In an effort to make sense of the deaths in quick succession of several loved ones, Kathleen Dean Moore turned to the comfort of the wild, making a series of solitary excursions into ancient forests, wild rivers, remote deserts, and windswept islands to learn what the environment could teach her in her time of pain. This book is the record of her experiences. It’s a stunning collection of carefully observed accounts of her life—tracking otters on the beach, cooking breakfast in the desert, canoeing in a snow squall, wading among migrating salmon in the dark—but it is also a profound meditation on the healing power of nature. To learn more about the author, visit her website at www.riverwalking.com.
At once joyous and somber, this thoughtful gathering of new and selected essays spans Kathleen Dean Moore's distinguished career as a tireless advocate for environmental activism in the face of climate change. In this meditation on the music of the natural world, Moore celebrates the call of loons, howl of wolves, bellow of whales, laughter of children, and shriek of frogs, even as she warns of the threats against them. Each group of essays moves, as Moore herself has been moved, from celebration to lamentation to bewilderment and finally to the determination to act in defense of wild songs and the creatures who sing them. Music is the shivering urgency and exuberance of life ongoing. In a time of terrible silencing, Moore asks, who will forgive us if we do not save nature's songs?
Even as seas rise against the shores, another great tide is beginning to rise—a tide of outrage against the pillage of the planet, a tide of commitment to justice and human rights, a swelling affirmation of moral responsibility to the future and to Earth's fullness of life. Philosopher and nature essayist Kathleen Dean Moore takes on the essential questions: Why is it wrong to wreck the world? What is our obligation to the future? What is the transformative power of moral resolve? How can clear thinking stand against the lies and illogic that batter the chances for positive change? What are useful answers to the recurring questions of a storm–threatened time – What can anyone do? Is there any hope? And always this: What stories and ideas will lift people who deeply care, inspiring them to move forward with clarity and moral courage?
Do we belong to the Earth or does the Earth belong to us? The question raised by Chief Seathl almost two centuries ago continues to be the defining quandary of the wet, wild rainforests along the shores of the Pacific Northwest. It seethes below the tides of the fictional town of Good River Harbor, a little village pressed against the mountains—homeland to bears, whales, and a few weather–worn families. In Piano Tide, the debut novel by award–winning naturalist, philosopher, activist and author Kathleen Dean Moore, we are introduced to town father Axel Hagerman, who has made a killing in this remote Alaskan harbor by selling off the spruce, the cedar, the herring and halibut. But when he decides to export the water from a salmon stream, he runs head–long into young Nora Montgomery, just arrived on the ferry with her piano and her dog. Nora has burned her bridges in the lower 48, and she aims to disappear into this new homeland, with her piano as her anchor. But when Axel's next business proposition, a bear pit, turns lethal, Nora has to act. The clash, when it comes, is a spectacular and transformative act of resistance.
Can the love reserved for family and friends be extended to a place? “Luminous essays” on nature and environmental stewardship (Booklist). Named one of the Top Ten Northwest Books of the Year by the Oregonian In this book, acclaimed author Kathleen Dean Moore, a winner of the Sigurd Olson Nature Writing Award for Holdfast, reflects on how deeply the environment is entrenched in the human spirit, despite the notion that nature and humans are somehow separate. Moore’s essays, deeply felt and often funny, make connections in what can appear to be a disconnected world. Written in parable form, her stories of family and friends—of wilderness excursions with her husband and children, camping trips with students, blowing up a dam, her daughter’s arrest for protesting the war in Iraq—affirm an impulse of caring that belies the abstract division of humans from nature, of the sacred from the mundane. Underlying these wonderfully engaging stories is the author’s belief in a new ecological ethic of care, one that expands the idea of community to include the environment, and embraces the land as family. “Stands with the best tradition of nature writing.” —The Oregonian
In Pardons, Kathleen Dean Moore addresses a host of crucial questions surrounding acts of clemency, including what justifies pardoning power, who should be pardoned, and the definition of an unforgivable crime. Illustrating her arguments with rich and fascinating historical examples--some scandalous or funny, others inspiring or tragic--Moore examines the philosophy of pardons from King James II's practice of selling pardons for two shillings, through the debates of the Founding Fathers over pardoning power, to the record low number of pardons during recent U. S. administrations. Carefully analyzing the moral justification of clemency, Moore focuses on presidential pardons, revealing that over and over again--after the Civil War, after Prohibition, after the Vietnam War, and after Watergate--controversies about pardons have arisen at times when circumstances have prevented people from thinking dispassionately about them. Her groundbreaking study concludes with recommendations for the reform of presidential pardoning practices.
Presenting a multiplicity of literary and scientific views of the mountain's historical cycles of disaster and renewal, a compendium of essays examines the complex ecology and geology of the region, the diverse ways in which science informs our lives, and our relationship to nature, in works by Gary Snyder, Kim Stafford, Gary Braasch, Ursula K. Le Guin, and many others. Original.
In an effort to make sense of the deaths in quick succession of several loved ones, Kathleen Dean Moore turned to the comfort of the wild, making a series of solitary excursions into ancient forests, wild rivers, remote deserts, and windswept islands to learn what the environment could teach her in her time of pain. This book is the record of her experiences. It’s a stunning collection of carefully observed accounts of her life—tracking otters on the beach, cooking breakfast in the desert, canoeing in a snow squall, wading among migrating salmon in the dark—but it is also a profound meditation on the healing power of nature. To learn more about the author, visit her website at www.riverwalking.com.
