Katherine Arden’s bestselling debut novel spins an irresistible spell as it announces the arrival of a singular talent with a gorgeous voice. “A beautiful deep-winter story, full of magic and monsters and the sharp edges of growing up.”—Naomi Novik, bestselling author of Uprooted Winter lasts most of the year at the edge of the Russian wilderness, and in the long nights, Vasilisa and her siblings love to gather by the fire to listen to their nurse’s fairy tales. Above all, Vasya loves the story of Frost, the blue-eyed winter demon. Wise Russians fear him, for he claims unwary souls, and they honor the spirits that protect their homes from evil. Then Vasya’s widowed father brings home a new wife from Moscow. Fiercely devout, Vasya’s stepmother forbids her family from honoring their household spirits, but Vasya fears what this may bring. And indeed, misfortune begins to stalk the village. But Vasya’s stepmother only grows harsher, determined to remake the village to her liking and to groom her rebellious stepdaughter for marriage or a convent. As the village’s defenses weaken and evil from the forest creeps nearer, Vasilisa must call upon dangerous gifts she has long concealed—to protect her family from a threat sprung to life from her nurse’s most frightening tales. Praise for The Bear and the Nightingale “Arden’s debut novel has the cadence of a beautiful fairy tale but is darker and more lyrical.”—The Washington Post “Vasya [is] a clever, stalwart girl determined to forge her own path in a time when women had few choices.”—The Christian Science Monitor “Stunning . . . will enchant readers from the first page. . . . with an irresistible heroine who wants only to be free of the bonds placed on her gender and claim her own fate.”—Publishers Weekly (starred review) “Utterly bewitching . . . a lush narrative . . . an immersive, earthy story of folk magic, faith, and hubris, peopled with vivid, dynamic characters, particularly clever, brave Vasya, who outsmarts men and demons alike to save her family.”—Booklist (starred review) “An extraordinary retelling of a very old tale . . . The Bear and the Nightingale is a wonderfully layered novel of family and the harsh wonders of deep winter magic.”—Robin Hobb
New York Times bestselling adult author of The Bear and the Nightingale makes her middle grade debut with a creepy, spellbinding ghost story destined to become a classic. Now in paperback. After suffering a tragic loss, eleven-year-old Ollie who only finds solace in books discovers a chilling ghost story about a girl named Beth, the two brothers who loved her, and a peculiar deal made with "the smiling man"—a sinister specter who grants your most tightly held wish, but only for the ultimate price. Captivated by the tale, Ollie begins to wonder if the smiling man might be real when she stumbles upon the graves of the very people she's been reading about on a school trip to a nearby farm. Then, later, when her school bus breaks down on the ride home, the strange bus driver tells Ollie and her classmates: "Best get moving. At nightfall they'll come for the rest of you." Nightfall is, indeed, fast descending when Ollie's previously broken digital wristwatch begins a startling countdown and delivers a terrifying message: RUN. Only Ollie and two of her classmates heed these warnings. As the trio head out into the woods—bordered by a field of scarecrows that seem to be watching them—the bus driver has just one final piece of advice for Ollie and her friends: "Avoid large places. Keep to small." And with that, a deliciously creepy and hair-raising adventure begins.
New York Times bestselling author Katherine Arden thrills once again in the finale to the critically acclaimed, bone-chilling quartet that began with Small Spaces. Now in paperback. It’s been three months since Ollie made a daring deal with the smiling man to save those she loved, and then vanished without a trace. The smiling man promised Coco, Brian and Phil, that they’d have a chance to save her, but as time goes by, they begin to worry that the smiling man has lied to them and Ollie is gone forever. But then a terrified and rambling boy who went missing at a nearby traveling carnival appears with a message for the trio from the mysterious man who took him: Play if you dare. Game on! The smiling man has finally made his move. Now it’s Coco, Brian, and Phil’s turn to make theirs. And they know just where to start. The traveling carnival is coming to Evansburg. Meanwhile, Ollie is trapped in the world behind the mist, learning the horrifying secrets of the smiling man's carnival, and trying everything to help her friends find her. Brian, Coco and Phil will risk everything to rescue Ollie—but they all soon realize this game is much more dangerous than the ones before. This time the smiling man is playing for keeps.
