Kelly Reichardt's 1994 debut River of Grass established her gift for a slow-paced realism that emphasizes the ongoing, everyday nature of emergency. Her work since then has communed with--yet remained apart from--postwar European realisms, the American avant-garde, independent film, and the emerging slow cinema movement. Katherine Fusco and Nicole Seymour read such Reichardt films as Wendy and Lucy and Night Moves to consider the root that emergency shares with emergence --the slowly unfolding or the barely perceptible. They see Reichardt as a filmmaker preoccupied with how environmental and economic crises affect those living on society's fringes. Her spare plots and slow editing reveal an artist who recognizes that disasters are gradual, with effects experienced through duration rather than sudden shock. Insightful and boldly argued, Kelly Reichardt is a long overdue portrait of a filmmaker who sees emergency not as a break from the everyday, but as a version of it.
Are children playing less than they used to? Are rising obesity rates linked to a decline in children’s time to play freely? These and other related questions have filled the pages of newspapers, magazines and scholarly journals for the past decade. Researchers and journalists have attributed these issues to societal changes around children’s lives and leisure, the growth of structured and organised activities and increasing perceptions of risk in children’s play. Play, Physical Activity and Public Health presents a discussion of the way modern notions of play are rendering children’s leisure activities less free and less engaged in simply for fun. Based on original qualitative research, and analysis of contemporary media from Canada and elsewhere, this book argues that the growing health concerns around childhood play entail a paradox: by advocating, promoting, discussing, and re-directing children’s play, a new form of children’s leisure is emerging - one that is purpose-driven, instrumentalised for health, and ultimately, less free. We explore how play has become goal-oriented, a means to health ends, and how the management of pleasure in play as well as diverse risk discourses around play continue to limit and constrain possibilities for children and families to play and engage in leisure freely. Incorporating past critiques of this trend in play, we argue for research and practice to create new possibilities and ways of thinking about children's play, leisure, fun and childhood, that are less constrained and managed, and importantly less geared towards health goals. This is a valuable resource for students of the sociology of sport, kinesiology, sports and health psychology, education, public health, and childhood studies. It is also an important read for school teachers, public health practitioners, psychologists, physical education teachers, academics and parents interested in how children’s leisure lives are being shaped by the growing and diverse discussions around play.
Five sexy billionaires all in one boxed set! The Billionaire’s Pleasure Rocco De Luca lives and loves in the fast lane. A past Formula 1 champ, coming home and filling in for his older brother for a few weeks sounds…well, boring. Until he meets Steffi Harlan. Steffi Harlan is way too smart to fall for a bad-boy, until she’s put in charge of keeping the playboy out of trouble. Sure, no problem. Except Steffi isn’t immune to Rocco’s charms. They burn up the nights they spend together… But can they both survive love in the fast lane? The Billionaire’s Touch Shel Myerson, wildly successful TV mogul, has no privacy, thanks to a recent and ugly public breakup. What he doesn’t expect is to be mistaken as an employee by Janine Pike, the one person in Europe who also doesn’t have any idea who he is. Shel and Janine discover their chemistry is combustible—but will their budding relationship survive the heat once the press catches on? The Billionaire’s Bride Matteo De Luca‘s single focus is rebuilding his hotel empire, and he’s close to achieving his goal, but there’s a sexy distraction standing in his way. Helena Von Lienz knows it’s finally time to let go. But what she finds are some unexpected truths about her late hubby, and a strong sensual shared desire with Matteo. Will mixing business with pleasure be the end, or just the beginning? The Billionaire’s Heart When Sophie Smith's dearest friend asks her to be her stand in at an Amalfi resort, Sophie won’t let her down. Turns out, she get used to this life, especially handsome gardener Declan Muldoon who’s more thrilling than any of the billionaires around. But Sophie's not the only one pretending. Declan is actually the black sheep of a very wealthy family, a man in need of an heiress. An heiress exactly like Sophie is pretending to be… The Billionaire’s Lover Summer St. Croix hates weddings. But when she meets hot-as-sin Luke Vanetti at her oldest friend’s ceremony, he promises to give her a reason to like them. It’s all sexy fun and games until Summer realizes that Luke is none other than her new boss. And Summer’s first assignment will be posing as his fiancée. Playing the happy couple is hard enough during the day, but the nights might turn the charade into more than just a job for both of them.
