“Those who are hidden in Jesus, though they suffer, will discover a more beautiful ending—or should I say beginning—than they ever could imagine.” Katherine Clark was just an average wife and mother with two young children when she was in a tragic playground accident. A little boy playing on the jungle gym jumped and landed on Kate’s head, knocking her over and snapping her neck. Kate was paralyzed from the neck down. The doctors diagnosed her with quadriplegia and said she would never walk again. This terrifying prognosis could have been the end of the story. But instead, God chose to work a profound miracle in Kate’s life and in the life of her family. Where I End tells the incredible story. Kate describes how God’s presence carried her through the trying journey of re-learning to walk, both physically and spiritually. Throughout, she shares the deep theological truths that sustained her as she and her family traveled this difficult road. For fans of Ann Voskamp, Sheldon Vanauken, and Joni Eareckson Tada, Where I End offers hope, encouragement, and a timely reminder of who Jesus is: God with us. In a reflective, literary style, Kate invites readers to see pain and suffering within the context of God’s loving, tender, powerful care—and there find hope.
A newlywed woman’s return to Southern society begins an epic and hilarious journey of self-discovery in this satirical novel. Katherine Clark’s The Harvard Bride begins with the wedding of Daniel Dobbs and Caroline Elmore, college sweethearts introduced in Clark’s novel, All the Governor’s Men. In this wry comedy of manners, their new life—complete with freshly minted Ivy League educations—begins in the “Tiny Kingdom” of Mountain Brook, Alabama. Unwilling to join the Junior League, look for a house, contemplate motherhood, or even finish her thank-you notes, Caroline can’t seem to find her bearings—or even fulfill her calling as a writer. Meanwhile, Daniel’s law career is going so well she hardly sees him. The most exciting aspect of her life is her handsome next-door neighbor, who also happens to be a writer. The reappearance of an old school friend, a southern belle bombshell in hot pursuit of all eligible bachelors and potential real estate clients, only adds to Caroline’s problems. When she accepts a surprise job offer at the University of Alabama, she begins to put together an identity of her own—until it falls inexplicably apart. Also featuring the return of larger-than-life Brook-Haven headmaster Norman Laney, The Harvard Bride is at once a social satire and a richly nuanced love story.
A high-society Southern satire about an heir's battle with his domineering mother, society's expectations, and his own mental health The Ex-Suicide, Katherine Clark's fourth Mountain Brook novel, is a satirical comedy of manners about a prominent Alabama family living across the street from the Birmingham Country Club. The house happens to be where the writer Walker Percy lived as a child with his family until his father committed suicide in the attic with a shotgun. The only son of the current residents, Hamilton "Ham" Whitmire has several Ivy League degrees as well as a generous trust fund but is striving mainly to be an "ex-suicide," as defined by Percy's writings. As a result of Ham's intellectual aspirations and philosophical principles, and thanks to his trust fund, he has succeeded only in figuring out what he does not want to do with his life. Unfortunately this comprises just about all known occupations, but especially any involving the family business, which his imperious, society-matron mother insists he take over from his aging father. When the novel opens, the thirty-seven-year-old son has recently returned to his hometown and taken a teaching position at a historically black college in the "other" Birmingham—not the one where he grew up. As an anxiety-ridden, panic-attack-prone depressive in a perpetual state of existential crisis, Ham must plan carefully how to get through each day without putting his life in the hands of the mental-health-care professionals. But, according to his mother, he must also take over the reins of the family business, get married, and carry on the family name. Ham isn't in Birmingham long before he learns his college is also in an existential crisis and fighting to keep its doors open. Even worse, circumstances force him to take at least an interest in the family business. While seeking refuge and stability in the waiting room of his therapist's office, he finds himself in the emotional thrall of a beautiful old flame who is in the midst of a devastating divorce. She is anxious to have Ham back in her life, at least as an escort, but probably more. Will Ham buckle under all the pressures—as Percy's father famously did in the attic of what is now his parents' home? Or will he be able to pull himself together and live up to society's (and his mother's) expectations? Fortunately Ham is one of Norman Laney's former pupils, and Laney never gives up on a student. In the midst of Ham's crisis, Laney steps into the breach in hopes that Ham chooses life as an ex-suicide.
