In her beguiling new collection, Bright Stranger, Katherine Soniat invites the reader to celebrate the unfinished and unsure. The poems in this volume do not demand or offer certainty, existing instead in the spaces between the real and the imagined, between past and present and future. They explore the human connection to nature, contemplating loss in the erosion of rock spires and rebirth in the blossoming of an amaranth. Visually playful lines recall the poems' existence in the physical world, even as Soniat's words transport the reader from the rugged isolation of the Grand Canyon, to the elements within the periodic table, and on to "the unwinding spool of grey" in the mythic underworld of Hades. Bright Stranger offers a soaring vision of the world in all its chaos, bewilderment, and joy.
With Polishing the Glass Storm, Katherine Soniat constructs a riveting sequence of verse that explores how archetype can expand both personal vision and narrative perspective as we hone our experiences into an understanding of shared commonality. In poems that weave a linguistic web between the metaphysical and material realms, Soniat reminds us of the many ways in which language can reinforce otherwise frail connections between vision and experience.
With Polishing the Glass Storm, Katherine Soniat constructs a riveting sequence of verse that explores how archetype can expand both personal vision and narrative perspective as we hone our experiences into an understanding of shared commonality. In poems that weave a linguistic web between the metaphysical and material realms, Soniat reminds us of the many ways in which language can reinforce otherwise frail connections between vision and experience.
In her beguiling new collection, Bright Stranger, Katherine Soniat invites the reader to celebrate the unfinished and unsure. The poems in this volume do not demand or offer certainty, existing instead in the spaces between the real and the imagined, between past and present and future. They explore the human connection to nature, contemplating loss in the erosion of rock spires and rebirth in the blossoming of an amaranth. Visually playful lines recall the poems' existence in the physical world, even as Soniat's words transport the reader from the rugged isolation of the Grand Canyon, to the elements within the periodic table, and on to "the unwinding spool of grey" in the mythic underworld of Hades. Bright Stranger offers a soaring vision of the world in all its chaos, bewilderment, and joy.
The innocence and Keatsian beauty of Euclid's geometry become poignant from a perspective that encompasses all that is non-Euclidean as well as space, time, and the theory of matter. With rare wit and linguistic daring, Waldner opens resonant channels of communication that show there is indeed more than meets the eyeOCoor the mindOCoin her poems.
In the title poem of The Swing Girl, a Greek burial relic with an image of a small child on her swing suggests the ability to move between present culture and the ghosts of history, between modern metaphor and the rhetoric of myth. Katherine Soniat celebrates this fluidity and the detached yet vulnerable perception that comes with it: "The territory that girl could cover, her eyes peering birdlike / across the grove. The air, a vector." Soniat's new collection contemplates the present through the fragmented lens of history. She swings the reader out across time, to ancient Greece and China, and into the chaos of contemporary war in Serbia and Iraq. The ever-changing point of view disorients, so that ultimately even the daylight overhead seems uncertain: "... the far smear of daylight, granular and moony." Loss provides the substance of history and myth, sounding the dark, minor key of elegy for lives and geographies cracking under pressure. In Soniat's poems the precarious puzzle of this world shatters, only to begin again in startling new ways: "The story of the mountain always points somewhere / else, elusive as the tawny lion disappearing behind / the next high crag.
This book details how "Alzheimer Disease" went from being an obscure neurologic diagnosis to a household word. The words of those responsible for this revolution are the heart of this book. Dr. Robert Katzman and Dr. Katherine Bick, leaders in Alzheimer research and policy making, interview the people responsible for this awakening of public consciousness about AlzheimerDisease from 1960 to 1980. They speak with the scientists, public health officials, government regulators, and concerned relatives and activists responsible for taking this neurodegenerative disease out of the "back wards" through the halls of Congress, and on to the front page. The reader will learn how the explosive increase in research funding and public awareness came about, how physicians and psychiatrists established diagnostic criteria, how drugs were developed that offer hope for sufferers, and how the Alzheimer's Association was born.* Written in the words of those responsible for the widespread recognition of this neurodegenerative disease* The authors are recognised as leaders in Alzheimer research and policy making
This study re-evaluates the field known as Negro/Slave Medicine, which has traditionally focused on the efforts of slaveowners to provide medical care for their slaves, addressing the slaves' proactive management of medical care; brutality as a cause of the constant need for medical attention; and the health risks posed by arduous agricultural labor. This groundbreaking study offers insight into the health problems facing enslaved people, their attempts to deal with the causes and effects of illness and injury, and the slave owners' attitudes toward the medical treatment of slaves. The appendices present valuable data on the medical treatment of enslaved African Americans from the Touro Infirmary Archives that have never before been published.
The innocence and Keatsian beauty of Euclid's geometry become poignant from a perspective that encompasses all that is non-Euclidean as well as space, time, and the theory of matter. With rare wit and linguistic daring, Waldner opens resonant channels of communication that show there is indeed more than meets the eyeOCoor the mindOCoin her poems.
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