Teenage twins Kit and Christy have grown up amid grinding poverty in their Essex village. As Christy has been "simple" from birth, Kit is literally his brother's keeper. But the latest hardships visited upon their country home by the Great Frost of 1683–84 bring Kit to frustration and despair, and he abandons Christy to make his way to London, seeking to better himself. There he finds work as an apprentice to a struggling artist and much else to take his mind off what he has left behind. But the time comes when he can no longer ignore the problem of his brother. A fascinating portrait of a young person struggling to balance family and freedom, The Brothers Story is also a frank depiction of Restoration London in its bawdy, raucous glory.
The tale of a bookseller's daughter Meg Moore is the motherless and only child of a bookseller with a thriving business in Restoration London-and that makes her an heiress. She knows that someday she will have her pick of suitors, and that with the right husband she can continue in the book trade and be friends with wits and authors, as her father is. But Mr. Moore's unexpected marriage throws all Meg's dreams into confusion. Meg resists the overtures and edicts of her stepmother with a cleverness equaled only by her fierceness, but in spite of it all her rival's belly soon swells with what Meg fears will be her father's new heir. Meg seeks wisdom from almanacs and astrologers, plays and books of jests, guides for ladies and guides for midwives. Yet it is through her own experience that she finds a new matrimony with which to face her unknown future. This vibrant novel recreates a lively and fascinating historical period when women claimed a new and more active role in London's literary scene.
In Restoration London, 16-year-old Meg Moore spends long hours conversing with the famous authors and poets who visit her father's bookstore, and even writes her own stories. Without warning, however, Meg comes to learn exactly how powerful words can be.
Biology is the study of living organisms and vital processes. Encompassing cell biology, molecular biology, microbiology, and more, biology is one of the most basic branches of science and is a required course in most high schools. From the discovery of penicillin to the theory of evolution to the demonstration of sex-linked inheritance, Biology profiles 10 individuals who beat the odds and pioneered their way to a permanent place in the scientific community. Each chapter contains relevant information on the scientist's childhood, research, discoveries, and lasting contributions to the field and concludes with a chronology and a list of print and Internet references specific to that individual.
Splendid pictorial record of architectural style strongly influenced by Bauhaus movement. Over 300 illustrations show interiors, exteriors. Details on construction, site, cost, more.
Through a fascinating discussion of religion's role in the rhetoric of American civilizing empire, The Imperial Church undertakes an exploration of how Catholic mission histories served as a useful reference for Americans narrating US settler colonialism on the North American continent and seeking to extend military, political, and cultural power around the world. Katherine D. Moran traces historical celebrations of Catholic missionary histories in the upper Midwest, Southern California, and the US colonial Philippines to demonstrate the improbable centrality of the Catholic missions to ostensibly Protestant imperial endeavors. Moran shows that, as the United States built its continental and global dominion and an empire of production and commerce in the Gilded Age and Progressive Era, Protestant and Catholic Americans began to celebrate Catholic imperial pasts. She demonstrates that American Protestants joined their Catholic compatriots in speaking with admiration about historical Catholic missionaries: the Jesuit Jacques Marquette in the Midwest, the Franciscan Junípero Serra in Southern California, and the Spanish friars in the Philippines. Comparing them favorably to the Puritans, Pilgrims, and the American Revolutionary generation, commemorators drew these missionaries into a cross-confessional pantheon of US national and imperial founding fathers. In the process, they cast Catholic missionaries as gentle and effective agents of conquest, uplift, and economic growth, arguing that they could serve as both origins and models for an American civilizing empire. The Imperial Church connects Catholic history and the history of US empire by demonstrating that the religious dimensions of American imperial rhetoric have been as cross-confessional as the imperial nation itself.
A Group of Their Own is the fascinating story of the first generations of women who went to college to learn to be writers and then launched their careers writing poetry and prose. This unprecedented group included Elizabeth Bishop, Ruby Black, Pearl Buck, Emma Bugbee, Willa Cather, Zona Gale, Mildred Gilman, Zora Neale Hurston, Mary McCarthy, Marianne Moore, Eudora Welty, and Margaret Walker. This group was all about firsts. These women were among the first to attend college where they took a new array of writing classes in which students worked together in a workshop environment and extended this model of collaboration to campus clubs and publications. When they left college, they continued their new working methods by initiating and joining in a variety of activities such as mentorships, clubs, community theaters, and summer writing workshops. This expanded experience enabled them to move outside the restricted definitions of women's career paths and writing projects, ultimately changing the definition of American writer and American writing.