NEW YORK TIMES BESTSELLER • Following their adventures in The Bear and the Nightingale and The Girl in the Tower, Vasya and Morozko return in this stunning conclusion to the bestselling Winternight Trilogy, battling enemies mortal and magical to save both Russias, the seen and the unseen. “A tale both intimate and epic, featuring a heroine whose harrowing and wondrous journey culminates in an emotionally resonant finale.”—Publishers Weekly (starred review) NAMED ONE OF PASTE’S BEST FANTASY BOOKS OF THE DECADE Vasilisa Petrovna is an unforgettable heroine determined to forge her own path. Her gifts and her courage have drawn the attention of Morozko, the winter-king, but it is too soon to know if this connection will prove a blessing or a curse. Now Moscow has been struck by disaster. Its people are searching for answers—and for someone to blame. Vasya finds herself alone, beset on all sides. The Grand Prince is in a rage, choosing allies that will lead him on a path to war and ruin. A wicked demon returns, determined to spread chaos. Caught at the center of the conflict is Vasya, who finds the fate of two worlds resting on her shoulders. Her destiny uncertain, Vasya will uncover surprising truths about herself as she desperately tries to save Russia, Morozko, and the magical world she treasures. But she may not be able to save them all. Praise for The Winter of the Witch “Katherine Arden’s Winternight Trilogy isn’t just good—it’s hug-to-your-chest, straight-to-the-favorites-shelf, reread-immediately good, and each book just gets better. The Winter of the Witch plunges us back to fourteenth-century Moscow, where old gods and new vie for the soul of Russia and fate rests on a witch girl’s slender shoulders. Prepare to have your heart ripped out, loaned back to you full of snow and magic, and ripped out some more.”—Laini Taylor “Luxuriously detailed yet briskly suspenseful . . . a striking literary fantasy informed by Arden’s deep knowledge.”—Kirkus Reviews (starred review)
Filled with chills, New York Times bestselling author Katherine Arden’s latest installment in the creep-tastic Small Spaces Quartet is sure to haunt. Now in paperback. Until next time. That was the chilling promise the smiling man made to Ollie, Coco, and Brian after they last outsmarted him. And as the trio knows, the smiling man always keeps his promises. So when the lights flicker and a knock sounds at the door, there can only be one explanation: he’s back and a frightening new game is afoot. But before the three friends can unravel the smiling man’s latest nightmarish scheme, they set sail on Lake Champlain, where it’s said Vermont’s very own Loch Ness monster lives. Brian is thrilled. He hasn’t sailed since visiting family in Jamaica, and even the looming threat of the smiling man can’t put a damper on what is guaranteed to finally be a day of fun—even if it is awkward being stuck on a boat with his former best friend, Phil, and his new best friends, Coco and Ollie. But when this crew find themselves shipwrecked on a deserted island and hunted by a monster on both land and sea, fun becomes the last thing on their minds. The smiling man has at long last set the stage for a perilous rematch. But this time, Brian is ready to play.
NATIONAL BESTSELLER • During the Great War, a combat nurse searches for her brother, believed dead in the trenches despite eerie signs that suggest otherwise, in this hauntingly beautiful historical novel with a speculative twist, from the author of The Bear and the Nightingale. “A wonderful clash of fire and ice—a book you won’t want to let go of.”—Diana Gabaldon, author of Outlander January 1918. Laura Iven was a revered field nurse until she was wounded and discharged from the medical corps, leaving behind a brother still fighting in Flanders. Now home in Halifax, Canada, Laura receives word of Freddie’s death in combat, along with his personal effects—but something doesn’t make sense. Determined to uncover the truth, Laura returns to Belgium as a volunteer at a private hospital, where she soon hears whispers about haunted trenches and a strange hotelier whose wine gives soldiers the gift of oblivion. Could Freddie have escaped the battlefield, only to fall prey to something—or someone—else? November 1917. Freddie Iven awakens after an explosion to find himself trapped in an overturned pillbox with a wounded enemy soldier, a German by the name of Hans Winter. Against all odds, the two form an alliance and succeed in clawing their way out. Unable to bear the thought of returning to the killing fields, especially on opposite sides, they take refuge with a mysterious man who seems to have the power to make the hellscape of the trenches disappear. As shells rain down on Flanders and ghosts move among those yet living, Laura’s and Freddie’s deepest traumas are reawakened. Now they must decide whether their world is worth salvaging—or better left behind entirely.
New York Times bestselling author Katherine Arden returns with another creepy, spine-tingling adventure in the critically acclaimed Small Spaces Quartet. Now in paperback. Having survived sinister scarecrows and the malevolent smiling man in Small Spaces, newly minted best friends Ollie, Coco, and Brian are ready to spend a relaxing winter break skiing together with their parents at Mount Hemlock Resort. But when a snowstorm sets in, causing the power to flicker out and the cold to creep closer and closer, the three are forced to settle for hot chocolate and board games by the fire. Ollie, Coco, and Brian are determined to make the best of being snowed in, but odd things keep happening. Coco is convinced she has seen a ghost, and Ollie is having nightmares about frostbitten girls pleading for help. Then Mr. Voland, a mysterious ghost hunter, arrives in the midst of the storm to investigate the hauntings at Hemlock Lodge. Ollie, Coco, and Brian want to trust him, but Ollie's watch, which once saved them from the smiling man, has a new cautionary message: BEWARE. With Mr. Voland's help, Ollie, Coco, and Brian reach out to the dead voices at Mount Hemlock. Maybe the ghosts need their help--or maybe not all ghosts can or should be trusted. Dead Voices is a terrifying follow-up to Small Spaces with thrills and chills galore and the captive foreboding of a classic ghost story.
