Southern Magazine, Charlotte’s The Land We Love, Chicago’s Lakeside Monthly, and San Francisco’s Overland Monthly. Diffley uses a method of literary analysis that looks at what is not only present in the text but also present throughout its historically informed context, gleaning cultural meanings from what the stories also filter out. Coupling this literary analysis with city studies, Diffley’s innovative approach demonstrates how these editorials offer varying gauges of continued political unrest, rising social opportunity, and conflicting commemorative investments as Reconstruction began to unfold.
The Fateful Lightning is the second volume of Kathleen Diffley's trilogy on Civil War magazine fiction. While her first book of the trilogy, Where My Heart Is Turning Ever, charted the role of magazine fiction from the Northeast in "grounding the rites of citizenship" following the end of the Civil War, The Fateful Lightning traces the sectional conflicts in a postwar nation and how region shaped the political agendas of these postwar editorials. Diffley argues that the journals she examines present stories that give unpredictable results of sectional conflict and commemorate the Civil War differently from the northeastern publishing establishments. She weaves this argument through her analysis of four literary journals: Baltimore's Southern Magazine, Charlotte's The Land We Love, Chicago's Lakeside Monthly, and San Francisco's Overland Monthly. Diffley uses a method of literary analysis that looks at what is not only present in the text but also present throughout its historically informed context, gleaning cultural meanings from what the stories also filter out. Coupling this literary analysis with city studies, Diffley's innovative approach demonstrates how these editorials offer varying gauges of continued political unrest, rising social opportunity, and conflicting commemorative investments as Reconstruction began to unfold.
In the wake of the Civil War, Constance Fenimore Woolson became one of the first northern observers to linger in the defeated states from Virginia to Florida. Born in New Hampshire in 1840 and raised in Ohio, she was the grandniece of James Fenimore Cooper and was gaining success as a writer when she departed in 1873 for St. Augustine. During the next six years, she made her way across the South and reported what she saw, first in illustrated travel accounts and then in the poetry, stories, and serialized novels that brought unsettled social relations to the pages of Harper's Monthly, the Atlantic, Scribner's Monthly, Appletons' Journal, and the Galaxy. In the midst of Reconstruction and in print for years to come, Woolson revealed the sharp edges of loss, the sharper summons of opportunity, and the entanglements of northern misperceptions a decade before the waves of well-heeled tourists arrived during the 1880s. This volume's sixteen essays are intent on illuminating, through her example, the neglected world of Reconstruction's backwaters in literary developments that were politically charged and genuinely unpredictable. Drawing upon the postcolonial and transnational perspectives of New Southern Studies, as well as the cultural history, intellectual genealogy, and feminist priorities that lend urgency to the portraits of the global South, this collection investigates the mysterious, ravaged territory of a defeated nation as curious northern readers first saw it.
The Fateful Lightning is the second volume of Kathleen Diffley’s trilogy on Civil War magazine fiction. While her first book of the trilogy, Where My Heart Is Turning Ever, charted the role of magazine fiction from the Northeast in “grounding the rites of citizenship” following the end of the Civil War, The Fateful Lightning traces the sectional conflicts in a postwar nation and how region shaped the political agendas of these postwar editorials. Diffley argues that the journals she examines present stories that give unpredictable results of sectional conflict and commemorate the Civil War differently from the northeastern publishing establishments. She weaves this argument through her analysis of four literary journals: Baltimore’s Southern Magazine, Charlotte’s The Land We Love, Chicago’s Lakeside Monthly, and San Francisco’s Overland Monthly. Diffley uses a method of literary analysis that looks at what is not only present in the text but also present throughout its historically informed context, gleaning cultural meanings from what the stories also filter out. Coupling this literary analysis with city studies, Diffley’s innovative approach demonstrates how these editorials offer varying gauges of continued political unrest, rising social opportunity, and conflicting commemorative investments as Reconstruction began to unfold.