I'm Jeremiah Jones." He extended his hand to her. "I know," Dawn said. She had known that she would be around famous racecar drivers, but this was her first encounter. She was a little awestruck. "I'm Dawn Montgomery, Bryan Richardson's new personal assistant." "Nice to meet you," he said with a smile. Dawn was embarrassed. She was still in awe from meeting her first celebrity, and now she realized that she was standing there holding his hand and staring at him. She dropped his hand. She could feel her face getting warmer and warmer, but she refused to look away from him. Two weeks before her wedding day, Dawn's fiance cheated on her. Heartbroken, Dawn moves across the country looking for a fresh start. What she finds is a job as the personal assistant for racecar driver Bryan Richardson...and perhaps another chance at love. Jeremiah's a successful racecar driver, known to fans by his blue and black #91 Dodge. The tragedy in his life has left him isolated, both from God and from lasting relationships. When Dawn is almost run over by a tool cart, Jeremiah comes to the rescue, and they are both swept off their feet. As their love grows, Dawn must make the hardest decision of her life-her faith or her infatuation. Find out if Dawn puts on the brakes or gives in to the impulses of their Revved Up Hearts
A political satire that reimagines George Wallace's last run for governor of Alabama It's the summer of George Wallace's last run for governor of Alabama in 1982, and the state is at a crossroads. In Katherine Clark's All the Governor's Men, a political comedy of manners that reimagines Wallace's last campaign, voters face a clear choice between the infamous segregationist, now a crippled old man in a wheelchair, and his primary opponent, Aaron Osgood, a progressive young candidate poised to liberate the state from its George Wallace-poisoned past. Daniel Dobbs, a twenty one-year-old Harvard graduate and South Alabama native, is one of many young people who have joined the campaign representing hope and change for a downtrodden Alabama. A political animal himself, Daniel possesses so much charm and charisma that he was nicknamed "the Governor" in college. Nowhe is engaged in the struggle to conquer once and for all the malignant man Alabamians have traditionally called "the Governor." This historic election isn't the only thing Daniel wants to win. During his senior year, he fell in love with a freshman girl from Mountain Brook, the "Tiny Kingdom" of wealth and privilege, a world apart from his own Alabama origins. A small-town country boy, Daniel desperately wants to gain the favor of his girlfriend's family along with her mentor, the larger-than-life English teacher Norman Laney. Daniel also wants to keep one or two ex-girlfriends firmly out of the picture. In the course of his summer, he must untangle his complicated personal life, satisfy the middle-class dreams of his parents for their Harvard-educated son, decide whether to enter law school or launch his own political career, and, incidentally, help his candidate defeat George Wallace, in a close and increasingly dirty race. All the Governor's Men is a darkly comic look at both the political process in general and a significant political chapter in Alabama history. This second novel in Katherine Clark's Mountain Brook series depicts the social and political landscape of an Alabama world that is at once a place like no other and at the same time, a place like all others.
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD This sumptuous oral biography of Eugene Walter, the best-known man you’ve never heard of, is an eyewitness history of the heart of the last century—enlivened with personal glimpses of luminaries from William Faulkner and Martha Graham to Judy Garland and Leontyne Price—and a pitch-perfect addition to the Southern literary tradition that has critics cheering. In his 76 years, Eugene Walter ate of “the ripened heart of life,” to quote a letter from Isak Dinesen, one of his many illustrious friends. Walter savored the porch life of his native Mobile, Alabama, in the the l920s and ‘30s; stumbled into the Greenwich Village art scene in late-1940s New York; was a ubiquitous presence in Paris’s expatriate café society in the 1950s (where he was part of the Paris Review at its inception); and later, in 1960s Rome, participated in the golden age of Italian cinema. He was somehow everywhere, bringing with him a unique and contagious spirit, putting his inimitable stamp on the cultural life of the twentieth century. “Katherine Clark…has edited Eugene Walter’s oral history into a book as amazing as the man himself.” JONATHAN YARDLEY, WASHINGTON POST BOOK WORLD “Milking the Moon has perfect pitch and flawlessly captures Eugene’s pixilated wonderland of a life…. I love this book—and I couldn’t put it down.” PAT CONROY “Surprising and serendipitous.” NEW YORK TIMES BOOK REVIEW “Anecdotes so frothy they ought to be served with a paper parasol over crushed ice.” PEOPLE “A rare literary treat…the temptation is to wolf it down all at once, but it’s much more satisfying to take your sweet time. The most unique oral history of the mid-twentieth century.” TIMES-PICAYUNE (NEW ORLEANS) “An exceptionally fun read.” ATLANTA JOURNAL-CONSTITUTION
This book will help you to appreciate the depth and beauty of the dominant form of Christianity in Greece, Russia and much of Eastern Europe, to understand the tenets, nature and holy days of Orthodox belief, to recognize the physical features of an Orthodox church, and the spiritual significance of icons, to know what to expect and how to conduct yourself during Orthodox services and ceremonies. Orthodoxy is the dominant form of Christianity in Greece, Russia, parts of Eastern Europe and the Balkans. Its practices are largely unfamiliar in the West and have remained essentially unchanged since the earliest days of the faith. This lucid introduction outlines the tenets, nature and holy days of Orthodox belief with the Western reader in mind. It describes the physical church, especially icons, services, and common practices, and offers advice to visitors on how to conduct themselves so that they are accepted and feel comfortable. Several chapters concern the life of Jesus and the beginnings of Christianity; others trace the origins and history of the Church, with particular attention to its great champion, Constantine the Great. The present structure of the Church is described in brief, and the split between the Eastern and the Western Churches is related with differences clearly explained. The great antiquity and beauty of its liturgy, its essentially minimal hierarchy and its mystical yet pragmatic approach make the Orthodox religion a powerful medium for its profound and universal message. This deceptively simple volume takes the reader on a journey to the heart of the Christian tradition. Access the world's religions with Simple Guides: Religion a series of concise, accessible introductions to the world's major religions. Written by experts in the field, they offer an engaging and sympathetic description of the key concepts, beliefs and practices of different faiths. Ideal for spiritual seekers and travellers alike, Simple Guides aims to open the doors of perception. Together the books provide a reliable compass to the world's great spiritual traditions, and a point of reference for further exploration and discovery. By offering essential insights into the core values, customs and beliefs of different societies, they also enable visitors to be aware of the cultural sensibilities of their hosts, and to behave in a way that fosters mutual respect and understanding.