A remarkable young woman blazes her own trail, from the backwoods of Russia to the court of Moscow, in the exhilarating sequel to Katherine Arden’s bestselling debut novel, The Bear and the Nightingale. Katherine Arden’s enchanting first novel introduced readers to an irresistible heroine. Vasilisa has grown up at the edge of a Russian wilderness, where snowdrifts reach the eaves of her family’s wooden house and there is truth in the fairy tales told around the fire. Vasilisa’s gift for seeing what others do not won her the attention of Morozko—Frost, the winter demon from the stories—and together they saved her people from destruction. But Frost’s aid comes at a cost, and her people have condemned her as a witch. Now Vasilisa faces an impossible choice. Driven from her home by frightened villagers, the only options left for her are marriage or the convent. She cannot bring herself to accept either fate and instead chooses adventure, dressing herself as a boy and setting off astride her magnificent stallion Solovey. But after Vasilisa prevails in a skirmish with bandits, everything changes. The Grand Prince of Moscow anoints her a hero for her exploits, and she is reunited with her beloved sister and brother, who are now part of the Grand Prince’s inner circle. She dares not reveal to the court that she is a girl, for if her deception were discovered it would have terrible consequences for herself and her family. Before she can untangle herself from Moscow’s intrigues—and as Frost provides counsel that may or may not be trustworthy—she will also confront an even graver threat lying in wait for all of Moscow itself. Praise for The Girl in the Tower “[A] magical story set in an alluring Russia.”—Paste “Arden’s lush, lyrical writing cultivates an intoxicating, visceral atmosphere, and her marvelous sense of pacing carries the novel along at a propulsive clip. A masterfully told story of folklore, history, and magic with a spellbinding heroine at the heart of it all.”—Booklist (starred review) “[A] sensual, beautifully written, and emotionally stirring fantasy . . . Fairy tales don’t get better than this.”—Publishers Weekly (starred review) “[Katherine] Arden once again delivers an engaging fantasy that mixes Russian folklore and history with delightful worldbuilding and lively characters.”—Library Journal
Frost-demons have no interest in mortal girls wed to mortal men. In the stories, they only come for the wild maiden.' In a village at the edge of the wilderness of northern Russia, where the winds blow cold and the snow falls many months of the year, an elderly servant tells stories of sorcery, folklore and the Winter King to the children of the family, tales of old magic frowned upon by the church. But for the young, wild Vasya these are far more than just stories. She alone can see the house spirits that guard her home, and sense the growing forces of dark magic in the woods... Atmospheric and enchanting, with an engrossing adventure at its core, The Bear and the Nightingale is perfect for readers of Naomi Novik's Uprooted, Erin Morgenstern's The Night Circus, and Neil Gaiman.
In this bewitching picture book debut from bestselling fantasy author Katherine Arden, a girl wins an odd-looking goldfish at a county fair that ends up being secretly magical. When Daisy wins a funny-looking goldfish at a fair, she ignores the mean comments about its appearance. She doesn’t mind the dull scales and lumpy head—in fact, she thinks her goldfish is the prettiest thing in the world. However, as Daisy continues caring for the goldfish, something strange starts happening to it . . . With lyrical writing and stunning illustrations, this enchanting story about a girl and her goldfish reveals—with a touch of magic— the transformative power of unconditional love and care.
For a young woman in medieval Russia, the choices are stark: marriage or a life in a convent. Vasya will choose a third way: magic... The court of the Grand Prince of Moscow is plagued by power struggles and rumours of unrest. Meanwhile bandits roam the countryside, burning the villages and kidnapping its daughters. Setting out to defeat the raiders, the Prince and his trusted companion come across a young man riding a magnificent horse. Only Sasha, a priest with a warrior's training, recognises this 'boy' as his younger sister, thought to be dead or a witch by her village. But when Vasya proves herself in battle, riding with remarkable skill and inexplicable power, Sasha realises he must keep her secret as she may be the only way to save the city from threats both human and fantastical...
