Katherine Jentleson's Books

Gatecrashers

The Rise of the Self-Taught Artist in America

By: Katherine Jentleson

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Gatecrashers

The Rise of the Self-Taught Artist in America

By: Katherine Jentleson

After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.

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Page Count

264

Publisher

University of California Press

Published Date

ISBN 10

0520303423

ISBN 13

9780520303423

The Maid Narratives

Black Domestics and White Families in the Jim Crow South

By: Katherine Van Wormer,David W. Jackson III,Charletta Sudduth

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The Maid Narratives

Black Domestics and White Families in the Jim Crow South

By: Katherine Van Wormer,David W. Jackson III,Charletta Sudduth

The Maid Narratives shares the memories of black domestic workers and the white families they served, uncovering the often intimate relationships between maid and mistress. Based on interviews with over fifty people -- both white and black -- these stories deliver a personal and powerful message about resilience and resistance in the face of oppression in the Jim Crow South. The housekeepers, caretakers, sharecroppers, and cooks who share their experiences in The Maid Narratives ultimately moved away during the Great Migration. Their perspectives as servants who left for better opportunities outside of the South offer an original telling of physical and psychological survival in a racially oppressive caste system: Vinella Byrd, for instance, from Pine Bluff, Arkansas, recalls how a farmer she worked for would not allow her to clean her hands in the family's wash pan. These narratives are complemented by the voices of white women, such as Flora Templeton Stuart, from New Orleans, who remembers her maid fondly but realizes that she knew little about her life. Like Stuart, many of the white narrators remain troubled by the racial norms of the time. Viewed as a whole, the book presents varied, rich, and detailed accounts, often tragic, and sometimes humorous. The Maid Narratives reveals, across racial lines, shared hardships, strong emotional ties, and inspiring strength.

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Page Count

318

Publisher

LSU Press

Published Date

ISBN 10

0807149683

ISBN 13

9780807149683

Hear Me Now: The Black Potters of Old Edgefield, South Carolina

By: Adrienne Spinozzi,Michael J. Bramwell,Vincent Brown,Katherine C. Hughes,Ethan W. Lasser,Simone Leigh,Jason R. Young

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Hear Me Now: The Black Potters of Old Edgefield, South Carolina

By: Adrienne Spinozzi,Michael J. Bramwell,Vincent Brown,Katherine C. Hughes,Ethan W. Lasser,Simone Leigh,Jason R. Young

A reckoning of the central role of enslaved and free Black potters in the long-standing stoneware traditions of Edgefield, South Carolina Recentering the development of industrially scaled Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century, this catalogue presents groundbreaking scholarship and new perspectives on stoneware made in Edgefield, South Carolina. Among the remarkable works included are a selection of regional face vessels as well as masterpieces by enslaved potter and poet David Drake, who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. Essays on the production, collection, dispersal, and reception of stoneware from Edgefield offer a critical look at what it means to collect, exhibit, and interpret objects made by enslaved artisans. Several featured contemporary works inspired by or related to Edgefield stoneware attest to the cultural and historical significance of this body of work, and an interview with acclaimed contemporary artist Simone Leigh illuminates its continued relevance.

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Page Count

203

Publisher

Metropolitan Museum of Art

Published Date

ISBN 10

1588397262

ISBN 13

9781588397263

Book's by Katherine Jentleson

Gatecrashers

Gatecrashers

The Maid Narratives

The Maid Narratives

Hear Me Now: The Black Potters of Old Edgefield, South Carolina

Hear Me Now: The Black Potters of Old Edgefield, South Carolina

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