The Profession of Widowhood explores how the idea of ‘true’ widowhood was central to pre-modern ideas concerning marriage and of female identity more generally. The medieval figure of the Christian vere vidua or “good” widow evolved from and reinforced ancient social and religious sensibilities of chastity, loyalty and grief as gendered ‘work.’ The ideal widow was a virtuous woman who mourned her dead husband in chastity, solitude, and most importantly, in perpetuity, marking her as “a widow indeed” (1 Tim 5:5). The widow who failed to display adequate grief fulfilled the stereotype of the ‘merry widow’ who forgot her departed spouse and abused her sexual and social freedom. Stereotypes of widows ‘good’ and ‘bad’ served highly-charged ideological functions in pre-modern culture, and have remained durable even in modern times, even as Western secular society now focuses more on a woman’s recovery from grief and possible re-coupling than the expectation that she remain forever widowed. The widow represented not only the powerful bond created by love and marriage, but also embodied the conventions of grief that ordered the response when those bonds were broken by premature death. This notion of the widow as both a passive memorial to her husband and as an active ‘rememberer’ was rooted in ancient traditions, and appropriated by early Christian and medieval authors who used “good” widowhood to describe the varieties of female celibacy and to define the social and gender order. A tradition of widowhood characterized by chastity, solitude, and permanent bereavement affirmed both the sexual mores and political agenda of the medieval Church. Medieval widows—both holy women recognized as saints and ‘ordinary women’ in medieval daily life—recognized this tradition of professed chastity in widowhood not only as a valuable strategy for avoiding remarriage and protecting their independence, but as a state with inherent dignity that afforded opportunities for spiritual development in this world and eternal merit in the next.
This volume is a collection of writings by and about Katherine Dunham, the African American dancer, anthropologist and social activist. It includes articles, her essays on dance and anthropology and chapters from her volume of memoirs, 'Minefields'.
Civil rights activist Septima Poinsette Clark (1898-1987) developed a citizenship education program that enabled tens of thousands of African Americans to register to vote and to link the power of the ballot to concrete strategies for individual and communal empowerment. Clark, who began her own teaching career in 1916, grounded her approach in the philosophy and practice of southern black activist educators in the decades leading up to the 1950s and 1960s, and then trained a committed cadre of grassroots black women to lead this literacy revolution in community stores, beauty shops, and churches throughout the South. In this engaging biography, Katherine Charron tells the story of Clark, from her coming of age in the South Carolina lowcountry to her activism with the Southern Christian Leadership Conference in the movement's heyday. The enhanced electronic version of the book draws from archives, libraries, and the author's personal collection and includes nearly 100 letters, documents, photographs, newspaper articles, and interview excerpts, embedding each in the text where it will be most meaningful. Featuring more than 60 audio clips (more than 2.5 hours total) from oral history interviews with 15 individuals, including Clark herself, the enhanced e-book redefines the idea of the "talking book." Watch the video below to see a demonstration of the enhanced ebook:
Septima Poinsette Clark's gift to the civil rights movement was education. In the mid-1950s, this former public school teacher developed a citizenship training program that enabled thousands of African Americans to register to vote and then to link the po
Motherwit" and "common sense" were the watchwords of Onnie Lee Logan's career as a lay midwife in Mobile County, Alabama. Although she received little formal education, endured the Depression and faced a racist society, Onnie Lee Logan experienced her life as the triumphant fulfillment of a dream to be one of those who could bring babies into the world, as her mother and grandmother had done before her. Her story, told in the soft, now vanishing dialect of the Deep South, is powerful and fascinating oral history. Motherwit follows her life through her work as a servant for a wealthy Mobile family, her troubled marriage during the Depression, and her struggle to become a licensed midwife. We watch as she delivers the babies of both black and white women of Alabama--losing only one baby in 40 years. Onnie Lee Logan's forbearance in the face of the crushing prejudice of the rural South makes inspiring and unforgettable reading. When she passed away in 1995, the New York Times declared her a “folk hero,” and Time called her book “a feminist classic.” Filled with startling drama and profound wisdom, Motherwit is an important contribution to African-American history. "An amazing story. A heroic woman and life after my own heart." Alice Walker "To have told her own story, to have borne this eloquent witness to her life is Onnie Lee Logan's final triumph." Ellen Douglas in the Washington Post Book World "Oral history doesn't come much better than this." Booklist "Beautiful...her passion rings through in every line." Los Angeles Times