The sweeping new novel from New York Times bestselling author Katherine Arden. 'A wonderful clash of fire and ice ... A book you won't want to let go of.' Diana Gabaldon 'A spectacular tour de force ... I love this book so much and want everyone to read it!' Naomi Novik 'Darkly beautiful and deeply humane ... The Warm Hands of Ghosts will stir your heart, and settle into your bones.' Ava Reid 'Visionary, imaginative and brilliantly written.' Anthony Horowitz ‘This exquisite novel took me over like a haunting ... One of the best historical fantasies I've ever read’ Emma Törzs ______________ World War One, and as shells fall in Flanders, a Canadian nurse searches for her brother believed dead in the trenches despite eerie signs that suggest otherwise in this gripping and powerful historical novel from the bestselling author of The Bear and the Nightingale. January 1918. Laura Iven has been discharged from her duties as a nurse and sent back to Halifax, Canada, leaving behind a brother still fighting in the trenches of the First World War. Now home, she receives word of Freddie's death in action along with his uniform -but something doesn't quite make sense. Determined to find out more, Laura returns to Belgium as a volunteer at a private hospital. Soon after arriving, she hears whispers about ghosts moving among those still living and a strange inn-keeper whose wine gives soldiers the gift of oblivion. Could this have happened to Freddie - but if so, where is he? November 1917. Freddie Iven awakens after an explosion to find himself trapped under an overturned pillbox with an enemy soldier, a German, each of them badly wounded. Against all odds, the two men form a bond and succeed in clawing their way out. But once in No Man's Land, where can either of them turn where they won't be shot as enemy soldiers or deserters? As the killing continues, they meet a man - a fiddler - who seems to have the power to make the hellscape that surrounds them disappear. But at what price? A novel of breath-taking scope and drama, of compulsive readability, of stunning historical research lightly worn, and of brilliantly drawn characters who will make you laugh and break your heart in a single line, The Warm Hands of Ghosts is a book that will speak to readers directly about the trauma of war and the power of those involved to love, endure and transcend it. ______________ More love for The Warm Hands of Ghosts . . . 'Immersive and timeless, and an ode to the enduring power of memory.’ Vaishnavi Patel 'A page-turner of the highest order ... A haunting, fantastic read!’ Helene Wecker 'I absolutely devoured it!' Santa Montefiore 'Wonderful storytelling. Inventive, haunting and deeply moving.' Sarah Winman 'An exquisite, brilliant gem of a story.’ Conn Iggulden 'Simply stunning.' Kate Quinn ‘Absolutely incredible; I had chills all through reading it.' Shannon Chakraborty 'Arden’s gripping historical fantasy will draw readers in and keep them engaged.' Library Journal, starred review 'Lyrically beautiful prose, a brave heroine and a story shot through with the darkness of war' Daily Mail
Discover the best in science fiction and fantasy with the 2017 Del Rey ebook sampler! 2017 is shaping up to a big year. Kevin Hearne, who remixed our myths in The Iron Druid Chronicles, kicks off a fantasy series with an entirely new lore. A sentient social network aspires to world domination in a diabolical satire of Silicon Valley. A persecuted princess returns to her magical homeland in an enchanting debut novel. And in an wild new vision of reincarnation, one man waits ten thousand lifetimes for his true love: Death herself. But 2017 will also be a big year for next chapters and long-awaited endings. With The Core, the final book in The Demon Cycle, looming, now is the perfect time to rediscover Peter V. Brett’s The Warded Man. Alan Dean Foster’s For Love of Mother-Not will prepare you for the triumphant return of Pip and Flinx in Strange Music. And Terry Brooks, one of the all-time masters of fantasy, sets in motion the epic four-part conclusion to his beloved Shannara saga. Plus, discover new series that are quickly becoming fan favorites: Cold Welcome is the warm-up for Into the Fire; Sleeping Giants sounds the alarm for Waking Gods; Gilded Cage unleashes Tarnished City; and The Bear and the Nightingale sets the scene for The Girl in the Tower. This sensational ebook sampler includes excerpts from eleven recent and upcoming titles: AFTER ON by Rob Reid THE BEAR AND THE NIGHTINGALE by Katherine Arden THE BLACK ELFSTONE by Terry Brooks COLD WELCOME by Elizabeth Moon FOR LOVE OF MOTHER-NOT by Alan Dean Foster GILDED CAGE by Vic James A PLAGUE OF GIANTS by Kevin Hearne REINCARNATION BLUES by Michael Poore SLEEPING GIANTS by Sylvain Neuvel THE WAKING LAND by Callie Bates THE WARDED MAN by Peter V. Brett