Rocco De Luca lives and loves in the fast lane. A past Formula 1 champ, he has been jetting around the world arranging celebrity charity races and partying with the world’s elite. Coming home to Isola del Fiori and filling in for his older brother for a few weeks sounds…well, boring. Until he meets Steffi Harlan. Steffi Harlan is sophisticated, elegant, and way too smart to fall for a tanned chest and a bad-boy smile, or so she thinks, until she’s put in charge of keeping the jet-set playboy out of trouble while he’s gone. Sure, no problem. Except Steffi isn’t immune to Rocco’s charms. They burn up the nights they spend together, and the last thing Steffi wants is to crash out and end up with a broken heart… Can they both survive love in the fast lane? Book 1: The Billionaire's Pleasure by Katherine Garbera Book 2: The Billionaire's Touch by Mimi Wells Book 3: The Billionaire's Bride by Nancy Robards Thompson Book 4: The Billionaire's Heart by Kathleen O'Brien Book 5: The Billionaire's Lover by Eve Gaddy
One of the founding fathers of neorealism in the postwar period in Italy, Antonio Pietrangeli went on to focus his lens upon the female subject. Eight of his ten full-length films feature female protagonists. This study seeks to better understand both his achievements and his failings as a feminist auteur as well as analyse his films by applying new critical and theoretical approaches. Pietrangeli’s representations of women struggling with questions of identity was a revolutionary act in the 1950s and 1960s. The book makes a case why we should recuperate these films today since the standards for representing women in film continue to fall behind the reality of women’s lives off-screen.
In Living Ideology in Cuba, Katherine Gordy demonstrates how the Cuban state and its people engage in an ongoing negotiation that produces a “living ideology.” In contrast to official slogans and fiats, Cuba’s living ideology is a decentralized phenomenon, continually adapting, informing, and responding to daily life, without losing sight of the fundamental national principles of socioeconomic equality, unified leadership, and inclusive nationalism. Tracing Cuba’s ideological history, Gordy first looks at the ways in which the 19th century wars of independence and the 1959 revolution were used as the basis for both challenging and legitimizing Cuban socialism. Following the embrace of a pure socialist ideology in the 1960s, state policies of the 1970s became more accommodating of market imperatives, while still holding on to the principles articulated by Che Guevara and Karl Marx. In the 1990s, the Cuban people themselves pushed back against further economic reforms, reasserting the value of socioeconomic equality. Gordy also examines ideological debates among intellectuals, from the controversy sparked by Fidel Castro’s “Words to the Intellectuals” speech to the demand in the 1990s for a separation between academia and the state—not to safeguard academia from politics, but to ensure that academics as such could contribute to the political dialogue.
Typically, studies of early cinema’s relation to literature have focused on the interactions between film and modernism. When film first emerged, however, it was naturalism, not modernism, competing for the American public’s attention. In this media ecosystem, the cinema appeared alongside the works of authors including Charlotte Perkins Gilman, Jack London, and Frank Norris. Drawing on contemporaneous theories of time and modernity as well as recent scholarship on film, narrative, and naturalism, this book moves beyond traditional adaptation studies approaches to argue that both naturalism and the early cinema intervened in the era’s varying experiments with temporality and time management. Specifically, it shows that American naturalist novels are constructed around a sustained formal and thematic interrogation of the relationship between human freedom and temporal inexorability and that the early cinema developed its norms in the context of naturalist experiments with time. The book identifies the silent cinema and naturalist novel’s shared privileging of narrative progress over character development as a symbolic solution to social and aesthetic concerns ranging from systems of representation, to historiography, labor reform, miscegenation, and birth control. This volume thus establishes the dynamic exchange between silent film and naturalism, arguing that in the products of this exchange, personality figures as excess bogging down otherwise efficient narratives of progress. Considering naturalist authors and a diverse range of early film genres, this is the first book-length study of the reciprocal media exchanges that took place when the cinema was new. It will be a valuable resource to those with interests in Adaptation Studies, American Literature, Film History, Literary Naturalism, Modernism, and Narrative Theory.
