From concept stage through production in Egypt to release of the film: Katherine Orrison carefully recreates the behind-the-scenes story of Cecil B. DeMille's beloved epic.
Biophotonic diagnostics/biomedical spectroscopy can revolutionise the medical environment by providing a responsive and objective diagnostic environment. This book aims to explain the fundamentals of the physical techniques used combined with the particular requirements of analysing medical/clinical samples as a resource for any interested party. In addition, it will show the potential of this field for the future of medical science and act as a driver for translation across many different biological problems/questions.
A stunningly intimate exploration of the writer and gay cultural icon and of his lifelong search for authenticity. The story of Christopher Isherwood’s life is one of pilgrimage: away from the constraints of inheritance and empire and toward authenticity and spiritual illumination. Isherwood—the author of Goodbye to Berlin, which inspired Cabaret, and A Single Man—was born the heir to a crumbling English estate. He died an icon of gay liberation in California while his partner of thirty years, Don Bachardy, painted his death portrait. Isherwood began his career depicting the psychological wreckage of World War I. While living in Berlin, he began to write his reputation-making fiction and (with W. H. Auden) plays inspired by the city’s nightlife, its artistic underbelly, its fevered politics. When Hitler took power, he fled with his German boyfriend, who was pursued and arrested by the Gestapo. Isherwood left Europe and found work as a screenwriter in Hollywood, where he became the disciple of a Hindu monk, Swami Prabhavananda. Together they translated the Bhagavad Gita. Isherwood shed his family ghosts and became a chief instigator of the cultural shift that made gay liberation possible. Every step of the journey served his writing; one of our greatest diarists, he recorded his experiences and transformed them in fiction and memoir. Katherine Bucknell charts the quest of the restless, penetrating, blackly comic mind through books, films, foreign lands, love affairs, and collaborations toward self-understanding and happiness. Here is Christopher Isherwood Inside Out.
The key interest in the book is the interaction between tour group members on escorted tours, the destinations we visited and my, as a tour manager, view of it all. It is based on real experiences and real people. The book is not chronological and can be read a little at a time or front to back. It is somewhat a travel log. Camels to Caviar helps you look at situations adventures and the people I dealt with from Kathmandu to Timbuktu. It portrays thirty years of my tour managing exotic and adventurous experiences. I also write of the personal growth as I worked through these tours. Nothing was ever the same and the learning curve was there up to my day of retirement. It became a lifestyle, living in a cocoon of self banishment. The characters and names are real as are the travel incidents. If it weren't for all the norms, personalities, unknowns and disasters; the flights, cruise ship calamities and hotel horrors, there wouldn't be "Camels to Caviar". You will read about: tanks surrounding our hotel in Lima altitude sickness at Mt Everest, scenery foods and cultures around the world how a tour manager performs, how I handle the behind the scenes procedures the psychology and behavior of passengers and myself romances on the road sunset in the Sahara Cambodia after Pol Pot Mr. Bill in New Zealand the Maharaja of Baroda interesting and outrageous passengers snip its of the countries we traveled in royal family shockers I give you a vision of the fun and adventure during an escorted tour, as well as an insight to the personalities and unexpected circumstances. This all truly happens on escorted tours around the world. You will be amused and surprised in this tell all of how a tour manager functions during a tour and some of the almost breaking points of our "glamorous" job. Working on cruise ships brought a different type of tour group dynamics and demographics. What happened on board gave tour managing a different edge. I hope this will give you an insight to the intensity, personal journey and joy of my tour manager career. www.camelstocaviar.com
ÊIf You Like Quentin Tarantino...Ê draws on over 60 years of cinema history to crack the Tarantino code and teach readers to be confidently conversant in the language of the grindhouse and the drive-in. What fans love about director Quentin Tarantino is the infectious enthusiasm that's infused into every frame of his films. And Tarantino films lend themselves exceptionally well to reference and recommendation because each itself is a dense collage of references and recommendations. Spaghetti westerns blaxploitation revenge sagas car-chase epics samurai cinema film noir kung fu slasher flicks war movies and today's neo-exploitation explosion: There's an incredible range of vibrant and singularly stylish films to discover. ÊIf You Like Quentin Tarantino...Ê is an invitation to connect with a cinematic community dedicated to all things exciting outrageous and unapologetically badass.