What’s on the horizon for 2016 and beyond? Find out in this annual ebook sampler of excerpts from some of Del Rey’s most exciting science fiction and fantasy titles! Inside are a slew of iconic authors and brands. Michael J. Sullivan, the author of the Riyria series, kicks off an original five-book saga. Elizabeth Moon revisits her classic military sci-fi epic Vatta’s War with a new standalone novel. Science Fiction Hall of Famer Connie Willis returns with a satire of love and (mis)communication. China Miéville, one of the most consistently original voices in any genre, presents a brilliant work of alternate history. And a bold era of World of Warcraft storytelling begins with a tale of justice and vengeance. Here, too, are emerging voices and incredible new visions. At the edge of the Russian wilderness, a young girl tries to protect her family from terrifying fairy tales come to life. In Kolkata, India, a college professor learns of a race of people at once more than human yet kin to beasts. An ordinary family in England undertakes a ten-year period of servitude to a ruling class endowed with powerful magic. A contestant on a reality TV show, cut off from all outside contact, learns that the real world may have changed in terrifying ways. A young man with inexplicable powers is recruited by a secret training program at West Point. And in South Dakota, a child falls through the earth—only to wake up in the palm of a giant metal hand. This marvelous ebook sampler contains excerpts from eleven recent and upcoming works: AGE OF MYTH by Michael J. Sullivan THE BEAR AND THE NIGHTINGALE by Katherine Arden COLD WELCOME by Elizabeth Moon CROSSTALK by Connie Willis THE DEVOURERS by Indra Das GILDED CAGE by Vic James THE LAST DAYS OF NEW PARIS by China Miéville THE LAST ONE by Alexandra Oliva THE POINT by John Dixon SLEEPING GIANTS by Sylvain Neuvel WORLD OF WARCRAFT: ILLIDAN by William King
With the recent turn to science studies and interdisciplinary research in Shakespearean scholarship, Shakespeare and Science: A Dictionary, provides a pedagogical resource for students and scholars. In charting Shakespeare's engagement with natural philosophical discourse, this edition shapes the future of Shakespearean scholarship and pedagogy significantly, appealing to students entering the field and current scholars in interdisciplinary research on the topic alongside the non-professional reader seeking to understand Shakespeare's language and early modern scientific practices. Shakespeare's works respond to early modern culture's rapidly burgeoning interest in how new astronomical theories, understandings of motion and change, and the cataloging of objects, vegetation, and animals in the natural world could provide new knowledge. To cite a famous example, Hamlet's letter to Ophelia plays with the differences between the Ptolemaic and Copernican notions of the earth's movement: “Doubt that the sun doth move” may either be, in the Ptolemaic view, an earnest plea or, in the Copernican system, a purposeful equivocation. The Dictionary contextualizes such moments and scientific terms that Shakespeare employs, creatively and critically, throughout his poetry and drama. The focus is on Shakespeare's multiform uses of language, rendering accessible to students of Shakespeare such terms as “firmament,” “planetary influence,” and “retrograde.”
[A] deeply considered and stimulating book, informed throughout by the author's intimate knowledge of the literature and society of Shakespeare's age... ' Stanley Wells, TLS 'It is unquestionably the best Shakespearean biography of the new century' Jonathan Bate, Sunday Telegraph This major biography of Shakespeare was first published in 2001 to great critical acclaim. It remains highly regarded and much cited by critics and scholars. Its author, Katherine Duncan Jones was an advisor to William Boyd for his film about Shakespeare's life (A Waste of Shame). The book shows Shakespeare as a man among men and a writer among writers. He lives in a congested city, where he encounters disease, debt and cut-throat competition. His brilliance often makes him the object of envy and malice rather than adulation. He is a shrewd purchaser of property and shows no inclination to divert any of his wealth to charitable or altruistic ends. He appears to be more interested in relationships with well-born young men than with women. Duncan Jones takes us through the complexities of life in late Elizabethan and early Jacobean England in a compelling well-told story. For this paperback reissue, the author has written a new Preface, detailing some of the recent debates about Shakespeare's biography and identity.