During the Civil War and Reconstruction, popular magazines throughout the country published hundreds of short narratives that confronted or evaded the meaning of the Union's great crisis. Yet despite their importance as a measure of the era's cultural temper, these stories have remain largely unexamined in studies of Civil War literature. Where My Heart is Turning Ever is the first volume in a projected trilogy that seeks to recover the significance of this forgotten body of writing. Unearthing more than three hundred stories from sixteen magazines in the South and West as well as the culturally dominant Northeast, Kathleen Diffley examines the effort of popular writers and publications to contain the disruption caused by the war and its aftermath. That effort, she shows, proved especially precarious when writers took up matters of race, political section, and gender. In this volume, Diffley identifies three distinct genres among the stories she investigates: "Old Homestead," which embodies themes of domestic order, collapse, and restoration; "Romance," which represents tensions between the sexes as the result of difficulties imposed by the war and Reconstruction; and "Adventure," which subverts domestic ideals by uprooting characters and situating them outside the home. As she discusses these genres, Diffley relates their messages to the post-bellum congressional debates over constitutional amendments abolishing slavery, guaranteeing federal authority over state jurisdictions, and extending voting rights to black men. She hows how the rhetoric that emerged both in Congress and in popular magazines promoted a new concept of national citizenship, one that transformed ties to kin into ties to country. In addition to discussing the broad spectrum of stories that fall within the three genres she identifies, Diffley includes full text of representative stories by Mark Twain, John W. De Forest, and Rebecca Harding Davis. She then analyzes each story, linking its author's career with the wider cultural and formal patterns that the story reveals. In the subsequent volumes of the trilogy, Diffley will provide a taxonomy of the stories she has uncovered and will examine them in light of reader-response theory. The completed project promises an unprecedented analysis of the ways in which short popular narratives helped readers of that troubled era make sense of the Civil War."--Publisher's description
This book focuses on the role of represented speech in four short story collections from fifteenth- and sixteenth-century France: the anonymous Evangiles des quenouilles; Martial d'Auvergne's Arrêts d'Amour; Marguerite de Navarre's Heptaméron; and Noël Du Fail's Propos rustiques. As a study of the narrative staging of the acts of storytelling and conversing, it raises issues of orality, aurality, and literacy, as well as of the processes of textual production, transmission, and reception. In addition, the conversational frame of these short story collections deliberately sets up questions about the accessibility and reliability of truth. While these collections claim to enter upon the path toward universal truth, the difficulty of such an enterprise is revealed through their very narrative structure, where the polyphony of opposing voices and divergent opinions is engaged by the very acts of conversation and storytelling themselves.
A Doody's Core Title for 2023! Gain a thorough understanding of the principles of biochemistry as they relate to clinical medicine The Thirty-Second Edition of Harper's Illustrated Biochemistry combines top-quality full-color illustrations with authoritative integrated coverage of biochemical disease and clinical information. Featuring numerous medically relevant examples, this respected text presents a clear, succinct review of the fundamentals that every student must understand in order to succeed in medical school. All 58 chapters help you understand the medical relevance of biochemistry. Full-color presentation with 600+ illustrations Chapters have been updated to reflect the latest information Case studies emphasize the clinical relevance of biochemistry Review questions follow each of the 11 sections Boxed objectives define the goals of each chapter Tables encapsulate important information Each chapter contains a section on biomedical importance and a summary of the topics covered Applauded by medical students for its current and engaging style, Harper’s Illustrated Biochemistry is an essential for USMLE review and the single best reference for learning the clinical relevance of any biochemistry topic.
Gain a full understanding of the principles of biochemistry as it relates to clinical medicine A Doody’s Core Title for 2020! The Thirty-First Edition of Harper’s Illustrated Biochemistry continues to emphasize the link between biochemistry and the understanding of disease states, disease pathology, and the practice of medicine. Featuring a full-color presentation and numerous medically relevant examples, Harper’s presents a clear, succinct review of the fundamentals of biochemistry that every student must understand in order to succeed in medical school. All 58 chapters help you understand the medical relevance of biochemistry: • Full-color presentation includes more than 600 illustrations • Case studies emphasize the clinical relevance of biochemistry • NEW CHAPTER on Biochemistry of Transition Metals addresses the importance and overall pervasiveness of transition metals • Review Questions follow each of the eleven sections • Boxed Objectives define the goals of each chapter • Tables encapsulate important information • Every chapter includes a section on the biomedical importance of a given topic NEW TO THIS EDITION: • Emphasis throughout on the integral relationship between biochemistry and disease, diagnostic pathology, and medical practice • Hundreds of references to disease states throughout • New chapter addressing the biochemical roles of transition metals • Many updated review questions • Frequent tables summarizing key links to disease states • New text on cryo-electron microscopy (cryo-EM) • Cover picture of the protein structure of the Zika virus, solved by cryo-EM Applauded by medical students and online reviewers for its currency and engaging style, Harper’s Illustrated Biochemistry is essential for USMLE® review and the single-best reference for learning the clinical relevance of any biochemistry topic.
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