Widely adopted for course use, this trusted teacher guide combines crucial background knowledge with hands-on tools. In a large-size format for easy photocopying, the book features more than two dozen reproducibles. It covers all the essentials of planning, administering, scoring, and interpreting a wide range of formal and informal assessments. Helpful examples illustrate effective ways to evaluate K/n-/8 students' strengths and weaknesses in each of the core competencies that good readers need to master. See also Reading Assessment in an RTI Framework, which offers systematic guidance for conducting assessments in all three tiers of RTI.
This book provides a comprehensive conceptual framework and hands-on practical tools for reading assessment. The authors present a clear roadmap for evaluating K-8 students' strengths and weaknesses in each of the basic competencies that good readers need to master. Teachers learn how to select, administer, and interpret a wide range of formal and informal assessments, and how to use the results to improve instruction. In a large-size format for easy photocopying, the book includes 30 reproducible assessment tools"--Provided by publisher.
An irresistible and sweeping love story that follows two Portuguese refugees who flee religious violence and reignite their budding romance in Civil-War America. “Vaz's work is gorgeous at every level—singing sentences and pull-you-in plot. She is the real thing, an American treasure.” —Tayari Jones, New York Times bestselling author of An American Marriage John Alves, son of a famous Presbyterian martyr on the Portuguese island of Madeira, spends his childhood in jail and in poverty. When he meets Mary Freitas—though the adopted daughter of a master botanist, her true lineage is the subject of dangerous rumor—a spark kindles a lasting bond. But soon their families must confront the rising blood tide of warfare between Catholics and Protestants. Fleeing with only what they can carry, John and Mary are separated and arrive at different times and places in a rapidly growing and changing mid-nineteenth-century Illinois. Years later, John settles into his life as an educator at Jacksonville’s nationally renowned school for the deaf, and Mary is a gardener in Springfield for handsome, wealthy Edward Moore. After John and Mary reconnect, the home of rising politician Abraham Lincoln provides a prime setting for their courtship. But conflict looms on the horizon, and John is torn. Should he join the Union army to prove his loyalty to his new country, or should he stay to fight for the chance to make a life with the one he loves? And should Mary accept Edward’s marriage proposal since he is a partner in her business of selling the miracle-berry fruit she transported from Madeira, or should she choose her passion for John? Social jealousies and betrayals compound the obstacles unleashed by the Civil War. In poignant and lyrical prose, Katherine Vaz’s Above the Salt is a captivating and beautiful tribute to the power of true love and the sacrifices we make to harness it.
Katherine Grandjean shows that the English conquest of New England was not just a matter of consuming territory, of transforming woods into farms. It entailed a struggle to control the flow of information—who could travel where, what news could be sent, over which routes winding through the woods along the early American communications frontier.
Opera for the People is an in-depth examination of a forgotten chapter in American social and cultural history: the love affair that middle-class Americans had with continental opera (translated into English) in the 1870s, 1880s, and 1890s. Author Katherine Preston reveals how-contrary to the existing historiography on the American musical culture of this period-English-language opera not only flourished in the United States during this time, but found its success significantly bolstered by the support of women impresarios, prima-donnas, managers, and philanthropists who provided financial backing to opera companies. This rich and compelling study details the lives and professional activities of several important players in American postbellum opera, including manager Effie Ober, philanthropist Jeannette Thurber, and performers/artistic directors Caroline Richings, Euphrosyne Parepa-Rosa, Clara Louise Kellogg, and "the people's prima donna" Emma Abbott. Drawing from an impressive range of primary sources, including contemporaneous music and theater periodicals, playbills, memoirs, librettos, scores, and reviews and commentary on the performances in digitized newspapers, Preston tells the story of how these and other women influenced the activities of some of the more than one hundred opera companies touring the United States during the second half of the 19th century, performing opera in English for a diverse range of audiences. Countering a pervasive and misguided historical understanding of opera reception in the United States-unduly influenced by modern attitudes about the genre as elite, exclusive, expensive, and of interest only to a niche market-Opera for the People demonstrates the important (and hitherto unsuspected) place of opera in the rich cornucopia of late-century American musical theatre, which would eventually lead to the emergence of American musical comedy.