Entre Chair de Poule et Stranger Things pour les 8-12 ans ! Depuis le décès de sa mère, Ollie, onze ans, trouve refuge dans la littérature. Jusqu'au jour où elle croise, près d'une rivière, une femme déterminée à se débarrasser d'un livre qu'elle prétend maudit. Le sang d'Ollie ne fait qu'un tour : pas question de la laisser commettre une telle barbarie ! Elle vole l'ouvrage et le dévore en une nuit. Il raconte l'histoire d'Elizabeth Morrison et de ses deux fils, Caleb et Jonathan, disparus après avoir passé un pacte avec un sinistre spectre souriant. Le lendemain, la jeune fille a la désagréable surprise de découvrir que la ferme que visite sa classe est celle où est enterrée Elizabeth... " Aussi terrifiant qu'amusant ! " R. L. Stine
NEW YORK TIMES BESTSELLER • Following their adventures in The Bear and the Nightingale and The Girl in the Tower, Vasya and Morozko return in this stunning conclusion to the bestselling Winternight Trilogy, battling enemies mortal and magical to save both Russias, the seen and the unseen. “A tale both intimate and epic, featuring a heroine whose harrowing and wondrous journey culminates in an emotionally resonant finale.”—Publishers Weekly (starred review) NAMED ONE OF PASTE’S BEST FANTASY BOOKS OF THE DECADE Vasilisa Petrovna is an unforgettable heroine determined to forge her own path. Her gifts and her courage have drawn the attention of Morozko, the winter-king, but it is too soon to know if this connection will prove a blessing or a curse. Now Moscow has been struck by disaster. Its people are searching for answers—and for someone to blame. Vasya finds herself alone, beset on all sides. The Grand Prince is in a rage, choosing allies that will lead him on a path to war and ruin. A wicked demon returns, determined to spread chaos. Caught at the center of the conflict is Vasya, who finds the fate of two worlds resting on her shoulders. Her destiny uncertain, Vasya will uncover surprising truths about herself as she desperately tries to save Russia, Morozko, and the magical world she treasures. But she may not be able to save them all. Praise for The Winter of the Witch “Katherine Arden’s Winternight Trilogy isn’t just good—it’s hug-to-your-chest, straight-to-the-favorites-shelf, reread-immediately good, and each book just gets better. The Winter of the Witch plunges us back to fourteenth-century Moscow, where old gods and new vie for the soul of Russia and fate rests on a witch girl’s slender shoulders. Prepare to have your heart ripped out, loaned back to you full of snow and magic, and ripped out some more.”—Laini Taylor “Luxuriously detailed yet briskly suspenseful . . . a striking literary fantasy informed by Arden’s deep knowledge.”—Kirkus Reviews (starred review)
A remarkable young woman blazes her own trail, from the backwoods of Russia to the court of Moscow, in the exhilarating sequel to Katherine Arden’s bestselling debut novel, The Bear and the Nightingale. Katherine Arden’s enchanting first novel introduced readers to an irresistible heroine. Vasilisa has grown up at the edge of a Russian wilderness, where snowdrifts reach the eaves of her family’s wooden house and there is truth in the fairy tales told around the fire. Vasilisa’s gift for seeing what others do not won her the attention of Morozko—Frost, the winter demon from the stories—and together they saved her people from destruction. But Frost’s aid comes at a cost, and her people have condemned her as a witch. Now Vasilisa faces an impossible choice. Driven from her home by frightened villagers, the only options left for her are marriage or the convent. She cannot bring herself to accept either fate and instead chooses adventure, dressing herself as a boy and setting off astride her magnificent stallion Solovey. But after Vasilisa prevails in a skirmish with bandits, everything changes. The Grand Prince of Moscow anoints her a hero for her exploits, and she is reunited with her beloved sister and brother, who are now part of the Grand Prince’s inner circle. She dares not reveal to the court that she is a girl, for if her deception were discovered it would have terrible consequences for herself and her family. Before she can untangle herself from Moscow’s intrigues—and as Frost provides counsel that may or may not be trustworthy—she will also confront an even graver threat lying in wait for all of Moscow itself. Praise for The Girl in the Tower “[A] magical story set in an alluring Russia.”—Paste “Arden’s lush, lyrical writing cultivates an intoxicating, visceral atmosphere, and her marvelous sense of pacing carries the novel along at a propulsive clip. A masterfully told story of folklore, history, and magic with a spellbinding heroine at the heart of it all.”—Booklist (starred review) “[A] sensual, beautifully written, and emotionally stirring fantasy . . . Fairy tales don’t get better than this.”—Publishers Weekly (starred review) “[Katherine] Arden once again delivers an engaging fantasy that mixes Russian folklore and history with delightful worldbuilding and lively characters.”—Library Journal
An original and provocative study of the evolution of Shakespeare's image, building on the success of Duncan-Jones' acclaimed biography, Shakespeare: An Ungentle Life. Taking a broadly chronological approach, she investigates Shakespeare's changing reputation, as a man, an actor and a poet, both from his own viewpoint and from that of his contemporaries. Many different categories of material are explored, including printed books, manuscripts, literary and non-literary sources. Rather than a biography, the book is an exploration with biographical elements. The change in public opinion in Shakespeare's time is quite startling: Henry Chettle attacked him as an 'upstart Crow' in 1592, an attack from which Shakespeare sought to defend himself; and yet by the time of the First Folio in 1623 he had become the 'Sweet Swan of Avon!' and was fast becoming the national treasure he remains today. This engaging and fascinating study brings the politics and fashions of Shakespeare's literary and theatrical world vividly to life.