Are children playing less than they used to? Are rising obesity rates linked to a decline in children’s time to play freely? These and other related questions have filled the pages of newspapers, magazines and scholarly journals for the past decade. Researchers and journalists have attributed these issues to societal changes around children’s lives and leisure, the growth of structured and organised activities and increasing perceptions of risk in children’s play. Play, Physical Activity and Public Health presents a discussion of the way modern notions of play are rendering children’s leisure activities less free and less engaged in simply for fun. Based on original qualitative research, and analysis of contemporary media from Canada and elsewhere, this book argues that the growing health concerns around childhood play entail a paradox: by advocating, promoting, discussing, and re-directing children’s play, a new form of children’s leisure is emerging - one that is purpose-driven, instrumentalised for health, and ultimately, less free. We explore how play has become goal-oriented, a means to health ends, and how the management of pleasure in play as well as diverse risk discourses around play continue to limit and constrain possibilities for children and families to play and engage in leisure freely. Incorporating past critiques of this trend in play, we argue for research and practice to create new possibilities and ways of thinking about children's play, leisure, fun and childhood, that are less constrained and managed, and importantly less geared towards health goals. This is a valuable resource for students of the sociology of sport, kinesiology, sports and health psychology, education, public health, and childhood studies. It is also an important read for school teachers, public health practitioners, psychologists, physical education teachers, academics and parents interested in how children’s leisure lives are being shaped by the growing and diverse discussions around play.
Through a fascinating discussion of religion's role in the rhetoric of American civilizing empire, The Imperial Church undertakes an exploration of how Catholic mission histories served as a useful reference for Americans narrating US settler colonialism on the North American continent and seeking to extend military, political, and cultural power around the world. Katherine D. Moran traces historical celebrations of Catholic missionary histories in the upper Midwest, Southern California, and the US colonial Philippines to demonstrate the improbable centrality of the Catholic missions to ostensibly Protestant imperial endeavors. Moran shows that, as the United States built its continental and global dominion and an empire of production and commerce in the Gilded Age and Progressive Era, Protestant and Catholic Americans began to celebrate Catholic imperial pasts. She demonstrates that American Protestants joined their Catholic compatriots in speaking with admiration about historical Catholic missionaries: the Jesuit Jacques Marquette in the Midwest, the Franciscan Junípero Serra in Southern California, and the Spanish friars in the Philippines. Comparing them favorably to the Puritans, Pilgrims, and the American Revolutionary generation, commemorators drew these missionaries into a cross-confessional pantheon of US national and imperial founding fathers. In the process, they cast Catholic missionaries as gentle and effective agents of conquest, uplift, and economic growth, arguing that they could serve as both origins and models for an American civilizing empire. The Imperial Church connects Catholic history and the history of US empire by demonstrating that the religious dimensions of American imperial rhetoric have been as cross-confessional as the imperial nation itself.
An authoritative history of the evolution of forensic science and criminal investigation traces the development of such tools as fingerprinting, DNA, and ballistics from thirteenth-century Chinese studies of human decomposition to the technological advancements of today.
This book explores the textured process of rewriting and revising theatrical works in the Spanish-speaking Caribbean as both a material and metaphorical practice. Deftly tracing these themes through community theater groups, ancient Greek theater, religious traditions, and national historical events, Katherine Ford weaves script, performance and final product together with an eye to the social significance of revision. Ultimately, to rewrite and revise is to re-envision and re-imagine stage practices in the twentieth-century Hispanic Caribbean.