Do we belong to the Earth or does the Earth belong to us? The question raised by Chief Seathl almost two centuries ago continues to be the defining quandary of the wet, wild rainforests along the shores of the Pacific Northwest. It seethes below the tides of the fictional town of Good River Harbor, a little village pressed against the mountains—homeland to bears, whales, and a few weather–worn families. In Piano Tide, the debut novel by award–winning naturalist, philosopher, activist and author Kathleen Dean Moore, we are introduced to town father Axel Hagerman, who has made a killing in this remote Alaskan harbor by selling off the spruce, the cedar, the herring and halibut. But when he decides to export the water from a salmon stream, he runs head–long into young Nora Montgomery, just arrived on the ferry with her piano and her dog. Nora has burned her bridges in the lower 48, and she aims to disappear into this new homeland, with her piano as her anchor. But when Axel's next business proposition, a bear pit, turns lethal, Nora has to act. The clash, when it comes, is a spectacular and transformative act of resistance.
Even as seas rise against the shores, another great tide is beginning to rise—a tide of outrage against the pillage of the planet, a tide of commitment to justice and human rights, a swelling affirmation of moral responsibility to the future and to Earth's fullness of life. Philosopher and nature essayist Kathleen Dean Moore takes on the essential questions: Why is it wrong to wreck the world? What is our obligation to the future? What is the transformative power of moral resolve? How can clear thinking stand against the lies and illogic that batter the chances for positive change? What are useful answers to the recurring questions of a storm–threatened time – What can anyone do? Is there any hope? And always this: What stories and ideas will lift people who deeply care, inspiring them to move forward with clarity and moral courage?
At once joyous and somber, this thoughtful gathering of new and selected essays spans Kathleen Dean Moore's distinguished career as a tireless advocate for environmental activism in the face of climate change. In this meditation on the music of the natural world, Moore celebrates the call of loons, howl of wolves, bellow of whales, laughter of children, and shriek of frogs, even as she warns of the threats against them. Each group of essays moves, as Moore herself has been moved, from celebration to lamentation to bewilderment and finally to the determination to act in defense of wild songs and the creatures who sing them. Music is the shivering urgency and exuberance of life ongoing. In a time of terrible silencing, Moore asks, who will forgive us if we do not save nature's songs?
In Pardons, Kathleen Dean Moore addresses a host of crucial questions surrounding acts of clemency, including what justifies pardoning power, who should be pardoned, and the definition of an unforgivable crime. Illustrating her arguments with rich and fascinating historical examples--some scandalous or funny, others inspiring or tragic--Moore examines the philosophy of pardons from King James II's practice of selling pardons for two shillings, through the debates of the Founding Fathers over pardoning power, to the record low number of pardons during recent U. S. administrations. Carefully analyzing the moral justification of clemency, Moore focuses on presidential pardons, revealing that over and over again--after the Civil War, after Prohibition, after the Vietnam War, and after Watergate--controversies about pardons have arisen at times when circumstances have prevented people from thinking dispassionately about them. Her groundbreaking study concludes with recommendations for the reform of presidential pardoning practices.
Can the love reserved for family and friends be extended to a place? “Luminous essays” on nature and environmental stewardship (Booklist). Named one of the Top Ten Northwest Books of the Year by the Oregonian In this book, acclaimed author Kathleen Dean Moore, a winner of the Sigurd Olson Nature Writing Award for Holdfast, reflects on how deeply the environment is entrenched in the human spirit, despite the notion that nature and humans are somehow separate. Moore’s essays, deeply felt and often funny, make connections in what can appear to be a disconnected world. Written in parable form, her stories of family and friends—of wilderness excursions with her husband and children, camping trips with students, blowing up a dam, her daughter’s arrest for protesting the war in Iraq—affirm an impulse of caring that belies the abstract division of humans from nature, of the sacred from the mundane. Underlying these wonderfully engaging stories is the author’s belief in a new ecological ethic of care, one that expands the idea of community to include the environment, and embraces the land as family. “Stands with the best tradition of nature writing.” —The Oregonian
There was a time when elegant, coupled with martini, would have been redundant. When anyone who knew how to make a martini was upper crust, and anyone who knew how to swill a martini, deserved one. You had to be old enough, successful enough and dashing enough to serve one; pretty enough to accept it; and sophisticated enough to consume it. There was a look, a pace, a ritual and a message, and anyone who was anyone knew it.We like to pretend it was a simpler era, when ladies sipped tea and dames swilled vodka. Women threw more curves with their femininity than their feminism. It was a period when men and women wore hats; when a martini and a cigarette fit in one hand, leaving the other one free for meaningful conversation.Today, the martini once again reigns as the social standard, in supper clubs and martini bars across the country; where the elite, the not-so-elite, and the don't-care-about-elite meet to eat, drink, and greet Mary.We are pleased to continue the celebration with The Elegant Martini, as we present, in all their glory, some of the most popular martini recipes from across the country, as well as savory appetizers to accompany them -- all of which have been perfected and served by some of the most elegant establishments in the nation.Whether art imitates life or life mirrors art, America's love affair with the martini reflects the sampling of the 102 martini recipes to be enjoyed in The Elegant Martini.Martini recipes include a Chocolate Martini from Johnny Love's; the James Bond Martini of The Ritz-Carlton Bar; a Manhattan Martini from The Viper Room; The Peaches and Cream from Club XIX at The Lodge at Pebble Beach; and of course, the Ying and Yang Martiniat Inagiku.What's cooking? Tempting kitchen-tested recipes features such enticing appetizers as: Ceviche of Striped Bass and Scallops from the Compass Rose; Eggplant Caviar compliments of Bayona, and Lobster and Corn Fritters, a speciality of Arrows Restaurant.
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