[A] deeply considered and stimulating book, informed throughout by the author's intimate knowledge of the literature and society of Shakespeare's age... ' Stanley Wells, TLS 'It is unquestionably the best Shakespearean biography of the new century' Jonathan Bate, Sunday Telegraph This major biography of Shakespeare was first published in 2001 to great critical acclaim. It remains highly regarded and much cited by critics and scholars. Its author, Katherine Duncan Jones was an advisor to William Boyd for his film about Shakespeare's life (A Waste of Shame). The book shows Shakespeare as a man among men and a writer among writers. He lives in a congested city, where he encounters disease, debt and cut-throat competition. His brilliance often makes him the object of envy and malice rather than adulation. He is a shrewd purchaser of property and shows no inclination to divert any of his wealth to charitable or altruistic ends. He appears to be more interested in relationships with well-born young men than with women. Duncan Jones takes us through the complexities of life in late Elizabethan and early Jacobean England in a compelling well-told story. For this paperback reissue, the author has written a new Preface, detailing some of the recent debates about Shakespeare's biography and identity.
This book explores how productions of Shakespearean plays create meaning in specific communities, with special attention to issues of access, adaptation, and activism. Instead of focusing on large professional companies, it analyzes performances put on by community theatres and grassroots companies, and in applied drama projects. It looks at Shakespearean productions created by marginalized populations in Greater London, Harlem, and Los Angeles, a Hamlet staged in the remote Faroe Islands, and eco-theatre made in California’s Yosemite National Park. The book investigates why different communities perform Shakespeare, and what challenges, opportunities, and triumphs accompany the processes of theatrical production for both the artists and the communities in which they are embedded.
Unfixable Forms explores how theatrical form remakes—and is in turn remade by—early modern disability. Figures described as "deformed," "lame," "crippled," "ugly," "sick," and "monstrous" crowd the stage in English drama of the sixteenth and seventeenth centuries. In each case, such a description distills cultural expectations about how a body should look and what a body should do—yet, crucially, demands the actor's embodied performance. In the early modern theater, concepts of disability collide with the deforming, vulnerable body of the actor. Reading dramatic texts alongside a diverse array of sources, ranging from physic manuals to philosophical essays to monster pamphlets, Katherine Schaap Williams excavates an archive of formal innovation to argue that disability is at the heart of the early modern theater's exploration of what it means to put the body of an actor on the stage. Offering new interpretations of canonical works by William Shakespeare, Ben Jonson, Thomas Dekker, Thomas Middleton, and William Rowley, and close readings of little-known plays such as The Fair Maid of the Exchange and A Larum For London, Williams demonstrates how disability cuts across foundational distinctions between nature and art, form and matter, and being and seeming. Situated at the intersections of early modern drama, disability studies, and performance theory, Unfixable Forms locates disability on the early modern stage as both a product of cultural constraints and a spark for performance's unsettling demands and electrifying eventfulness.
First published in 1999, this volume aims to develop the field of theatre studies by promoting the study of performative elements and thus fostering their consideration in the critical interpretation of dramatic literature. The authors additionally suggest ways of approaching and evaluating the work of individual performers, as well as of directors, designers and producers. It is an archival guide which covers manuscript and ephemera, rather than published texts, and attempts to indicate the potential value of the documentary material listed. This unique reference guide provides descriptions and evaluations of archive manuscript materials and ephemera relating to twentieth-century British and American theatre. Over 100 archives across Europe, North America and Britain were examined in the compilation of this volume. The documents include: unpublished playscripts; state and costume designs; directors' books; prompt books; lighting plots; stage photos; correspondence; theatre programmes. One hundred and seventy five entries are arranged alphabetically and cover playwrights, directors, designers and actors. By its nature, theatre is a collaborative enterprise, a facet which is recognised in the comprehensive cross-referencing of entries. The last twenty years has seen a shift in drama studies from text-based criticism to analysis of performance. The materials covered in this book have therefore become essential to future research in the field.
This book is a concise single volume guide to studying Shakespeare, covering practical as well as theoretical issues. The text deals with the major topics on a chapter-by-chapter basis, starting with why we study Shakespeare, through Shakespeare and multimedia, to a final chapter on Shakespeare and Theory. Current trends and recent developments in Shakespearean studies are also discussed, with an emphasis on the contextualisation of Shakespeare, historical appropriations of his work and the debate concerning his place in the literary canon. Extensive reference is made to a variety of developing media, e.g. film, audio cassette, video, CD-Rom and global digital networks, bringing the study of Shakespeare into the twentieth century.