This book presents the reader with an understanding of the role played by matrix metalloproteinases (MMPs) in the normal and diseased central nervous system (CNS). These enzymes may be important to brain development, and may also contribute to tissue destruction, which is observed with inflammatory and degenerative conditions of the brain. The book provides a background on the biology of MMPs, and on the stimuli and conditions that are linked to an increase in their production and activity. It describes the targets of MMPs, which include matrix proteins such as collagen, soluble cytokines and chemokines, and cell surface receptors. Studies implicating MMPs in neuronal process outgrowth and cell migration in CNS development are covered. The book also touches on studies suggesting that, in certain situations, dysregulated MMP activity and/or production may be critical to blood-brain barrier breakdown and neuronal damage./a
Explores how a Christian notion of freedom incurring responsibility was a component of identity, examining secular writings, liturgy, canon and civil law, chronicle, dialogue, and hagiography to analyze the practice of obedience in the monastic context.
This is the first urban history of Rome to span its entire three-thousand-year history. It examines the processes by which Rome's leaders have shaped its urban fabric by organizing space, planning infrastructure, designing ritual, controlling populations, and exploiting Rome's standing as a seat of global power and a religious capital.
This widely acclaimed book is a complete, authoritative reference on nutrition and its role in contemporary medicine, dietetics, nursing, public health, and public policy. Distinguished international experts provide in-depth information on historical landmarks in nutrition, specific dietary components, nutrition in integrated biologic systems, nutritional assessment through the life cycle, nutrition in various clinical disorders, and public health and policy issues. Modern Nutrition in Health and Disease, Eleventh Edition, offers coverage of nutrition's role in disease prevention, international nutrition issues, public health concerns, the role of obesity in a variety of chronic illnesses, genetics as it applies to nutrition, and areas of major scientific progress relating nutrition to disease.
Stories of world-ending catastrophe have featured prominently in film and television. Zombie apocalypses, climate disasters, alien invasions, global pandemics and dystopian world orders fill our screens--typically with a singular figure or tenacious group tasked with saving or salvaging the world. Why are stories of End Times crisis so popular with audiences? And why is the hero so often a white man who overcomes personal struggles and major obstacles to lead humanity toward a restored future? This book examines the familiar trope of the hero and the recasting of contemporary anxieties in films like The Walking Dead, Snowpiercer and Mad Max: Fury Road. Some have familiar roots in Western cultural traditions yet many question popular assumptions about heroes and heroism to tell new and fascinating stories about race, gender and society and the power of individuals to change the world.
Kelly Reichardt's 1994 debut River of Grass established her gift for a slow-paced realism that emphasizes the ongoing, everyday nature of emergency. Her work since then has communed with--yet remained apart from--postwar European realisms, the American avant-garde, independent film, and the emerging slow cinema movement. Katherine Fusco and Nicole Seymour read such Reichardt films as Wendy and Lucy and Night Moves to consider the root that emergency shares with emergence --the slowly unfolding or the barely perceptible. They see Reichardt as a filmmaker preoccupied with how environmental and economic crises affect those living on society's fringes. Her spare plots and slow editing reveal an artist who recognizes that disasters are gradual, with effects experienced through duration rather than sudden shock. Insightful and boldly argued, Kelly Reichardt is a long overdue portrait of a filmmaker who sees emergency not as a break from the everyday, but as a version of it.
Global Change and the Earth System describes what is known about the Earth system and the impact of changes caused by humans. It considers the consequences of these changes with respect to the stability of the Earth system and the well-being of humankind; as well as exploring future paths towards Earth-system science in support of global sustainability. The results presented here are based on 10 years of research on global change by many of the world's most eminent scholars. This valuable volume achieves a new level of integration and interdisciplinarity in treating global change.
Psychology in Action, 12e is a comprehensive introductory Psychology product that fosters active learning and provides a wealth of tools that empower students to master and make connections between the key concepts. Students will leave the classroom with a solid foundation in basic psychology that will serve them in their daily lives no matter what their chosen field of study and career path.
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