A political satire that reimagines George Wallace's last run for governor of Alabama It's the summer of George Wallace's last run for governor of Alabama in 1982, and the state is at a crossroads. In Katherine Clark's All the Governor's Men, a political comedy of manners that reimagines Wallace's last campaign, voters face a clear choice between the infamous segregationist, now a crippled old man in a wheelchair, and his primary opponent, Aaron Osgood, a progressive young candidate poised to liberate the state from its George Wallace-poisoned past. Daniel Dobbs, a twenty one-year-old Harvard graduate and South Alabama native, is one of many young people who have joined the campaign representing hope and change for a downtrodden Alabama. A political animal himself, Daniel possesses so much charm and charisma that he was nicknamed "the Governor" in college. Nowhe is engaged in the struggle to conquer once and for all the malignant man Alabamians have traditionally called "the Governor." This historic election isn't the only thing Daniel wants to win. During his senior year, he fell in love with a freshman girl from Mountain Brook, the "Tiny Kingdom" of wealth and privilege, a world apart from his own Alabama origins. A small-town country boy, Daniel desperately wants to gain the favor of his girlfriend's family along with her mentor, the larger-than-life English teacher Norman Laney. Daniel also wants to keep one or two ex-girlfriends firmly out of the picture. In the course of his summer, he must untangle his complicated personal life, satisfy the middle-class dreams of his parents for their Harvard-educated son, decide whether to enter law school or launch his own political career, and, incidentally, help his candidate defeat George Wallace, in a close and increasingly dirty race. All the Governor's Men is a darkly comic look at both the political process in general and a significant political chapter in Alabama history. This second novel in Katherine Clark's Mountain Brook series depicts the social and political landscape of an Alabama world that is at once a place like no other and at the same time, a place like all others.
This is the story of the Rankins, a family that embodied the risk and ambition that transformed America. John Rankin arrived in the West chasing the adventure of gold mining but soon turned to ranching and building in the new town of Missoula. There he met Olive Pickering, who had left New Hampshire in 1878 to become a teacher and seek a husband on the American frontier. John and Olive's children continued to demonstrate their parent's ambition and nerve. Their son became one of the biggest landowners in the country, one of the first personal injury lawyers, and a crusader against railroads and mining. Jeannette became the first woman in a national legislature, voted against two world wars and led marches protesting the Vietnam War. As a dean, Harriet helped develop the modern co-educational university. Edna traveled the world advocating for birth control. The Rankins faced both national adulation and condemnation for the choices they made. Their family story concerns independence and education, activism, the boundaries created by gender, religious choices, and the changing meaning of the West.
The guide all college graduates need as they embark on life in the real world Graduation is a time of tough questions whose answers we don’t—and sometimes can’t—know the day we receive our diploma. Determined to power through the uncertainty of post-graduation, bestselling author Katherine Schwarzenegger embarked on a yearlong quest to gather the best guidance possible from more than thirty highly successful people working in fields like business, media, fashion, technology, sports, and philanthropy. Along the way, Katherine uncovered the essential and often surprising advice they have for graduates, including answers to questions like: • How do I find my first job in a tough economy? • How do I decide between a career that pays well and one that I’m passionate about? • How do I balance work with friends, relationships, and family? • Should I take a “gap year” before starting my first job? • What should I do about my student loan debt? Drawing on the stories and real-life experiences of contributors such as Anderson Cooper, Eva Longoria, Blake Mycoskie of TOMS shoes, Lauren Bush Lauren, Andy Cohen, Meghan McCain, Gayle King, and more, Katherine has written the must-have guide for recent and soon-to-be graduates as they prepare to seek success and fulfillment in their work, relationships, and lives.
During her decades-long career in film, author Katherine Ann Wilson has amassed an amazing collection of movie memorabilia from 50 different major motion pictures. There are close to 500 photographs of these artifacts, from wardrobe sketches to call sheets, and some rather encyclopedic items like images of crew badges and set cranes. Katherine has been a mentor for film students as well—starting them as gofers, teaching them set etiquette, then taking them all the way through screenplay, set design, camera composition, auditioning, editing, soundtrack composition, copyright, marketing, premieres, film festivals, and world-wide distribution. More than a resource for film mentors like Katherine, this book answers the most unanswered question: How did you get into the movie business? For readers wanting to know how to stay in it, and how to succeed in it, Katherine delves into the art of filmmaking and her personal experiences.