This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.
Katherine Arden’s bestselling debut novel spins an irresistible spell as it announces the arrival of a singular talent with a gorgeous voice. “A beautiful deep-winter story, full of magic and monsters and the sharp edges of growing up.”—Naomi Novik, bestselling author of Uprooted Winter lasts most of the year at the edge of the Russian wilderness, and in the long nights, Vasilisa and her siblings love to gather by the fire to listen to their nurse’s fairy tales. Above all, Vasya loves the story of Frost, the blue-eyed winter demon. Wise Russians fear him, for he claims unwary souls, and they honor the spirits that protect their homes from evil. Then Vasya’s widowed father brings home a new wife from Moscow. Fiercely devout, Vasya’s stepmother forbids her family from honoring their household spirits, but Vasya fears what this may bring. And indeed, misfortune begins to stalk the village. But Vasya’s stepmother only grows harsher, determined to remake the village to her liking and to groom her rebellious stepdaughter for marriage or a convent. As the village’s defenses weaken and evil from the forest creeps nearer, Vasilisa must call upon dangerous gifts she has long concealed—to protect her family from a threat sprung to life from her nurse’s most frightening tales. Praise for The Bear and the Nightingale “Arden’s debut novel has the cadence of a beautiful fairy tale but is darker and more lyrical.”—The Washington Post “Vasya [is] a clever, stalwart girl determined to forge her own path in a time when women had few choices.”—The Christian Science Monitor “Stunning . . . will enchant readers from the first page. . . . with an irresistible heroine who wants only to be free of the bonds placed on her gender and claim her own fate.”—Publishers Weekly (starred review) “Utterly bewitching . . . a lush narrative . . . an immersive, earthy story of folk magic, faith, and hubris, peopled with vivid, dynamic characters, particularly clever, brave Vasya, who outsmarts men and demons alike to save her family.”—Booklist (starred review) “An extraordinary retelling of a very old tale . . . The Bear and the Nightingale is a wonderfully layered novel of family and the harsh wonders of deep winter magic.”—Robin Hobb
With the recent turn to science studies and interdisciplinary research in Shakespearean scholarship, Shakespeare and Science: A Dictionary, provides a pedagogical resource for students and scholars. In charting Shakespeare's engagement with natural philosophical discourse, this edition shapes the future of Shakespearean scholarship and pedagogy significantly, appealing to students entering the field and current scholars in interdisciplinary research on the topic alongside the non-professional reader seeking to understand Shakespeare's language and early modern scientific practices. Shakespeare's works respond to early modern culture's rapidly burgeoning interest in how new astronomical theories, understandings of motion and change, and the cataloging of objects, vegetation, and animals in the natural world could provide new knowledge. To cite a famous example, Hamlet's letter to Ophelia plays with the differences between the Ptolemaic and Copernican notions of the earth's movement: “Doubt that the sun doth move” may either be, in the Ptolemaic view, an earnest plea or, in the Copernican system, a purposeful equivocation. The Dictionary contextualizes such moments and scientific terms that Shakespeare employs, creatively and critically, throughout his poetry and drama. The focus is on Shakespeare's multiform uses of language, rendering accessible to students of Shakespeare such terms as “firmament,” “planetary influence,” and “retrograde.”
New York Times bestselling author Katherine Arden returns with another creepy, spine-tingling adventure in the critically acclaimed Small Spaces Quartet. Now in paperback. Having survived sinister scarecrows and the malevolent smiling man in Small Spaces, newly minted best friends Ollie, Coco, and Brian are ready to spend a relaxing winter break skiing together with their parents at Mount Hemlock Resort. But when a snowstorm sets in, causing the power to flicker out and the cold to creep closer and closer, the three are forced to settle for hot chocolate and board games by the fire. Ollie, Coco, and Brian are determined to make the best of being snowed in, but odd things keep happening. Coco is convinced she has seen a ghost, and Ollie is having nightmares about frostbitten girls pleading for help. Then Mr. Voland, a mysterious ghost hunter, arrives in the midst of the storm to investigate the hauntings at Hemlock Lodge. Ollie, Coco, and Brian want to trust him, but Ollie's watch, which once saved them from the smiling man, has a new cautionary message: BEWARE. With Mr. Voland's help, Ollie, Coco, and Brian reach out to the dead voices at Mount Hemlock. Maybe the ghosts need their help--or maybe not all ghosts can or should be trusted. Dead Voices is a terrifying follow-up to Small Spaces with thrills and chills galore and the captive foreboding of a classic ghost story.
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