Katharine Cleland's Irregular Unions provides the first sustained literary history of clandestine marriage in early modern England and reveals its controversial nature in the wake of the Elizabethan Religious Settlement, which standardized the marriage ritual for the first time. Cleland examines many examples of clandestine marriage across genres. Discussing such classic works as The Faerie Queene, Othello, and The Merchant of Venice, she argues that early modern authors used clandestine marriage to explore the intersection between the self and the marriage ritual in post-Reformation England. The ways in which authors grappled with the political and social complexities of clandestine marriage, Cleland finds, suggest that these narratives were far more than interesting plot devices or scandalous stories ripped from the headlines. Instead, after the Reformation, fictions of clandestine marriage allowed early modern authors to explore topics of identity formation in new and different ways. Thanks to generous funding from Virginia Tech and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.
Katharine Cleland's Irregular Unions provides the first sustained literary history of clandestine marriage in early modern England and reveals its controversial nature in the wake of the Elizabethan Religious Settlement, which standardized the marriage ritual for the first time. Cleland examines many examples of clandestine marriage across genres. Discussing such classic works as The Faerie Queene, Othello, and The Merchant of Venice, she argues that early modern authors used clandestine marriage to explore the intersection between the self and the marriage ritual in post-Reformation England. The ways in which authors grappled with the political and social complexities of clandestine marriage, Cleland finds, suggest that these narratives were far more than interesting plot devices or scandalous stories ripped from the headlines. Instead, after the Reformation, fictions of clandestine marriage allowed early modern authors to explore topics of identity formation in new and different ways. Thanks to generous funding from Virginia Tech and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.
United Nations Champion of the Earth, climate scientist, and evangelical Christian Katharine Hayhoe changes the debate on how we can save our future in this nationally bestselling “optimistic view on why collective action is still possible—and how it can be realized” (The New York Times). Called “one of the nation’s most effective communicators on climate change” by The New York Times, Katharine Hayhoe knows how to navigate all sides of the conversation on our changing planet. A Canadian climate scientist living in Texas, she negotiates distrust of data, indifference to imminent threats, and resistance to proposed solutions with ease. Over the past fifteen years Hayhoe has found that the most important thing we can do to address climate change is talk about it—and she wants to teach you how. In Saving Us, Hayhoe argues that when it comes to changing hearts and minds, facts are only one part of the equation. We need to find shared values in order to connect our unique identities to collective action. This is not another doomsday narrative about a planet on fire. It is a multilayered look at science, faith, and human psychology, from an icon in her field—recently named chief scientist at The Nature Conservancy. Drawing on interdisciplinary research and personal stories, Hayhoe shows that small conversations can have astonishing results. Saving Us leaves us with the tools to open a dialogue with your loved ones about how we all can play a role in pushing forward for change.
In this compelling new addition to Sandra M. Gilbert's Ad Feminam: Women and Literature series, Katharine Ann Jensen examines the cultural form of the love letter and its intersection with the novel in the works of seventeenth- and eighteenth-century French women writers. Traditionally, French literary history has focused on eighteenth-century male writers Rousseau and Laclos as the master artists of the epistolary novel. That emphasis on one century, one gender, and one epistolary form--the novel--obscures the history of women's writing in France. In the seventeenth century, the love letter was viewed as a feminine literary form in which a woman's passionate and emotional "nature" found its logical expression. Such emotional writing was criticized for its structural and grammatical imperfections, rendering it--in the eyes of men--invalid as true "literary" material. However, men often wrote under female pseudonyms, composing letters of seduction and betrayal that were published as true accounts. Jensen contends that men disguised their words as women's words because writing as women allowed them to experiment with narrative fiction at a time when men's writing was rigidly defined by classical rhetoric. She further argues that men were able to moderate women's linguistic strengths by limiting their epistolary expertise to a social, rather than literary, practice, thereby maintaining literature as an almost exclusively male province. Jensen argues for a tradition of women's writing by examining both the love letters and novels of such writers as Desjardins, Ferrand, Graffigny, Riccoboni, and Lespinasse. In her novel Les Désordres de l'amour, Desjardins (Madame de Villedieu) creates an ambitious, letter-writing heroine. Through an analysis of the textual similarities between the heroine's letters and Desjardins's personal love letters to her unfaithful lover, Jensen concludes that Desjardins rewrites her own unfortunate epistolary relationship. Jensen draws similar conclusions from an examination of the personal letters of Ferrand in relation to her novel Histoire des amours de Cléante et de Bélise. In order to chart the legacy of seventeenth-century feminine epistolarity, Jensen goes on to consider the works of eighteenth-century French women writers. Like Desjardins's novel, Graffigny's Lettres d'une Péruvienne and Riccoboni's Lettres de Mistress Fanni Butlerd present letter-writing heroines who overturn the conventions of seduction and betrayal in order to claim their independence and desire to write. This desire correlates to Graffigny's and Riccoboni's own writing ambitions, thereby asserting the ability of women to write self-consciously, rather than emotionally, and to create narrative fiction rather than cyclical letters of love and suffering. Jensen demonstrates that these assertions constitute a significant break with seventeenth-century ideas about feminine letter writing that inextricably bind women to a supposedly natural language of sexual and literary disempowerment. This important and insightful book will prove a valuable addition to the libraries of scholars in French seventeenth- and eighteenth-century studies, feminist studies, epistolary fiction, and novel and narrative studies.
This book draws on the recent remarkable advances in speech and language processing: advances that have moved speech technology beyond basic applications such as medical dictation and telephone self-service to increasingly sophisticated and clinically significant applications aimed at complex speech and language disorders. The book provides an introduction to the basic elements of speech and natural language processing technology, and illustrates their clinical potential by reviewing speech technology software currently in use for disorders such as autism and aphasia. The discussion is informed by the authors' own experiences in developing and investigating speech technology applications for these populations. Topics include detailed examples of speech and language technologies in both remediative and assistive applications, overviews of a number of current applications, and a checklist of criteria for selecting the most appropriate applications for particular user needs. This book will be of benefit to four audiences: application developers who are looking to apply these technologies; clinicians who are looking for software that may be of value to their clients; students of speech-language pathology and application development; and finally, people with speech and language disorders and their friends and family members.
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