The television programme American Idol provides a stage where the politics of national, regional, ethnic, and religious identity are performed for millions of viewers. Meizel demonstrates that commercial music and the music industry are not simply forces to be criticised or resisted, but critical sites for redefining American culture.
The North American entertainment industry is rapidly consolidating, and new modes of technological delivery challenge Canadian content regulations. An understanding of how Canadian culture negotiates its rapport with American genres has never been more timely. West/Border/Road offers an interdisciplinary analysis of contemporary Canadian manifestations of three American genres: the western, the border, and the road. It situates close readings of literary, film, and television narratives from both English Canada and Quebec within a larger context of Canadian generic borrowing and innovation. Katherine Ann Roberts calls upon canonical works in Canadian studies, theories of genre, and a wide range of scholarship from border studies, cultural studies, and film studies to examine how genre is appropriated and sometimes reworked and how these cultural narratives engage with discourses of contemporary Canadian nationhood. The author elucidates Guy Vanderhaeghe’s rewriting of the codes of the historical western to include the trauma of Aboriginal peoples, Aritha van Herk’s playful spoof on American western iconography, the politics and perils of the representation of the Canada-US border in CBC-produced crime television, and how the road genre inspires and constrains the Québécois and Canadian road movie. A reminder of the power and limitations of American genres, West/Border/Road provides a nuanced perspective on Canadian engagement with cultural forms that may be imported but never foreign.
Between the 1890s and the 1930s, movie going became an established feature of everyday life across America. Movies constituted an enormous visual data bank and changed the way artist and public alike interpreted images. This book explores modern painting as a response to, and an appropriation of, the aesthetic possibilities pried open by cinema from its invention until the outbreak of World War II, when both the art world and the film industry changed substantially. Artists were watching movies, filmmakers studied fine arts; the membrane between media was porous, allowing for fluid exchange. Each chapter focuses on a suite of films and paintings, broken down into facets and then reassembled to elucidate the distinctive art–film nexus at successive historic moments.
A reader for introductory composition courses, this text is designed to encourage students to make informed opinions or observations about topics that matter to them in a variety of forums, such as expressive writing, classroom discussion and formal essays. The readings come from various sources including newspapers, magazines and books, and have almost all been published in the 1990s.
This volume is a collection of writings by and about Katherine Dunham, the African American dancer, anthropologist and social activist. It includes articles, her essays on dance and anthropology and chapters from her volume of memoirs, 'Minefields'.
Hollywood's conversion from silent to synchronized sound film production not only instigated the convergence of the film and music industries but also gave rise to an extraordinary period of songs in American cinema. Saying It With Songs considers how the increasing interdependence of Hollywood studios and Tin Pan Alley music publishing firms influenced the commercial and narrative functions of popular songs. While most scholarship on film music of the period focuses on adaptations of Broadway musicals, this book examines the functions of songs in a variety of non-musical genres, including melodramas, romantic comedies, Westerns, prison dramas, and action-adventure films, and shows how filmmakers tested and refined their approach to songs in order to reconcile the spectacle of song performance, the classical norms of storytelling, and the conventions of background orchestral scoring from the period of silent cinema. Written for film and music scholars alike as well as for general readers, Saying It With Songs illuminates the origins of the popular song score aesthetic of American cinema.
The New England town of Dorsetville, “where miracles are never far away,” faces unexpected challenges in this much-anticipated fourth volume of Katherine Valentine’s beloved series. The rumor mill is running at full speed: the Country Kettle Café, meeting place for everyone who’s anyone, may close down now that the owner’s wife has struck it rich. Deputy Hill is devastated over his open-ended assignment to the graveyard shift, his just desserts for having nearly wrecked a car and a wedding in one unfortunate mishap. Then tragedy strikes: the Gallagher twins are fighting for their lives after a fall through the ice—one on life support and the other in a coma. Doc Hammond is waging his own battle for life while helping the twins. More than ever, Dorsetville needs a miracle. From the Trade Paperback edition.