Acclaimed writers, family, friends, and more pay homage to the celebrated Southern author of The Prince of Tides and The Great Santini. New York Times–bestselling writer Pat Conroy (1945–2016) inspired a worldwide legion of devoted fans, but none are more loyal to him and more committed to sustaining his literary legacy than the many writers he nurtured over the course of his fifty-year career. In sharing their stories of Conroy, his fellow writers honor his memory and advance our shared understanding of his lasting impact on literary life in and well beyond the American South. Conroy’s fellowship drew from all walks of life. His relationships were complicated, and people and places he thought he’d left behind often circled back to him at crucial moments. The pantheon of contributors includes Rick Bragg, Kathleen Parker, Barbra Streisand, Janis Ian, Anthony Grooms, Mary Hood, Nikky Finney, Nathalie Dupree and Cynthia Graubart, Ron Rash, Sandra Brown, and Mary Alice Monroe; Conroy biographers Katherine Clark and Catherine Seltzer; his longtime friends; Pat’s students Sallie Ann Robinson and Valerie Sayers; members of the Conroy family; and many more. Each author in this collection shares a slightly different view of Conroy. Through their voices, a multifaceted portrait of him comes to life and sheds new light on who he was. Loosely following Conroy’s own chronology, the essays herewith wind through his river of a story, stopping at important ports of call. Cities he called home and longed to visit, along with each book he birthed, become characters that are as equally important as the people he touched along the way.
A debut novelist casts a satirical eye at southern society while celebrating the power of great teachers in this award-winning comedy of manners. Winner of the 2015 Willie Morris Award for Southern Fiction As an English teacher at an elite private school in Mountain Brook, Alabama, Norman Laney is as unorthodox as he is morbidly obese. A natural wonder from the blue-collar South, Laney has barged into the exclusive world of Mountain Brook with a mission to defeat “the barbarians,” introduce true civilization in place of its thin veneer, and change his southern world for the better. Laney is adored by his students and by the society ladies who rely on him to lead their book clubs and charm their party guests. But there are others who think he is a larger-than-life menace to the status quo. When Laney is suddenly faced with an ultimatum and his imminent dismissal, he must outflank the principal at his own underhanded game, find out who said what about him and why, and launch his current crop of Alabama students into the wider world—or at least into Ivy League colleges.
Expressions of Poetry in Season by Katherine Hagans Clark is about human experiences. Whoever one is, wherever one comes from, adversity in some form or facet is a part of living. Sadly, though, in today's society, many a senior citizen, especially those of everyday status, are alienated, their life lessons to share, are not heard. Expressions of Poetry in Season is thus written to share a poetic voice of such experiences in a changed world. As Katherine envisions it, a world that changes for the better begins with the individual being the best that he or she could be. About the Author: A native of North Carolina, Katherine Hagans Clark, Minnie Jean Hagans at birth, is of African and Cherokee Native American descent, affectionately known as Miss Kat by friends and former coworkers. A mother, grandmother, and great grandmother, she now appreciates the simple things in life, attending church services, being among friends and family, sharing one of her flower or plant arrangements She loves to listen to music, watching NBA games, as well as Olympic Games.
A comprehensive interpretation of one of Great Britain's most wide-ranging and prolific authors, this book examines Daniel Defoe's capacity to perceive fundamental historical change and long-term social process in light of his observations on liberty, property, trade, warfare, religion, and manners. It establishes Defoe as the crucial figure between the age of John Locke and the age of Smith and Hume in the evolution of eighteenth-century theories about commerce and conquest, religious toleration, and civil society.
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