Jerry Stannard assembled a legendary collection of materials on the history of botany from Homer to Linnaeus, and his mastery of the field was acknowledged as incomparable. However, his work was sadly cut short by his death, and so did not result in the ultimate synthesis he envisioned; this volume, and its companion, Pristina Medicamenta, bring together his important output in articles and studies.
This Place Is Who We Are profiles Indigenous communities in central and northern coastal BC that are reconnecting to their lands and waters—and growing and thriving through this reconnection. Indigenous peoples and cultures are integrally connected to the land. Well-being in every sense—physical, social, environmental, economic, spiritual and cultural—depends on that relationship, which is based on a fundamental concept: when the land is well, so are the people. With increasing strength, Indigenous peoples in this vast region of BC—which spans the homelands of more than two dozen First Nations and one of the largest remaining coastal temperate rainforests in the world—are restoring what has been lost through environmental depredation and healing what has been devastated by colonization. This volume is a collection of ten of these inspiring stories. X̱aayda voices explain how their Rediscovery camps are healing and empowering their youth; Dzawada̱’enuxw Hereditary Chief Maxwiyalidizi K’odi Nelson shares the story of building a healing centre and ecolodge; Wei Wai Kum Chief Christopher Roberts describes the challenges and opportunities for an urban First Nation looking to prosper while protecting the environment and ancient Ligʷiłdaxʷ history and living cultural values; and many more Indigenous leaders share their own experiences of growth, strength and reconnection. Thoughtful and inspiring, This Place Is Who We Are illustrates what can be accomplished when conservation and stewardship are inextricably intertwined with the prosperity and well-being of communities.
A hallmark of efforts to implement the $862 billion Amer. Recovery and Reinvestment Act of 2009 (ARRA) is to be transparent and accountable about what the money is being spent on and what is being achieved. To help achieve these goals, recipients are to report every 3 months on their award activities and expected outcomes. This report covers 11 fed. programs focused on broadband, energy, transport., fed. bldgs., and civil works activities, representing $67 billion in ARRA funding. The report: (1) describes how the OMB and fed. agencies implemented the act to report funds' uses; and (2) assesses the extent to which descriptions of awards meet transparency criteria. Includes recommendations. Illustrations.
During the years 1880 to 1940, the glory days of the American circus, a third to a half of the cast members were women--a large group of very visible American workers whose story needs telling. This book, using sources such as diaries, autobiographies, newspaper accounts, films, posters, and route books, first considers the popular media's presentation of these performers as unnatural and scandalous--as well as romantic and thrilling. Next are the stories told by circus women, which contradict and complicate other versions of their lives. Across America in those years an array of acts featured women, such as tableaux, freak shows, girlie shows, tiger acts, and aerial performances, all involving special skills and all detailed here. The book offers a unique and fascinating view of not just the circus but of what it meant to be an American woman at work.
This book makes a strong case for distinguishing the Deaf movement from social movements occurring in the disability community. It should be read by anyone who wants to know why this political and ideological split between deaf people and people with other types of physical impairments is occurring.
This important publication is the first from the Yale University Art Gallery dedicated to Indigenous North American art. Accompanying a student-curated exhibition, it marks a milestone in the collection, display, and interpretation of Native American art at Yale and seeks to expand the dialogue surrounding the University’s relationship with Indigenous peoples and their arts. The catalogue features an introduction by the curators that surveys the history of Indigenous art on campus and outlines the methodology used while researching and mounting the exhibition; a discussion of Yale’s Native American Cultural Center; and a preface by the Medicine Woman and Tribal Historian of the Mohegan Nation. Also included are images of nearly 100 works—basketry, beadwork, drawings, photography, pottery, textiles, and wood carving, from the early 1800s to the present day—drawn from the collections of the Gallery, the Yale Peabody Museum of Natural History, and the Beinecke Rare Book and Manuscript Library. The objects are grouped into four sections, each introduced with a short essay, that center on the themes in the book’s title. Together, these texts and artworks seek to amplify Indigenous voices and experiences, charting a course for future collaborations.
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