Aesthetics and Film is a philosophical study of the art of film. Its motivation is the recent surge of interest among analytic philosophers in the philosophical implications of central issues in film theory and the application of general issues in aesthetics to the specific case of film. Of particular interest are questions concerning the distinctive representational capacities of film art, particularly in relation to realism and narration, the influence of the literary paradigm in understanding film authorship and interpretation, and our imaginative and affective engagement with film. For all of these questions, Katherine Thomson-Jones critically compares the most compelling answers, driving home key points with a wide range of film examples including Wiene's The Cabinet of Doctor Caligari, Eisenstein's October, Hitchcock's Rear Window, Kubrick's The Shining and Sluizer's The Vanishing. Students and scholars of aesthetics and cinema will find this an illuminating, accessible and highly enjoyable investigation into the nature and power of a technologically evolving art form.
Examining how the discourses of youth, race, poverty and identity take shape when Push is adapted to the big screen, this book brings together valuable research to delve into representations of African-American girlhood. The book draws attention to how Black girlhood takes shape in the film under the dominant White discourses that racialise non-White bodies, and examines how these discourses inform a critical reception of the film and Precious, as a Black girl. Through a consideration of Black culture and heritage, it questions what narratives of girlhood, growth and development are afforded to the main character, in a film that is informed by neoliberal and colour-blind discourses. Highlighting the social context in which Precious was received, the book draws attention to how a discussion of Precious in the critical press gives insight into the racial politics that were dominant at the time of the film’s release. It considers whether race impacts how the film engages with, reflects and moves beyond conventions within the genre of youth film. Concise and engaging, this vital book sheds light on underrepresented areas of film studies that make it an invaluable resource for students and scholars of film, race and youth cultures.
They say in L.A. everybody is writing a screenplay. With The Perfect Screenplay, everybody everywhere will be writing well-presented, saleable screenplays. Packed with tips from an insider on how Hollywood operates, testing script ideas, building structure, and marketing the final screenplay, this book is the key to getting work read and sold. A resource list gives Web sites, agents, and more. Writers will be thanking the little people—and The Perfect Screenplay. • Written by a top Hollywood script analyst • From computer screen to silver screen in clear, easy-to-follow steps Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
More than 1,200 entries, The vampire companion offers an insightful exploration, appreciation, and interpretation of all the characters and events, names and places, symbols and themes in the five volumes of The vampire chronicles.
When a runway model in 1940s Hollywood makes a split-second decision intended to protect those she loves, she triggers a cascade of secrets that threatens to upend her daughter’s life decades later. After winning a prestigious fashion design contest in 1948, Aster Kelly flees the world of modeling in New York and arrives in Beverly Hills to claim her prize: a design apprenticeship with Fernando Tivoli. But Fernando has no such job available. He’s busily preparing for the opportunity of a lifetime—proving to Galaxy Studios that he is the perfect couturier for their A-list stars. The moment he meets Aster, though, he knows she’s the missing ingredient he needs and asks her to be his stand-in model for Lauren Bacall. Aster is dismayed to once again have her creative potential sidelined, but when Fernando promises to mentor her if he wins the contract, she agrees. Aster and Fernando quickly become romantically entangled with Hollywood insiders—Aster with the head of Galaxy Studios, Fernando with their biggest up-and-coming star, Christopher Page—and Aster and Fernando’s friendship becomes essential as they navigate a glamorous and complicated existence where what’s real must often be hidden, and no one is quite who they seem. As Aster’s ambitions grow and she faces a crisis, and Fernando’s future is threatened by the judgmental Hollywood machine, Aster makes a decision that changes the trajectory of their lives forever. Twenty-five years later, despite knowing little of her mother’s time in Hollywood and being raised well outside the reaches of fame, Aster’s daughter Lissy is poised to become a Broadway star. But when the musical gets off to a rocky start, Lissy makes a rash decision of her own in an attempt to save the show. And when long-buried secrets blindside them both, mother and daughter are forced to question everything they thought they knew. The Hidden Life of Aster Kelly is a story about the bonds of chosen family, the cost of fame and the enduring strength of love that will keep you guessing until the last page.
From prospectors to politicians, promoters to profiteers, New Westminster’s known them all. It is Western Canada’s oldest city, aptly named by Queen Victoria as the first capital of the new colony of British Columbia. On the mighty Fraser River, it has survived gold rushes, loss of capital status, fire, flood, the Depression, and two world wars. This collection of illuminating black and white photographs, artwork, and text shows how its tenacious citizens have thrived. It follows the city’s festivals, traditions, organizations, people, and neighbourhoods. The city has both witnessed and been the centre of the fascinating events that shaped B.C. This multifaceted photographic history album depicts almost 150 years of the City of New Westminster.
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